BANGLADESH’S army and police patrolled empty streets on Thursday (1) as a strict week-long Covid-19 lockdown began, with people confined to their homes except for emergencies and purchase of essentials.
The government said the country of 168 million people is seeing an "alarming and dangerous" rise of new infections, blamed largely on the highly infectious delta variant.
Hospitals are struggling, particularly in areas bordering India where the strain was first detected in the country. Some rural towns have recorded infection rates of 70 per cent.
On the first day of the week-long shutdown, Dhaka's normally bustling streets were deserted as soldiers in military fatigues carried out patrols and set up checkpoints.
Dhaka's police chief said anyone leaving home “without a good reason” would be fined and may face arrest.
"If we need to file 5,000 cases and arrests a day, we will," Shafiqul Islam said.
The shutdown announcement last week sparked an exodus of migrant workers from Dhaka, with thousands cramming onto dangerously packed ferries in the delta nation.
"We are hopeful these tough measures will work. We have to contain the virus at any cost," health department spokesman Robed Amin said.
But Sagar, an 18-year-old street food seller in Dhaka, was angry.
"The government is imposing the lockdown only to kill the poor. There will be no work for us, no help from anyone," he said.
All offices and shops were shut with only local food markets allowed to open for a few hours a day.
However, garment factories that form a key pillar of the Bangladeshi economy are allowed to open. Stock markets and commercial banks can also operate for a few hours a day.
Touhidul Islam Chowdhury, who owns a small loan recovery firm, said the shutdown should be enforced strictly.
"A lot of people are dying and getting infected," he said. "The army should have deployed much earlier."
Bangladesh has reported nearly 900,000 infections and more than 14,500 virus deaths.
More than two-thirds of new cases in Dhaka are of the delta variant, according to a recent study by the Dhaka-based International Centre for Diarrhoeal Disease Research.
Unlike the previous two waves, the rural heartland where more than 60 per cent of the population live has been hit, with reports saying local graveyards are overwhelmed.
In Satkhira district in the southwest, authorities are probing media reports that seven coronavirus patients died after a hospital ran out of oxygen, local official Humayun Kabir said.
Television footage showed hundreds of people crowding a top hospital in Dhaka for Covid-19 vaccines.
The first phase of the vaccination drive ground to a halt after India stopped exporting AstraZeneca vaccines earlier this year to focus on its own needs.
Bangladesh is expected to receive this weekend the first shipment of 2.5 million Moderna vaccines promised by the United States.
A Chinese embassy official said Beijing is also sending about two million Sinopharm vaccine doses that Dhaka bought, adding to the 1.1 million shots already donated by China.
UK music industry continue to face systemic barriers that hinder progress, visibility, and career growth – despite decades of contribution and cultural influence, a new report has revealed.
The study, South Asian Soundcheck, published last Tuesday (7), surveyed 349 artists and professionals and found that while many are skilled and ambitious, structural obstacles are still holding them back.
Prepared by Lila, a charity focused on empowering south Asian artists and music professionals, the survey showed that nearly three-quarters of respondents earn some income from music, but only 28 per cent rely on it full time.
More than half struggle to access opportunities or funding, and many said they lack industry networks or knowledge about contracts and rights.
Beyond structural issues, almost half said they face stereotypes about the kind of music they should make; two in five encounter family doubts about music as a career, and one in three has experienced racial discrimination.
Although 69 per cent said there was progress in visibility, but 68 per cent still feel invisible within the industry.
Respondents sought urgent action, including mentorship and networking opportunities, stronger south Asian representation in key industry roles and fairer access to funding.
Veteran musician and composer Viram Jasani, who chaired the Asian Music Circuit and led a national enquiry into south Asian music in 1985, told Eastern Eye the findings were “disheartening”.
“I read the report and my heart sank – it feels as though nothing has changed,” he said.
“Back in 1985, we had already identified the same problems and made clear recommendations for better representation, employment and long-term support. Four decades later, we are still talking about the same issues.”
Jasani, a sitar, tabla and tambura expert, said the report focused mainly on modern genres and overlooked traditional south Asian music, which he believes is central to cultural identity.
“Since colonial times, British attitudes have not changed much,” he said. “If they can erase Indian traditional culture and create a community that lives entirely within an English cultural bubble, then they will have succeeded.”
He added that young south Asian artists were often drawn to Western contemporary music, while neglecting their own heritage.
“We are brilliant in Western genres, but that should come after we are grounded in our traditional shashtriya sangeet (classical music),” he said. “Without that foundation, we lose our sense of identity.”
Jasani also warned a lack of unity within the south Asian community continues to weaken its cultural progress.
He said, “People compete with each other while the world watches. For too long, massaging egos has taken priority over producing the best of our culture.”
According to the survey, one in three has experienced direct racial discrimination. One respondent said, “There are virtually no visible and successful south Asian artists in the mainstream – people simply do not know where to place us.”
Another added: “I want south Asian artists to be part of the collective mainstream industry, not just put on south Asian-specific stages or events.”
While the visibility of south Asian artists has improved, with more names appearing on festival line-ups and in the media, the study revealed this progress remains “surface level”.
Lila’s founder, Vikram Gudi, said the findings show progress has not yet been translated into structural inclusion.
“The data exposes what we call the progress paradox. Seventy-three per cent of the people we surveyed earn some money from music, but only 27 per cent earn enough to rely on it as a sustainable career,” he said.
“The Soundcheck gives us the evidence to enact real change and identifies three essential needs – mentorship, representation, and investment.”
Three-quarters of participants said mentorship from experienced professionals would make the biggest difference to their careers. Many stressed the importance of being guided by people who “understand how the industry works and can connect them to decision-makers”.
Nearly the same proportion called for greater south Asian representation across the music industry – not just on stage, but within executive, programming and production roles at festivals, venues, record labels and streaming services.
Dedicated funding also emerged as a priority, with many describing the current grant systems as inaccessible or ill-suited to the diverse and cross-genre work that defines south Asian creativity today.
Two in five respondents reported that family or community resistance remains a challenge, often due to the perceived instability of a music career. The report argued this scepticism is “economically logical”, when there are so few visible south Asian success stories in the mainstream.
Responding to the report, Indy Vidyalankara, member of the UK Music Diversity Taskforce and BPI Equity & Justice Advisory Group, said: “South Asian music is rich, vibrant, and hugely influential. We need south Asian representation at every level of the ecosystem, plus support and investment to match that influence.”
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