ACTRESS Anushka Sharma has been testing herself with a wide array of roles in recent years and continues that trend with a challenging role in this month’s big Bollywood release Sui Dhaaga: Made In India.
She stars opposite Varun Dhawan in the uplifting drama about dreaming big and battling against the odds to achieve that.
caught up with Anushka to find out more about the film, her amazing social work and more.
You have become very unpredictable with your choices. How are you selecting the projects you are doing?
I’m always looking out for different stories and different characters. For an actor it’s very important to constantly keep reinventing yourself so you show a different side of yourself to your audience, because that’s the only way you will be able to sustain their interest and faith in you. I think experimenting with roles in films is very important – it is reaching out to your audience in the best way possible, of course.
It seems like you are happiest when you are out of your comfort zone?
Actually that’s very true and a good observation. I am happiest when I play a character who is very different from my own personality. I feel like I can really express myself. And when I say myself, I mean myself as an actor too. My real personality – I’m very quiet actually, I don’t really have a very strong personality in that sense, so I feel like when
I have a different character to play, I can really put my all in there. I think it’s very boring to be yourself on screen – it’s a lot of fun when you’re able to be someone else.
But is it true that you thought Sui Dhaaga was too challenging even for you?
Yes, it is true that it was challenging for me because it was a film in which I was playing
a character who was totally different from who I am as a person. And I had to really understand that her instincts were very different from my own, so I could not
rely on my own instincts as a person. I had to have different thoughts and different instincts for her, which were unique to her. And to get those, and to inculcate that faculty inside me. I had to really understand this person and where she came from, her aspirations and her situation. That is something I had to work on, and hopefully I have been able to do it.
What did you most like about the project?
What I liked was the creative process. Sharat [Katariya] was a good director to have worked with and Varun [Dhawan] was a very engaging co-actor. And I think the entire team in terms of the producers, editors, lyricist and everybody, were really those who believed in this film. So I think these reasons have been interesting for me.
Tell us about the story and your character?
The character I play in Sui Dhaaga comes from a low-middle class family. She was married off when she was much younger, she’s not very educated and is busy with her work in her house, just running the house and everything.
But she really doesn’t feel like she has ever been able to express herself or her opinions, other than in matters of the housework and all that. In the larger scheme of things in the home, she hasn’t mattered. She’s a woman who has a mind of her own and through the film, she and other people discover that about herself – that she has a personality
which is unique and strong, and a mind that is active and opinionated.
But her way of expression was going to be very different from perhaps women like me, who are more privileged and have been given way more opportunities. I think that it was what was interesting to me about playing this character.
What was the biggest challenge of this role?
Like I said, I was playing someone who was so different from me in terms of her instincts, behaviour and personality, so I could not rely on my own instincts as a person, because that would not be true to the character.
What was the biggest thing that being part of this movie taught you?
This film has really taught me how it doesn’t matter where you come from, it’s where you want to go. If you persevere in doing something, and if it comes from a good place, then you will succeed in life. These are the things that have stuck with me.
Is it fair to say this is an emotional film?
Yes, it is definitely an emotional film. But at the same time the emotion is not, you know, soppy. It’s very uplifting somehow. And I think it’s something that everyone will be able to connect to.
So who are you hoping connects with the film?
I think it’s a very wide-ranging film and I do think that it can reach out to as many people as it should. It’s a universal film because the concept is so universal and everybody will be able to relate to it. It’s a family film, so I think we are reaching out to any and everybody.
You must be happy with the incredible response the trailer has received?
Yes, we are very excited and very happy. The trailer has got a good response and people have really understood the film for what it is. So I’m very pleased about how it has been received.
This film does impart an important message, but what social causes are closest to your heart?
Well, anything to do with children, education, and women empowerment are things I feel very strongly about. But apart from these causes, I have been very actively and forcefully working towards animal rights and animal welfare, because I think that is something that requires attention.
There is a huge section of people who are not compassionate enough to animals because they do not see them as important as a human life. So creating awareness and talking about that seems like a very important thing for me to do. We all understand that in terms of being part of the environment and part of Mother nature, no one life is more important
than the other, and when one thing is not taken care of, it adversely affects everybody. This is something that I always try to speak about.
You will be starting an animal shelter soon?
I have announced that I’m going to be starting a shelter very soon. I have already got the land for it, and the shelter is being built to take care of animals, sort of like a rehab for old animals, those that have retired from work, and of course for any animals we can help and take care of, and provide medical assistance to.
Today what inspires you most?
I think what inspires me the most is when I see some act of goodness around me, which happens naturally and organically, and is not forced and fake. I think also somewhere where I see people just enjoying their work, whatever it may be, taking pride in the work they are doing, and doing it with a lot of fun and happiness. That really inspires me,
and I really appreciate such people.
Your production house has done a great variety of movies, but what can we expect next?
We will carry on doing a lot more interesting work – the idea is to always create more content and tell different stories. We will also be doing some very interesting work in
the digital space, so that is a big announcement we will be making soon.
You have achieved a lot, but do you have any great unfulfilled cinematic ambitions like a dream role?
I don’t have any ambitions actually in terms of dream roles, but my ambition is basically
that I want to be living in the moment and seeing the scripts that are coming to me and then deciding what excites me, like how Sui Dhaaga excited me when I read it. So
I think I just try to react to the moment.
How much have you enjoyed the whole process of having a fashion label?
I have really enjoyed it. I’m really happy with the way the brand is doing also and the faith that we are instilling in our customers. It’s getting bigger, our collections are available now in most places and on more platforms, and I believe that is a really good sign for us. It is all very exciting and also very encouraging.
What can we expect next from you in terms of projects?
The next film I’ll be doing it Zero. It is going to come out very soon, so that’s the next
release that I will have. And other than that, like I said before, announcements will
be made shortly.
Finally, why should we watch Sui Dhaaga?
You should watch it because it’s a good film.
Sui Dhaaga: Made In India is in cinemas next Friday (28).
DR ZEUS’S GLOBAL VIEW
THE hotly anticipated Dr Zeus album Global Injection will be released later this month and has a number of big-name guest appearances on there.
The ace British music producer (above) has been working hard on the songs and early indications are it will be the best album of 2018.
Zeus told me: “I have been lucky to release a number of albums and feel blessed
they have been loved, but this is my best yet and it’s been a long time coming. I have worked really hard on the album and am proud of every single track. Thanks to all those who worked on the album, including the amazing vocalists who helped realise my vision.”
UDAY LIGHTS UP TWITTER
ACTOR turned producer Uday Chopra recently wrote a post on social media asking for India to legalise marijuana and gave various reasons, before stating that he doesn’t use the drug himself. He was told off by the Mumbai police for his tweet and was also not surprisingly trolled, with one person suggesting he needed something to forget that despite getting so many gold-plated opportunities in life, he still hasn’t been able to make a mark.
SONAM SHARES STORIES
ACTRESS Sonam Kapooor recently revealed tantalising details about her husband Anand Ahuja, including saying he doesn’t have much of an imagination in bed and that he had initially tried to set her up with one of his friends.
She also revealed how he proposed, saying: “We were in New York and one day when he was biking and I was walking alongside, I was being a brat, having a crappy day. I was complaining about how there was no good person in New York. He got off, got down on one knee and asked if I wanted to marry him.”
ABHISHEK AND HIS CHOICES
I HAD said previously that Abhishek Bachchan was right to refuse Paltan because it would be a disaster and opt for Manmarziyaan instead, which I predicted would get
much better reviews, but not generate huge numbers. I was right on all counts because Paltan flopped and Manmarziyaan received solid reviews, but not the blockbuster numbers the actor’s career so desperately needs. I hope Abhishek can find a commercial project worthy of his talent because the one thing that Manmarziyaan did show is that he is a fine actor.
FREIDA: IN A GOOD PLACE
SHE may have found global fame after the incredible success of 2008 Oscar winning
film Slumdog Millionaire, but Freida Pinto recently confessed that she felt lost for a long time because she was just doing whatever work came her way and lacked confidence.
But she took a break and has now returned emotionally stronger.
She said: “Today, I’m sure I don’t feel lost anymore. I can accept my flaws and speak my mind. And I am the happiest that I have been.”
Freida will now hopefully choose better projects worthy of her talent and perhaps take advice from her ex-boyfriend Dev Patel, who is making great professional choices.
THE best thing that happened to Vaibhav Suryavanshi is that he was out for 0 in the innings that followed his sensational 35-ball century in the Indian Premier League (IPL).
Batting for Rajasthan Royals against Gujarat Titans last week, the 14-year-old took down some of the world’s best bowlers in a 38-ball innings that included 11 sixes and seven fours.
In his very next innings, he was out for a two-ball duck against Mumbai Indians. Then he got 4 against Kolkata Knight Riders.
Such is cricket, the great leveller.
Rajasthan’s bowling coach, Shane Bond, revealed that the team management was being cautious with the teenage talent.
“The coaching staff haven’t tried to complicate things too much with Vaibhav. He’s sort of got a bit of a licence to go out and just play. He’s done an amazing job so far, really, for a 14-year-old. He missed out in the last game, but you don’t really want to panic with someone so young,” Bond said at a prematch press conference.
“I know Vikram (Rathour) talks about his game plans and the type of bowlers that he’s going to come up against and he’ll do that again. But outside of that, he’s a pretty young kid, so I’m happy for him to get out there and keep swinging.”
Bond emphasised the importance of patience when nurturing a player so young.
“He’s obviously a seriously talented player, but he’s also still a kid. So, he’s sort of learning on the go, we’re going to be really patient with him because you have to be. And the other part of it is just all the off-field stuff, the travel, you can’t expect a 14-year-old to be a professional. I’ve got a 16-year-old son. He’s (Suryavanshi) a teenager, so we’re just trying to educate him on the things around and look after him, shield him a little bit from the social media stuff and all the trappings that come with the way he started, but he’s a lovely kid.”
Nigel Farage
Reuters
Born in Samastipur, a small district in the state of Bihar, he quickly showed promise. His father, Sanjeev Suryavanshi, himself a clublevel cricketer, saw a spark in his son. But there were no proper academies in the district, so he started training at home from the age of five.
Failure might help the boy to mature. I remember interviewing Sachin Tendulkar in Mumbai when he was 16, but the sports editor of the Sunday Times – the paper for which I then worked – wouldn’t carry the piece “because we are a national newspaper and we don’t publish stories about little schoolboys”.
All that changed, of course, when Sachin hit his first Test century against England at the age of 17. He went on to make 100 international hundreds – he scored 15,921 runs in Tests, with 51 centuries; and 18,426 runs in ODIs with 49 tons.
Sachin went into cricket because he loved the game. What has changed is that fathers now push their sons (and sometimes daughters, too) into cricket as a way to make the family fortune. Ads featuring cricketers are ubiquitous. It seems like they are more businessmen who also play cricket.
In a curious way, Reform’s success in the local government elections – it triumphed in the Runcorn and Helsby byelection by just six votes and also won 677 council seats – may, in hindsight, prove to be the worst thing to have happened politically to the party’s leader, Nigel Farage.
It’s one thing to make promises in opposition, quite another to be exposed as being ineffective in government. The economic and many other problems that Britain has, including the people who arrive by boat, defy easy solutions. Migrants, legal and illegal, find it easy to get work which local people are no longer willing to do. Farage is trying to ape Donald Trump in America, but he hasn’t said how he is going to encourage the unwilling back to work.
The rise of Reform does pose a dilemma for British Asian voters, especially British Indians, who are seeking a political home. There are some Conservative politicians who say the party should move to the right and form an alliance with Reform. But the Tories cannot win a general election by abandoning the centre ground of British politics.
The prime minister, Sir Keir Starmer, it has been suggested by some commentators, might also move to the right to meet the challenge of Reform. He is apparently considering a reshuffle to give his cabinet a fresh look. Of course, he won’t do what is necessary – move Rachel Reeves.
It is useless for anyone to pretend the chancellor has been a success. Far from raising money for state school teachers, her VAT raid on the private sector has been counterproductive. Every few days a private school closes.
Governors at St Anselm’s prep school near Bakewell in Derbyshire, in the heart of the Peak District – it was founded in 1888 have concluded it is unsustainable in light of government tax changes and falling pupil numbers.
The prime minister won’t move the chancellor, because that would undermine his own credibility. It would have been better if the British electorate had voted in a Labour government, but not with a landslide majority.
The title, “Restoring Control of the Immigration System”, makes 'control' the core message of the immigration white paper. “Take Back Control” was the opening riff of prime minister Sir Keir Starmer’s launch speech, contrasting the slogan that won the Brexit referendum with the soaring immigration that followed. Home secretary Yvette Cooper alliterates control, contribution and cohesion as her key principles.Control means different things to different people. Key questions remain about how this white paper will apply it in principle and practice.
Does control primarily mean choosing or reducing immigration? If we select the immigration that reflects Britain’s interests – and, hopefully, our values too – how far is the key test how low the numbers go?
Starmer and Cooper are pledging significantly lower numbers, seeing that as what the public most want to hear. The biggest secret in Britain is how much immigration already fell in the last year. Ten days after the white paper, the Office of National Statistics will confirm that net migration is a few hundred thousand below the 728,000 final score of the last government.
Net migration “must come down” more to be “sustainable”, says this white paper, hinting that the precedented range of 200,000 to 300,000 is where ‘normal’ might begin, testing Labour’s refusal to set a target.Half of the public want overall numbers down - but selectively. There is no public majority to reduce any of a dozen work and study roles, according to new Focaldata research for British Future.
Most ‘reducers’ prioritise regaining control over small boats. A quarter think overall numbers matter most. The dilemmas of control – how to balance the pressures of a rising population with the gains from immigration – have been intensely debated over the past two months. But it was largely a private debate inside government. The Home Office expected special pleading from every sector, so left it to government departments to make the case for external stakeholders.
Universities feared fatal damage to fragile finances from a drive to cut international student numbers. A more modest tweak to post-study work visas – now 18 months, instead of 24 – keeps this selling point in the UK’s pitch to Indian students. The Treasury will explore a levy on international student fees in the budget.
Health secretary Wes Streeting backed the unexpected decision to scrap the bespoke care visa. Most people do not define contribution by salary alone. Care workers are, after nurses and doctors, among the most popular migrants in Britain. Twice as many people would increase rather than reduce the numbers. Care visas accounted for much of the pre-2023 surge and 2024 collapse of the visa numbers. But oversight of when it was used legitimately or fraudulently, exploitatively or outside its purpose, was weak. The public will need reassurance that the government has a workforce plan. Existing care workers can extend to 2028. The care sector might, like any other sector, negotiate some shortage visas during the transition too.
This white paper talks about integration in principle, but its proposals may impede it in practice. New standards for English language could help, with practical back-up. A new ‘earned settlement’ message underpins a three-tier system. The numbers focus means inviting fewer people to stay. That may deliver more ‘churn’ of migration without, by design, trying to enhance the integration of guest-workers. Some people will qualify for settlement in five years, but others in ten. Giving new arrivals more clarity about temporary schemes versus settlement routes may be fair. Making those already here wait five more years would have risks for child poverty and ethnic disparities. A wide review of citizenship policy should identify both the necessary requirements and unnecessary impediments to people becoming British.
Small boats are the big control challenge. Despite Starmer’s rhetoric about the “open borders experiment” of his predecessors, he inherits asylum chaos from a botched experiment in trying to close the borders to asylum. Passing law after law pledging to remove anybody who arrived without permission was a bluff without a real-world plan. Cutting the visas that government does control will not distract from a continued lack of control in the Channel. The best shot at an orderly, humane system is to talk with France and Europe about making managed humanitarian routes, along with enforcement and returns, tools for regaining border control.
Most people are balancers on immigration – if we do not confuse Reform leader Nigel Farage’s core vote with a guide to how most people think. The control challenge is not who can talk toughest, or pitch the lowest number, with or without any plan to deliver. Fusing control and contribution with compassion would resonate with Britain, if the citizenship agenda which came with it was more proactive than punitive.The public want competence too - but have ceased to expect it. Making promises that can be kept could be the key to taking back control of the immigration politics too.
Sunder Katwala
Sunder Katwala is the director of thinktank British Future and the author of the book How to Be a Patriot: The must-read book on British national identity and immigration.
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Menopause is not an end – it is a transformative phase, a powerful invitation to rediscover yourself
The heat flares up, then fades, leaving behind a chill of uncertainty. Menopause is not just a physical challenge; it is a profound emotional shift, a re-evaluation of identity, roles and the future. What begins with whispers – missed periods, sleepless nights, brain fog – can escalate into a roar, drowning out the quiet undercurrents of emotional upheaval.
We may find ourselves lost, questioning who we are, grappling with a sense of loss, and battling the unwelcome guests of anxiety and irritability.
Yet, amidst this turbulence, a lighthouse shines: Mindfulness-Based Cognitive Therapy (MBCT). Scientific research shows that MBCT can ease the psychological symptoms of menopause and enhance quality of life.
It is not a quick fix, but a gentle, transformative journey towards balance and thriving. Imagine learning to observe the storm within – not as a helpless passenger, but as a seasoned sailor, skilfully navigating each wave.
MBCT, rooted in mindfulness and cognitive behavioural therapy, teaches us to observe our inner world with care. We learn to acknowledge our thoughts and emotions not as absolute truths, but as passing mental events. This awareness becomes our anchor, keeping us grounded amid the tides of worry, self-doubt and self-criticism.
One of MBCT’s most powerful benefits is the cultivation of self-compassion. How often do we berate ourselves for struggling through change? MBCT gently encourages us to offer ourselves the same kindness we would give a dear friend. The harsh inner critic softens, replaced by a more nurturing inner voice. We begin to say, “This is difficult, and I will be kind to myself,” instead of, “Why can I not handle this?”
In essence, MBCT builds emotional resilience. It equips us to navigate the menopausal rollercoaster with steadiness. Rumination – the endless loop of negative thinking – often amplifies emotional distress. Worries about ageing, health, or shifting relationships can become overwhelming. MBCT offers tools to interrupt this cycle. By anchoring in the present moment, we create space between ourselves and our intrusive thoughts. We learn to notice them, acknowledge them, and gently guide our attention back to what truly matters, like bringing a lost mind home.
Practical MBCT tips in order to support your menopause journey: Mindful breathing: Find a quiet space and follow the rhythm of your breath. Even a few minutes can instil calm.
Body scans: Lie down and bring your awareness to each part of your body in turn. This cultivates a deeper, non-judgmental connection with yourself.
Mindful movement: Try gentle forms of exercise such as yoga or tai chi, focusing on bodily sensations and movement.
Notice your thoughts: Pause throughout the day to observe your thoughts, acknowledging them without engaging.
Guided meditations: Explore guided meditations specifically designed for stress reduction and emotional well-being.
Menopause is not an end – it is a transformative phase, a powerful invitation to rediscover ourselves. Through MBCT, we can move from merely managing symptoms to truly thriving – with greater awareness, compassion and inner strength. This new chapter can be met not just with endurance, but with grace and wisdom.
For more listen to Healing Place podcast, Instagram @healingplacepod @itsmitamistry
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Nigel Farage celebrates his party’s narrow win in the Runcorn & Helsby by-election last week
AS A turquoise tsunami broke across the county councils of England, sweeping the Conservatives out of local power everywhere, Nigel Farage – rather than Sir Keir Starmer or Kemi Badenoch – is clearly making the British political weather.
The political future has rarely seemed so unpredictable. Yet there were several precedented echoes of past Farage breakthroughs too.
This was the third time in just over a decade that a Farage-led party has topped the polls, having won the 2014 and 2019 European elections with Ukip and the Brexit Party. These are all what academics call “second order elections”, where voters often decide to ‘send a message’ about national politics, rather than focusing on who to elect to the roles on the ballot paper.
Despite the sweeping gains in seats, there were not many first-time Farage voters this spring. About 1.6 million people voted Reform last Thursday (1) – about one in 10 of those eligible to vote, or around a third of the votes cast by the third of the electorate who habitually vote in local as well as national elections.
That only half as many people tend to vote as in a general election helps Reform – skewing the local electorate to be older, less ethnically diverse and more socially conservative than those who come out in a general election. Most of those who voted Reform last week would have been among the five million voters for the Brexit Party in the 2019 European elections, when the Tory vote fell to just nine per cent.
A local election breakthrough raises the stakes more than winning European elections. Few people expected MEPs elected for a get-out-of-Europe party to do much work in Brussels. Reform voters may expect more from those in charge of local government. Six hundred and seventy seven councillors could give Reform a significant local base, but they face a steep learning curve. Reform’s populist appeal involves a largely performative politics. Much of local government is about meeting statutory responsibilities.
“We need to be realistic about what we can and can’t do”, Reform’s David Wimble told the BBC. “Somebody stopped me today and said, ‘when are you going to stop the boats then?’ But this is the county council.”
‘Stop the Boats’ was on Reform’s Kent election leaflets, where Wimble is among six out of 57 new Reform county councillors who have prior experience. His post-election expectation management was directed as much to his colleagues as their voters.
Reform’s new Lincolnshire mayor, Andrea Jenkins, has proposed housing asylum seekers in makeshift tents. Yet Kent County Council has a key frontline responsibility to look after unaccompanied children who claim asylum. Will Farage’s claims about an over-diagnosis of autism see Reform councils deprioritise special educational needs? Reform’s voters will include parents struggling for support.
Politically, these are terrifying results for the Conservatives, finishing fourth in the ballot, with the lowest vote – in opposition to an unpopular government – of either major party since records began, with more losses to the LibDems too. The bookmakers now give Badenoch only a one-infour chance of surviving as leader to a general election, suggesting the party may gamble again on choosing its sixth new leader since 2016.
But there was more hope for Labour from the other side of the world this weekend. Last year was one of anti-incumbency in elections around the world. This year has seen centreleft politicians get re-elected by challenging their national opponents as too close to the spirit of Donald Trump.
The victory of Canada’s Mark Carney has been followed by the surprisingly decisive re-election in Australia of Anthony Albanese. The bespectacled 62-year-old pragmatist, criticised for his lack of rhetorical flourish, is the most Starmer-like politician on the world stage.
Australian opposition leader Peter Dutton lost his own seat, just as Canadian Conservative Pierre Poliviere had last month. Both defeated leaders proposed faster cuts in immigration as key campaign themes, but struggled when pressed over whether their numbers added up.
The Canadian Liberals and Australian Labor party have, like Starmer, proposed to manage net migration levels down from record levels – but took the argument to their opponents for having unworkable and damaging proposals. They won not by echoing their populist opponents but rather by uniting the anti-populist vote.
Could Farage be our next prime minister? Reform can now claim it is far from unthinkable. But that very ‘thinkability’ may prove Farage’s biggest barrier once voters need to choose a government, given his polarising reputation and Brexit’s fading appeal. In five years’ time, might the post-poll inquests even see Farage’s local election breakthrough as Starmer’s secret weapon? Perhaps. But voters do not face that election for four years.
Rather than chasing Farage’s insatiable populist core vote, the prime minister must show how to build a record in government if he wants to try to make the political weather too.
Sunder Katwalawww.easterneye.biz
Sunder Katwala is the director of thinktank British Future and the author of the book How to Be a Patriot: The must-read book on British national identity and immigration.
The forthcoming Bollywood release Nikita Roy falls into the category of films that should never have been greenlit. The psychological thriller, headlined by flop actress Sonakshi Sinha, marks the directorial debut of her failed actor brother Kussh S Sinha. The terrible-looking turkey also stars Arjun Rampal – an actor who hasn’t been anywhere near a good film in years. It will likely play to empty cinemas when it releases on 30 May.
Sonakshi Sinha and Arjun Rampal in the doomed thriller 'Nikita Roy.'
Rajat ready
Massively popular Indian comic Rajat Sood will deliver his first UK show at Camden Comedy Club in London on 8 June. Known for calling himself “India’s most failed lover,” the stand-up star will share his exploits in what promises to be a laughter-filled show. With more than 600,000 Instagram followers, Sood has built a global fanbase – and now UK audiences will get to experience his unique brand of comedy live.
Comedian Rajat Sood, the self-proclaimed 'India’s most failed lover,' brings his humour to London
Vish stops busking
The world’s most popular Bollywood busker, Vish, has made the surprise decision to stop singing on UK streets. The top talent popularised Hindi film songs to such an extent that he gained a massive following – even getting major stars like Atif Aslam, Badshah, Jaspinder Narula and Tanvi Shah to sing with him on the streets. He will now focus on releasing his own solo material and performing at private live shows. Vish has asked his fans to support the new wave of Bollywood buskers who have followed in his impressive footsteps.
Vish, the beloved Bollywood street performer, takes his final bow on UK streets
Superb Sargun sequel
The superb Punjabi-language comedy Saunkan Saunkne was a huge success when it was released in 2022 and even spawned a popular viral trend. That’s why its sequel, due for release in cinemas on 30 May, is generating a lot of interest. With Saunkan Saunkne 2, lead stars Sargun Mehta, Ammy Virk and Nimrat Khaira return to the hilariously chaotic world of rival wives and one helpless husband. The Punjabi romantic comedy adds to the impressive achievements of Mehta, who has co-produced the film alongside her husband, Ravie Dubey. She has helped take Punjabi cinema to new heights – and looks set to continue that with this release.
Sargun Mehta and Ammy Virk return for more chaos in 'Saunkan Saunkne 2
Catchy chutney track
There are many great Indo-Caribbean chutney music artists who put their own unique spin on commercial South Asian music but don’t receive the recognition they deserve. One recently released track worth discovering is a catchy cover version of the classic Bollywood song Chhod Do Aanchal from Paying Guest (1957). The delightful duet sees Nishard M and Pritivi Bheem give a contemporary twist to the much-loved classic. It is accompanied by an eye-catching music video.
Nishard M and Pritivi Bheem’s fresh take on the classic 'Chhod Do Aanchal
Gujarati concert
While there are usually loads of concerts in big arenas celebrating music from South Asian cultures, including Urdu, Hindi, Punjabi, Tamil and Telugu, huge concerts celebrating Gujarati folk traditions are rare – despite the large Gujarati community. That’s why it’s no surprise that the superb-looking show from Osman Mir & Third Culture Collective at Royal Festival Hall in London on 17 May will likely be sold out. The performance, reimagining Gujarati music with a Western classical orchestra, aims to connect different cultures in a unique way.
If you can get tickets (£35-£60 [₹3,700-₹6,300]), this show is highly recommended.
Osman Mir & Third Culture Collective blend Gujarati folk with Western orchestration
Predicted failure
Before Kesari Chapter 2: The Untold Story of Jallianwala Bagh was released, I had predicted it would be on extremely shaky ground – because Bollywood has a bad habit of commercialising stories based on real-life events, including highly sensitive ones like this.
That’s exactly what happened. Instead of unveiling anything new about the cold-blooded massacre of peaceful protestors, the film came across as an ego trip for lead star Akshay Kumar. The poorly made movie shamefully took artistic liberties with a deeply sensitive subject and, unsurprisingly, failed at the box office. It adds to Kumar’s horrific run of failures, which now includes a staggering 15 flops from his last 17 films as a headline hero.
Akshay Kumar in the controversial 'Kesari Chapter 2,' another box-office disaster
Musical marvel: Maya’s new song
INEDEPENDENT British artist Maya Lakhani adds to her fast-growing list of achievements with her new song Fall For Me, which is released today (2) on all streaming platforms. The talented singer-songwriter delivers an anthemic alt rock love song about two people falling for each other at the same time.
Taken from her forthcoming EP, the track – like her previous releases – has also been impressively produced and recorded by Maya herself. Despite creating rock music, she remains closely connected to her Asian roots and hopes to inspire others.
She said: “In the artwork and upcoming music video for this song, I have worn my Gujarati chaniya choli while playing my electric guitar. I am hoping this inspires any south Asian person with an unconventional dream – that they can achieve big things and do whatever they want in life.
“I was lucky enough to play Glastonbury last year and am continuing to do exciting things in music. I hope others in our community connect to this and chase their dreams too.”
Maya Lakhani rocks her Gujarati chaniya choli while shredding an electric guitar
Top new venue
TO THE Soho Theatre in central London has been a remarkable platform for Indian stand-up comedians in recent years. In May, a new branch of the iconic venue will open in Walthamstow, East London, and they have already booked shows with great south Asian talents. You can catch British comic Ahir Shah’s award-winning show Ends on May 16. Indian stand-up stars Biswa Kalyan Rath (August 30– 31) and Rahul Dua (September 6) will deliver their respective Hindi-language shows.
UK show Brown Girls Do It Too: Mama Told Me Not to Come will be staged from September 9–13.
www. sohotheatre.com
London’s Soho Theatre expands to Walthamstow, bringing more South Asian comedy to the stage
Desi Live delight
A big UK success story has been the dynamic Desi Live concerts that have taken place across England in recent years. The high-energy music shows, powered by much-loved Punjabi icons, have been a brilliant mixture of nostalgia, hit songs, great live performances and an electric atmosphere.
The next one, taking place at O2 Forum, Kentish Town in London on Sunday (4 May), is headlined by Jazzy B, Jassi Sidhu, AS Kang, Panjabi MC and Premi Johal. There will also be top DJs and an after-party. Tickets start at £30 (₹3,200). Look out for more similar events in the month ahead.
Jassi Sidhu and other Punjabi legends set to light up London’s O2 Forum