Filmmaker speaks about her new short film, inspirations and popular podcasts
Aneesa Khan
By Asjad NazirAug 30, 2024
ANEESA KHAN’S first connect to creativity was while watching Bollywood cinema and observing the interactions of characters in films. Her fascination with emotions depicted on screen and making audiences feel something inspired her to become a writer and director. The Pakistani American filmmaker’s work includes acclaimed short film Woh Ghungroo Wali Larki (The Girl With Anklets), which was selected at multiple international festivals. The multi-talented creative also co-hosts entertaining podcasts Desi Talkies and Aneesa Talks, which aim to break down cultural barriers.
Eastern Eye caught up with Khan to discuss creativity, her new short film, Criteria Kya Hai? and popular podcasts. She also had key advice for aspiring short filmmakers.
Tell us about your short films.
Woh Ghungroo Wali Larki is set in 1980's Karachi, Pakistan. The story follows a girl's passion for dance as she overcomes societal and political obstacles. In 2022, I directed the documentary short, Plan B in Qatar, which gave a platform to women who have been impacted by the illegality of emergency contraceptives in Qatar.
What inspired your most recent short film, Criteria Kya Hai?
Criteria Kya Hai? comes from my personal experiences and Pakistani American heritage. My time spent freelancing in Pakistan during my teenage years and my education at North-western University in Qatar expanded my understanding of south Asian and Muslim identity. These experiences influenced my desire to create media that represents people like me. A Pakistani American woman can be shown dating and having a good relationship with her parents.
A still from Criteria Kya Hai?
Tell us about that.
She doesn’t have to take off her hijab to feel liberated. She is liberated by her ability to choose how she wants to dress and live her life. The Pakistani American woman is a human being, just like everyone else. The story is also inspired by my own struggles with anxiety, while navigating significant life events like moving back home and my sister's wedding.
What is the key message of Criteria Kya Hai?
It’s about the importance of clear communication and understanding oneself beyond societal stigmas and expectations. The magical glasses in the film symbolise the desire to see and understand people’s true feelings and vulnerabilities, promoting empathy and deeper connections. It also emphasises empowerment through culture and religion, rather than feeling oppressed by them. The film aims to challenge stereotypical portrayals of south Asian women by showcasing a strong, career-driven, and family-oriented protagonist who finds strength in her cultural and religious identity.
How would you describe the story?
Ultimately, it’s a story about self-acceptance, the complexity of human relationships, and finding clarity and happiness within one's cultural framework.
What inspired your podcast, Desi Talkies, which you host with Ananya Sethi?
In our first meeting, Ananya and I spent eight hours straight, talking about south Asian films, TV and music. It was during this marathon conversation that we instinctively decided to start a podcast together, aimed at diasporic south Asians like us. Our respective careers span the entertainment industry and also reflect the dynamic relationship between India and Pakistan.
Tell us about the podcast.
Desi Talkies is a show where we talk about south Asian pop culture, Bollywood, Lollywood, and everything in between. It is currently on a hiatus for the best reason. Ananya and I are both working on various projects in the film and TV industry. We can only continue to review and discuss what we see on-screen if we’re working towards accurate south Asian media representation in our own professional careers.
You also host online series called Aneesa Talks?
Through my own personal work, I fell in love with journalism and the interview process; and its ability to highlight and give space to those who have paved the way for creatives like myself. However, I found that my work was not receiving the outreach that it deserved, so I started my own series, Aneesa Talks. This series features free-flowing conversations with media personalities who may not receive the exposure they deserve.
Aneesa Khan and Sarwat Gilani (left)
What has been the most memorable interview?
In 2021, I was lucky enough to meet Sarwat Gilani in person in Karachi, Pakistan and conduct an interview with her. That was an experience of a lifetime. Sarwat is a pioneer for strong women in the Pakistani media industry. I grew up watching every drama she was in. We discussed the recent success of (the acclaimed film) Joyland, her trajectory in the Pakistani entertainment industry, and thoughts on the slow progression of Pakistan’s #MeToo movement. To meet her in person and see how humble and grounded she was - it was better than I could’ve ever imagined it to be.
Who would you love to interview?
My dream interview would be filmmaker Anurag Kashyap, who I’ve long admired because he single-handedly created nuance in a once so redundant Bollywood. Kashyap has maintained focus on the real world and showcasing matters as he would believe them to play out in India. Therefore, for Kashyap, cinema is not some escape, but a chance to give the public a taste of how terrible the real world can be, at times.
What is the plan going forward?
Right now, I’m working on developing an original dark comedy and drama limited series. Otherwise, I’ve signed on as an associate producer on a Sikh-American Indie short, Mirrors. I’ve been working as a film consultant on multiple projects. I just want to keep working, meeting other creatives, and hopefully make more of my own projects come to life.
What advice would you give to those who want to make a short film?
My advice to aspiring short filmmakers is to embrace every aspect of the journey, no matter how challenging it may seem. Start with a story that genuinely resonates with you. Surround yourself with a dedicated and talented team who shares your vision. Don't be afraid to reach out to people, even if it means cold-calling or messaging them on social media. Be resourceful and make the most of what you have; sometimes the limitations can spark the most creativity. Plan meticulously, but remain flexible because unexpected challenges will arise. Finally, be persistent and stay true to your voice. Your unique perspective is what will set your film apart.
What inspires you creatively?
My own struggles and triumphs, particularly around mental health and societal expectations, are a constant source of inspiration. They push me to create art that is not only meaningful to me, but also relatable to others. Additionally, working with other filmmakers, helping them tell their stories is possibly one of the most rewarding experiences I’ve ever felt.
First glimpse of Ramayana to release on 3 July; teaser is three minutes long.
Taran Adarsh calls it “a film for generations,” praises vision and visuals.
Ranbir Kapoor leads as Lord Ram, alongside Sai Pallavi and Yash.
The film is split into two parts: Diwali 2026 and Diwali 2027 releases confirmed.
Nitesh Tiwari’s much-awaited cinematic adaptation of Ramayana is finally ready to be unveiled. The first official glimpse of the mythological epic drops on 3 July, but even before its release, early reactions are adding to the anticipation.
Trade analyst Taran Adarsh, who got an exclusive preview of the three-minute teaser and an extended seven-minute vision reel, has described the film as “a timeless saga” that will not only captivate today’s audience but also resonate with generations to come.
Producer Namit Malhotra reveals how AI will make Ramayana resonate globally with native-language realism IMDB/Reddit
“Box office hurricane loading,” says Taran Adarsh after preview
Taking to social media platform X, Taran Adarsh shared his first impression of the teaser and vision reel, writing, “Just watched the first glimpse and a seven-minute vision showreel of the most-awaited epic, Ramayana. This glimpse of the timeless saga leaves you awestruck. Strong feeling: Ramayana is not just a film for today, but for generations to come. #BoxOffice hurricane loading.”
His post has sparked widespread buzz online, with fans and film critics alike flooding timelines with excitement for the film’s grand vision.
— (@)
All-star cast and production scale impress fans
The film brings together a powerful cast: Ranbir Kapoor takes on the role of Lord Ram, Sai Pallavi plays Sita, and KGF star Yash portrays the feared Raavan.
Other roles include Sunny Deol as Hanuman, Ravi Dubey as Laxman, Lara Dutta as Kaikeyi, Rakul Preet Singh as Surpanakha, and Kajal Aggarwal as Mandodari.
Directed by Dangal filmmaker Nitesh Tiwari and produced by Namit Malhotra’s Prime Focus Studios in collaboration with Yash’s Monster Mind Creations, the project aims to bring India’s most beloved epic to the big screen with high-standard VFX and global storytelling appeal.
The music is composed by two Oscar-winning giants: Hans Zimmer and AR Rahman, adding further gravitas to the scale.
Ranbir Kapoor’s personal transformation for Lord Ram
Ranbir Kapoor has undergone a complete lifestyle transformation to play Lord Ram. According to reports, he followed a strict regimen, including quitting alcohol and non-vegetarian food, adopting natural fitness routines, and even learning archery.
His dedication has been widely praised, especially after a heartfelt video from the shoot wrap surfaced. In the clip, Ranbir calls this “the most important role of my life” and emotionally thanks his co-stars and crew for their hard work.
The shoot for Part 1 has officially wrapped, and filming for Part 2 will commence in August.
Ranbir Kapoor hugs Ravi Dubey after wrap speech on Ramayana set Twitter/Raymond/Cinegeek
Nationwide teaser launch and global ambitions
The teaser will be launched simultaneously across nine major Indian cities on 3 July. While fans will get their first look then, the seven-minute “vision reel” will remain exclusive until a later date, likely closer to the theatrical release.
Interestingly, the film is also expected to have a global rollout, with Warner Bros reportedly handling international distribution, another sign of the scale the makers are targeting.
Yash in discussion with stunt director Guy Norris during Ramayana shoot Twitter/@SumitkadeI
Producer Namit Malhotra earlier wrote on Instagram, “More than a decade ago, I embarked on a noble quest to bring this epic to the big screen… Our teams work tirelessly with one purpose: to present the most authentic, sacred, and visually stunning adaptation of our history, our truth, and our culture.”
By clicking the 'Subscribe’, you agree to receive our newsletter, marketing communications and industry
partners/sponsors sharing promotional product information via email and print communication from Garavi Gujarat
Publications Ltd and subsidiaries. You have the right to withdraw your consent at any time by clicking the
unsubscribe link in our emails. We will use your email address to personalize our communications and send you
relevant offers. Your data will be stored up to 30 days after unsubscribing.
Contact us at data@amg.biz to see how we manage and store your data.
Vismaya Mohanlal makes her film debut with Malayalam project Thudakkam
Vismaya Mohanlal to debut in Thudakkam, helmed by Jude Anthany Joseph.
The Malayalam film is produced by Antony Perumbavoor under Aashirvad Cinemas.
Mohanlal and Pranav Mohanlal posted heartfelt messages welcoming Vismaya to cinema.
Vismaya is also a published poet and visual artist with a book titled Grains of Stardust.
Malayalam superstar Mohanlal’s daughter, Vismaya Mohanlal, is stepping into cinema with Thudakkam, a Malayalam feature directed by 2018 filmmaker Jude Anthany Joseph. The announcement, made on social media by her father and production house Aashirvad Cinemas, marks Vismaya’s formal entry into acting after years of working quietly as a poet and artist.
Vismaya Mohanlal transitions from poetry and art to acting in ThudakkamInstagram/mayamohanlal
Jude Anthany Joseph teams up with Aashirvad Cinemas for Thudakkam
The upcoming film Thudakkam is being produced by Aashirvad Cinemas, the renowned banner behind many of Mohanlal’s blockbusters. Director Jude Anthany Joseph, known for 2018: Everyone Is a Hero, said he felt a personal responsibility when entrusted with Vismaya’s debut.
“It’s a humble film, but one made from the heart,” he shared, promising to honour the trust shown by Mohanlal and his wife, Suchitra. Details about the film’s plot and cast remain under wraps, though early hints suggest an action-driven storyline, possibly tapping into Vismaya’s martial arts background.
— (@)
Vismaya Mohanlal brings her artistic journey to screen
Before venturing into films, Vismaya carved a creative path through literature and painting. In 2021, she published Grains of Stardust, a collection of poems and illustrations that offered glimpses into her introspective world. Written in a raw, spontaneous style, many of the poems were jotted down during subway rides or inspired by fleeting moments in nature.
Her brother, actor Pranav Mohanlal, encouraged her to compile them into a book. With both siblings now in the film industry, Thudakkam also adds to the growing list of second-generation talents in Malayalam cinema, including Dulquer Salmaan, Keerthy Suresh, and Kalidas Jayaram.
Keep ReadingShow less
Glen Powell stars in Edgar Wright’s The Running Man based on Stephen King’s dystopian thriller
• Glen Powell stars as Ben Richards in The Running Man, directed by Edgar Wright.
• Based on Stephen King’s 1982 novel and a remake of the 1987 Arnold Schwarzenegger film.
• Powell plays a desperate father competing in a televised death game to save his daughter.
• The action-thriller hits cinemas on 7 November 2025 via Paramount Pictures.
Glen Powell races against time in The Running Man, the latest high-stakes action film from director Edgar Wright. Based on Stephen King’s 1982 novel, the story reimagines the cult 1987 film through a modern lens. Powell stars as Ben Richards, a working-class father who enters a violent, state-sponsored game show to fund his daughter’s medical treatment, but quickly becomes a national sensation and a symbol of rebellion.
Edgar Wright’s high-energy vision for Stephen King’s dystopia
Wright, known for Baby Driver and Scott Pilgrim vs. the World, employs his signature fast-paced style here. The film is set in a bleak future where contestants, or “Runners,” must survive 30 days while being hunted by professional assassins called “Hunters.” The entire ordeal is broadcast to a bloodthirsty audience, with each day increasing the prize money and the danger. Powell’s character gains unexpected popularity, forcing the game’s creators to reckon with the monster they’ve built.
Josh Brolin plays the charismatic yet ruthless producer Dan Killian, while Colman Domingo appears as host Bobby Thompson. The ensemble cast also includes Katy O’Brian as a fellow contestant, Lee Pace as a top-tier Hunter, and Michael Cera as a rogue insider aiding Richards.
Glen Powell’s rise continues with another genre-bending role
Following recent hits like Hit Man, Anyone but You, and Twisters, Glen Powell continues his streak with The Running Man. His role as Ben Richards combines grit, heart, and defiance, positioning him as a reluctant hero challenging a corrupt system.
The screenplay, co-written by Wright and Michael Bacall, blends action, satire, and social commentary. With a stellar cast and Wright’s kinetic direction, The Running Man is poised to be a major autumn release.
Keep ReadingShow less
Diddy trial recap as jury reviews Cassie testimony and flags juror concern
Jury in Sean "Diddy" Combs’ sex trafficking and racketeering trial sends fifth note to judge.
Concern raised about one juror’s ability to follow instructions; judge advises deliberations to continue.
Jurors request transcripts of Cassie Ventura and Daniel Phillip’s testimonies.
Combs faces five charges, including racketeering conspiracy and sex trafficking, and could face life in prison.
Jurors in the high-profile criminal trial of Sean “Diddy” Combs have raised new concerns as deliberations continue, sending a fifth note to the judge questioning whether one juror can follow instructions. The jury also asked to review key testimonies from singer Cassie Ventura and witness Daniel Phillip, signalling the complexity and weight of the decision they face.
Diddy trial jury raises alarm over juror and demands key witness testimoniesGetty Images
Jury seeks witness transcripts in Diddy sex trafficking trial
On the second day of deliberations, the jury asked to review four specific pieces of testimony: three from Combs’ ex-girlfriend Cassie Ventura and one from male stripper Daniel Phillip. The requests relate to critical events, including an incident at the InterContinental Hotel and a Cannes Film Festival encounter.
The defence and prosecution are currently negotiating which parts of these testimonies should be submitted to the jury. Combs, who has denied all charges, remained in court as the latest note was read and legal teams reconvened.
The jury’s focus on testimony details suggests they are carefully weighing evidence linked to the most serious allegations, including coerced sexual encounters allegedly orchestrated by Combs as part of a broader racketeering conspiracy.
Marc Agnifilo, attorney for Sean "Diddy" Combs, arrives at federal courtGetty Images
Concerns over juror raise questions during deliberations
Just hours into the first day of deliberations, the jury sent a note to Judge Arun Subramanian expressing concern that one juror “cannot follow” legal instructions. That juror, reportedly a scientist by profession, had earlier described the trial as a “good break” during voir dire.
Judge Subramanian instructed the jury to continue deliberating, reminding them of their duty to follow court instructions. Legal experts say such internal jury issues can complicate proceedings but are not uncommon in high-stakes trials.
Sean 'Puffy' Combs arrives at Manhattan Supreme Court in 2001Getty Images
If found guilty, Combs could face a minimum of 15 years and up to life in prison. The charges include racketeering, sex trafficking, and transporting women for prostitution. The trial, now in its final phase, has drawn intense public interest and influencer coverage outside the Manhattan courthouse.
Keep ReadingShow less
Diljit Dosanjh in a still from Sardaar Ji 3 set for overseas release only
Sardaar Ji 3 rakes in £275,000 (₹3 crore) on opening day in Pakistan, surpassing Sultan.
Diljit Dosanjh responds to backlash: “When we shot the film, everything was fine.”
Film was not released in India due to controversy over Pakistani actress Hania Aamir’s casting.
Worldwide opening weekend collection touches £1.6 million (₹18.1 crore).
The Punjabi-language horror-comedy Sardaar Ji 3, starring Diljit Dosanjh and Pakistani actress Hania Aamir, has become the highest-grossing Indian film ever released in Pakistan. Despite being banned in India, the film grossed £275,000 (₹3 crore) on its opening day and £825,000 (₹9 crore) over the first weekend in Pakistan alone.
The movie was released internationally on 27 June but did not receive clearance in India due to political tensions following the Pahalgam terror attack. Its success across the border has reignited debates around cross-border cultural collaborations and censorship.
Sardaar Ji 3 Pakistan box office collection sets new benchmark
Despite ongoing tensions and a ban on Indian films in Pakistan since 2019, Sardaar Ji 3 was cleared by the Pakistani censor board and released nationwide. The opening day collections broke the previous record held by Salman Khan’s Sultan, which had earned £265,000 (₹2.9 crore) on day one in 2016.
Nadeem Mandviwalla, a leading cinema distributor in Karachi, called it “the best opening for any Indian or Pakistani film in recent years,” adding that school holidays and the lack of quality cinema had contributed to packed halls.
Diljit Dosanjh shared videos of audience reactions from Pakistan on his Instagram, celebrating the overwhelming support while refraining from commenting directly on the boycott in India.
Diljit Dosanjh defends overseas release, says “situation changed after shoot”
The controversy stems from the casting of Hania Aamir, which violated the Indian film workers’ ban on Pakistani artists. Actor Naseeruddin Shah publicly defended Dosanjh, criticising attempts to scapegoat him for political gain.
Speaking in an interview, Dosanjh clarified, “We shot the film in February when everything was fine. After the attack, the producers knew they couldn’t release it in India. They’ve spent a lot on this film, and releasing it overseas is the only way to recover costs.”