THE HOME Office is using an AI-based tool, known as the Identify and Prioritise Immigration Cases (IPIC), to suggest actions for immigration cases, including enforcement actions for both adult and child migrants.
Critics argue this system risks making decisions too automated, as caseworkers may “rubberstamp” the algorithm’s recommendations instead of critically assessing each case. Migrant advocacy groups, including Privacy International, claim the system could “encode injustices” and are calling for its removal, The Guardian reported.
The government maintains that the AI system, operational since 2019-2020, enhances efficiency by guiding caseworkers on prioritising actions, but insists a human official reviews each recommendation.
Currently, the system is used for cases involving removal action among the approximately 41,000 asylum seekers, the newspaper reported.
Privacy International, however, has highlighted that those affected are not informed that AI influences their case processing.
Following a lengthy information request by Privacy International, released documents reveal that IPIC gathers various personal details, such as biometric data, ethnicity, health markers, and criminal records, to evaluate cases for enforcement priority.
Fizza Qureshi, head of the Migrants’ Rights Network, raised concerns that the system could foster racial bias due to the data inputted and lead to increased surveillance, reported The Guardian.
Privacy International lawyer Jonah Mendelsohn warned the tool affects “hundreds of thousands” without providing transparency about its role in individual cases. He emphasised the need for algorithmic accountability as the Home Office moves towards a “digital by default” approach by 2025.







Curator Emma Slocombe with ikat robes and arabachi coats in the Peter the Great Room in Blickling Hall Amit Roy
View of the entrance to Blickling Hall on a rainy autumn dayAmit Roy
Kente cloth from Ghana in the Long Gallery in Blickling Hall
Decoration in the Great Hall at Blickling Hall Amit Roy
Palampore fragment made in coastal south-east India in the Brown Room in Blickling Hall Amit Roy
Bed valance dating from early 1700s in the Italian Print Room at Blickling Hall Amit Roy
Indian inspired fabric draped on sofas in the South Drawing Room in Blickling Hall Amit Roy
Indian inspired fabric draped on sofas in the South Drawing Room with Indian carpet in Blickling Hall Amit Roy
Karun Thakar has picked out the geometric patterns in the bookcase and the Kente cloth in the Long Gallery in Blickling Hall Amit Roy
Large tapestry depicting Peter the Great defeating the Swedish army at the Battle of Poltava in 1709 Amit Roy
ikat robes and arabachi coats in the Peter the Great Room in Blickling Hall Amit Roy
Baghs and kanthas made by women provide contrast to the men only portraits in the Great Hall at Blickling Hall Amit Roy
Baghs and kanthas in the entrance Great Hall at Blickling Hall Amit Roy
Baghs and Kanthas in the Great Hall in harmony with stained glass window at Blickling Hall Amit Roy
Kimonos reflect Japanese influence in Upper Ante Room in Blickling Hall Amit Roy
Kimono in Upper Ante Room in Blickling Hall
A view of the Palace and fort at Agra shows romantic side of India Amit Roy
Blickling Hall Amit Roy
Table carpet, European 1670-1680 Amit Roy
Unfinished 17th century Italian embroidery in the Print Room at Blickling Hall Amit Roy
Picture of Kashmir shows a romantic view of India Amit Roy
A panel of Ashburnham bed hangings made in Gujarat for sale in Europe in the Brown Room in Blickling Hall Amit Roy
Colcha made in the 1600s by women in Bengal for the Portuguese market in the Long Gallery at Blickling Hall Amit Roy



