When Yung Sammy arrived in India from Nigeria as a 12-year-old, he would not have expected to redefine hip hop in the country, but that is exactly what has happened.
The son of a Nigerian priest went from being an outsider, who learned to speak Hindi, Punjabi, Haryanvi and Gujarati, to becoming a popular rapper. Having also absorbed the musical language of the streets, the Delhi-based artist, now in his late 20s, is adding new layers to commercial Indian music with a genre-bending sound that blends Nigerian Pidgin, desi dialects and sharp-edged lyricism.
By shaking up expectations and breaking down stereotypes, he is flipping the script on what it means to be an African artist in India. He recently added to his growing catalogue of high-energy hits with the bilingual anthem Mr Rambo, a track that showcases both his confidence and cultural versatility.
Eastern Eye caught up with the proud Indo-Nigerian talent to talk about his unique musical journey, latest release and future hopes.
Music just came naturally. At first, I was just a listener. I guess I was kind of built for it, but I did not know whether I would pursue it with passion. Then one day everything about music – even the language – became interesting to me.
What about Indian music specifically?
I came to India as a kid and grew up here. I learned the language and everything. Then I heard Yo Yo Honey Singh. As I said, I was initially just a listener, but rap really connected with me. I started digging deeper into the genre and thought, ‘okay, this is for me.’ That is when the ride really started.
What drew you to hip hop in particular?
Honestly, I did not know much about hip hop at first. I was just listening to rap. But then I kept exploring and began learning more, including about underground Indian artists. Of course, I also listened to Eminem, Tupac, Jay-Z and others. The more I learned, the more I realised that hip hop is a whole different world. I wanted to be a part of it.
How do you reflect on your rapid rise in music?
By God’s grace, it has been an amazing journey so far. But it has also taken a lot of hard work. With blessings, things have gone well, and there is still so much more to come. Sometimes I just sit and think about all the unreleased music I have and where I am now. It feels like all eyes are on me, and with God’s grace, there is still a long way to go.
What has been your most memorable moment?
There have been so many great moments that I cannot name just one. From appearing on Fire in the Booth (hip hop platform), to signing a record deal, to getting on the radar – it has all been surreal. I have done some epic stage performances and met idols like Karan Aujla, who I really look up to. One day I just woke up and saw Karan Aujla and Honey Singh following me. Those are big achievements for me. When moments like that happen, you know you are on the right path.
How would you describe your unique brand of hip hop?
I feel like my brand of hip hop is just Yung Sammy. I want people to know my name – even if it’s my real name. People said I shouldn’t do that and choose a different name, but I did not want that. I kept it real with Yung Sammy, and it has become a brand now. If you see that name anywhere, you can expect something fresh and unexpected. It is building, and it will go further.
Which of your songs is closest to your heart?
I am connected to all of my songs – even the ones that are not released yet. But yes, The Intro is one of my favourites. I have also been listening to Silence a lot lately. Bounce, from my EP In The Building, is special too. And Mudda, the track I did with Seedhe Maut, is just crazy.
What inspired your most recent song, Mr Rambo?
With Mr Rambo, I wanted to play a character. Something different. So I stepped into the role of a G, having fun and thought, okay, that is Mr Rambo. It became this charismatic, energetic song built around a larger-than-life persona.
What is your master plan moving forward?
Right now, I am sitting on a lot of unreleased tracks. The next one coming out is Top Boyz with BBB. After that, we have a remix of the same track with someone special – I will not name them just yet. Then there is another track with Seedhe Maut, and my EP will follow. I am already working on that. It is going to be something big for the whole hip-hop scene.
Who would you love to collaborate with?
My dream collaborations would be with Karan Aujla and Central Cee. These two are at the top of my list. The day I work with both of them will be the day I can say I have really made it. I admire the way they express themselves and speak real truths.
Tell us something not many people know about you.
There is a lot people do not know. One thing is that I am actually a very simple person, both as a person and an artist. I said it in Intro – I might seem calm and quiet, because I am a bit nonchalant by nature. But when I get on stage, it is different. That is where all my emotions come out. That is who I really am.
As HBO prepares to bring Harry Potter back to screens with a new television adaptation, excitement is high around the casting of Dominic McLaughlin, Arabella Stanton, and Alastair Stout as the iconic trio of Harry, Hermione, and Ron. But amid the buzz, a quiet voice of caution has emerged. Chris Watson, father of original Hermione actress Emma Watson, is urging parents and the industry to tread carefully when it comes to child stardom.
Chris Watson is not speaking as a critic or industry insider but as someone who watched his daughter grow up inside a global franchise. Emma was nine when she landed the role of Hermione Granger, and what followed was a decade of public attention that reshaped her life. Her father remembers the shift vividly. “Her homework would go back to school on motorbikes,” he once said, pointing to the surreal logistics fame forced on them.
Emma, who has since spoken openly about the emotional toll of growing up famous, has described feeling “terrified” and “inadequate,” and even envying her peers for being able to do ordinary things, like knowing their favourite colour or forming friendships without public scrutiny. It’s this experience that Chris is drawing from when he warns: “As a parent, you have to be scared.”
Fame at a young age comes with a price
The context this time is different. The casting process for the HBO reboot reportedly involved sifting through 30,000 applicants. The new trio are young and relatively unknown, just like their predecessors were in 2001. But the digital world they’re entering now is far more invasive. Every post, photo, or comment is dissected in real time, exposing young actors to criticism, trolling, and unwanted attention, far beyond the limited press tours of 2001.
Chris Watson, Emma’s father, and other insiders warn of the emotional toll facing today’s young starsGetty Images
Emma’s journey: Blueprint and cautionary tale
Emma Watson was nine when she won the part of Hermione. Almost overnight, their whole family life bent around filming schedules. Chris Watson deliberately downplayed Hollywood’s glamour at home. He “doesn’t actually watch films” to prevent Emma from believing the character defined her. He insisted Warner Bros. respect her schoolwork and spare time. Yet the pressure still mounted.
Emma later admitted she struggled with guilt in therapy and suffered “vertigo” from constant public attention. At 18, invasive paparazzi shots were published within hours of her birthday, while her co-stars faced parallel battles. Daniel Radcliffe used alcohol to cope, arriving on set "still drunk" and "dead behind the eyes," while Rupert Grint felt reduced: "I felt like I only knew how to do one thing: play Ron."
From online hate to AI threats, the rebooted Wizarding World may be more dangerous than magicalGetty Images
2025’s more perilous journey
The AI Boggart- Generative AI and deepfakes now make non-consensual, manipulated images or videos a real threat. These digital illusions can damage reputations and cause emotional harm in ways the original cast never encountered.
The Rowling Snare- With J.K. Rowling as executive producer, her polarising views on transgender rights hover over the series. Despite assurances they won’t influence the storyline, the new actors will be drawn into cultural debates and pressured to take sides.
Although he never offered a bullet-point plan, his comments cut straight to the heart of what matters:
"As a parent, you have to be scared" “While there are many upsides, nothing is perfect and you have to recognise there are going to be downsides you could not have imagined.” His frank admission underlines the need to stay vigilant and prepared for unexpected challenges.
Keep home life sacred “It certainly helped that I don’t actually watch films... the studio and everybody else knew that this was not Emma’s whole life, and that she had homework to do, she played a little bit of cricket as well.” Here, Watson shows how he maintained normal routines including school, family time and sports to prevent Emma’s identity from merging with Hermione Granger.
Reach out and share hard-won experience “If they want to talk to someone who’s been through this… I would be more than happy.” By offering mentorship to the new parents, Chris emphasises that open communication and shared support are vital tools in safeguarding young actors.
Unlike the early 2000s, today’s child stars face nonstop scrutiny, digital dangers and cultural controversyGetty Images
Alumni perspectives: Lessons from child stars past
Several former young actors have shared insights that accentuate Chris Watson’s warnings. Evanna Lynch (Luna Lovegood) recalls feeling “adored and trapped” when the cameras stopped but expectations didn’t. Jake Lloyd (young Anakin Skywalker) describes how relentless attention led to severe anxiety. Their stories make it clear that the hardest effects often come once filming wraps up.
Behind the excitement of the reboot lies a harsh reality many child stars never escapeGetty Images
The ethical dilemma: Joy versus risk
Prospect Magazine asks whether it is ethical to place children in an environment rife with digital threats and guaranteed controversy. Can the magic of Hogwarts justify this gamble? HBO’s Francesca Gardiner and Mark Mylod praise the trio’s “wonderful” talent, and Rowling herself endorses them. But raw talent alone offers no protection.
Hollywood’s history with child stars reads grimly: Judy Garland fed amphetamines, Macaulay Culkin abused, Star Wars' Jake Lloyd broken by bullying. Can this cycle end? Chris Watson offers more than warnings; he’s extending mentorship to the parents.
Hogwarts is calling but fame’s dangers are louder for Harry Potter’s new trioGetty Images
Real magic: Protecting childhood
The return of Harry Potter also raises broader questions about corporate priorities. With J.K. Rowling returning as executive producer, a figure who now carries both creative authority and controversy, the series enters a more complex media landscape. Will the focus stay on the storytelling, or will the new stars be caught in wider debates?
For now, Dominic, Arabella, and Alastair are at the start of a journey that will define their adolescence. Whether that journey is empowering or overwhelming will depend not just on their talent, but on how well they’re protected behind the scenes. Chris Watson’s voice may not be the loudest in the room, but it carries weight, built on lived experience, and a simple truth: children in the spotlight still deserve a childhood.
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With a massive music collection spanning several decades, multi-genre DJ and music producer DJ Funky T found it challenging to narrow down just 10 songs he loves. Also known as Tony Hayer, his favourites range from Michael Jackson, Dr Dre and Fleetwood Mac to Bollywood, Punjabi, Hindi, Sufi and more. Some of these diverse influences feature in his own track Tu Meri Rani Si.
Before revealing his choices, he said: “The following golden tracks have stood the test of time. It was a hard call, as many more songs could have made this list. So, in no particular order from my current conscious memory, I present 10 Indian songs I love. Check them out and enjoy.”
Chand Sifarish from Fanaa: This Bollywood track, headlined by Aamir Khan and Kajol, starts with a cheesy rock guitar but quickly transforms into a dynamic blend of beats, choppy tablas, rich harmonies, sitars and an addictive whistling motif.
Neuke Phadin Jawanan by Panjabi MC: A 2003 hit that borrows rhythm styles and melodies from Maxi Priest’s Wanna Be Close To You. It features lyrics by Lal Chand Yamla Jatt, a classic 1990s urban swing beat, as well as a fantastically groovy chorus built around tumbi plucking melodies.
Indian Dance by Kray Twinz ft Elephant Man: A powerhouse club anthem marked by the Kray Twinz’ signature sound. This thrilling blend of hard bashment and traditional gidha boliyan rides a thunderous bassline and features ragga legend Elephant Man.
Addi Mardi by Malkit Singh: This timeless party favourite tells the story of a man smitten with a girl and wanting to dance with her. From the start, it delivers plucky guitars, a cheeky bassline and a fast reggaetón-tinged rhythm. Guaranteed to lift the mood every time.
Akhiyaan by Vee/Jay Kahn: A beautifully produced love song by the exceptional Vee, younger brother of Hunterz. The track blends a spiritual mood with high production value, hypnotic melodies and subtle Sufi elements that uplift and soothe.
Khwaja Mere Khwaja from Jodhaa Akbar: AR Rahman delivered one of my favourite Sufi songs in this Bollywood film. He composed and sang it himself. The touching song about the relationship with a higher power is picturised beautifully, with dancers reaching up to the sky, as if to be holding God’s hand.
Discovery by Shammi Pithia: Taken from his album Cosmic, this track is very spiritual sounding. The healing song performed and produced by Shammi Pithia has world-class flute melodies. This song can both make or break you, dependent on your mood. But either way, it will leave you feeling touched.
Gutt Sapni by Jhinda Music ft Captain: The fabulous sounding track featuring Punjabi singer Captain has great keys composition, dynamic drum beats and a magnificent mixdown finish. Captain has a similar singing energy to Malkit Singh, but with his own contemporary twist. The track has terrific tumbi melodies throughout.
O Mere Dil Ke Chain from Mere Jeevan Saathi: This 1972 RD Burman composed film song sung by Kishore Kumar is an absolute classic. It personally takes me to my childhood days when everyone’s parents, including mine, played it. A huge all-time classic favourite Hindi song written with sweet, innocent love lyrics.
Tere Liye from Veer Zaara: The late legend Lata Mangeshkar along with top singer Roop Kumar Rathod. Enough said. This classic Bollywood track is an absolutely beautiful piece describing the heartache between two people deeply in love.
Qawwali remains popular with cross-cultural audiences, but very few get the chance to experience one of the world’s oldest music genres in its purest form. Whether it is the diluted style seen in Bollywood adaptations or fusion with contemporary sounds, the tradition is often watered down.
Najmuddin Saifuddin & Brothers Qawwali Group stand apart from that commercialised crowd, presenting the Sufi genre in its most authentic style. The five talented brothers – sons of the late qawwali icon Ustad Bahauddin Khan Qawwal – belong to a remarkable lineage that traces directly back to the first group formed by the genre’s founding father in the 13th century.
Currently on a UK tour, the group delivered a stunning stage performance that confirmed their brilliance. Unlike most qawwali ensembles that rely on one or two lead singers, all five brothers took turns leading, gracefully exchanging vocal passages to produce a timeless, mesmerising sound. The power, passion and grace of their high-energy performance shone through as they delivered beloved classics such as QaulQalbana, Rang and Naat Shareef. The concert opened in high gear and gained momentum with each composition, before culminating in a thunderous rendition of Mast Qalandar.
They also performed khayal and tarana-style qawwalis, alongside pieces deeply rooted in mysticism. Accompanied by a superb percussionist, their sound remained untouched by modern influences, yet felt completely relevant and accessible to audiences of all ages and backgrounds. Their tour continues across the UK until mid-July, and they are certain to keep transporting audiences back in time through a forward-looking, spiritually rich performance – the kind few qawwali acts worldwide can deliver. The only downside? The show had to end. It felt as though the group were just getting started – they could have easily played for several more hours.
They were the nurses, cleaners, activists, and everyday heroes who arrived in Britain with little more than courage and determination. Now in their 80s and 90s, six women who helped rebuild the UK after the Second World War are finally getting their due in Fearless, a powerful new documentary that brings their remarkable stories to the big screen.
Launching on Windrush Day (22 June), the film will tour select cinemas across London through July, with post-screening Q&As featuring the directors and cast. It celebrates the lives of Sheila Daniel, Aileen Edwards, Maggie Kelly, Anne Gaché, Nashattar Kang, and Nages Amirthananthar, women of Caribbean, Irish, and South Asian descent who came to Britain as part of the Windrush generation and beyond.
These women, once young migrants navigating hostility, isolation, and discrimination, found strength through solidarity and built lives that left a lasting impact. From taking part in historic strikes like Grunwick to surviving the aftermath of the Notting Hill riots, their personal journeys are woven into the wider political and social fabric of the country.
Drawing on rare archival footage and emotional interviews, Fearless preserves their legacy. But beyond that, it challenges the invisibility that has long plagued immigrant women in British history books. This is more than nostalgia, it is a necessary act of recognition.
A still from Fearless showing archive footage interwoven with first-person storiesMcasso/ Screengrab
Bold stories told by those who lived them
The documentary comes from husband-and-wife filmmaking duo Damian Paul Daniel, a BAFTA-nominated cinematographer, and Noella Mingo, a director of Guyanese-British heritage passionate about amplifying overlooked voices. Their production company, They’re Watching Us, focuses on stories that defy expectation, and Fearless is no exception.
Screenings are scheduled at The Rio in Dalston (22 June), Bertha Dochouse (29 June), Genesis in Whitechapel (1 July), and The Lexi in Kensal Rise (16 July). Each screening includes a post-film conversation with the team.
At its heart, Fearless is a tribute to courage, resilience, and the quiet force of women who shaped a nation, even when history tried to forget them.
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A bee flew into his mouth and stung him while he was on the field
Sunjay Kapur, a prominent industrialist and polo patron, passed away at the age of 53 in the United Kingdom after reportedly suffering a heart attack during a polo match. Kapur was also known for being the former husband of Bollywood actress Karisma Kapoor.
Tragic incident on the polo field
The incident occurred during a polo match where Kapur was representing his team, Aureus. According to reports, a bee flew into his mouth and stung him while he was on the field, triggering a fatal heart attack. Despite the rapid arrival of medical assistance, he could not be revived.
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Kapur, who had a deep love for the sport, was playing against team Sujan, led by hotelier Jaisal Singh, at the time of the incident.
Business legacy
Sunjay Kapur was the son of the late Surinder Kapur, founder of the Sona Group, an influential player in India’s automotive components industry. After joining the family business in 2003, Sanjay played a key role in its expansion and global outreach. He served as chairman of Sona Comstar, a company known for its focus on electric vehicle parts manufacturing.
Educational background
Born into a prominent business family, Kapur was educated at The Doon School in Dehradun and later attended the Cathedral and John Connon School in Mumbai. He pursued a Bachelor’s degree in Business Administration, specialising in Corporate Strategy and Human Resources, in London.
Personal life and marriages
Kapur's personal life often attracted public attention. He was married three times. His first marriage was to fashion designer Nandita Mahtani, which ended in 2000.
He married actress Karisma Kapoor in 2003. The couple had two children—Samaira and Kiaan—before separating in 2016. They remained committed to co-parenting their children.
Following his divorce, Kapur married Priya Sachdev, a model-turned-entrepreneur. The couple welcomed a son, Azarius, in 2018. Priya also has a daughter, Safira Chatwal, from a previous marriage.
Passion for polo
Beyond business, Kapur was deeply involved in polo, both as a player and patron. His team, Aureus, was part of various domestic and international tournaments, showcasing his commitment to the sport.
Sunjay Kapur is remembered for his contributions to Indian industry and his passion for polo. His sudden death has left the business and sports communities in shock.