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Yami Gautam impresses netizens with her latest film Chor Nikal Ke Bhaaga

Yami will next be seen in Dhoom Dhaam along with Prateek Gandhi, and OMG 2 with Akshay Kumar.

Yami Gautam impresses netizens with her latest film Chor Nikal Ke Bhaaga

Yami Gautam Dhar is on a roll. She has been known to be an actress who has an eye for quality content and can also deliver projects with an equal amount of entertainment quotient. With her latest release Chor Nikal Ke Bhaaga, she just proves that yet again.

After films like A Thursday, Dasvi, and Lost within this one year, Yami is now seen in Chor Nikal Ke Bhaaga where she played a very layered character with different shades to it and what is winning the audience more than anything is that she has established her faith in them with the previous few films.


So hailing her performance in Chor Nikal Ke Bhaaga, fans have been saying:

Yami will next be seen in Dhoom Dhaam along with Prateek Gandhi, and OMG 2 with Akshay Kumar.

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5 mythological picks now streaming in the UK — must-watch

Why UK audiences are turning to Indian mythology — and the OTT releases driving the trend this year

Instagram/Netflix

5 mythological picks now streaming in the UK — and why they’re worth watching

Highlights:

  • Indian mythological titles are landing on global OTT services with better quality and reach.
  • Netflix leads the push with Kurukshetra and Mahavatar Narsimha.
  • UK viewers can access some titles now, though licensing varies.
  • Regional stories and folklore films are expanding the genre.
  • 2025 marks the start of long-form mythological world-building on OTT.

There’s a quiet shift happening on streaming platforms this year. Indian mythological stories, once treated as children’s animation or festival reruns, have started landing on global services with serious ambition. These titles are travelling further than they ever have, including into the UK’s busy OTT space.

It’s about scale, quality, and the strange comfort of old stories in a digital world that changes too fast. And in a UK market dealing with subscription fatigue, anything fresh, strong, and rooted in clear storytelling gets noticed.

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