A World Bank official has compared the Wuhan 2020 to Surat 1994. He said it is “déjà vu all over again”
Barjor Mehta, Lead Urban Specialist in the East Asia Urban and Disaster Risk Management team based in the Bank's China Country Office in Beijing, has said that he was a witness to both these incidents.
The pneumonic plague broke out in the city of Surat, Gujarat in Western India had claimed 63 lives and over 1200 infected. The Chinese city of Wuhan was the epicentre of COVID-19 which claimed 1400 lives so far.
"A quarter of that city’s then population of a little over a million people, mostly poor migrant workers from other parts of the country, panicked and dispersed across four different states. The crisis took four months to bring under control. It severely disrupted the local as well as the national economy, " Barjor says.
During the pneumonic plague outbreak in Surat, Mehta was teaching Urban Planning at CEPT University in Ahmedabad.
"Our daughter was only four years old. Everyone in my city of four-plus million went about scared with handkerchiefs tied to our faces – no one except doctors had access to or stocked surgical masks at that time. We stayed indoors, tried to remain calm, avoided human contact and wished things would get better, which they did – three to four months later," he recalls.
Twenty-six years later, in January 2020, Barjor and his wife re-lived the same moments in Beijing, China.
"We looked forward to spending a quiet Chinese Lunar New Year week at home, there came the terrible news that the city of Wuhan, a thousand kilometers to the south, had experienced an outbreak of COVID-19. We have been advised to take precautions, stay at and work from home," he says.
Mehta observes that modern urban planning traces some of its roots and methods to the London Broad Street cholera outbreak in 1854. The focus of infection then was one water stand pump which was identified thru meticulous field-work and mapping, he says.







Curator Emma Slocombe with ikat robes and arabachi coats in the Peter the Great Room in Blickling Hall Amit Roy
View of the entrance to Blickling Hall on a rainy autumn dayAmit Roy
Kente cloth from Ghana in the Long Gallery in Blickling Hall
Decoration in the Great Hall at Blickling Hall Amit Roy
Palampore fragment made in coastal south-east India in the Brown Room in Blickling Hall Amit Roy
Bed valance dating from early 1700s in the Italian Print Room at Blickling Hall Amit Roy
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Indian inspired fabric draped on sofas in the South Drawing Room with Indian carpet in Blickling Hall Amit Roy
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Large tapestry depicting Peter the Great defeating the Swedish army at the Battle of Poltava in 1709 Amit Roy
ikat robes and arabachi coats in the Peter the Great Room in Blickling Hall Amit Roy
Baghs and kanthas made by women provide contrast to the men only portraits in the Great Hall at Blickling Hall Amit Roy
Baghs and kanthas in the entrance Great Hall at Blickling Hall Amit Roy
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Kimono in Upper Ante Room in Blickling Hall
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Blickling Hall Amit Roy
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Unfinished 17th century Italian embroidery in the Print Room at Blickling Hall Amit Roy
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A panel of Ashburnham bed hangings made in Gujarat for sale in Europe in the Brown Room in Blickling Hall Amit Roy
Colcha made in the 1600s by women in Bengal for the Portuguese market in the Long Gallery at Blickling Hall Amit Roy



