Pramod Thomas is a senior correspondent with Asian Media Group since 2020, bringing 19 years of journalism experience across business, politics, sports, communities, and international relations. His career spans both traditional and digital media platforms, with eight years specifically focused on digital journalism. This blend of experience positions him well to navigate the evolving media landscape and deliver content across various formats. He has worked with national and international media organisations, giving him a broad perspective on global news trends and reporting standards.
MAJOR events will be held across Britain this week to mark the 75th anniversary of the arrival of Windrush on Thursday (22), a statement said.
As part of the celebrations, the Windrush flag is being raised in more than 200 locations across England and Wales, including at the Houses of Parliament and the Home Office, all network rail stations, over 20 hospitals and NHS sites, around 50 local authorities and at dozens of churches, schools, universities, theatres and community organisations, the statement added.
Windrush, the ship bringing new arrivals to the UK from the Caribbean, docked in Tilbury on 22 June 1948.
Birmingham, Leeds, Manchester, Bradford, Bristol, Ipswich, Edinburgh, Cardiff and dozens more across the country will host various events.
The Port of Tilbury marks the anniversary with a day of celebrations on Thursday. Free events at the London Cruise Terminal include performances by Woodside Academy steel band ‘Woodside Steel’, a Windrush exhibition by artist EveWright with workshops and talks from the National Archives and an ‘Ageless Teenagers Caribbean Tea Dance’.
“Windrush 75 is a chance to celebrate the diversity of modern Britain. It’s a time to acknowledge the legacy of those first Windrush pioneers, the challenges they overcame and the contribution they made to Britain," said Patrick Vernon, convenor of the Windrush 75 network.
“For many of us it’s about family: the parents and grandparents who paved the way and on whose shoulders we stand. This is a bittersweet moment, tainted by the injustice of the Windrush scandal. But ultimately it’s a time to celebrate this milestone for Britain and for the Black community.”
A Windrush 75 service of Thanksgiving will be at Southwark Cathedral, London on Thursday. Brixton will see a 22 June Windrush procession, culminating at an event on Windrush Square, a Black Culture Market showcasing black businesses, a history event at Lambeth Town Hall and a programme of events as part of the Voices of Windrush festival.
London Underground and Overground trains will display poems by six poets with close Caribbean and British links, as part of the ‘Poets on the underground’ initiative. The Radiate Windrush festival takes over Southwark’s Burgess Park on Sunday (25).
Birmingham will mark the anniversary by raising the Windrush flag in Centenary Square, a reception with the Mayor and Birmingham Rep hosting a special awards ceremony with a performance by a newly formed children’s choir, The Next Generation Choir Birmingham. Also, a thanksgiving church service will be held on Sunday.
“It is an honour to witness so many organisations raising greater awareness of the Windrush Generation, through this special flag raising and other events that instil a real sense of belonging," said Nigel S Guy, director of Windrush Generations, who are coordinating the nationwide flag-raising initiative.
“We are all here saluting the contributions of the Windrush Generation. We are standing on their shoulders. Let us all keep Raising the Standard for Windrush.”
“The West Midlands has been enriched in so many ways by the Windrush generation and those who followed. 75 years on from Windrush, our region’s diversity – and the everyday integration of people from a remarkable range of backgrounds living side by side – is one of our greatest strengths," said Andy Street, mayor of the West Midlands.
"Together, we should acknowledge past contribution and look forward to a bright and harmonious future in the months and years ahead.”
Bradford hosts its Windrush Day parade on Saturday (24), revellers in Manchester will gather in Alexandra Park and in Sunderland the African Caribbean community centre promises music, food and dancing.
In Wales, Cardiff hosts an event at the Senedd Parliamentary building, to which Windrush Elders will march, wrapped in their National flags. In Scotland, people in Edinburgh will enjoy an intergenerational Caribbean celebration with music, dance and poetry, the organisers said.
“The scale of this week’s anniversary celebrations shows an enormous public appetite for a better understanding of our history. The story of Windrush helps explain why our multi-ethnic society looks as it does today," said Sunder Katwala, director of thinktank British Future.
“We can be proud of the progress we have made in 75 years on race, but must also acknowledge how far we have yet to travel. So we should look to the future too – to the society we want to be sharing in 25 years time when we mark Windrush 100, and the action we need today on racial inequality to help us get there.”
A recent Focaldata polling for the British Future has revealed that six in 10 people (61 per cent) feel that the 75th anniversary of Windrush is important for the country. That rises to 71 per cent of ethnic minorities and 84 per cent of black Caribbean Britons.
UK music industry continue to face systemic barriers that hinder progress, visibility, and career growth – despite decades of contribution and cultural influence, a new report has revealed.
The study, South Asian Soundcheck, published last Tuesday (7), surveyed 349 artists and professionals and found that while many are skilled and ambitious, structural obstacles are still holding them back.
Prepared by Lila, a charity focused on empowering south Asian artists and music professionals, the survey showed that nearly three-quarters of respondents earn some income from music, but only 28 per cent rely on it full time.
More than half struggle to access opportunities or funding, and many said they lack industry networks or knowledge about contracts and rights.
Beyond structural issues, almost half said they face stereotypes about the kind of music they should make; two in five encounter family doubts about music as a career, and one in three has experienced racial discrimination.
Although 69 per cent said there was progress in visibility, but 68 per cent still feel invisible within the industry.
Respondents sought urgent action, including mentorship and networking opportunities, stronger south Asian representation in key industry roles and fairer access to funding.
Veteran musician and composer Viram Jasani, who chaired the Asian Music Circuit and led a national enquiry into south Asian music in 1985, told Eastern Eye the findings were “disheartening”.
“I read the report and my heart sank – it feels as though nothing has changed,” he said.
“Back in 1985, we had already identified the same problems and made clear recommendations for better representation, employment and long-term support. Four decades later, we are still talking about the same issues.”
Jasani, a sitar, tabla and tambura expert, said the report focused mainly on modern genres and overlooked traditional south Asian music, which he believes is central to cultural identity.
“Since colonial times, British attitudes have not changed much,” he said. “If they can erase Indian traditional culture and create a community that lives entirely within an English cultural bubble, then they will have succeeded.”
He added that young south Asian artists were often drawn to Western contemporary music, while neglecting their own heritage.
“We are brilliant in Western genres, but that should come after we are grounded in our traditional shashtriya sangeet (classical music),” he said. “Without that foundation, we lose our sense of identity.”
Jasani also warned a lack of unity within the south Asian community continues to weaken its cultural progress.
He said, “People compete with each other while the world watches. For too long, massaging egos has taken priority over producing the best of our culture.”
According to the survey, one in three has experienced direct racial discrimination. One respondent said, “There are virtually no visible and successful south Asian artists in the mainstream – people simply do not know where to place us.”
Another added: “I want south Asian artists to be part of the collective mainstream industry, not just put on south Asian-specific stages or events.”
While the visibility of south Asian artists has improved, with more names appearing on festival line-ups and in the media, the study revealed this progress remains “surface level”.
Lila’s founder, Vikram Gudi, said the findings show progress has not yet been translated into structural inclusion.
“The data exposes what we call the progress paradox. Seventy-three per cent of the people we surveyed earn some money from music, but only 27 per cent earn enough to rely on it as a sustainable career,” he said.
“The Soundcheck gives us the evidence to enact real change and identifies three essential needs – mentorship, representation, and investment.”
Three-quarters of participants said mentorship from experienced professionals would make the biggest difference to their careers. Many stressed the importance of being guided by people who “understand how the industry works and can connect them to decision-makers”.
Nearly the same proportion called for greater south Asian representation across the music industry – not just on stage, but within executive, programming and production roles at festivals, venues, record labels and streaming services.
Dedicated funding also emerged as a priority, with many describing the current grant systems as inaccessible or ill-suited to the diverse and cross-genre work that defines south Asian creativity today.
Two in five respondents reported that family or community resistance remains a challenge, often due to the perceived instability of a music career. The report argued this scepticism is “economically logical”, when there are so few visible south Asian success stories in the mainstream.
Responding to the report, Indy Vidyalankara, member of the UK Music Diversity Taskforce and BPI Equity & Justice Advisory Group, said: “South Asian music is rich, vibrant, and hugely influential. We need south Asian representation at every level of the ecosystem, plus support and investment to match that influence.”
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