Apart from commencing the first shooting schedule of his Bollywood film Merry Christmas in May, Tamil star Vijay Sethupathi will also join Shahid Kapoor on the sets of Amazon Prime Video’s upcoming show in the same month. While Kapoor and his co-star Raashi Khanna had started shooting in February, Sethupathi will join the cast in May, as per reports. Raj and DK are helming the high-profile streaming show.
Sharing more details, a source in the know informs an entertainment portal, “Vijay Sethupathi will start shooting for Raj and DK’s show in Mumbai. He will be juggling between Sriram’s film and the web show for a few days. However, Vijay’s full-fledged shoot with the filmmaker duo will begin in July. This is the plan as of now, however, everything also depends on the Covid situation in the next few months. Meanwhile, Shahid completed his Goa schedule of the show last week.”
Merry Christmas and Amazon Prime Video’s untitled show are not the only projects Vijay Sethupathi is doing in the Hindi space. The talented actor also plays an important role in filmmaker Santosh Sivan’s next Mumbaikar, co-starring Vikrant Massey, Tanya Maniktala, Hridhu Haroon, Sanjay Mishra, Ranvir Shorey, and Sachin Khedekar. It was shot earlier this year in Mumbai.
Vijay Sethupathi has his plate full with almost a dozen exciting projects in various languages. While we have already discussed his upcoming projects in Hindi, he has multiple films in the pipeline in Tamil, Telugu and Malayalam as well.
Some of them include Tughlaq Durbar, Maamanithan, Laabam, Yaadhum Oore YaavarumKelir, Kaathu Vaakula Rendu Kaadhal, Mugizh, Corona Kumar, and Gandhi Talks to name a few.
Keep visiting this space over and again for more updates and reveals from the world of entertainment.
When a major theatre production is announced, tickets often become hard to get as they sell out months in advance. That has not been the case with Come Fall in Love – the much-hyped stage musical inspired by the 1995 Bollywood classic Dilwale Dulhania Le Jayenge. The newly premiered show, running at Manchester Opera House from Thursday (29) to June 21, has struggled to sell seats, despite advance bookings opening months ago.
Swathes of empty seats remain available across all price bands, and the upper gallery appears to have been closed off entirely due to poor demand. It is a clear sign that this cross-cultural adaptation has failed to connect with audiences. The warning signs were visible from the outset, with multiple red flags suggesting it would become an expensive failure.
The musical had already stumbled in the United States, where critics were scathing and audiences largely indifferent. Originally conceived as a potential Broadway production, its world premiere in San Diego received a lukewarm response, and the dream of a New York transfer quietly disappeared. That should have been a wake-up call.
And, Dilwale Dulhania Le Jayenge
Instead, the producers doubled down and brought the flawed show to the UK, bizarrely choosing Manchester as the launch venue.
Common sense should have made clear this was a strategic error. Anyone familiar with the UK’s live entertainment scene knows that most major Indian productions regularly bypass Manchester. This is largely due to a local audience unwilling to pay high ticket prices, making such shows commercially unviable.
The city also lacks a strong track record for large-scale South Asian theatre hits. The producers of Come Fall in Love are now learning that the hard way.
The situation has been worsened by a misguided attempt to appeal to non-Asian audiences. The character of Raj – immortalised by Shah Rukh Khan – has been rewritten as a white man named ‘Roger’.
This single creative decision strips the story of its charm, cultural specificity and emotional resonance. The change alienates core Bollywood fans and does little to attract new ones.
Authenticity matters – especially when adapting one of Indian cinema’s most beloved love stories.
Dilwale Dulhania Le Jayenge is not just any film. It’s iconic and a cultural landmark. Referred to as DDLJ, it redefined the genre in the 1990s, launched a thousand love stories, and ran continuously at Mumbai’s Maratha Mandir for over two decades.
It captured the diaspora experience while remaining deeply rooted in Indian tradition – something this musical seems to have misunderstood entirely.
Ironically, a stage version could have succeeded if it had embraced the original’s identity and spirit – as Bombay Dreams did in 2002, bringing unapologetic Indian flair to the West End.
Instead, Come Fall in Love dilutes the very qualities that made the film special.
In recent months, the producers have tried nearly everything to generate interest, including releasing the title track. Composers Vishal-Shekhar have done the media rounds, and even Shah Rukh Khan visited rehearsals to lend star power.
But none of it has been enough to salvage a production that feels like a sinking ship with gaping holes.
The sad truth is Come Fall in Love may have fared better in London – a city with a larger South Asian population, a more vibrant theatre culture, significant tourist traffic and, crucially, audiences with greater disposable income.
Instead, it finds itself in a city that, while culturally rich, has shown little appetite for expensive touring musicals of this kind.
Even if ticket prices are slashed at this stage, too many mistakes have already been made.
With reviews likely to be negative, things could go from bad to worse for Come Fall in Love, which is looking more like ‘come fall flat’.
When Miss England, Milla Magee, packed her bags and walked out of the Miss World 2025 stage in Hyderabad, she didn’t just make headlines, she blew the lid off a global beauty empire. For the first time in the contest’s 74-year history, a titleholder quit mid-competition, and her reasons hit hard: exploitation, hypocrisy, and outdated values dressed up in sequins.
Here are the five biggest revelations from a scandal that’s shaking the pageant world to its core:
1. “We were props for rich men” – Magee’s disturbing allegations
Magee painted a picture of contestants whisked from one polished gala to the next, all day and all night, clad in couture gowns and heavy make-up. But behind the lens? Magee said contestants were “farmed out” to entertain wealthy male sponsors at exclusive dinners, calling the experience degrading and old-fashioned.
“It made me feel like a prostitute,” she told reporters. “I couldn’t be part of it anymore.”
She also claimed there was constant pressure to look picture-perfect even during breakfast and said organisers scolded women who weren’t “exciting” enough for social media or the sponsors.
2. Two different stories and one huge question mark
While Magee said she left due to personal and ethical concerns, Miss World officials claimed she initially cited a family emergency. Miss World CEO Julia Morley fired back, suggesting Magee "believed she didn’t stand a chance," releasing sunshiny, unedited clips of Magee raving about Hyderabad’s "amazing biryani" as a jarring counterpoint to her later allegations.
Miss World CEO Julia Morley said, “She left with our support. Then we saw articles implying something very different.”
This raises a big question: Was Magee’s exit planned from the start, or did she have a change of heart after seeing what went on behind the scenes?
3. What the official inquiry found (and what it didn’t)
Telangana’s government responded fast, launching an investigation led by top officials, including three senior women police officers. CCTV footage from the key dinner event showed Magee sitting with four women and one senior IAS officer and not a room full of “middle-aged men.”
Other contestants interviewed didn’t back up Magee’s claims. Most complaints? Too many selfies and tight schedules. The inquiry head even floated the idea of a deliberate smear campaign against India and hinted that this might have been an attempt to smear the country's image.
Still, the fact that Magee was the only one to speak out raises uncomfortable questions about what actually happened, the silence, pressure, and fear in competitive environments.
4. Politicians got involved and the response was mixed
The scandal ripped through Telangana’s politics. Opposition leader K. T. Rama Rao, declaring "as a father of a girl," issued a raw apology: "I condemn what you experienced... This doesn’t represent Telangana’s culture," demanding a fair probe. State officials, however, went on the offensive, accusing Magee of outright "gaslighting," highlighting her brief 8-day stay, and muttering about legal defamation suits.
They claimed footage from the Chowmahalla banquet contradicted Magee’s claim of being seated with predatory sponsors, showing her sitting with four women and one senior IAS officer.
Magee’s walkout wasn't just about one night; it cracked open the pageant’s identity crisis. Remember, this is a lifeguard who’d already swapped swimsuits for CPR tests in Miss England, pushing purpose over pin-ups. With runner-up Charlotte Grant stepping into Magee’s shoes for the 31 May finale, the question looms: will organisers truly embrace change, or merely paper over cracks with some fresh lipstick?
With the Miss World 2025 grand finale just days away on 31 May, the spotlight is now split between the crown and the controversy. Milla Magee’s dramatic exit has pushed uncomfortable truths into the open, almost forcing the industry to reckon with its image, ethics, and expectations. Whether her claims are true or if all of it leads to real change or get swept under the red carpet remains to be seen. But one thing is clear: the glitz of the pageant world no longer hides the cracks and the world is watching what happens next.
Jennie from BLACKPINK is at the centre of an online firestorm after her name was dragged into a scandalous podcast discussion. In an episode of Above The Influence, two influencers, Kira and Woohak, shared unverifiable stories accusing female K-pop idols of engaging in sexual activities with wealthy businessmen. Jennie was specifically named in one of the most shocking claims.
During the podcast, co-host Woohak claimed he once attended a summer camp with the son of a BMW heir. According to him, this person allegedly paid to sleep with Jennie and even had a video of the encounter. No video has surfaced, no names were confirmed, and no evidence was shown, yet the clip quickly spread online, causing major backlash.
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Adding fuel to the fire, Kira, who said she had previously dated BIGBANG’s T.O.P, went on to make sweeping claims about prostitution in the K-pop industry. She stated that even top-tier idols, including solo artist IU, were involved, quoting an alleged price for a night with IU at £400,000 (₹4.2 crore). Again, no proof was provided.
These comments sparked immediate backlash from fans. Social media was flooded with calls for both Jennie’s and IU’s agencies to take legal action against the podcast hosts for defamation. Many pointed out the serious consequences of spreading baseless accusations, especially in South Korea, where defamation laws are strict even when the remarks are made abroad.
Fans demand legal action after BLACKPINK’s Jennie named in shocking podcast claimsGetty Images
While neither YG Entertainment nor EDAM Entertainment has issued an official response yet, fans continue to demand accountability. Many fear that these kinds of reckless public claims can have a lasting emotional toll on the artists involved. They argue that spreading rumours in the name of entertainment crosses a line, especially when real lives and reputations are at stake.
Jennie, who recently performed at Coachella 2025 and released her solo album Ruby, is no stranger to media attention. But this latest controversy is different. It’s serious, personal, and, most importantly, unproven.
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As pressure mounts online, many are waiting to see if any legal steps will be taken or if the people behind the podcast will face consequences for what they’ve said. Until then, fans remain vocal in their support, calling for respect, responsibility, and justice.
Tension may be brewing behind the scenes between Kylie Jenner and Timothée Chalamet, with reports hinting that the beauty entrepreneur isn’t too happy about her boyfriend’s on-screen romantic roles. Sources close to the couple suggest that Kylie has asked Chalamet to steer clear of any future intimate scenes in his films, especially after buzz surrounding his chemistry with co-star Gwyneth Paltrow in the upcoming drama Marty Supreme.
Chalamet, known for his bold performances in films like Call Me By Your Name and Bones and All, is no stranger to portraying vulnerability and physical intimacy on screen. But his commitment to realism in acting appears to be clashing with Kylie’s discomfort. Insiders claim that her concern reached a peak following Paltrow’s recent interview where she described shooting multiple sex scenes for Marty Supreme, saying, “There’s a lot, a lot.” She also mentioned asking the intimacy coordinator to step aside, which reportedly didn’t sit well with Kylie.
Gwyneth Paltrow’s role in Marty Supreme making Kylie Jenner uneasyGetty Images
In Marty Supreme, Chalamet plays a ping-pong prodigy who ends up in a complicated relationship with his rival’s wife, played by Paltrow. The film is said to include several steamy sequences, which have only added to Jenner’s growing unease.
Although the couple have kept much of their relationship out of the spotlight, they’ve been seen together at public events like the Golden Globes and the Oscars. They were first linked in 2023, and since then, things seemed to be going strong. But sources say this disagreement marks one of the most serious bumps in their relationship so far.
According to insiders Timothée Chalamet’s film choices putting strain on his relationship with Kylie JennerGetty Images
According to reports, Kylie doesn’t want her partner to be seen in overly romantic roles and prefers that Chalamet take on projects that highlight his talent without the physical closeness to co-stars. She’s also reportedly voiced her dislike for seeing her boyfriend in such situations, even if it’s for work.
Despite the tension, there are whispers that Chalamet has been considering taking the relationship to the next level. But not everyone in his circle is on board. Some have advised him to hold off on any big decisions, especially with relationship pressures now intersecting with his career.
Could Timothée Chalamet’s romantic roles be causing tension with Kylie JennerGetty Images
Neither Jenner nor Chalamet has addressed the reports publicly. For now, all eyes are on Marty Supreme, which releases later this year.
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Kamal Haasan opens up about regrets and rediscovery at 70
Kamal Haasan has always been a man of many talents: actor, director, writer, producer. But in a rare and brutally honest conversation during promotions for Thug Life, he admitted something most stars never do: greed once came in the way of his growth.
Now 70, and with over 230 films under his belt, Haasan opened up about a period in his life when he stopped learning. Not because he lost interest, but because chasing money took over. “I liked money. I wanted more of it,” he said. That chase made him cut back on learning new skills, especially after he became one of the most bankable stars of the ’80s. He regrets letting that happen.
From Nayakan to Thug Life Kamal Haasan shares what keeps him groundedGetty Images
The actor, who began his journey at age three, recalled that his early success made him think he was special. That illusion shattered quickly when he stepped into theatre and saw real talent. “There were people who could’ve eaten me alive on stage,” he said. That humbling moment made him realise how much more there was to learn.
But stardom complicates that process. According to Haasan, stars often live in a bubble created by the people around them, like their managers, assistants, and fans, who prevent them from staying grounded. “They won’t let your feet touch the ground,” he said. This constant pedestal makes it harder for actors to hear real feedback, whether it is applause or criticism.
He reflected on how fame gives access to massive audiences but isolates you from the actual experience. “We don’t hear the claps or the boos. Everything comes filtered,” he noted, calling it a dangerous setup that breeds arrogance.
Haasan is teaming up with Mani Ratnam after 37 years for Thug Life, a collaboration many fans have waited decades for. Their last film together was Nayakan, now considered a classic. He admitted they both hesitated for years, fearing they’d never live up to that legacy. “We waited for people to forget Nayakan. They didn’t,” he joked.
Kamal Haasan says chasing money made him stop learning as he promotes Thug LifeGetty Images
Despite his decades of success, Haasan doesn’t see himself at the finish line. He recently spent time in the US studying artificial intelligence and says he still wants to explore new ideas.
For someone who’s seen all corners of fame, his takeaway is simple: stay curious, stay grounded. Even if the world forgets, never stop evolving.
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