A new film exploring the partition of India will offer audiences a poignant reminder, 70 years on, that using politics to divide communities is nothing new, its British director says.
Gurinder Chadha, whose grandparents lived through the violence that followed the birth of Pakistan in 1947, said it was important for her to mark the milestone with a film like Viceroy’s House.
“The film is a timely reminder of what happens when politicians and leaders start using divide and rule,” she told Reuters in an interview. “Eventually, it leads to violence and it leads to death, and that doesn’t serve anyone.”
The film, which opens in UK cinemas on Friday, focuses on the final pre-independence days in office of Lord Mountbatten, played by Downton Abbey star Hugh Bonneville.
It traces the turmoil that ensues as British and Indian leaders grapple with the issue of independence and looks at its effect on the Indian staff - both Hindu and Muslim - at the residence of the film’s title.
More than 1 million people died in the political earthquake set off when India and Pakistan became two countries and gained independence from Britain. The neighbours have since fought three wars and relations between them remain tense.
For Chadha, whose other credits include Bend it Like Beckham and Bhaji on the Beach, the film offered the opportunity to redress what she views as the standard narrative blaming the violence on disputatious Indians rather than Britain’s divisive imperial policies.
“I wanted to challenge the historical narrative of partition and independence, the last days of The Raj. I wanted to challenge the way I had been taught it at school, based on the evidence that I had come across in my research,” she said.
Bonneville’s co-star as Lady Mountbatten is X-Files actress Gillian Anderson.
The main protagonists among their staff are played by award-winning Indian actress Huma Qureshi and US actor Manish Dayal. The film also provides a valedictory role for veteran Indian actor Om Puri, who died in January.
For Qureshi, like Chadha, making the film was as much a personal as a professional journey.
“My grandfather’s sister was married in Pakistan and they lost touch for many, many years,” said Qureshi. “A few years ago, a man just popped up at my dad’s restaurant and he said, I think I’m your cousin… And they exchanged names and family trees, and he was. And of course, it was so overwhelming and so emotional.”
A 19th-century painting in Wiesbaden sees a massive visitor surge.
Fans spotted a direct link to the opening shot of The Fate of Ophelia.
Museum staff were completely caught off guard by the 'Swiftie' invasion.
They are now planning special tours to capitalise on the unexpected fame.
The question on everyone's mind: did Taylor Swift visit this place herself?
It is not every day a quiet German museum gets caught in a pop culture hurricane. But that is exactly what has happened at Museum Wiesbaden, where a painting of Shakespeare’s Ophelia has become a pilgrimage site. The reason? Taylor Swift’s latest music video for The Fate of Ophelia kicks off with a scene that looks ripped straight from their gallery wall. Suddenly, they have queues of fans where usually there is just quiet contemplation.
The Ophelia painting that Swifties say inspired The Fate of Ophelia becomes an overnight sensation Instagram/taylorswift
How did this Ophelia painting become so popular?
To be honest, it was simply hanging there. Friedrich Heyser’s work from about 1900. It is lovely, sure, but it was not a headline act. Then the video drops. And you see it immediately in the pose, the white dress, and the water lilies. It is practically a direct copy or, let us say, an homage. Fans on social media connected the dots in hours. Now the museum cannot believe its luck. Visitor numbers went from a few dozen admirers to hundreds, just over one weekend, like a whole new crowd for a century-old painting.
What has the museum said about the surprise attention?
They are thrilled, but a bit stunned. A spokesperson said it was a "shock" and they are having an "absolute Ophelia run." Can you blame them? One minute you are managing a classical collection, the next you are at the centre of a global fan phenomenon. They tried to reach Swift’s team, but they had no luck there. But they have leaned into it completely. Now they are organising a special "Ophelia reception" with guided tours. Smart move, right? It is a perfect storm of high art and pop star power, and they are riding the wave.
The big question: did Taylor Swift actually visit?
This is the real mystery, is not it? How did this specific painting, in this specific German museum, end up as the template for a mega-budget video? The staff are wondering the same thing. She was in Germany for the Eras tour last July. Did she slip in, incognito? Did a location scout send a photo? The museum thinks they would have noticed if Taylor Swift was wandering their halls. Who knows? It is the sort of stuff that feeds fan speculation for years. Whatever the facts, the painting's life has been irreversibly altered.
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