MARVELLOUS music act Kaykay & Co have made a name for themselves as leading live performers and they are particularly brilliant when delivering the biggest Bollywood hits of all time.
This has included superb, streamed shows across the pandemic, which have lifted the spirits of those in self-isolation. Eastern Eye decided to celebrate Valentine’s Day by getting group members Kaykay Chauhan, Shahid Abbas Khan, Anj Chauhan, Rekha and Parry Mad to put together a Bollywood romantic playlist of 10 top tracks, selecting two film love songs each.
Kaykay Chauhan
Ang Lagja Balma - Mera Naam Joker: The ultimate love song packs a punch with many moods of innocence and the beauty of affection. This song describes love to me in every way. Asha Bhosle serenades and charms with her shivery vocal delivery and Shankar- Jaikishan’s melodic music stays with you forever, along with Shailendra’s lovely lyrics.
Mohabbat Ke Khuda – Brahmachari: A boisterous love song composed by Shankar- Jaikishan, sung with romantic optimism by Mohammed Rafi and picturised on the rebel romantic hero Shammi Kapoor. The words’ emphasis is on the lover being the king of all lovers. The fast-paced rhythm combines well with an energy and confidence in this song. A one-of-a-kind love song!
Shahid Abbas Khan
Aaya Tere Dar Par - Veer Zaara: My all-time favourite. This song beautifully illustrates and picturises through the story of Veer Zaara of how when you truly love someone you can go to any extent for them. You can make any sacrifice for them, risk your life and face any hardship for them.
Hume Tumse Pyar Kitna – Kudrat: I love this song for its composition and lyrics. The relatable song speaks of how the love you feel for another cannot be measured as it is truly infinite, ever-growing and everlasting. The thought of someone else even looking at the one you love makes you burn up with jealousy, which can be seen as possessiveness or insecurity, but is also really deep love.
From Left -Parry Mad, Rekha, Kaykay Chauhan, Anj Chauhan, and Shahid Abbas Khan.
Anj Chauhan
O Mere Shah-E-Khuban - Love In Tokyo: A timeless love ballad penned by the great Hasrat Jaipuri and rendered by the deep silky vocals of Mohammed Rafi saab. I love the use of Urdu poetry in contemporary music and this is my all-time favourite as the lyrics can be interpreted on both a romantic and spiritual level. They don’t write them like that anymore!
Kya Yehi Pyar Hai – Rocky: Another all-time classic written by Anand Bakshi. Paired with the deep and haunting melody, it makes for a beautiful love song. The use of dialogue throughout adds a unique dimension, making it different from typical Bollywood songs. It triggers memories of Sanjay Dutt’s entry into the film fraternity.
Rekha
Kismat Se Tum – Pukar: When AR Rahman meets Sonu Nigam, the listener cannot help, but fall in love. This song is especially meaningful as Parry and I have recorded our version to Kaykay’s beautiful arrangement (to be released soon). This song is about fate bringing two people together and joining their broken pieces. If love can be described as bringing pieces of a puzzle together then I completely believe soulmates exist.
Tu Hi Re – Bombay: Another AR Rahman classic about sacrifice and how love is all encompassing. The idea that you cannot live without someone is truly overwhelming. When leaving everything and everyone behind to follow your heart, you are truly immersed in love. To invoke such feelings through a melody and instrumentation is a stroke of genius. This song gives me all the feels every single time.
Parry Mad
Ek Ladki Ko Dekha - 1942 A Love Story: RD Burman’s last work sung by my childhood singing hero Kumar Sanu and beautifully written by Javed Akhtar in a special way. All three won well-deserved Filmfare awards for this song. The three verses are arranged the same, but each has seven short lines that bring to life the feelings the hero experiences upon seeing his love. Often when performing this song, I feel as if I’m serenading the crowd with poetry and have broken out into my own lines at times.
Sun Ri Sakhi - Humse Hai Muqabla: Beautifully composed by AR Rahman, written by PK Mishra and amazingly rendered by Hariharan. The award-winning song, which was originally written in Tamil, is close to my heart because I love how Hariharan renders the Hindi version. The lyrics are simple enough for a British born Bollywood lover to understand. For years, the song played in my head like a jukebox and is one I love performing live. Considering the song is not as well known, the effect it has on the audience is indescribable and I’m sure the moment is etched in the memories of those present. That is what music is all about.
Visit www.kaykayco.uk, Facebook: @kaykaychauhanmusic and Instagram: @kaykayanco_liveband
With Kingdom set to release on 4 July, anticipation is soaring as fans gear up to witness Vijay Deverakonda in a never-seen-before action avatar. Gone are the days of brooding romance, this time the young heartthrob steps into the shoes of a fierce warrior navigating a war-torn world, blending raw emotion with brute strength. The audience is bracing for high-intensity combat, epic battle sequences, and a performance that redefines Vijay as a full-blown action star. Kingdom isn’t just a film, it’s a bold new chapter in his cinematic journey. Ahead of the release of the much-anticipated film, here are five reasons why Vijay Deverakonda is the ultimate action hero we’ve been waiting for.
Vijay Deverakonda steps away from romance and into full throttle action
1. From romantic rebel to battle-hardened hero
Fan-favourite performances in Arjun Reddy (2017) and Dear Comrade (2019) showcased Vijay’s raw vulnerability and brooding intensity. However, over the past few years, he’s been quietly honing stunt skills and fight choreography, preparing for a seismic shift into high-octane storytelling.
2. Sculpted physique & rigorous training
Under the guidance of top trainers, Vijay has added lean muscle and explosive agility, perfect for hand-to-hand combat sequences. Reports confirm he’s performed many of his own stunts, training in mixed martial arts, parkour, and weapon handling to bring authenticity to every punch and leap.
The actor showcases raw intensity in a war torn cinematic world
3. Kingdom: the 4 July game-changer
Set in a fictional kingdom besieged by rival factions, the film follows Vijay’s character, a battle-scarred warrior fighting for survival and justice. Directed by acclaimed filmmaker Gowtam Tinnanuri, Kingdom promises jaw-dropping set pieces, large-scale warscapes, and a hero who bleeds for his cause. This isn’t just another star vehicle, it’s Vijay’s statement that he’s ready to headline blockbuster action franchises.
4. A line-up of high-voltage projects
Deverakonda’s tentatively titled SVC59 is rumoured to blend espionage thrills with high-speed chases, with Vijay playing an undercover agent tasked with stopping a global cyber-threat. On the other hand, his VD14 is tipped as a gritty, street-level thriller; this film explores the underbelly of organised crime in South India, Vijay as a lone wolf vigilante.
Fans await Vijay Deverakonda’s next chapter as an action hero
Industry insiders say Vijay is mapping out a five-film arc that transitions him fully into action-hero territory, complete with recurring characters and interconnected storylines.
5. Beyond the screen: the man behind the muscles
Born 9 May 1989, in Hyderabad, Vijay made his feature debut in the rom-com Nuvvila (2011) before rising to pan-Indian fame. Apart from being a successful actor, he is also a philanthropist who launched The Deverakonda Foundation, a non-profit organisation, in April 2019.
Vijay Deverakonda is ready to take 2025 by storm with bold new roles
He has multiple Filmfare South Awards, including Best Actor for Arjun Reddy, plus Forbes India’s Celebrity 100 list inclusion in 2023, where he was estimated to have earned around £740,000 (₹7.75 crore).
Whether you first fell for him as the tortured lover or admired his off-screen generosity, 2025 is the year Vijay Deverakonda cements himself as the action superstar we’ve all been waiting for. Buckle up because the ride’s about to get explosive!
Karan Johar has never shied away from speaking up for people he cares about. And when it comes to Alia Bhatt, his response to the constant “nepo kid” jibes is simple: enough already!
In a recent interview, the filmmaker did not mince words when addressing the criticism Alia continues to face because of her family background. "Watch Highway, Udta Punjab, Raazi, Gangubai,” he said. “If you still think she hasn’t earned her place, then that’s just ignorant."
Karan Johar says he is proud of Alia Bhatt and questions nepotism double standardsGetty Images
Alia made her debut in Johar’s Student of the Year back in 2012. Since then, she’s starred in a wide range of roles, often earning praise from critics and audiences alike. But for some, the tag of ‘nepotism’ has stuck, and that is something Karan finds deeply frustrating.
He’s aware of the reputation his production house, Dharma, has when it comes to launching star kids. His latest project Nadaaniyan, which featured Saif Ali Khan’s son Ibrahim and Sridevi’s daughter Khushi Kapoor, was met with harsh reviews. Karan thinks the backlash was less about the film and more about who was in it. “It’s become trendy to hate films that have star kids in them. People know they’ll get attention for it,” he said.
Karan Johar breaks silence on Alia Bhatt nepotism debate and calls out criticsGetty Images
Karan also pointed out that his company has backed several projects with newcomers and talent from outside the industry, like filmmaker Neeraj Ghaywan. But these efforts are often ignored. “People don’t see the full picture,” he said. “They just want to pile on.”
The criticism stings even more when it involves Alia. Karan has openly called her the first person he’s ever felt protective of, like a daughter. He’s not interested in pretending otherwise. “Why should I tone it down for the sake of appearances?” he asked. “I love her, and I’m proud of her work.”
Karan Johar calls Alia Bhatt the first person he’s ever felt protective ofGetty Images
He’s aware that his name often comes up in debates about nepotism, sometimes even on podcasts by people he’s never met. “It’s bizarre,” he said. “Random people talking about me like they know me. I’m fine being the villain if that’s what it takes, but let’s at least talk with some honesty.”
For Karan, the problem isn’t people raising questions. It’s the refusal to accept talent when it’s clearly visible.
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Nitanshi Goel makes confident Cannes 2025 debut in black and gold gown combining classic style with today’s fashion
Seventeen-year-old Nitanshi Goel, best known as Phool Kumari from Laapataa Ladies, made a powerful first impression on the global stage at the Cannes Film Festival 2025. On Day 3 of the event, she confidently walked the red carpet wearing a striking black-and-gold gown, custom-designed by Jade by Monica and Karishma.
The gown, built on sheer black tulle, was detailed with Kasab embroidery and fine macramé, reflecting traditional Indian techniques. The silhouette was daring, with a sculpted hip design that echoed 18th-century European art but was reimagined with a modern edge. The structured bodice and long train gave the look both drama and grace. Nitanshi kept her styling simple with her hair pulled into a sleek ponytail, subtle makeup, and minimalist jewellery from CaratLane, letting the outfit speak for itself.
Nitanshi Goel stuns on Cannes 2025 red carpet in black and gold gown blending classic and modern style Instagram/nitanshigoelofficial
What stood out beyond the glamour was her intention. Her stylist duo, Shrey Vaishnav and Urja Amin, helped create a look that represented strength without overpowering her youth. Designer Monica Shah described the concept as "spring florals under moonlight," capturing both softness and sparkle. The result was a mix of tradition, youth, and quiet power.
Nitanshi Goel makes a stylish Cannes 2025 debut wearing a black and gold gown with modern flairInstagram/nitanshigoelofficial
Nitanshi’s presence at Cannes wasn’t limited to the red carpet. For the India Pavilion inauguration, she paid tribute to legendary Bollywood actresses with a thoughtful nod to history. Wearing a pre-draped ivory sari, she styled her hair with pearl strands featuring miniature portraits of icons like Madhubala, Rekha, and Sridevi as a touching homage to the women who paved the way.
Speaking about her Cannes debut, Nitanshi said, “I came into this industry with dreams. From Laapataa Ladies to Cannes, this is my way of showing that young Indian girls with big dreams can make it. I hope to be the voice for every girl who wants to take charge of her life and career.”
Nitanshi Goel makes confident Cannes 2025 debut in black and gold gown that blends old and new stylesInstagram/nitanshigoelofficial
While veterans like Anupam Kher and honourees such as Jacqueline Fernandez also made headlines on Day 3, Nitanshi stood out by being fresh, fearless, and focused. Her appearance wasn’t just about a gown or a photoshoot, but about showing the world a new face of Indian cinema: young, ambitious, and ready for the world!
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Tarantino reveals the Kubrick classic that inspired his first film
Before Quentin Tarantino became a household name with Reservoir Dogs, he was just another movie buff absorbing everything he could from his favourite directors. One name that stood out to him early on was Stanley Kubrick, especially for his lesser-known 1956 film The Killing, a movie that left a deeper mark on Tarantino’s debut than most fans realise.
Kubrick’s The Killing wasn’t a major blockbuster in its time, but it marked a shift in how crime stories were told. Adapted from Lionel White’s novel Clean Break, the film follows a racetrack heist through a fractured timeline, showing the same event from multiple angles. It wasn’t just about what happened, but how it was told. That structure, jumping back and forth in time, switching viewpoints, was rare in Hollywood then and made the story feel more intense and unpredictable.
When Reservoir Dogs came out in 1992, it felt like something fresh: strong dialogue, tension-filled scenes, and a plot that never actually shows the heist it’s centred around. But behind the style was a familiar structure. Like The Killing, Reservoir Dogs plays with time, shows events from different perspectives, and leans on the characters' personal motives to drive tension.
Tarantino has openly admitted the influence. “I didn’t try to copy The Killing, but I saw Reservoir Dogs as my version of that kind of film,” he told The Seattle Times. At the Cannes premiere of Reservoir Dogs, he even called The Killing his favourite heist film.
Both films avoid slick action in favour of character-driven suspense. Kubrick’s crew in The Killing are flawed and desperate, and their downfall feels inevitable. Tarantino’s gang is no different; paranoia, betrayal, and ego tear them apart.
Kubrick’s use of non-linear storytelling didn’t just shape one movie; it laid a foundation. Tarantino used that structure not only in Reservoir Dogs but continued it in Pulp Fiction and beyond. And in doing so, he helped bring that old-school Kubrick trick into modern indie cinema.
Tarantino may have built his own path, but The Killing was the map he started with. It certainly inspired him, but more than that, it helped him find his rhythm as a filmmaker.
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Paresh Rawal made a murky admission that left fans speechless
Some celebrity confessions make you love them more. Others make you reconsider watching their films during dinner. The latter was the case recently when veteran actor Paresh Rawal made a murky admission that left fans speechless.
Known for his impeccable comic timing and thunderous screen presence, the much-respected star undid decades of admiration by revealing that he willingly drank his own urine for a prolonged period – and is proud of it.
Yes, you read that right. This was not a survival hack or an unfortunate accident. Rawal said he followed the practice for weeks. The revelation came while recounting a serious knee injury he sustained during the filming of Ghatak. According to the actor, late action director Veeru Devgan recommended he drink the first urine of the day upon waking – something he claimed all fighters did for quicker healing. Taking the advice of Ajay Devgn’s father, Rawal followed through for 15 days, sipping it like “an enjoyable alcoholic beverage”. Rather than question whether the injury was truly serious, he insisted it miraculously helped – and said it “worked like magic”. That prompted some to speculate he might have continued the habit ever since.
While honesty is usually admirable, this is perhaps one revelation that should have remained buried, like a naughty person’s internet browser history. Social media users wasted no time unleashing a storm of memes, jokes and mockery. One user even suggested that the forthcoming Phir Hera Pheri sequel should be retitled Pee Hera Pheri.
Medical experts were quick to refute any health benefits. Doctors urged people not to follow Rawal’s example, warning that urine contains waste products and could cause infections rather than healing. They advised sticking to prescribed medication instead of unconventional – and unsanitary – practices.
Unbelievably, Rawal is not alone in this. Akshay Kumar once claimed to be drinking cow urine daily. During the Covid pandemic, certain right-wing politicians promoted similar ideas, suggesting cow urine could cure coronavirus. (Other stars may have disturbing remedies of their own – thankfully, they have kept them hidden.)
Perhaps Rawal thought he was sharing a quirky tale from his early days that would boost fan admiration. But now, many might never look at him the same way. The next time he delivers a line, including fellow cast members, some might wonder, “did he gargle before this take?” (If you are finding this out for the first time, apologies. Spare a thought for those who have had to kiss him.)
The entire episode is a reminder: celebrities should think twice before making dark confessions like this.
Also, while Ajay Devgn is known for his mischievous pranks dating back to the early ’90s, one has to ask – did his strict father Veeru pull off the ultimate one with this bizarre suggestion? (And just in case it needs repeating – the NHS absolutely does not, under any circumstances, recommend drinking your own wee.)