Pooja Pillai is an entertainment journalist with Asian Media Group, where she covers cinema, pop culture, internet trends, and the politics of representation. Her work spans interviews, cultural features, and social commentary across digital platforms.
She began her reporting career as a news anchor, scripting and presenting stories for a regional newsroom. With a background in journalism and media studies, she has since built a body of work exploring how entertainment intersects with social and cultural shifts, particularly through a South Indian lens.
She brings both newsroom rigour and narrative curiosity to her work, and believes the best stories don’t just inform — they reveal what we didn’t know we needed to hear.
These 10 films weren’t just hits; they started conversations and held up a mirror
Malayalam cinema leads the list, with 4 standout films pushing boundaries
Stories tackle caste, grief, gender, and class without sugar-coating
From indie gems to box office smashes, they prove truth sells too
Some films punch you in the gut. Others sit quietly with you after the credits roll, refusing to leave. This year, South Asian cinema has delivered both, and more. It hasn't been about larger-than-life heroes or formula plots. It's been about discomfort. Tenderness. Grief. Guts. From sun-drenched fields in rural Maharashtra to gritty courtrooms in Kerala, filmmakers across the region are telling stories with a kind of bravery that feels new and honestly overdue.
Here’s a list of 10 films from 2025 that haven’t just made money but also moved people. If you haven't seen these yet, fix that.
1. Ponman (Malayalam)
Dowry culture in Kerala? This black-comedy thriller doesn't just expose it, it truly sets it on fire. Basil Joseph is phenomenal as a gold broker trapped in a wedding scheme gone horribly criminal. Made on a small budget of £285,000 (₹3 crore), the film earned £1.73 million (₹18 crore+). Proof you don't need a mega-budget, just a killer story and guts. Beneath the dry humour is a grim look at how tradition twists into greed, and how no one comes out clean.
A heartbroken college dropout slides into online fraud to numb the sting of failure. But lies have limits, and this one drags him back to where it all went wrong. It’s funny, sad, and painfully honest about how young people drown quietly in pressure and heartbreak. And damn, did people watch – £14.2 million (₹150 crore) says they felt it too.
Imagine giving up everything for your sick mum. Now imagine your neighbours using that love to blackmail you. Moushumi Chatterjee, back after 12 years? Her performance is a quiet masterclass. You feel every sigh, every unspoken pain. It’s about sacrifice, rage, and the quiet grief of being trapped by love. You’ll want to call your mother after this one.
A failing basketball coach stumbles into teaching neurodivergent adults, and learns he's not the only one looking for redemption. It’s messy, warm, and awkward in the best way. No easy solutions, but plenty of real moments that catch you off guard. It’s warm, sometimes chaotic, but ultimately about seeing people truly seeing them. £9.5 million+ (₹100 crore+) and counting? People are feeling it.
Remember making stupid movies with your friends? These guys in 90s Maharashtra did it with pure, chaotic passion, spoofing Bollywood to save their video shop. In a dusty town where money’s tight but dreams run wild, a group of boys try to make a film with zero budget and all heart. It’s not about success, but about doing something that makes you feel alive. You’ll laugh, maybe cry, and definitely smile.
No songs. No glamour. Just Abhishek Banerjee, jaw clenched! A tribal mother and two estranged brothers tear through the filth of a child-trafficking ring. It’s grimy. It’s urgent. It exposes the rot of class privilege exploiting the desperate. And Banerjee? Forget “good.” This is career-defining. It’s the underrated gut-punch of the year.
A city guy grieving. A rural farmer. A 10-day funeral ritual. Oh, and they’re both gay, navigating isolation amidst tradition. Rohan Kanawade’s debut is revolutionary precisely because it’s so quiet. No grand speeches, just aching glances and shared silence. Won Sundance. Won Guadalajara. It’s a lot about loneliness, ritual, and finding softness in the most unlikely corners of grief.
Disgraced cop. Forty-year-old murder. The twist? It’s tangled up in the real history of Malayalam cinema. They used AI to recreate old film scenes and it was mind-blowing. Asif Ali’s great, but this is for Mollywood nerds. It’s niche, clever as hell, and made bank: £5.44 million (₹57 crore+). It’s a slow burn, like a love letter to film itself, coded in celluloid secret.
A teen falsely accused. A lawyer fighting caste bias inside the courtroom. Ram Jagadeesh holds up a mirror to legal corruption, and it’s ugly. Lawyers praised its real courtroom vibe. Sivaji’s villain might steal the show, but the rage against a broken system? That’s the real takeaway. It’s claustrophobic, brutal, and terrifyingly real.
Mohanlal. An old Ambassador car. Starts as a sweet family drama about his bond with the taxi... then spirals into a criminal nightmare. Mohanlal is just phenomenal, as usual. It’s Drishyam’s tension meets raw emotional realism. £22.4 million (₹235 crore) globally? Yeah, people connected. Hard. Director Tharun Moorthy keeps the pace slow and deliberate, letting the tension build quietly. Shobhana is understated but powerful, her presence brings a quiet weight to the story that stays long after it ends.
This isn't just a “top 10.” It's proof. Proof that right now, in cinemas and on your screens, South Asian stories are exploding with a courage and honesty that’s impossible to ignore. Malayalam’s on fire. New directors like Kanawade (Sabar Bonda) and Jothish Shankar (Ponman) are arriving fully formed, swinging hammers. Seven out of ten are staring down hard truths like displacement, caste, gender, corruption.
They don’t all have happy endings. Some don’t even have closure. But that’s what makes them matter. Because real life isn’t tied up in neat little bows, and neither are these films.
Stephen Fry is playing Lady Bracknell. Yes, that is correct.
It completely sold out at the National Theatre.
Olly Alexander and Nathan Stewart-Jarrett are the two young men lying about their names.
It is directed by Max Webster, the man behind the Life of Pi play.
You can see it at the Noël Coward Theatre until 10th January.
This new production of The Importance of Being Earnest is the one everyone is talking about. It has moved from the National Theatre to the West End after tickets for the first run were completely unavailable. The whole production has a massive buzz, and, honestly, most of it is about Stephen Fry’s decision to take on the role of Lady Bracknell. It is a proper talking point.
Stephen Fry delivers a commanding performance as Lady Bracknell in the West End transfer Marc Brenner
What is the deal with Stephen Fry playing Lady Bracknell?
Look, it is genius casting. The role is usually played by a formidable older woman, but Fry completely owns it. He has the height, the voice, and the sheer presence. You truly believe he could silence a room just by walking into it. That famous "A handbag?" line? With him, it is not a shriek. It is slower, deeper, and somehow much more devastating. It is the kind of performance people will definitely remember.
Stephen Fry takes on Lady Bracknell in the West End run of 'The Importance of Being Earnest'Marc Brenner
Who else is in this production?
He is not up there by himself. Olly Alexander from Years & Years is playing Algernon, bringing a truly playful charm to the part. Nathan Stewart-Jarrett is Jack, the character with the fake country brother. The supporting cast is rock solid. Hugh Dennis is the Reverend Chasuble, and Shobna Gulati is a wonderfully flustered Miss Prism. It is a proper ensemble; there are no weak links.
Jessica Whitehurst and Kitty Hawthorne in West End transfer of The Importance of Being EarnestMarc Brenner
How do I actually get tickets to see it?
Right, pay attention. The production is at the Noël Coward Theatre and the run ends on 10 January 2026. That is not very far away. Tickets start at £25 (around ₹2,990). Given its history of selling out, you would be smart not to wait around. Check the theatre's official website.
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Cillian Murphy joins as executive producer for the highly anticipated BBC One revival
Two new series confirmed, set in post-war 1950s Birmingham.
Story shifts focus to a new generation of the Shelby family.
Filming will happen at Digbeth Loc. Studios in the city.
Cillian Murphy is on board as an executive producer.
The show will air on BBC One and iPlayer, then Netflix globally.
Guess the Peaky Blinders saga got a proper, extended run. Just when you thought the Shelbys were done, the BBC has gone and confirmed two brand new series. But this time, they are shaking things up, jumping forward in time to follow a completely new generation of the family. Imagine the same surname, but a whole new set of faces causing trouble in a city desperately trying to rebuild itself.
Cillian Murphy joins as executive producer for the highly anticipated BBC One revival Instagram/peakyblindersofficial
What is the deal with this new storyline?
They are leaving the flapper dresses and the Great Depression behind. We are landing right in the middle of 1953. Birmingham's landscape is just a collection of cranes and concrete skeletons, still shattered from the Blitz. And you know what all that rebuilding means, right? Contracts. Money. Power. A massive, brutal scrap for control of the city's future. It is actually a genius move. The setting is a character in itself: all cranes, concrete, and chaos. The Shelbys, of course, are right in the middle of it.
Steven Knight remains the driving force, writing and creating this new iteration. That is a relief for fans worried it might continue without its original voice. The production is a joint effort between Kudos, known for SAS Rogue Heroes, and Garrison Drama, the team behind the original six series. Here is a juicy bit: Cillian Murphy has signed on as an executive producer. Will his character Tommy's shadow loom large over the new kids? Will we even get a cameo? They are not saying. But filming in Digbeth again means they are keeping it real, sticking to the city that made the show.
The 66-year-old, best known for creating Peaky Blinders and A Thousand Blows Getty Images
When can we expect the new Peaky Blinders?
A specific release date has not been announced. What we know is that each of the two new series will consist of six hour-long episodes. The plan is for it to run on BBC One and iPlayer here in the UK first. After that, it will pop up on Netflix for the rest of the world to binge. This new show is actually coming after that Peaky Blinders film, The Immortal Man, which is set in the war. Think of that movie as the bridge. So there is a whole lot of Shelby drama coming down the pipeline. Guess we better get ready.
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Taylor Swift exposes the hidden toll of fame with 'The Life of a Showgirl' and shocking new single
Swift’s twelfth studio album, The Life of a Showgirl, released on 3 October 2025
Lead single “The Fate of Ophelia” unveiled alongside a global cinema event
Sabrina Carpenter features on the shimmering title track
Visual campaign drenched in orange, nodding to cabaret history
Photographers Mert and Marcus shot the album’s flamboyant artwork
Taylor Swift’s The Life of a Showgirl is finally here, and it feels less like a simple album drop and more like a deliberately staged spectacle. This new record, landing today, completely abandons the muted tones of The Tortured Poets Department for something far more theatrical. The whole project, conceived during the European tour dates, dives headfirst into the manic energy of performance, using the showgirl motif to ask what it costs to live under stadium lights. It’s a theme echoed in the ambitious, limited-run cinematic event accompanying its release.
Taylor Swift exposes the hidden toll of fame with 'The Life of a Showgirl' and shocking new single Instagram/taylorswift
What is the real story behind The Life of a Showgirl?
Okay, so it’s not actually about being a showgirl in the literal sense. That’s just the metaphor she’s clinging to. Swift has talked about the songs coming to her in bits and pieces between shows last year. Think about it: one night you’re screaming on stage in front of 70,000 people; the next you’re on a silent tour bus staring at a wall.
That whiplash is the album’s core. It’s about the duality, the person versus the persona. The tracklist alone hints at it with songs like Elizabeth Taylor and Father Figure, suggesting she’s playing with icons and archetypes, maybe seeing her own life reflected in theirs.
Right, the sound. This is a hard pivot. Where Poets was often sparse and lyrically dense, this one is loud. It’s pop, but with dramatic, soft-rock layers. Bringing Max Martin and Shellback back into the fold says everything you need to know; she’s going for big hooks and that polished sheen, clearly making a conscious return to a grander production style. “The Fate of Ophelia” kicks the door in with a driving beat and a chorus that feels designed for stadium chant-alongs, like a world away from the muted synthscape of “Fortnight.”
This is key. It’s not another Eras Tour film. From 3 to 5 October, fans are gathering in cinemas worldwide for Taylor Swift: The Official Release Party of a Showgirl. It isn’t a concert film. You get the premiere of the “Fate of Ophelia” video, sure. But also, lyric videos for all the new songs, along with behind-the-scenes footage and audio of Swift talking about the tracks.
It feels like a controlled, immersive unboxing of the album’s world. And then it’s gone. Perhaps, that scarcity is the whole point, making the album release itself a fleeting, must-see event.
You’ve definitely noticed the orange. It’s everywhere. The photoshoots by Mert and Marcus, the promotional materials, even city landmarks got lit up in orange. It’s not an accident; in fact, it’s the entire branding.
Orange is intense, it’s warm, it’s attention-grabbing. It perfectly sells the showgirl aesthetic, think old Vegas, cabaret feathers, the glow of the stage lights vibe. But it’s also a complete departure from the moody blues and grays of Poets. This colour choice seems like the first and loudest signal that this is a new, defiantly un-sad era.
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Priyanka Chopra shuts down global tag and doubles down on Indian actor pride
She shot down the 'global actor' tag with a definitive, almost weary, clarity.
Her first major jewellery purchase was a self-funded diamond from an early film pay cheque.
She's deep in the trenches of her pirate film The Bluff and the Citadel sequel.
The Bulgari partnership works because it, unlike many, shouts out Indian craftsmanship.
Despite the Hollywood slate, the SS Rajamouli film in India is absolutely confirmed.
Look, Priyanka Chopra is done explaining herself. On a quick stop in Mumbai, sandwiched between Hollywood schedules and a glittering Bulgari event, someone dared to ask the question again. You know the one. Global or Indian? Her answer wasn't just sharp; it was a sigh of finality. For an Indian actor in Hollywood, the constant need to define her identity is just noise. And she's done listening to it.
Priyanka Chopra shuts down global tag and doubles down on Indian actor pride Instagram/bvlgari
What’s her deal with Bulgari?
This isn’t some random cheque for her. You can tell it actually means something. She gets a real kick from how Bulgari gives India its due, shouting out the craftsmanship and the gemstones. Then she hit us with a classic story. Her first serious jewellery buy was a two-carat diamond, funded entirely by the signing amount from one of her earliest films. Her mum called it her "becoming a woman" moment. Try finding that level of meaning in a standard brand partnership.
This is where she doesn’t mess about. When the whole "global actor" thing came up, her answer was a verbal mic drop. "I’m Indian, and I’m an actor. That makes me an Indian actor," she stated. No fluff, no diplomatic answers. She talked about loving her job and following the work, but the core of it all never budges. It’s a refusal to have her identity rewritten by a map.
Priyanka Chopra embraces Indian actor title while juggling Hollywood and SS Rajamouli projectsGetty Images
So what’s next for Priyanka Chopra?
The woman isn't resting. She's fresh off a boat, literally, having wrapped The Bluff, this pirate flick with the Russo Brothers. "Exceptional" is the word she uses, and with her, that's not just PR talk. Then, no rest, she's straight back into the messy, big world of Citadel for another season. Oh, and the globetrotting SS Rajamouli’s film? It’s confirmed. She's in. So yeah, she's operating on a different plane of existence altogether.
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Strictly Come Dancing brings back Cynthia Erivo to guide celebrities in Wicked-inspired Movie Week performances
Erivo returns to the BBC dance show in a new role.
She will advise contestants during Movie Week.
The professional dancers are doing a Wicked performance.
She previously served as a guest judge.
The move ties in with her new film release.
Strictly Come Dancing has called in Cynthia Erivo for special duties. The award-winning performer will act as a guest mentor when the show holds its Movie Week. This marks a fresh job for Erivo on the programme after she previously served as a judge. She is expected to guide the celebrities through their big screen themed routines.
Strictly Come Dancing brings back Cynthia Erivo to guide celebrities in Wicked-inspired Movie Week performances Getty Images
What does a guest mentor do?
This is a new position created for the series. Erivo will visit the couples during their practice sessions. She will give them tips on how to sell a performance. Her job is to help them look more like film stars on the dance floor. When the live show happens, she will also join the judging panel to watch the results.
Cynthia Erivo takes over mentoring on Strictly Come Dancing to boost celebrities for high-stakes Movie Week Getty Images
Why choose Cynthia Erivo?
She knows her way around the Strictly ballroom. Producers brought her in to cover for judges before. People still talk about how she spoke to Rose Ayling-Ellis using sign language. That moment showed she understands how to connect with performers. She also has a new Wicked film in cinemas right now, which makes the timing work well.
Yes, the professional dancers have prepared something special. They will perform to As Long As You're Mine from the musical. Erivo sings that song in the movie version. The number will likely feature costumes and sets from the production. It should serve as a major moment during the broadcast.
The Movie Week episode airs this Saturday evening on BBC One. The competition is starting to get serious now. Some couples are already struggling to impress the judges. Having Erivo there might give someone the boost they need to avoid elimination this weekend.