If your Netflix queue is looking a little dusty, May is here to blow it wide open. Netflix is about to drop a tidal wave of must-watch TV this month and if you’re not glued to your screen, you’re missing out on iconic moments before they even happen. It’s a calendar stuffed with new stories, some that grip you by the collar, others that wrap around your soul like a slow burn.
So, cancel your weekend plans or maybe call in “sick” Monday too, because these 10 series are unskippable!
A sandy estate. Three women. One increasingly sinister weekend. Sirens is the kind of series that simmers before it explodes. Think Big Little Lies meets Succession, with Julianne Moore playing the puppet master you can’t look away from. It’s messy, sharp, and quietly unhinged in the best way possible.
Forget your standard detective fare. This Edinburgh-set mystery digs into cold cases that are anything but dead. Led by the ever-enigmatic Matthew Goode, Department Q wraps each episode in chilling atmosphere and character drama that feels both intimate and epic. Perfect for those who like their crime with a side of psychological unrest.
Greek gods are at war again, but this time it’s the grand finale. With Titans rising and Olympus on the brink, Blood of Zeus gives us operatic battles and divine betrayals, all wrapped in lush animation. It’s Game of Thrones in toga form but all brutal and utterly binge-worthy.
Who needs tiaras when there’s blood on the dance floor? The Fear Street franchise returns with a slick prom night slasher that’s pure popcorn fun. It’s nostalgic, yes, but also wickedly clever, turning clichés on their head with every stab.
Tina Fey, Steve Carell, Colman Domingo, and Will Forte vacation through the emotional minefield of friendship and marriage in this warm, witty reimagining of the 1981 film. Four trips, three couples, one slow unravelling. The Four Seasons is a hug and a gut-punch rolled into one.
Set in 2018 LA, this modern take on Judy Blume’s iconic novel tackles first love with raw honesty and tender nuance. Two Black teens fall hard, falter, and figure things out in a world that doesn’t always allow softness. It’s the kind of romance that aches in all the right places.
From the creator of Euphoria comes a gritty story that trades glitter for grit. In juvenile detention, a boy finds comedy and himself in the unlikeliest of places. Bad Boy is full of contradictions: violent yet tender, bleak yet hopeful. It doesn’t ask for your sympathy, it demands your full attention.
This isn’t just another season; it’s more like an experimental fever dream. Each short film pushes the boundaries of animation and imagination, from grotesque horror to cosmic absurdity. You won’t just love every episode, but you’ll remember all of them.
Deadly snowfall. A ruined Buenos Aires. A survival story steeped in eerie silence and existential dread. This Argentine adaptation takes slow apocalypse to chilling new heights. It’s quiet horror, creeping under your skin like frostbite.
Comedian Tom Segura opens the doors to his inner chaos and it’s not pretty. But it is hilarious. With no punchline off-limits, Bad Thoughts is for those who like their comedy served black and bitter, with a side of self-loathing.
So, let’s forget comfort rewatches. This May is all about discovering shows that challenge, delight, and maybe disturb. Be it gods brawling, teens slashing, or comedians oversharing, there’s a series here that’ll hijack your attention span. Just one piece of advice: don’t start these at midnight… unless you’re ready to see the sunrise!
Jason Isaacs has revealed that every cast member of The White Lotus Season 3, regardless of experience or fame, earned the same salary: £32,000 (₹33,60,000) per episode. That totals around £256,000 (₹2,68,80,000) for the full eight-episode run. While that figure might seem significant, Isaacs called it “a very low price” for a hit HBO show, but said he had no complaints.
“We would’ve paid to be in it,” Isaacs said in an interview, adding, “We probably would’ve given a body part.”
Jason Isaacs opens up about financial regrets and career lowsGetty Images
Equal pay, no ego
The show’s ensemble approach meant that veterans like Isaacs and Parker Posey received the same as newer faces such as Patrick Schwarzenegger and Sam Nivola. Asked if it bothered him to be paid the same as his younger co-stars, Isaacs shrugged it off: “I never work for money. I’ve done alright. People assume I have piles of cash, but I’ve basically matched my spending to my income and spent everything over the years.”
The pay structure, introduced from Season 1, was meant to ensure fairness and avoid ego clashes. “Everyone is treated the same,” said producer David Bernad in an earlier interview, explaining how the alphabetical billing and equal salaries were key to creating a drama-free, committed cast.
The White Lotus cast shares the screen and the paycheck equallyGetty Images
Isaacs admitted that while the rate was lower than typical network or streaming pay outs, the prestige of working on The White Lotus and with creator Mike White made it worthwhile.
Cautionary tales and career lows
Isaacs also took the opportunity to share hard-earned lessons with his younger co-stars, urging them not to get emotionally attached to the final product. “You don’t control how it’s received. That’s Mike’s job,” he said. Reflecting on his own past, he pointed to Peter Pan (2003), where he played Captain Hook, a big-budget project that tanked commercially and nearly derailed his career.
“It was the lowest I’ve ever felt professionally. I thought I’d never work again,” he confessed. Isaacs said it was his partner Emma Hewitt who helped him through that dark phase, crediting her support over their decades-long relationship.
Jason Isaacs says Emma Hewitt helped him through his dark phase in lifeGetty Images
The White Lotus Season 3 is now streaming on Max, and while the actors may not have earned big bucks, the series continues to score big on screen, with critics and fans alike.
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From Squid Game season 3 to Stick, these are the biggest shows and films to stream in June 2025
Honestly, this June, your watchlist is about to need a watchlist. Forget the rinse-and-repeat releases because this month, streaming platforms are serving us a cocktail of choices. Whether you're Team Marvel or Team “give me plot twists that slap,” this list brings the crème de la stream. Curated with zero fluff and verified from top entertainment sources, here’s what you need to watch this month, before spoilers eat you alive.
Squid Game – Season 3 (Netflix)
The final round is here. Lee Jung-jae returns for the ultimate face-off in the game that turned capitalism into a slasher film. Will justice be served? Probably not. Will it wreck you emotionally? Absolutely.
Redemption arcs are for quitters, unless you’re Owen Wilson with a golf club and a grudge. In this new sports comedy, washed-up golf pro Pryce Cahill finds a second shot at greatness when he stumbles upon a teenage prodigy, Santi. Coaching the kid might save both their careers or crash them harder than his infamous meltdown. Think underdog story, but with dad jokes, sports rivalries, and just the right swing of heart.
Julianne Moore and Sydney Sweeney play a mother-daughter duo untangling a violent secret on a secluded Pennsylvania farm. It’s gritty, emotional, and slower than a shotgun reload, but way more explosive.
Back in the kitchen and hotter than ever. Carmy is back with more breakdowns, beef, and beautiful messes. After last season’s cliffhanger, expect Michelin-star levels of stress and storytelling.
Move over, Iron Man. Riri Williams is suiting up and rewriting the tech-hero narrative. With Anthony Ramos stepping in as The Hood, this is Marvel's smartest and sneakiest origin story in years.
If June 2025 proves anything, it’s that streaming isn’t slowing down. Rather, it’s speeding straight into every genre you thought you were tired of and making it feel brand new. So whether you're here for the heartbreak, the brain games, or just unfiltered weirdness, this month doesn’t just entertain, it devours. Get your snacks, clear your calendar, and for heaven’s sake, disable your spoilers.
Now let the binge begin!
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HBO’s Harry Potter reboot slammed for casting Italian actress as Indian character Parvati Patil
HBO’s upcoming Harry Potter reboot is already under fire, this time for casting Italian actress Alessia Leoni as Parvati Patil, a character rooted in Indian culture. The announcement has triggered widespread backlash from fans who accuse the makers of side-lining authentic South Asian representation in favour of what many see as surface-level diversity.
Parvati, originally portrayed by Shefali Chowdhury in the films, is one of the few explicitly Indian characters in the Harry Potter universe. The decision to cast someone with no clear Indian heritage has led to heated discussions across platforms like Reddit and X, with fans calling out what they perceive as performative inclusivity.
Fans question why Indian talent was overlooked again
Many online comments have shared similar frustrations: that casting a brown-skinned actor is not the same as casting someone of Indian origin. “They just picked someone who looks brown and called it a day,” one Redditor commented. Another added, “Parvati is not just a name, it’s a direct reference to Hindu culture. It deserved more thought.”
This is not the first controversy to hit the reboot. Earlier announcements like casting Paapa Essiedu as Snape and Arabella Stanton as Hermione also drew criticism from those who felt the series was playing fast and loose with established character identities. Supporters of accurate representation argue that while the intent may be diversity, the execution often feels tokenistic.
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Adding fuel to the fire is the casting history of the original films, where British-Bangladeshi actors Shefali Chowdhury and Afshan Azad played the Patil twins after being discovered through grassroots-level auditions. That sense of grounded authenticity, fans argue, is missing in the current reboot.
HBO's broader casting choices also under scrutiny
Alongside Leoni, HBO announced several other cast members: Katherine Parkinson as Molly Weasley, Lox Pratt as Draco Malfoy, Johnny Flynn as Lucius Malfoy, Leo Earley as Seamus Finnigan, Sienna Moosah as Lavender Brown, Bel Powley and Daniel Rigby as the Dursleys, and Bertie Carvel as Cornelius Fudge.
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The series, hoped to be a faithful adaptation of J.K. Rowling’s books, is scheduled to premiere in 2026. But with these early casting calls, many longtime fans feel HBO is missing the mark on cultural nuance—and all this before a single spell has been cast on screen.
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BBC Three documentary uncovers new details in Kim Kardashian Paris robbery case
Nearly ten years after Kim Kardashian was robbed at gunpoint in a Paris hotel, the story is being revisited in a new documentary coming to BBC Three and iPlayer. Titled The Kim Kardashian Diamond Heist, the film digs into one of the most talked-about celebrity crimes of the last decade, offering fresh access and unheard accounts from those closely involved in the case.
Kim Kardashian Paris robbery case revisited in new BBC Three documentaryGetty Images
New voices and untold moments from the night that shocked the world
The 45-minute documentary features first-hand interviews with close family friends, French police officers, and journalists who followed the robbery from day one. It takes viewers back to that October 2016 night, when Kardashian was tied up and robbed of jewellery worth millions of pounds inside her private apartment at a luxury hotel during Paris Fashion Week.
The film doesn’t stop at the crime itself. It moves forward to recent developments, including the court case in which Kim finally came face-to-face with her assailants last month. Eight people were found guilty, nearly a decade after the robbery made global headlines.
Kim Kardashian 2016 diamond heist case brought eight people to justice nearly a decade after the robberyGetty Images
Beyond gossip: A look at the cost of digital fame
This BBC Three documentary goes beyond the headlines and Instagram timelines. It examines the role of social media in the robbery, where public posts may have tipped off the thieves, and the emotional fallout Kim faced in the aftermath.
Nasfim Haque, Head of Content at BBC Three, says the film “cuts through the noise and looks at the real-life consequences of being so visible in the digital age.” Firecracker Films, the production company behind the documentary, also hopes the film helps viewers understand how the case was solved and the emotional cost behind the glamour.
Kim Kardashian arrives at the Assize Court for the trial Getty Images
Directed by Ben Bryant and produced by Jessica Sartenaer, The Kim Kardashian Diamond Heist will be available on BBC Three and BBC iPlayer later this month. Executive producers include Jes Wilkins and Sam Emmery, and the documentary will be distributed globally by Passion Distribution.
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A post-screening Q&A that revealed how their off-screen camaraderie and improvisational skills helped
The world premiere of Deep Cover lit up the inaugural SXSW London Screen Festival on Wednesday night, with stars Bryce Dallas Howard, Orlando Bloom and Nick Mohammed attending a post-screening Q&A that revealed how their off-screen camaraderie and improvisational skills helped shape the film’s comic energy.
The crime caper, directed by Stath Lets Flats creator Tom Kingsley, was screened as the festival’s Centrepiece Headliner and will be available to stream on Prime Video from 12 June.
A story years in the making
The project began over a decade ago, when producers Colin Trevorrow and Derek Connolly came across a real-life story involving New York police using actors as decoys in criminal investigations. The idea evolved into a feature film script written by the British duo Ben Ashenden and Alexander Owen, adapting Trevorrow and Connolly’s original concept and relocating the story to London.
Deep Cover follows three improv performers who are enlisted by an undercover police officer to pose as hardened criminals and infiltrate London’s underworld. With comedy and action colliding in unexpected ways, the film balances high stakes with humour.
Action-comedy with an indie heart
Director Kingsley explained that while the film began as a straightforward comedy, the involvement of bigger stars gave the team the resources to explore more ambitious action sequences.
“I think maybe it started more as a comedy. Straight up,” Kingsley said. “As we went on, bigger and bigger stars joined us, and that meant we could aim higher.”
- YouTubeYouTube/ Primevideo
The film was produced independently in London under Trevorrow’s Metronome Film Co. banner. The producers emphasised that creating a film like Deep Cover without major studio backing was a challenge, particularly in today’s economic climate.
“It’s not easy. We’re at a time when getting films financed is harder and harder,” Trevorrow noted. He credited Amazon’s partnership and the dedication of the British crew with bringing the production to life on a competitive budget.
Real locations, real stakes
One of the defining aspects of Deep Cover is its use of real London locations. From Shoreditch to Barking, the film avoids glossy studio sets in favour of gritty, authentic settings.
“We wanted the movie to feel real. I think the comedy is funnier when you really believe in the stakes,” said Kingsley. “We needed London to look a little dangerous, not too picture postcard.”
He revealed that some night shoots required extra security, especially in industrial zones. “We shot in areas that needed some caution – but that’s what gave it a grounded feel.”
Strong chemistry on and off screen
The cast’s chemistry was clear both on screen and during the Q&A. Howard, Bloom and Mohammed all spoke about how much they enjoyed working together and how much that dynamic influenced the film’s tone.
“We all just genuinely get along,” said Howard. “We’re all at similar stages in life. We’ve got kids, so we connect over that.”
Bloom, better known for dramatic and action roles, said the project allowed him to explore a new side of acting. “I’m not known for comedy,” he admitted. “But the writing and direction really supported me in finding the humour through the character’s seriousness.”
For Mohammed, the shift was in the other direction. Best known for his work in Ted Lasso, he found the action element to be a new experience. “Overwhelming,” he said. “I’m a huge fan of action films and blockbuster hits. So working with Hollywood-level stars on this was surreal.”
Improv rooted in structure
Although Deep Cover is about improvisers, the film itself relied heavily on a carefully structured script. Kingsley noted that while improvisation did happen during filming, most of it was trimmed for pacing.
“It’s a really tightly worked out script,” he said. “It goes a mile a minute, and we had to stick to the rhythm.”
Howard praised the collaborative process, saying, “We were never treated like puppets. It was very organic. The improv was more about getting into the scene rather than driving it.”
Bringing comedy back to the big screen
Producer Colin Trevorrow reflected on the rarity of seeing comedy in cinemas, especially as more films are made for streaming platforms.
“We live in a day and age where we rarely get to see comedy in a packed theatre full of people laughing – something I loved as a kid,” he said. “This film is going to be on Amazon, and we’re grateful for that, but tonight was something special.”
Deep Cover also features British acting veterans Paddy Considine, Ian McShane and Sean Bean in supporting roles.
As it heads to its Prime Video release, Deep Cover offers audiences a blend of improvisational comedy, undercover drama and London grit, all anchored by a cast with genuine chemistry and comedic timing.