SURYAKUMAR YADAV smashed 83 off 44 balls as India beat the West Indies by seven wickets in the third T20 international in Guyana on Tuesday (8) to keep the series alive.
After India lost T20 debutant Yashasvi Jaiswal and Shubman Gill cheaply in pursuit of 160, Suryakumar took charge in a dazzling innings comprising 10 fours and four sixes.
He eventually fell clipping an Alzarri Joseph full toss to deep backward square leg, but Tilak Varma finished unbeaten on 49 and captain Hardik Pandya hit the winning six with 13 balls to spare.
"It was really important to be myself in the powerplay. The team wanted me to bat as much as possible," said Suryakumar.
"I practised these (scoops) strokes a lot. I have loved to do that. I just like to express myself."
West Indies skipper Rovman Powell had earlier dragged his side to 159-5 with a quick-fire 40 not out after winning the toss in Providence and choosing to bat.
Brandon King made a run-a-ball 42 while fellow opener Kyle Mayers (25) and Nicholas Pooran (20) also made decent contributions for the hosts.
Left-arm wrist spinner Kuldeep Yadav, recalled in place of Ravi Bishnoi, claimed 3-28 to lead the Indian bowling attack. Axar Patel and Mukesh Kumar picked up a wicket apiece.
"We were 10-15 runs short," said Powell. "It was a pretty good wicket. The start we got (with the bat), it was something we asked for. We lost our way in the middle."
India cut West Indies' lead to 2-1 in the five-match series after they lost the opener by four runs followed by Sunday's dramatic two-wicket defeat.
"We had to back ourselves. Two losses or two wins do not change things. We have a long-term plan and it was important we showed our character," said Pandya.
The West Indies are aiming to win their first series of two or more matches against India in any format since 2016.
India won the preceding two-Test series 1-0 before beating the West Indies 2-1 in the ODIs.
I turned 43 recently, and it was the best birthday of my life. Special for so many reasons. For the first time since my twenties, I spent my birthday abroad. (In case you were wondering – Phuket, Thailand.)
Last year, I impulsively booked myself onto my friend Urvashi’s mind, body and soul expansion experience. Since then, life has taken some unexpected turns – including being made redundant from my day job – so this trip could not have come at a better time.
Before leaving, I was apprehensive. I had never been to East Asia. Would I like it? Would I get on with the other women? Should I really be going on a two-week trip without a job? What vaccinations would I need? Would the street food give me Delhi belly?
I need not have worried. Within the first day, all my fears melted away. The group of women on the trip were inspiring – each there for her own reasons – and across the week, I connected with them in unique and beautiful ways.
We ranged in age from 37 to 53. Some of us were single, others married with grown-up children. Some were high-flying execs, others unemployed.
But there was no sense of hierarchy – no “I’m better than you.” Just acceptance.
It was a trip of firsts. I got up at 5.30am on my birthday to do a four-kilometre mountain hike to see the Big Buddha. I got in a kayak and floated in the middle of the ocean, despite being a terrible swimmer. I took a Thai cooking class and finally learned how to make some of my favourite dishes.
But the biggest lesson from this impactful trip was this: it is so important to find people who bring good energy, who listen without judgment. Surround yourself with those who offer wisdom and support, not force their opinions on you. Who remind you that you are respected. That you are loved.
For anyone feeling lost, unloved, or unsure of how to navigate life, know that your tribe might be out there, waiting to meet you in the most unexpected of places. I found a new sisterhood in just one week. So take a chance. Step out of your comfort zone. Do something you never imagined doing.
I will leave you with the words of Usha, who was on the trip: “We are all devis in our own way.” I dedicate this column to Jaymini, Leena, Nina, Usha, Iram and Rinku – for helping me in ways they may never fully understand.
And to my darling Urvashi, thank you for bringing us all together. You created magic. You gave me the best birthday gift I could ever have asked for.
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A kushti bout continues until one wrestler pins the other’s back to the mud, regardless of how long it takes
Crowds cheer as muscular men in tight loincloths slap sacred scented soil on their bulging thighs and arms for a mud wrestling bout in India.
“When we fight, we sweat,” said 33-year-old Mauli Jamdade, a wrestling star in Maharashtra state, rubbing red-brown earth onto his body for each clash.
“The mud gives us grip and helps us grapple better.”
Unlike conventional wrestling matches played on mats with regulated draws, India’s mud wrestling is more raw, but has been the training ground for Olympic success. This style of wrestling, known as kushti or dangal, has millennia-old roots but emerged during the period of India’s Mughal rulers in the 16th century, blending traditional hand-to-hand combat with Persian martial arts.
There are no blows or kicking, but plenty of throws to the ground, and it remains hugely popular.
It took Jamdade over 15 minutes to defeat his rival, starting with a slow circling dance then twisting, turning and locking arms, before he pinned him down.
The bout ends when one wrestler pins his opponent’s back to the mud, irrespective of how long it takes.
Both men and women Indian wrestlers have won medals at the Olympics and Commonwealth Games in the more regulated form of the sport.
But it is the mud, not mat, version that is popular in swathes of rural areas, with supporters saying it is not just a spectacle but a tradition that many want to uphold.
Bank cashier Anil Harale ended his wrestling career after injuring his leg, but after work still slips out of his office clothes for a dirty wrestle. “I miss it,” said the 46-year-old, who hopes his “unfulfilled dream” will be realised by his teenage son, an aspiring wrestler.
Wrestler KD Jadhav, who took bronze at the 1952 Olympics – the first Indian to win an individual Olympic medal – began his sporting career as a mud wrestler in Kolhapur, a city in Maharashtra.
“It is from mud that wrestlers reach the Olympics,” said excited fan Sachin Mote, among hundreds cheering the wrestlers at a bout.
Kolhapur is a core base of the sport with its centuries-old residential gymnasiums known as talims.
Jamdade joined the Gangavesh talim aged 14. A picture of the Hindu monkey god Hanuman – a deity worshipped by wrestlers for his strength and devotion – gazes over waist-deep pits where the soil is dug.
The earth is mixed with turmeric, yoghurt and milk, as well as neem tree leaves and oil, before it is ploughed and smoothened across the ring.
For the wrestlers, the soil is sacred.
“It is everything,” said Jamdade. “There is nothing without it.”
More than a hundred wrestlers – some as young as 10 – train at the talim.
It is an austere life. The rigorous training includes waking up before dawn, running, hundreds of push-ups, rope climbing and grappling. Tobacco and alcohol are strictly prohibited, phone usage is restricted and pre-marital relationships are considered a distraction.
For Jamdade, the first year at the talim was all about gaining weight, and that is an expensive affair.
“There are people who weigh 125-130 kilos (275-285 pounds),” he said.
“To fight with them, and match their strength, I need to be at least 120 kilos.”
So when he is not in the ring or training, Jamdade focuses on eating. That includes at least five kilos of goat meat each week, some 70 egg whites, 24 apples, leafy vegetables and dry fruits.
He washes that down with at least 21 litres of milk, 14 litres of sweet lemon juice and a protein shake made with almonds, cashews, honey, cardamom seeds, honey and milk.
His monthly food bill totals £258 but the prize money he has won helps his family, who are from a poor farming background.
Winnings range from a few hundred pounds to £1,200 – more than the annual average income of an agricultural household in India.
While the popularity of more organised wrestling on mats has grown, Jamdade believes mud bouts have a safe future as a core part of village fairs.
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Kalki 2 yet to begin casting as rumours about Deepika’s role swirl online
There’s been a whirlwind of speculation surrounding Deepika Padukone’s association with two of the most high-profile films in Indian cinema right now: Spirit and Kalki 2898 AD Part 2. The latest buzz claims she might be walking out of Kalki 2, but the truth appears far less dramatic.
While social media and gossip pages have been buzzing with unconfirmed reports suggesting Deepika demanded fixed eight-hour shifts post-motherhood, allegedly causing trouble on set, the reality is, Kalki 2 hasn’t even started filming. In fact, it’s still in pre-production. No actors, including Deepika, have officially been signed or begun any work on the sequel, according to sources close to the film.
Deepika Padukone’s team denies exit from Kalki sequel amid speculationGetty Images
Rumours linked to Spirit exit spiral into Kalki speculation
Much of the noise seems to stem from Deepika’s recent departure from Spirit, a Sandeep Reddy Vanga film starring Prabhas. Reports suggest that the actor’s demand for a work-life balance, through an eight-hour shoot schedule, a higher pay cheque and profit-sharing didn’t sit well with the team. Soon after, Triptii Dimri was announced as the film’s new lead, and director Vanga appeared to post cryptic messages online criticising an unnamed actor for violating trust and playing “dirty PR games.”
Though Deepika was never named directly, the timing of Vanga’s posts and the sudden casting change led many to draw conclusions. Vanga’s social media tirades hinted at betrayal, accusing the unnamed actor of revealing story details and undermining a younger co-star. His use of idioms like “Khundak mein billi khamba noche” only fuelled the drama.
Now, those flames have been fanned further by similar murmurs around Kalki 2. Some reports claim her role may be trimmed or cut altogether due to scheduling conflicts. But the facts don’t back it up.
Deepika Padukone remains in the spotlight as speculation fuels headlinesGetty Images
What’s really happening with Kalki 2? Despite the noise, there’s no official word from Deepika or the Kalki production team confirming any of these developments. According to insider reports, the sequel hasn’t even begun the casting process yet. “There’s no shoot, no set, no interaction, so where’s the question of on-set friction?” the source stated, shooting down reports of a professional fallout.
With the sequel still in early planning stages, any casting speculation, especially of someone being dropped seems premature.
For now, what we know is this: Deepika is navigating her career differently post-motherhood, prioritising work-life balance. Whether that means fewer films or renegotiated terms remains to be seen. But until Kalki 2 actually takes off, rumours about her exit are just that: rumours.
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Father’s Day with Sarangi and Flute Double Bill Concert
Father’s Day is a time to celebrate the guiding figures in our lives — the mentors, protectors, and nurturers who shape our journeys. This year, give your father or father figure the gift of culture, heritage, and transcendental music at The Bhavan’s special Father’s Day Double Bill Concert on Sunday, 15 June 2025. Set in the heart of west London at The Bhavan, 4A Castletown Road, W14 9HE, this prestigious event will showcase the intricate beauty and emotional depth of Indian classical music, with spellbinding performances by Harsh Narayan on sarangi and Pravin Godkindi on flute, accompanied by the rhythmic genius of Pandit Sanju Sahai on tabla.
This one-of-a-kind concert brings together three master musicians, each carrying forward a rich legacy while continuing to innovate within their classical traditions. The event offers more than just a performance — it is a cultural immersion, a sonic journey into India’s centuries-old musical heritage, making it an ideal way to honour Father’s Day in a truly meaningful and memorable fashion.
Harsh Narayan, grandson of the legendary Pandit Ram Narayan, is one of today’s leading sarangi players. The sarangi, a bowed string instrument known for its haunting, voice-like timbre, is often said to echo the deepest human emotions. Harsh has made a name for himself by breathing new life into this traditional instrument, combining technical brilliance with emotive sensitivity. His ability to convey a wide range of moods and rasa (aesthetic flavours) through the sarangi has made him a sought-after performer on the global stage.
Joining him is Pravin Godkindi, a trailblazing bansuri (flute) artist whose playing is marked by expressive phrasing and creative improvisation. With training in both Hindustani classical and Carnatic traditions, Godkindi brings a unique dual perspective to his craft. His work has crossed into film music and fusion, yet he remains deeply committed to the purity of the classical raga system. For this concert, he promises to deliver a performance that balances serenity and dynamism — qualities that make the flute such a beloved instrument in Indian music.
Adding rhythmic complexity and percussive brilliance to the evening is Pandit Sanju Sahai, one of the finest tabla exponents of the Benares gharana. With a career spanning decades and performances across the globe, Pandit Sahai is known for his extraordinary speed, clarity, and emotive playing style. His tabla solos and accompaniment are always a masterclass in control, timing, and musical conversation.
Indian classical music is not only about melody and rhythm — it is a deeply spiritual art form that invites both the performer and the listener into a shared space of introspection and bliss. Experiencing a live performance like this one, with the spontaneous interplay between melody and percussion, offers a rare opportunity to connect with a musical tradition that transcends boundaries.
Whether your father is a seasoned connoisseur of classical music or someone new to the genre, this concert at The Bhavan — London’s home of Indian arts and culture — will make for an enriching, soul-touching evening. It’s a unique chance to celebrate a special occasion through the universal language of music.
Book your tickets early and join fellow music lovers for an evening of sonic excellence, cultural heritage, and timeless artistry. Celebrate Father’s Day the classical way — with a concert that nourishes the soul.
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The 2025 summer beauty bag is available exclusively in-store
Marks & Spencer’s popular summer beauty bag has returned for 2025, offering shoppers the chance to enjoy a wide range of premium skincare, haircare and make-up products for just £35. The curated bundle is valued at £210 and includes products from major brands such as Estée Lauder, Color Wow, REN, This Works, and Arkive.
The beauty bag contains a total of eleven items: four full-size products and seven travel-sized minis, all packed in a vibrant pink and peach wash bag. Ideal for holidays or everyday use, the zipped bag is roomy enough to store essentials and is designed with travel convenience in mind.
Available only in stores due to cyber attack
Unlike in previous years, the 2025 summer beauty bag is available exclusively in-store. This is due to an ongoing cyber attack that has disrupted M&S’s online operations. The company has paused orders through its website and app, with services not expected to resume until mid-July. Reports suggest the incident has already cost the retailer around £300 million.
What’s inside the 2025 beauty bag?
Shoppers will find a mix of classic products and newer releases inside the beauty bag.
Among the highlights is Color Wow’s Dream Coat Supernatural Spray (£19.50), known for taming frizz and protecting hair from humidity and heat. This Works’ body smoothing wash (£14.40) and Bloom & Blossom’s ultra-nourishing moisture body cream (£24) offer a two-step bodycare routine for soft, hydrated skin.
markandspencer
For facial skincare, the bag includes REN’s newly launched Clean Screen SPF 50 (£36), which provides high protection without leaving a white residue, making it suitable for sensitive or eczema-prone skin. Dr Paw Paw’s original balm (£7.25) is also included, offering a versatile solution for dry lips and skin.
Haircare is covered with Arkive’s Good Habit Hair Oil (£15), formulated with baobab and jojoba oils to boost shine and fragrance. A compact Tangle Teezer brush (£10.50) is also included, ideal for detangling hair while travelling.
Make-up and fragrance additions
The collection features two Estée Lauder products: a full-size Double Wear mascara (£18.15), which promises up to 15 hours of wear, and the Revitalising Supreme+ moisturiser (£58), which is enriched with peptides to help reduce the appearance of fine lines.
Two travel-sized fragrances are also part of the package. Discover’s Sweet Frangipani (£10) offers a summery floral scent, while Floral Street’s Electric Rhubarb (£29) delivers a fresh, fruity fragrance.
High street support
With online services currently unavailable, M&S is encouraging shoppers to head to physical stores to purchase the beauty bag. The limited-edition bundle offers strong value for money and continues to be a popular seasonal offering for customers looking to stock up on premium beauty items.
The M&S Summer Beauty Bag 2025 is available in-store for £35, while stocks last.