SURYAKUMAR YADAV smashed 83 off 44 balls as India beat the West Indies by seven wickets in the third T20 international in Guyana on Tuesday (8) to keep the series alive.
After India lost T20 debutant Yashasvi Jaiswal and Shubman Gill cheaply in pursuit of 160, Suryakumar took charge in a dazzling innings comprising 10 fours and four sixes.
He eventually fell clipping an Alzarri Joseph full toss to deep backward square leg, but Tilak Varma finished unbeaten on 49 and captain Hardik Pandya hit the winning six with 13 balls to spare.
"It was really important to be myself in the powerplay. The team wanted me to bat as much as possible," said Suryakumar.
"I practised these (scoops) strokes a lot. I have loved to do that. I just like to express myself."
West Indies skipper Rovman Powell had earlier dragged his side to 159-5 with a quick-fire 40 not out after winning the toss in Providence and choosing to bat.
Brandon King made a run-a-ball 42 while fellow opener Kyle Mayers (25) and Nicholas Pooran (20) also made decent contributions for the hosts.
Left-arm wrist spinner Kuldeep Yadav, recalled in place of Ravi Bishnoi, claimed 3-28 to lead the Indian bowling attack. Axar Patel and Mukesh Kumar picked up a wicket apiece.
"We were 10-15 runs short," said Powell. "It was a pretty good wicket. The start we got (with the bat), it was something we asked for. We lost our way in the middle."
India cut West Indies' lead to 2-1 in the five-match series after they lost the opener by four runs followed by Sunday's dramatic two-wicket defeat.
"We had to back ourselves. Two losses or two wins do not change things. We have a long-term plan and it was important we showed our character," said Pandya.
The West Indies are aiming to win their first series of two or more matches against India in any format since 2016.
India won the preceding two-Test series 1-0 before beating the West Indies 2-1 in the ODIs.
Julia Roberts addresses tough questions on feminism and complicity
After the Hunt centres on misconduct allegations in academia
Director Luca Guadagnino defends the film’s bold narrative choices
Amazon MGM to release the film in North America on 10 October
Julia Roberts’ After the Hunt became one of the most talked-about premieres at the Venice Film Festival as the film stirred a heated #MeToo debate. With questions of complicity, feminism, and responsibility dominating the press conference, the actress and director Luca Guadagnino faced pointed scrutiny. The psychological drama, set in higher education, not only highlighted misconduct but also raised deeper issues of accountability and shifting cultural conversations.
Julia Roberts at the Venice Film Festival premiere of After the Hunt as debate on #MeToo intensifies Getty Images
What is Julia Roberts’ After the Hunt about?
After the Hunt follows Roberts as a popular philosophy professor whose professional and personal life unravels when a misconduct accusation disrupts her circle. The accuser, played by Ayo Edebiri, points the finger at a colleague and close friend of Roberts’ character, portrayed by Andrew Garfield.
Written by Nora Garrett, the screenplay avoids simple answers and embraces complexity. Its intention, as Roberts stressed, was never to deliver a manifesto but to capture uncomfortable conversations. The film’s tagline even states: “not everything is supposed to make you feel comfortable.”
How does After the Hunt link to the #MeToo movement?
At the Venice press conference, Roberts was asked directly whether the film undermines the progress of the #MeToo movement. She rejected the notion, clarifying that it is less about women being pitted against one another and more about exploring moral ambiguities.
Guadagnino added that the film should not be read as a statement on feminism but rather as an exploration of “the clash of truths.” For both filmmakers, the goal was to provoke discussion rather than resolve long-standing social debates.
The cast of After the Hunt at its Venice screening as conversations on misconduct dominate headlines Getty Images
Why did Luca Guadagnino reference Woody Allen?
One of the most controversial creative decisions was the use of the Windsor font in the film’s credits, famously associated with Woody Allen’s work. Guadagnino explained that the choice was deliberate, nodding to the artistic legacy of Allen while acknowledging the ethical complexities tied to his name.
“It was about considering our responsibility when admiring an artist whose personal life has faced scrutiny,” he said. This decision deepened the ongoing discussion about separating art from the artist, echoing broader cultural debates.
Luca Guadagnino joins Julia Roberts at the After the Hunt press conference in VeniceGetty Images
When will After the Hunt be released?
Although the film screened in Venice, it is not part of the festival’s main competition and will not contend for awards on 6 September. However, Amazon MGM Studios has confirmed a North American theatrical release on 10 October.
Roberts, attending Venice for the first time despite filming in the city before, described the experience as “magical,” though her schedule left little time beyond work. Guadagnino, a festival regular, previously premiered Bones & All and Queer in Venice. His Zendaya-led Challengers was pulled last year due to Hollywood strike disruptions.
The 82nd Venice Film Festival continues to host major premieres including Guillermo del Toro’s Frankenstein, Benny Safdie’s The Smashing Machine and Kathryn Bigelow’s A House of Dynamite.
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India and Canada have appointed new envoys in a step to restore diplomatic ties strained since 2023. (Representational image: iStock)
INDIA and Canada on Thursday announced the appointment of new envoys to each other’s capitals, in a step aimed at restoring strained ties following the killing of a Sikh separatist in 2023.
India has named senior diplomat Dinesh K Patnaik as the next high commissioner to Ottawa, while Canada appointed Christopher Cooter as its new envoy to New Delhi.
The move comes more than two months after Indian prime minister Narendra Modi met Canadian prime minister Mark Carney on the sidelines of the G7 summit at Kananaskis in Canada.
Patnaik, a 1990-batch Indian Foreign Service officer, is currently India’s ambassador to Spain.
“He is expected to take up the assignment shortly,” the Ministry of External Affairs (MEA) said in a statement.
In Ottawa, Canadian Foreign Minister Anita Anand announced that Cooter will be the next high commissioner to India, succeeding Cameron MacKay.
“The appointment of a new high commissioner reflects Canada’s step-by-step approach to deepening diplomatic engagement and advancing bilateral cooperation with India,” Anand said. “This appointment is an important development toward restoring services for Canadians while strengthening the bilateral relationship to support Canada’s economy.”
A Canadian statement described the appointments as an important step towards restoring diplomatic services for citizens and businesses in both countries.
Cooter, who has 35 years of diplomatic experience, most recently served as Canada’s charge d’affaires to Israel and has earlier been high commissioner to South Africa, Namibia, Lesotho, Mauritius and Madagascar. He also worked as first secretary at the Canadian High Commission in New Delhi from 1998 to 2000.
In June, Modi and Carney had agreed to take “constructive” steps to bring stability to bilateral ties, including the early return of envoys to both capitals.
Relations between the two countries had deteriorated sharply after then prime minister Justin Trudeau alleged in 2023 that India may have had a role in the killing of Khalistani separatist Hardeep Singh Nijjar.
Following this, India recalled its high commissioner and five other diplomats in October last year, while expelling an equal number of Canadian diplomats after Ottawa linked them to the case.
Carney’s victory in the parliamentary election in April has since helped initiate a reset in relations.
(With inputs from agencies)
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Selena Gomez poses in Cabo wearing a pearl-embellished minidress during her bachelorette celebrations.
Selena Gomez shared photos and videos from her bachelorette celebrations in Cabo San Lucas, Mexico
The star wore a series of bridal-inspired white outfits, from pearl minidresses to crochet cover-ups
Blanco marked his bachelor party in Las Vegas with friends and fine dining
The couple, engaged since December 2024, are expected to tie the knot this autumn
Selena Gomez has given fans a behind-the-scenes look at her bachelorette party in Cabo San Lucas, where she gathered her closest friends for a sun-soaked celebration ahead of her upcoming wedding to music producer Benny Blanco. The 33-year-old singer, who announced her engagement in December 2024, posted a carousel of photos and videos on Instagram that captured the group’s seaside getaway, featuring themed decorations, yacht rides, and candlelit dinners.
Selena Gomez poses in Cabo wearing a pearl-embellished minidress during her bachelorette celebrations. Instagram/selenagomez
What happened at Selena Gomez’s bachelorette party in Cabo?
Gomez embraced her role as bride-to-be with a parade of all-white outfits. She wore a pearl-adorned Retrofête halterneck minidress, a white bikini under a crochet cover-up, and several short white sundresses. A veil embroidered with “bride to be” and rose-gold balloons spelling out “Mrs Levin”, referencing Blanco’s real surname, completed the bridal theme.
Photos showed Gomez surrounded by her friends, including cousin Priscilla DeLeon and long-time pal Raquelle Stevens, as they posed on a yacht and dined together on the beach. A video featured a mariachi band serenading the group, as well as clips of the women watching Wedding Crashers projected on the sand, dancing around their villa, and wearing customised “S+B” merchandise.
How did Benny Blanco celebrate his bachelor party?
While Gomez was enjoying Mexico, Blanco celebrated his bachelor weekend in Las Vegas. The 37-year-old producer shared highlights from the trip on Instagram Stories, including a lavish meal with a panoramic view of the Strip. He described a spa visit as “the most healing place on earth” and posted photos of himself enjoying caviar and bagels. Blanco was also joined by friends including The Bear actor Matty Matheson, who appeared holding a large stack of cash during the celebrations.
Benny Blanco marked his bachelor weekend in Las Vegas with friends, food and a spa visit. Instagram Screengrab/itsbennyblanco
When did Selena Gomez and Benny Blanco get engaged?
The couple confirmed their engagement in December 2024 after more than a year of dating. Blanco later revealed that Gomez helped design her engagement ring, which features a marquise diamond inspired by her 2015 single Good For You. The pair have since been candid about their wedding planning journey, though the ceremony date has not been officially confirmed. Reports suggest the nuptials are expected to take place this autumn in Montecito, California, with A-list guests including Taylor Swift and Ed Sheeran.
What do we know about Selena Gomez’s wedding plans?
In a recent interview, Gomez expressed her excitement about marrying Blanco, saying: “I just have never really felt so sure about something.” The couple, who also collaborated on a joint album I Said I Love You First, are said to be finalising details for a two-day celebration with heightened security. Blanco confirmed that Ed Sheeran is among his top invitees, while Gomez’s closest friends including Swift are expected to attend.
With both stars sharing glimpses of their pre-wedding festivities, anticipation is building around what promises to be one of the most high-profile weddings of the year. Fans are already speculating about Gomez’s final bridal look after her parade of white ensembles in Cabo.
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Protesters from the group Save Our Future & Our Kids Future demonstrate against uncontrolled immigration outside the Cladhan Hotel on August 16, 2025 in Falkirk, Scotland. (Photo: Getty Images)
UK appeals court overturns ruling blocking hotel use for asylum seekers
Judges call earlier High Court decision “seriously flawed”
138 asylum seekers will not need to be relocated by September 12
Full hearing scheduled at the Court of Appeal in October
A UK appeals court has overturned a lower court order that had temporarily blocked the use of a hotel in Epping, northeast of London, to house asylum seekers.
A three-judge panel said the High Court ruling that set a September 12 deadline to move migrants from the Bell Hotel contained "a number of errors".
The case followed protests outside the hotel after a resident was charged with sexually assaulting a local girl. Demonstrations have continued for weeks and at times turned violent, triggering debate on immigration policy.
The Court of Appeal said the earlier ruling was "seriously flawed in principle" and could act as an "impetus or incentive for further protests". It added that it failed to consider the "obvious consequence that the closure of one site means capacity needs to be identified elsewhere in the system".
The government will now not be required to relocate 138 asylum seekers from the hotel by September 12. The decision also weakens local efforts to challenge the use of other hotels to house asylum seekers.
The Home Office is legally required under a 1999 law to house "all destitute asylum seekers whilst their asylum claims are being decided".
The case will return for a full hearing at the Court of Appeal in October. Both the Home Office and the hotel’s owner, Somani Hotels, are opposing Epping Forest District Council’s bid to prevent the hotel being used for asylum accommodation.
The council argued that the hotel posed a public safety risk and that its use breached planning rules.
The hotel became the focus of national attention after resident Hadush Kebatu was accused of sexually assaulting a 14-year-old girl. He has denied the charges, which include sexual assault, attempted sexual assault, and harassment without violence. His trial began this week.
Protests in Epping have since spread to other parts of Britain, as small boat arrivals across the Channel continue.
(With inputs from agencies)
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Why British folk singer Deepa Shakthi believes music should be messy, raw and free from follower-driven rules
Turn O Spinning Wheel fuses English folk, Indian ragas and Sufi improvisation.
Deepa Shakthi slams the industry’s obsession with follower counts and clout.
Producer Stuart McCallum guided the band towards minimalism and focus.
The album spans reworked folk, Punjabi songs, qawwali and raga Jog.
At first, Deepa Shakthi wasn’t sure. A 2023 UK tour with Mishra, playing British folk mixed with her Indian classical voice, didn’t sound like the easiest fit. They were taking their fusion of Indian classical and British folk to rural corners of the UK; to Cornwall, to New Mills, places where, as she puts it, people aren’t exposed to this sound every day.
“I was very reticent. I was very kind of… anxious inside.”
But the doubts disappeared quickly. In Dorset, she remembers people “just screaming for more.” After shows, strangers would approach her and say: “I didn’t understand a word you sang. But what is it I’m feeling?”
Deepa’s answer is always the same: don’t try to explain it. “It doesn’t need a label. Just be with it.”
Why British folk singer Deepa Shakthi believes music should be messy, raw and free from follower-driven rules Instagram/mishra.music
Capturing raw connection in Turn O Spinning Wheel
That raw, unfiltered connection is the heart of Turn O Spinning Wheel, the album Mishra and Deepa created out of that tour. It’s not a carefully marketed product. It’s an experience born on the road, tested in front of audiences who didn’t come with any preconceptions. They just listened.
Out on 17 October via Shedbuilt Records, the record is, in fact, a meeting point: English folk tunes, Indian ragas, Sufi improvisation, and the freedom to let them sit together without forcing the blend.
The first single, Kite (released 11 August), shows exactly how it works: Ford Collier’s Irish jig on the whistle transformed, in Deepa’s mind, into the image of a kite dancing in the sky, which she carried into her Hindi vocals.
This is the spirit she and Mishra bottled in the studio. They brought in producer Stuart McCallum not to change their sound, but to refine it. “He taught us minimalism,” she explains. In the middle of a creative whirlwind, he was the objective ear, “just taking the scissors, cutting this off… stripping down.” He helped them shape the raw, trance-like energy of their live jams into the focused beauty of an album. Where the musicians might have improvised endlessly, McCallum helped shape the music into concise arrangements that carry the trance-like intensity of a live jam without losing clarity.
Deepa believes that in a world obsessed with explaining and categorising, the magic lies in listening without analysis. “We’ve moved so much away from intuitive response. We take it apart, we analyse things to such an extent, we’re trying to split a hair. I would urge listeners to just dive in, swim in it for a bit. No judgements. Life can be so simple, but we complicate it.”
Turn O Spinning Wheel fuses English folk, Indian ragas and Sufi improvisationInstagram/mishra.music
Breaking away from numbers and clout
This philosophy spills over into her views on the industry too. As a South Asian woman with more than 30 years of experience in Indian classical, semi-classical, rock fusion, and Sufi music, she’s blunt about the barriers that remain.
“It’s heartbreaking. The first question from some organisations is, ‘What are your social media handles? How many followers do you have?’” She points out the absurdity: “I’m a very experienced musician… I have a handful of followers compared to people with less experience. Does that mean I’m less worthy? Obviously not.”
Her plea is simple: stop boxing artists by stats or heritage and start listening. “Keep those stats to one side and just honestly listen to the band. You can tell when someone knows what they’re doing. There’s passion, there’s originality, there is power. Give them a chance.”
Even so, she’s hopeful. She points to boundary-breaking projects, like a Monteverdi opera reworked with Indian classical themes that found great success. “South Asian music and musicians are getting more of a… I wouldn’t say they’ve stepped into the mainstream, but it’s getting there.”
And her advice to younger artists? Resist the temptation to chase what’s fashionable. “Don’t contrive. Don’t try and make it up. Stay true to yourself, be authentic. What you really are about, that should be what’s on stage. That will bring its own success.”
The album itself carries that ethos. It includes reworked English folk, Punjabi songs, qawwali, and even a traditional sailor’s tale flipped into a woman’s warning, woven into verses in raga Jog. For Deepa, this isn’t fusion for the sake of it. It’s a conversation, and one that only really came alive in front of audiences who were ready to listen with open ears.
Mishra and Deepa now take that sound back on the road this autumn, with support from SAA-UK and Arts Council England. The tour runs from Leeds to Glastonbury, with a London show at World Heartbeat and Cardiff on 30 November. Translating the album to stage, Deepa says, is simple: “We just do our thing, lock in as a band, play confidently and passionately, and let the rest follow.”
Deepa Shakthi insists: “Music doesn’t need a label. Just be with it.”Youtube Screengrab/ Mishra Music
A chocolate box of sound
So why should someone who has never touched Indian classical or British folk give Turn O Spinning Wheel a chance? Deepa doesn’t hesitate: “It’s a new experience. It’s a fresh experience. Just go for it. Put it on. Don’t think, just feel.”
She promises variety, a little bit of everything. “There’s trancey stuff, there’s more kind of traditional folk, there’s a classical alaap… It’s like a chocolate box. There’ll be something somebody likes.”
For all the talk of cross-cultural innovation, Deepa’s answer is refreshingly straightforward. “Music doesn’t need explanation. It doesn’t need a label. Just be with it.”
Turn O Spinning Wheel is released 17 October on Shedbuilt Records and the UK tour starts in Leeds on 24 October. The single Kite is out now.