THE father of slain three-year-old Mucaad Ibrahim, the youngest victim in the New Zealand mosque shootings, told the white supremacist who gunned down his son that "true justice" awaited him in the next life and it would be more severe than prison.
"You have killed my son and to me it is as if you have killed the whole of New Zealand," Aden Ibrahim Diriye said in a statement read by a family member during a sentencing hearing for Brenton Tarrant on Wednesday.
"Know that true justice is waiting for you in the next life and that will be far more severe. I will never forgive you for what you have done."
Gunman Brenton Tarrant, a 29-year-old Australian, is scheduled to be sentenced this week after pleading guilty to 51 murders, 40 attempted murders and one charge of committing a terrorist act during the 2019 shooting rampage in the city of Christchurch which he livestreamed on Facebook.
A murder conviction carries a mandatory sentence of life in prison. The judge can impose a life term without parole, a sentence that has never been used in New Zealand.
Survivors and families of victims have addressed the court this week and many have urged the judge to sentence Tarrant to the most severe sentence.
Diriye, a refugee from Somalia who moved to New Zealand 25 years ago, told the court his son had been robbed of a future.
"He used to engage and play with the police; at home he would run around the house pretending to be a cop and wear police uniform. We thought one day he might become a police officer," he said in his statement.
While most of Tarrant's victims were at Al Noor mosque, including Mucaad Ibrahim, he killed seven people at the Linwood mosque.
The casualty list would likely have been higher if it weren't for Abdul Aziz Wahabzadah, who was commended for his courage on Wednesday by High Court Judge Cameron Mander after confronting Tarrant at the Linwood mosque.
After shots rang out in the mosque, Aziz engaged Tarrant outside, throwing a bank card machine at him and drawing fire when the gunman returned to his car, loaded with high-powered weapons, ammunition and incendiary devices.
"I didn't want him to go inside the mosque because we had 80-100 people praying at that time," Aziz said on Wednesday.
Aziz took cover, and weaved through parked cars, to stop Tarrant getting a clear shot. Tarrant's plan frustrated, he left quickly in his car and was detained en route to a third mosque.
"I could see in his eyes he feared for his own life... you should thank God on that day I did not catch you," Aziz told Tarrant.
"You will never forget these two eyes you ran from."
Ahad Nabi, who lost his 71-year-old father in the attack, stared at Tarrant before delivering a passionate statement, demanding that Tarrant should "never walk free" for his cowardly actions on March 15, 2019.
"You are weak, a sheep with a wolf's jacket on for only 10 minutes of your whole life," said Nabi, referring to the shooting rampage.
"This world was created with colour, a peasant like you will never change the human race."
Hasmine Mohamedhosen, whose brother Mohamed was killed, called Tarrant the "son of a devil" who she wanted to "rot in hell between the four walls of your cell for eternity".
Ahad Nabi, whose father Haji Daoud Nabi was killed in Al Noor mosque, said Tarrant should never be allowed to walk free.
"While you are in prison you will come to realise that you are now in hell and only the fire awaits you," he said.
Mustafa Boztas, who was shot in the leg, likened Tarrant to "a rotten cloth that has been thrown away after dirty work.
"You are not even a human, not even an animal, since animals are beneficial to the world," he said.
John Milne, whose 14-year-old son Sayyad was murdered, said since the killings his mental health had suffered, leading to a spell in a psychiatric ward.
"There is a huge hole in my heart that will only heal when I meet Sayyad again in heaven," he said.
"I hope to see you there too, Brenton, and if you get the chance I'd love you to say sorry to Sayyad. I'm sure he's forgiven you too."
Sara Qasem, daughter of victim Abdelfattah Qasem, said she would miss smelling her father's garden sauce cooking and wanted to hear his stories about the "olive trees in Palestine".
"You made a choice here - a conscious, stupid, irresponsible, cold-blooded, selfish, disgusting, heinous, evil choice," Qasem said, looking at Tarrant, seated and surrounded by guards.
Tarrant, who is representing himself, will not speak ahead of his sentencing, court officials said on Wednesday. He has directed a lawyer assisting the court to make a brief statement on his behalf. The judge has previously said sentencing would not occur before Thursday.
Prosecutors have told the court that Tarrant wanted to instil fear in those he described as invaders and that he carefully planned the attacks to cause maximum carnage.
Live reporting from the courtroom was banned, and other restrictions were put in place on what the media could report.
The hearings were adjourned until Thursday morning.
UK music industry continue to face systemic barriers that hinder progress, visibility, and career growth – despite decades of contribution and cultural influence, a new report has revealed.
The study, South Asian Soundcheck, published last Tuesday (7), surveyed 349 artists and professionals and found that while many are skilled and ambitious, structural obstacles are still holding them back.
Prepared by Lila, a charity focused on empowering south Asian artists and music professionals, the survey showed that nearly three-quarters of respondents earn some income from music, but only 28 per cent rely on it full time.
More than half struggle to access opportunities or funding, and many said they lack industry networks or knowledge about contracts and rights.
Beyond structural issues, almost half said they face stereotypes about the kind of music they should make; two in five encounter family doubts about music as a career, and one in three has experienced racial discrimination.
Although 69 per cent said there was progress in visibility, but 68 per cent still feel invisible within the industry.
Respondents sought urgent action, including mentorship and networking opportunities, stronger south Asian representation in key industry roles and fairer access to funding.
Veteran musician and composer Viram Jasani, who chaired the Asian Music Circuit and led a national enquiry into south Asian music in 1985, told Eastern Eye the findings were “disheartening”.
“I read the report and my heart sank – it feels as though nothing has changed,” he said.
“Back in 1985, we had already identified the same problems and made clear recommendations for better representation, employment and long-term support. Four decades later, we are still talking about the same issues.”
Jasani, a sitar, tabla and tambura expert, said the report focused mainly on modern genres and overlooked traditional south Asian music, which he believes is central to cultural identity.
“Since colonial times, British attitudes have not changed much,” he said. “If they can erase Indian traditional culture and create a community that lives entirely within an English cultural bubble, then they will have succeeded.”
He added that young south Asian artists were often drawn to Western contemporary music, while neglecting their own heritage.
“We are brilliant in Western genres, but that should come after we are grounded in our traditional shashtriya sangeet (classical music),” he said. “Without that foundation, we lose our sense of identity.”
Jasani also warned a lack of unity within the south Asian community continues to weaken its cultural progress.
He said, “People compete with each other while the world watches. For too long, massaging egos has taken priority over producing the best of our culture.”
According to the survey, one in three has experienced direct racial discrimination. One respondent said, “There are virtually no visible and successful south Asian artists in the mainstream – people simply do not know where to place us.”
Another added: “I want south Asian artists to be part of the collective mainstream industry, not just put on south Asian-specific stages or events.”
While the visibility of south Asian artists has improved, with more names appearing on festival line-ups and in the media, the study revealed this progress remains “surface level”.
Lila’s founder, Vikram Gudi, said the findings show progress has not yet been translated into structural inclusion.
“The data exposes what we call the progress paradox. Seventy-three per cent of the people we surveyed earn some money from music, but only 27 per cent earn enough to rely on it as a sustainable career,” he said.
“The Soundcheck gives us the evidence to enact real change and identifies three essential needs – mentorship, representation, and investment.”
Three-quarters of participants said mentorship from experienced professionals would make the biggest difference to their careers. Many stressed the importance of being guided by people who “understand how the industry works and can connect them to decision-makers”.
Nearly the same proportion called for greater south Asian representation across the music industry – not just on stage, but within executive, programming and production roles at festivals, venues, record labels and streaming services.
Dedicated funding also emerged as a priority, with many describing the current grant systems as inaccessible or ill-suited to the diverse and cross-genre work that defines south Asian creativity today.
Two in five respondents reported that family or community resistance remains a challenge, often due to the perceived instability of a music career. The report argued this scepticism is “economically logical”, when there are so few visible south Asian success stories in the mainstream.
Responding to the report, Indy Vidyalankara, member of the UK Music Diversity Taskforce and BPI Equity & Justice Advisory Group, said: “South Asian music is rich, vibrant, and hugely influential. We need south Asian representation at every level of the ecosystem, plus support and investment to match that influence.”
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