Pooja Pillai is an entertainment journalist with Asian Media Group, where she covers cinema, pop culture, internet trends, and the politics of representation. Her work spans interviews, cultural features, and social commentary across digital platforms.
She began her reporting career as a news anchor, scripting and presenting stories for a regional newsroom. With a background in journalism and media studies, she has since built a body of work exploring how entertainment intersects with social and cultural shifts, particularly through a South Indian lens.
She brings both newsroom rigour and narrative curiosity to her work, and believes the best stories don’t just inform — they reveal what we didn’t know we needed to hear.
James Gunn’s Superman reimagines the hero as a symbol of the immigrant experience.
Former Superman actor Dean Cain and conservative commentators criticise the film as "too woke."
Cain argues that Hollywood is rewriting classic characters to fit modern political agendas.
Gunn defends his interpretation, saying the story champions kindness and inclusion.
James Gunn’s highly anticipated Superman has already been caught in a political storm. The director’s depiction of the Man of Steel as a metaphor for the immigrant experience has drawn criticism from right-wing voices, who accuse Hollywood of turning the iconic superhero into a tool for political messaging.
New ‘Superman’ movie sparks backlash for portraying hero as immigrant symbol Instagram/superman/reald3d
Gunn calls Superman ‘The story of America’
In a recent interview, Gunn described Superman as an immigrant who “came from other places and populated the country,” framing the nearly century-old comic book hero as a symbol of the American melting pot. The new film, he added, is about “basic human kindness”, a value he believes is being lost in today’s culture. For Gunn, this fresh take is less about politics and more about restoring a sense of empathy.
Director James Gunn attends the red carpet for the Superman movie premiereGetty Images
Dean Cain says Superman is becoming too political
Dean Cain, who portrayed Superman in the ’90s TV series Lois & Clark, sees things differently. In a video interview, Cain accused Hollywood of going too far with “woke” reinterpretations of legacy characters. While acknowledging Superman’s extraterrestrial roots, he warned that reshaping classic icons to reflect modern ideologies risks diluting their core values.
“The ‘American way’ is immigrant friendly, tremendously so,” Cain said, “but there are rules.” He cautioned against celebrating immigration without acknowledging its complexities, arguing that unlimited inclusion could lead to societal collapse.
Dean Cain accused Hollywood of going too far with “woke” reinterpretationsGetty Images
Right-wing backlash gains momentum
Cain isn’t alone in his criticism. Fox News host Jesse Watters mockingly suggested that the new Superman now stands for “truth, justice, and your preferred pronouns,” while other conservative voices took issue with the film’s social messaging. Some have gone as far as to claim the hero’s cape should bear gang symbols if he’s being used to push a political narrative.
The reaction highlights how even fictional characters can become lightning rods in America’s ongoing culture wars. Immigration, especially, remains a divisive topic, intensified by recent enforcement policies and rising anti-immigrant rhetoric under Donald Trump’s influence.
While critics decry the film as ideological, those involved in Superman are standing firm. Nathan Fillion, who plays Green Lantern in the movie, downplayed the outrage, saying, “It’s just a movie.”
Sean Gunn, the director’s brother and a cast member in the film, offered a more forceful defence: “Yes, Superman is an immigrant. If you don’t like that, you’re not American.” For the cast and creators, the backlash isn’t a deterrent. In fact, it’s proof that the story still resonates and provokes thought.
Gunn’s Superman releases internationally this week and hits U.S. theatres on Friday, 11 July. Despite the controversy, early reviews are favourable, with many praising its emotional core and even the updated relevance.
But as the debate rages on, one thing is clear: this version of Superman isn’t just about capes and villains, it’s about what it means to belong in a country still struggling with the question of who gets to call it home.
So, Kajol and Twinkle Khanna’s show, Two Much, is already near its fourth episode. And people keep asking: why do we love watching stars sit on sofas so much? It’s not the gossip. Not really. We’re not paying for the gossip. We’re paying for the glimpse. For the little wobble in a voice, a tiny apology, a family story you recognise. It’s why Simi’s white sofa mattered once, why Karan’s sofa rattled the tabloids, and why Kapil’s stage made everyone feel at home. The chat show isn’t dead. It just keeps changing clothes.
Why Indian audiences can’t stop watching chat shows from Simi Garewal to Karan Johar Instagram/karanjohar/primevideoin/ Youtube Screengrab
Remember the woman in white?
Simi Garewal brought quiet and intimacy. Her Rendezvous with Simi Garewal was all white sets and soft lights, and it felt almost like a church for confessions. She never went full interrogation mode with her guests. Instead, she’d just slowly unravel them, almost like magic. Amitabh Bachchan and Rekha, they all sat on that legendary white sofa, dropping their guard and letting something real slip out, something you’d never stumble across anywhere else. The whole thing was gentle, personal, and almost revolutionary.
Simi Garewal and her iconic white sofa changed the face of Indian talk showsYoutube Screengrab/SimiGarewalOfficial
Then along came Karan Johar
Let’s be honest, Karan Johar changed the game completely. Koffee with Karan was the polar opposite. Where Simi was a whisper, Karan was a roar. His rapid-fire round was a headline machine. Suddenly, it stopped being about struggles or emotions but opinions, little rivalries, and that full-on, shiny Bollywood chaos. He almost spun the film industry into a full-blown high school drama, and honestly? We loved it up.
Kapil Sharma rewired the format again and took the chat show, threw it in a blender with a comedy sketch, and created a monster hit. His genius was in creating a world or what we call his crazy “Shantivan Society” and making the celebrities enter his universe. Suddenly, Shah Rukh Khan was being teased by a fictional, grumpy neighbour and Ranbir Kapoor was taunted by a fictional disappointed ex-girlfriend. Stars were suddenly part of the spectacle, all halos tossed aside. It was chaotic, yes, but delightfully so. The sort of chaos that still passed the family-TV test. For once, these impossibly glamorous faces felt like old friends lounging in your living room.
Kajol and Twinkle’s Amazon show Two Much feels like friends talking to people in their circle, and that matters. What’s wild is, these folks aren’t the stiff, traditional hosts, they’re insiders. The fun ones. The ones who know every secret because, let’s be honest, they were there when the drama started. On a platform like Amazon, they don’t have to play for TRPs or stick to a strict clock. They can just… talk.
People want to peep behind the curtain. Even with Instagram and Reels, there’s value in a longer, live-feeling exchange. It’s maybe the nuance, like an awkward pause, a memory that makes a star human, or a silly joke that lands. OTT gives space for that. Celebs turned hosts, like Twinkle and Kajol in Two Much or peers like Rana Daggubati in Telugu with The Rana Daggubati Show, can ask differently; they make room for stories that feel earned, not engineered.
How have streaming and regional shows changed the game?
Streaming freed chat shows from TRP pressure and ad breaks. You get episodes that breathe. Even regional versions likeThe Rana Daggubati Show, or long-running local weekend programmes, prove this isn’t a Mumbai-only appetite. Viewers want local language and local memories, the same star-curiosity in Kannada, Telugu, or Tamil. That widens the talent pool and the tone.
From White Sofas to OTT Screens How Indian Talk Shows Keep Capturing HeartsiStock
Are shock moments over?
Not really. But people are getting sick of obvious bait. Recent launches lean into warmth and inside jokes rather than feeding headlines. White set, gold couch, or a stage full of noise, it doesn’t matter. You just want to sit there, listen, get pulled into their stories, like a campfire you can’t leave. We watch, just curious, hoping maybe these stars are a little like us. Or maybe we’re hoping we can borrow a bit of their sparkle.
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