Stranger Things creators Matt and Ross Duffer have unveiled plans for a spinoff series of their blockbuster hit Netflix show.
According to The Hollywood Reporter, the project, details of which are being kept under wraps, is but one of five projects the siblings have unveiled as part of their nine-figure overall deal for Netflix.
Other projects include a new stage play set within the world of Stranger Things as well as a series adaptation of Stephen King and Peter Straub's The Talisman and a live-action take of the anime show Death Note.
The fifth project on the slate is an original series from Dark Crystal: Age of Resistance duo Jeffrey Addiss and Will Matthews.
All five projects, which are currently in the development stages, will be produced via the Duffers' newly launched Upside Down Pictures banner, which will be headed up by Hilary Leavitt. The Duffers inked a nine-figure overall deal with Netflix back in 2019.
All five projects are being produced for Netflix as part of the pact, which also covers the previously announced fifth and final season of Stranger Things.
The Hollywood Reporter shared, in a joint statement, the Duffers said that Upside Down Pictures will aim to create the kind of stories that inspired them growing up -- "stories that take place at that beautiful crossroads where the ordinary meets the extraordinary, where big spectacle co-exists with intimate character work, where heart wins out over cynicism."
The live-action Stranger Things spinoff will be based on an original idea by the Duffers. Upside Down will produce alongside Shawn Levy's 21 Laps. The Stranger Things stage play has been set within the world and mythology of the show and is being produced by Sonia Friedman, Stephen Daldry, and Netflix. Daldry will also direct.
Stranger Things was a surprise hit for Netflix, which owns the series as an original. Apart from this, the streamer is already expanding the world of Shonda Rhimes' Bridgerton and The Witcher with spinoffs in the works as it looks to cash in on its biggest owned properties, as per The Hollywood Reporter.
• Harry Styles was seen kissing a woman at Glastonbury 2025 in a viral video
• The woman has now been identified as London-based producer Ella Kenny
• The pair were dancing and kissing in the VIP section early Saturday morning
• This is Styles’ first public romance since his split with Taylor Russell in 2024
Harry Styles made headlines over the weekend after being filmed kissing a woman in the VIP section of Glastonbury Festival 2025, and now, the mystery is solved. The woman has been identified as London-based producer Ella Kenny, according to a report by The Sun.
The 31-year-old singer, best known for Watermelon Sugar and As It Was, was spotted at the festival in Somerset early Saturday morning, dancing closely with Kenny before sharing a kiss that lasted nearly 12 seconds. Eyewitnesses described the pair as "inseparable" and "very familiar with each other", adding to speculation that this may not have been a first-time encounter.
Harry Styles attends Spotify Celebrates The Launch of Harry Styles' New AlbumGetty Images
Harry Styles’ Glastonbury kiss with Ella Kenny grabs attention
Styles arrived at the festival around 1:45 a.m. on 28 June with friends, including long-time collaborator Kid Harpoon. Not long after, Ella Kenny reportedly joined the group. The two were seen chatting, dancing and sharing kisses on the cheek before eventually making out in full view of others in the VIP area.
One witness claimed the chemistry between the two was undeniable. “Harry only had eyes for her,” they said. “They looked like they’d known each other a while.” Neither Styles nor Kenny has commented publicly on the moment or their relationship.
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Who is Ella Kenny? Meet the producer linked to Harry Styles
Ella Kenny is a visual and experiential producer based in London, working at creative studio Noir. Her LinkedIn lists experience across high-end fashion and arts projects, but until now, she’s kept a relatively low public profile. That changed when footage of her kiss with Styles began circulating online, prompting fans to ask: “Who is she?” The kiss is the first time Styles has been publicly linked to anyone since his 2024 breakup with actor Taylor Russell. Before Russell, he dated Olivia Wilde, with whom he had a high-profile two-year relationship.
Harry Styles leaves following the funeral of singer Liam Payne Getty Images
While neither party has confirmed the nature of their relationship, the chemistry on display suggests this may not have been just a fleeting festival moment. Whether it's the start of something new or simply a weekend romance, fans will be watching closely, and Styles, as always, remains firmly in the spotlight.
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Critics praise Squid Game season 3 for its performances and bleak storytelling
Squid Game season 3 finale premiered on Netflix on 27 June, concluding the global hit series.
Fans on X criticised the ending, calling it rushed, unsatisfying, and emotionally hollow.
Audience score on Rotten Tomatoes drops to 51%, while critics maintain a solid 81% rating.
Creator Hwang Dong-hyuk described the final season as “darker and more hopeless”.
Netflix’s Squid Game may have wrapped up with its third and final season, but many fans are far from satisfied. While critics have praised the final episodes for their intensity and message, a large portion of the audience has taken to social media to criticise what they call a “rushed and meaningless” ending. The divide has become even clearer with the show’s Rotten Tomatoes audience score falling to 51%.
Squid Games season 3 Netflix
Viewers say Squid Game season 3 finale lacked payoff
Despite its reputation as one of Netflix’s most gripping dramas, Squid Game season 3 has received heavy backlash from longtime fans. Many took to X, calling the final six episodes a “waste of time” and slamming the decision to end major characters’ arcs abruptly. The central character, Seong Gi-hun, returns to the games in a broken state after the failed rebellion in season 2, but viewers say his emotional arc fizzled out in an unsatisfying face-off with the Front Man.
The show’s signature psychological games returned with more brutality, including a hide-and-seek game in a surreal Van Gogh-inspired maze and a deadly jump rope over a bridge. But despite the visual spectacle, audiences felt the storytelling was muddled. “The finale felt like they gave up,” one user wrote. “No payoff, no depth, just a spiral to nothingness.” Others pointed out the lack of emotional resonance and character development, especially for new contestants.
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Critics praise the season’s bold vision, but fans remain unconvinced
While audience reactions have been polarised, critics offered a more favourable take. On Rotten Tomatoes, Squid Game season 3 currently holds an 81% critic score, with reviewers applauding the performances, especially Lee Jung-jae’s restrained portrayal of Gi-hun. Creator Hwang Dong-hyuk had warned early on that this season would be “more bleak” and “without hope,” and many reviewers acknowledged the philosophical weight behind the grim narrative.
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Still, fans expected more from a series that once redefined genre television. With no plans for a fourth season, it seems Squid Game’s final message, that the system cannot be dismantled by one man, landed too quietly for a franchise that began with such explosive promise.
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Karan Johar opens up about emotional toll of troll who questioned his single parenthood
Karan Johar revealed how a troll's comment made him question raising kids without a mother.
The filmmaker broke down after reading the remark but found comfort in his children’s response.
Yash and Roohi, born via surrogacy in 2017, told him they’re happy “because you’re our dada”.
Johar credits his close friends and chosen family for supporting him through parenting challenges.
Karan Johar has shared a deeply personal moment about the emotional toll of being a single parent, revealing how one hurtful online comment briefly made him question his choice to raise his twins without a mother. In a recent interview, the filmmaker recalled breaking down after reading the remark and turning to his children for reassurance.
In the interview, the Rocky Aur Rani director recalled reading a troll’s comment that said, “Do you realise you’ve denied your children a mother?” The words struck a nerve. “That broke my heart. For the first time, I doubted myself,” Karan admitted.
The very next morning, still affected, he walked into his children’s room and asked the five-year-olds a question no parent should have to ask: “Are you happy?” Their response? “Yes, because you’re our dada” was all the validation he needed. “It gave me strength,” he said. “Say what you want, I’m proud to be their single parent.”
Yash and Roohi, born via surrogacy in 2017, told him they’re happy “because you’re our dada”Instagram/karanjohar
Karan Johar on parenting without a partner: ‘I do double duty on every front’
Johar, who became a single father through surrogacy in 2017 at age 44, spoke candidly about the realities of raising children without a partner or sibling for support. “I’m an only child and a single parent,” he said. “But my found family and my closest friends have filled in the gaps with endless love.”
He described navigating parent-teacher meetings, school WhatsApp groups filled with mothers, and balancing both roles at home as “daunting but fulfilling”.
Why Yash and Roohi’s names hold emotional meaning for Karan
Karan named his son Yash in honour of his late father, producer Yash Johar, and daughter Roohi as a rearrangement of his mother Hiroo’s name. “They represent the two most important people in my life,” he shared.
Despite moments of doubt, Johar says he has no regrets. “I waited for love to happen before becoming a parent. But in the end, love came in the form of my children.”
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Scarlett Johansson attends the "Jurassic World Rebirth" photocall
Scarlett Johansson says early roles focused on “desirability” and male-centred narratives
Notes positive shift in how women are portrayed in Hollywood today
Recalls being hypersexualised and typecast as a young actress
Currently stars in The Phoenician Scheme, with Jurassic World Rebirth out on 2 July
Scarlett Johansson has reflected on how Hollywood roles for women have evolved, admitting that early in her career, most of her characters were written to serve male-driven storylines. Speaking in an interview, the actress said the landscape has changed, with more nuanced opportunities for women on screen.
The Black Widow star, who began acting at nine, noted a shift in the kinds of roles she’s being offered now. “When I was younger, a lot of the roles I was offered had their ambitions or arcs revolving around their desirability or the male gaze,” she said. “That is less frequent now; something has shifted.”
Scarlett Johansson opens up about breaking free from early typecastingGetty Images
Johansson says more complex roles are finally being written for women
The 39-year-old actress acknowledged that the film industry is slowly embracing more layered portrayals of women. “The messaging is different now; there are more role models, women in visible and powerful positions, and roles that aren’t just one-note,” she said.
Scarlett has long been vocal about the way she was sexualised early on in her career. In a 2022 interview, she admitted that being objectified in Hollywood made her fear she’d be stuck playing the same type of roles. “I kind of became pigeonholed… I remember thinking, ‘I think people think I’m 40 years old,’” she said.
Johansson reflects on her childhood stardom and evolving careerGetty Images
From child star to filmmaker, Johansson now takes control of the narrative
Having debuted in North (1994), Scarlett went on to star in Lost in Translation, The Horse Whisperer, Ghost World, and the Avengers franchise. Now, she’s not just acting; she’s also directing. Her first feature, Eleanor the Great, premiered at Cannes in May.
From Avengers to auteur Scarlett Johansson embraces creative control Getty Images
Alongside her current role in Wes Anderson’s The Phoenician Scheme, she has Jurassic World Rebirth, which hit theatres on 2 July. After decades in the business, Johansson seems to finally be stepping into a space where she can define her own story, both on and off the screen.
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Flying car mishap forces Beyoncé to pause Houston performance mid-song
Beyoncé stopped her Houston Cowboy Carter show after her suspended Cadillac prop tilted dangerously.
The singer was performing 16 Carriages mid-air when she yelled, “Stop! Stop!” to halt the show.
She was safely lowered to the stage and told fans, “If ever I fall, I know y’all will catch me.”
Parkwood Entertainment confirmed a technical mishap but said the show resumed without injuries.
Beyoncé stopped her Cowboy Carter tour performance in Houston after a mid-air prop began to tilt precariously during the penultimate song. The singer, perched in a suspended red Cadillac high above the crowd, abruptly cut the song 16 Carriages short when the vehicle began to slant.
The dramatic moment unfolded on Saturday night at NRG Stadium, where Beyoncé was performing a sold-out hometown show. The car, typically used as a soaring stage prop, began to tip sideways as she sang, prompting her to clutch a pole for stability and shout, “Stop! Stop, stop, stop!”
Fans gasped as the vehicle leaned further mid-song. Video clips posted online show Beyoncé remaining composed before being slowly lowered to the ground. Once safely back on stage, she smiled at the crowd and said, “If ever I fall, I know y’all will catch me.”
Beyoncé halts Cowboy Carter show after flying car nearly tips over crowd in HoustonGetty Images
Beyoncé’s production company, Parkwood Entertainment, later confirmed the incident was due to a “technical mishap” with the cables holding the Cadillac. “She was quickly lowered, and no one was injured,” the statement read. “The show continued without incident.”
This isn’t the first time Beyoncé has experienced prop malfunctions during a live show. Earlier this year, a robot bartender missed pouring her drink on cue, and during her 2018 On The Run II tour, a broken platform forced her to climb down a ladder while wearing heels.
Beyoncé fans react as ‘Queen B’ keeps cool mid-crisis
Fans quickly took to social media with reactions ranging from concern to humour, many quoting her old on-stage catchphrase: “Somebody’s getting fired.” Others expressed admiration for how calmly she handled the situation, finishing the concert without missing a beat.
The Houston show marked the 23rd stop on Beyoncé’s Cowboy Carter tour, which ends in Las Vegas next month. The three-hour spectacle, featuring country-infused ballads, fan favourites, and her daughters Blue Ivy and Rumi, continues to smash venue records worldwide.