LOOK back across music history and the greatest artists are ones that have broken existing shackles binding them to the same path as others.
One artist who broke free and carved out his own impressive path is Australia-raised and UK-based hip hop star RaOol.
One of the composer-rapper’s boundary-breaking moves is his recently released four-track EP Gujarat Stand Up.
The first high-profile Gujarati hip hop compilation combines artists from four different continents and has laid the foundation for a brand new commercial musical scene, which will begin to explode in coming years. This is the latest star turn from an unpredictable artist, who has done everything from commercial urban tracks to music for mainstream Bollywood films.
Eastern Eye caught up with RaOol to discuss his path-breaking EP, Gujarati hip hop, future hopes and ambitious new year’s resolution.
How do you look back on your groundbreaking musical journey?
I feel I’m still at the beginning of my career, so honestly, I’m looking more forward rather than back. But if asked, when I look back, I’m proud of what I have achieved in the independent scene and in Bollywood. I loved working on Housefull 3 with Abhishek Bachchan. It was a huge honour for me and also on Tum Bin 2 teaching Dwayne ‘DJ’ Bravo how to rap a Hindi verse I wrote for him. But my best is yet to come.
What led you towards your latest Gujarati EP?
It all started back in 2018 when I experimented with a folk garba classic I had grown up listening to back home in Australia. The result was my song Kem Cho, an urban Gujarati mashup of the likes that had never really been done before, mixing folk and modern EDM/hip hop. When I showed it to the major labels in India they seemed to dig the sound, but when the music stopped, they told me categorically not to release it.
Why is that?
They all stressed that I look Punjabi and should follow the trending Punjabi music scene, to simply blend in rather than draw attention to my Gujarati heritage. That’s when I knew I had to do the opposite. So, I released that song independently with zero marketing and organically the song spread like wildfire across Gujarat, which I love reminding the labels about.
What happened next?
Fast-forward to 2020, I knew that I wanted to produce three more songs to create a fully Gujarati-based EP and I am so grateful to feature some incredibly talented and major global/pan Indian names to jump on the bandwagon with me. This project is Gujarati music reimagined in my way and a first step in bringing Gujarati hip hop to the world. Punjab has made its mark. Now, it’s our time. Gujarat, stand up!
Tell us about the songs on there?
The four-track Gujarat Stand Up EP is out now. It is my first EP and like all firsts in life comes with a lot of excitement, and a pinch of anxiousness. There’s a lot of firsts in this project, featuring major Bollywood, Punjabi and Gujarati names spanning four different continents, which makes this EP the first international hip hop album in Gujarati.
Tell us about the featured artists…
It was exciting working with Gujarati folk/pop queen Aishwarya Majmudar because to me she is leading the wave of new Gujarati talent. Equally, it was super dope to feature non-Gujarati singers like LA-based south Indian singer Pragathi Guruprasad and Punjabi superstar Jaz Dhami, as well as playback icons like Neeti Mohan, Divya Kumar, and upcoming star Brijesh Shandilya.
What has the response to the songs been like?
The response from the industry and more importantly, the fans has been so incredible, and not just from Gujaratis. It has been shared by legendary artists and producers from the UK and Punjab, A-playlisted on many radio stations globally, including BBC Asian Network, and all the videos have amassed three million organic views on YouTube. A massive thankyou to Asjad and the team at Eastern Eye for putting a spotlight on this project too.
How does this compare to other music you have done?
As a composer, I usually find myself writing melodies that may or may not have some level of Indian influence. This project was me specifically taking hundreds of years old folk melodies and giving them a modern street refix, so in that way, it’s definitely different. I’ve always tried to bring a sound that is true to who I am, part Indian/western and unflinchingly my own. This project still encapsulates that vision.
Will this be a new direction you are heading in, musically?
It is not a new direction for me, but certainly a new direction for Gujarati music. This is only my first step in reimagining Gujarati music; there will be much more to come. There’s also a lot more of my Hindi and English based records to come too.
What are your future hopes for Gujarati hip hop?
I opened for Badshah in his 70,000 plus sold-out stadium show in Ahmedabad at the start of 2020. After the show, I was surprised to see the number of upcoming Gujarati rappers that came out to show love and discuss their own ambitions. I’m looking forward to supporting them and collaborating with them to make a formidable Gujarati urban music scene, which will bring opportunities to all. Very much! I was born in the UK, raised in Australia, but I’m more rotli and shaak than fish and chips.
Has the lockdown changed you in any way, including creatively?
The lockdown has removed more distractions and brought additional focus on my creativity. It’s a scary time that has made us all anxious, and I’ve found putting my head down, taking one day at a time, and working through it without worrying about when it’ll all end, is the best way I’ve dealt with it.
Will you make a new year’s resolution?
Yes! I promise to release a song every 30 days – one a month for 12 months straight. I need to get all these songs off my laptop and to the people.
What is it that inspires you as an artist today?
Being the best that I can be inspires me! I love turning the studio on and seeing that day’s thought and emotion captured in a new vibe.
Who would you love to collaborate with and why?
I’d love to earn a collaboration with the greatest of all time, AR Rahman. There would be no greater honour for me.
Why should we all pick up your new EP?
Jaz Dhami singing in Gujarati, Neeti Mohan rapping; trust me when I say you’ve not heard anything like this before, I mean it! Whether you speak Gujarati or not, I’m sure the music will make you move.
Why do you love music so much?
It’s the true universal language and crosses all other boundaries like few other things do. Especially in today’s times, it feels good to be part of something that transcends manmade barriers and walls.
Bieber posted over a dozen updates in a matter of hours, many of them laced with frustration. One post read, “Happy daddy day to me u lil ho,” while another simply stated, “quit f–ing with me. I’m really not the one.” Accompanying the messages were moody selfies and a video of him silently shaking his head with the caption “how I feel about you.”
The timing raised even more eyebrows. Just days earlier, Justin had an angry confrontation with paparazzi outside Soho House in Malibu. When one photographer wished him a happy Father’s Day, Bieber snapped: “You don’t go to people you don’t know and say sh–t out of nowhere with a camera in their face.” He went on to say, “I’m a father. I’m a dad. You guys are on private property.”
The next day, he followed up with unseen photos of his baby boy, Jack Blues, and captioned it with a middle finger emoji and the phrase “ay bay bay.” His wife Hailey, who gave birth to their son in August 2024, liked the post, but fans remained unsettled.
Fans express concern over Bieber’s emotional health
Longtime followers have noted a pattern in Bieber’s recent behaviour. Last week, he lamented on Instagram about feeling drained by “transactional relationships.” In his story, he wrote, “If I have to do something to be loved, that’s not love.” In another post, he added, “I don’t think any of us can handle hearing ‘try harder and you’ll be like me.’”
Though some fans supported his right to speak openly, many expressed worry. Comments ranged from “I love you but I’m worried, king,” to “I just hope you find peace.”
While his representative previously dismissed drug rumours as “pitiful and exhausting,” Bieber’s emotional vulnerability and anger continue to fuel speculation. As of now, he hasn’t addressed the backlash or clarified the meaning behind his Father’s Day posts.
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Fielder’s work often revolves around themes of performance in everyday life
Canadian comedian and writer Nathan Fielder has long been known for his unconventional television work. Gaining recognition through Nathan for You, Fielder built a reputation for creating boundary-pushing, satirical content that blurred the lines between reality and performance. One of the most talked-about episodes involved a frozen yoghurt flavour that deliberately tasted unpleasant, while The Rehearsal, another of his projects, explored the complexities of human behaviour by meticulously recreating real-life scenarios to prepare people for difficult conversations or events.
Fielder’s work often revolves around themes of performance in everyday life, the blending of public and private personas, and the anxiety surrounding authenticity. His limited media presence and rare interviews add to the intrigue, leaving audiences unsure whether he is playing a version of himself or deliberately maintaining a fictional persona.
The Curse and a shift to fictional storytelling
In 2023, Fielder made a significant shift in his career by co-creating and starring in The Curse, a limited series that further explored his interests through scripted drama. Co-created with filmmaker Benny Safdie, the show also stars Academy Award-winner Emma Stone. This marked a departure from Fielder’s earlier, semi-documentary style work and introduced him into the realm of fictional narrative television.
The Curse follows a married couple, played by Fielder and Stone, who are producing a home improvement reality show while also trying to start a family. Their personal and professional lives take a dark turn after an unsettling encounter with a young child who places a curse on them. The story examines themes such as performative activism, media manipulation, and the illusion of kindness, set against the backdrop of a seemingly well-intentioned couple who struggle with their own moral contradictions.
Nolan’s high praise for the series
Acclaimed director Christopher Nolan expressed his admiration for The Curse in an interview, describing it as a rare and groundbreaking piece of television. “It’s an incredible show, and it’s unlike anything I’ve ever seen on television before,” Nolan said. “There are so few shows that come along that have genuinely no precedence. You’re going back to things like Twin Peaks, or The Prisoner, or Dennis Potter’s The Singing Detective… you’re in an amazing space, and I can’t wait to catch up with the climax.”
Nolan’s comments place The Curse among some of the most influential and surreal television dramas of the past, underlining its unconventional storytelling and emotional impact.
Critical reception and cultural relevance
The Curse has received praise for its sharp commentary on social media, authenticity, and the performance of morality in the public eye. The show’s unsettling tone and layered narrative structure have sparked discussions around the ethics of entertainment and the lines between fiction and reality.
- YouTubeYouTube/ Rotten Tomatoes TV
Emma Stone’s participation in the project aligns with her previous roles in unconventional films, particularly her collaborations with director Yorgos Lanthimos. Her performance, alongside Fielder’s restrained and often ambiguous portrayal, has been noted for adding depth to the show’s central themes.
A bold entry into prestige television
With The Curse, Nathan Fielder has successfully transitioned into the world of prestige television drama, maintaining the thematic interests that defined his earlier work while exploring them in a new, scripted format. The show’s ability to provoke discussion, confuse genre expectations, and attract praise from figures like Christopher Nolan marks it as a standout series in today’s media landscape.
Whether audiences view it as satire, drama, or something in between, The Curse demonstrates Fielder’s continued commitment to challenging conventional storytelling, and his growing influence in both comedy and drama alike.
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Prabhas brings back romance and humour in The Raja Saab teaser
After years of playing intense and brooding characters, Prabhas seems to be in his element again with The Raja Saab, a horror comedy directed by Maruthi. The teaser, released on 16 June, gives fans a refreshing look at the actor in a light-hearted, funny role, a rare shift from his recent string of larger-than-life action heroes. With visuals full of humour, horror, and romance, the teaser is already gaining attention not just for the plot but also for its theatrical rollout and unexpected nod to Shah Rukh Khan.
A haunted haveli, SRK-style romance, and spooky laughs
The teaser opens with a quirky love story, as Prabhas’s character openly declares his love for Nidhhi Agerwal in typical Bollywood style, even likening it to Shah Rukh Khan’s legendary on-screen charm. But the story soon shifts to a spooky, ghost-filled haveli, an elaborate set spanning 41,256 sq ft, which the makers claim is India’s largest horror backdrop. The teaser combines eerie folklore visuals, comedy, and a touch of madness, offering glimpses of other lead actors Malavika Mohanan and Riddhi Kumar. Sanjay Dutt’s surprise appearance adds to the intrigue. The haunted house isn’t just a gimmick, the filmmakers say they wanted the space to “feel haunted,” not just look scary.
Director Maruthi, known for youth-centric comedies like Bhale Bhale Magadivoy, calls this film a “genre-defying journey,” bringing together fantasy, romance, and horror. Prabhas appears in dual looks and delivers a hilarious one-liner toward the end: “Amma Durgamma Thalli... Kaapaadammaa,” adding to the film’s desi horror-comedy vibe.
Fan frenzy, leaked teaser, and December release date
The teaser wasn’t just launched online, it was also screened on IMAX screens in Hyderabad, drawing massive crowds. Fans celebrated with dances and even performed a milk bath ritual on a Prabhas cut-out. However, excitement spilled over early when visuals from the teaser leaked online. The makers issued strict warnings on social media, threatening to suspend accounts sharing pirated content and urging fans to respect the film’s release.
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Originally slated for an April release, The Raja Saab is now confirmed to hit theatres on 5 December. With horror, comedy, action, romance, and Prabhas in a never-before-seen avatar, this film could offer a refreshing break from the usual big-budget spectacles.
Popular actor Shivam Khajuria has showcased his impressive talent in top TV serials such as Molkki, Mann Sundar and Yeh Rishta Kya Kehlata Hai.
He is currently displaying that range in the hugely popular drama Anupamaa, earning wide acclaim. Away from the small screen, the television star is also a passionate cinema lover. He shared his all-time favourite films with Eastern Eye.
Rockstar: This musical struck a chord with me like few others ever have. Ranbir Kapoor’s portrayal of Jordan was raw, flawed and deeply human. The emotional intensity, combined with AR Rahman’s soul-stirring music, made the film unforgettable. It was not just a love story – it was a journey through pain, passion and transformation. Despite its imperfections, it revealed a side of Bollywood I had never seen – bold, poetic and heartbreakingly real.
Rockstar
A Few Good Men: This acclaimed courtroom drama was a game-changer for me. The performances by Tom Cruise, Jack Nicholson and Demi Moore were outstanding. The moral complexity and intensity of the trial – and the way justice was questioned – left a deep impact. It even made me briefly consider a career in law. A classic example of storytelling done right.
James Bond movies: The James Bond series was a big part of my childhood. I was fascinated by Bond’s style, intelligence and smooth confidence. From sleek cars and high-tech gadgets to exotic locations, each film was an escape into a thrilling world of espionage. That iconic introduction – “Bond, James Bond” – never got old. These films made me fall in love with cinematic flair and unforgettable characters.
Final Destination movies: This is one of the few horror franchises that genuinely creeped me out while keeping me hooked. The way fate played out in twisted, unpredictable ways was both terrifying and clever. Each death scene was creatively executed, and I constantly wondered what bizarre turn would come next. These were not just horror films – they were suspenseful, imaginative, and a chilling reminder that we cannot always outrun destiny.
Se7en: This haunting crime thriller is one of those films that stays with you long after the credits roll. The gritty visuals and slow-building tension led to a shocking climax that left me speechless. Brad Pitt and Morgan Freeman delivered exceptional performances. It explored the darkest sides of human nature in a way that was disturbing, powerful and unforgettable.
A still from a James Bond film
Gangs of Wasseypur: This film redefined Indian cinema for me. It was gritty, raw and unapologetically honest. A crime saga set against the backdrop of coal mafia rivalries, it felt more real than fictional. Anurag Kashyap’s bold direction and layered storytelling, combined with stellar performances, made it unforgettable. It was not just a film – it was an experience.
Border: This iconic army drama was my first real dive into war cinema, and it moved me deeply. It depicted not only the battlefield action but also the emotional struggles of soldiers and their families. The music, camaraderie and heartbreaking losses captured the true essence of patriotism and sacrifice. It made me appreciate the strength of those who serve the country.
The Sixth Sense: This psychological thriller completely blew my mind. The storytelling, the atmosphere and that unforgettable twist at the end were pure cinematic brilliance. I still remember the chill I felt during the final reveal. It was not just a thriller – it was a psychological deep dive that changed the way I watch films. A masterclass in suspense and detail.
Interstellar
3 Idiots: Every Indian student relates to this film in some way. It was humorous, emotional and thought-provoking. It challenged the rigid education system and encouraged viewers to pursue passion over pressure. Aamir Khan’s performance stood out, but the entire cast brought warmth and relatability to the story. It made me laugh, cry and reflect – more than just entertainment, it was a life lesson.
Interstellar: This is more than a science fiction film – it is an emotional journey through time, space and human connection. The way it combines complex scientific concepts with deeply personal storytelling is extraordinary. The visuals are breath-taking, the soundtrack is unforgettable, and the exploration of time as a dimension is mind-bending. It made me think, dream and feel. For me, it comes close to being a perfect film.
Instagram: @khajuriashivam24
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Jungkook under fire for wearing Make Tokyo Great Again cap at BTS concert rehearsal
BTS star Jungkook has issued a public apology after sparking backlash for wearing a cap with the phrase “Make Tokyo Great Again” during a rehearsal for J-Hope’s concert. The phrase, seen as politically loaded, upset many fans in South Korea, with some calling it offensive and thoughtless.
The singer, who recently completed his mandatory military service, said he was unaware of the slogan’s sensitive background and admitted that he should have been more cautious.
Jungkook of K-pop supergroup BTS at an outdoor sporting facility in Yeoncheon Getty Images
Slogan draws backlash over political and cultural sensitivity
Jungkook was seen in an all-black outfit and the now-controversial cap during rehearsals for the Hope on the Stage concert on Friday in Goyang. The slogan on the cap, “Make Tokyo Great Again,” echoed political phrases linked to Japanese nationalism and was previously used by Tokyo Governor Koike Yuriko. Some South Korean fans were quick to point out that the phrase has been associated with anti-Korean sentiments and accused the singer of being “careless.”
The similarity to Donald Trump’s “Make America Great Again” also added fuel to the fire, as netizens debated the political undertones and the potential implications of a global star wearing such a phrase publicly. Social media lit up with disappointment, with many questioning how Jungkook could overlook such a sensitive issue, especially given the historical tensions between South Korea and Japan.
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Jungkook responds: “No excuse for my carelessness”
The 27-year-old singer responded quickly to the criticism through a heartfelt message on Weverse. “I sincerely apologise for the disappointment and inconvenience caused by the hat I wore during rehearsals. I didn’t realise the historical and political context behind the phrase,” he wrote. “There’s no excuse. I was careless. I’ll make sure to be more thoughtful from now on.”
He also confirmed that the cap was discarded immediately and acknowledged that he had hurt many of his fans unintentionally. The apology was met with mixed reactions. While some appreciated his honesty, others felt the damage had already been done.
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This incident comes just days after Jungkook completed his 18-month military service alongside Jimin. The Hope on the Stage concert marked his return to the spotlight, with all seven BTS members reuniting on stage, drawing cheers from fans. Jungkook had recently released Never Let Go, a song dedicated to fans during BTS’s 11th anniversary.