Sohum Shah: I'm a greedy actor and want to dabble in everything
‘I forayed into production by chance'
By ASJAD NAZIRFeb 09, 2023
VERSATILE actor Sohum Shah has had great moments in his career, including award-winning film masterpieces Ship of Theseus (2013) and Tumbbad (2018), which he produced and played a lead role in.
The multi-talented star has showed off his impressive acting in a range of films, along with acclaimed web series like Maharani. Someone who concentrates on quality over quantity, this has given him an impressive body of work and makes him stand out from other actors.
Eastern Eye caught up with one of India’s finest talents to discuss his journey, impact of films he produced, future hopes, inspirations, and something not many people know about him.
How do you reflect on your acting journey?
It’s honestly been a roller-coaster ride and quite frankly I wouldn’t have it any other way. It was peppered with struggle and that’s what made every small win even more special. I came from a small town and grew up on Bollywood films, so never imagined I’d be working in them and having people appreciate my work. I definitely feel a huge sense of gratitude, but there’s miles and miles to go.
Which of your characters has been closest to your heart?
Vinayak from Tumbbad and Bheema from Maharani will be special roles to me because I grew up watching films that were larger than life. Having received the opportunity to play these big characters, with impactful dialogues and gripping stories felt like a major stepping stone in my career.
Which character challenged you most?
Bheema Bharti, my character in the Maharani series was quite challenging both physically and mentally. Whether it was my look, having to change my physique for the part, the dialect, accent, or dialogue delivery, it all took a lot of work. During the prep for the second season, I got other projects, but didn’t take them up because I was dedicated to Bheema. I didn’t want to disturb the headspace or the look that my character required and Bheema’s character is layered.
How much did the success of Ship Of Theseus and Tumbbad mean to you?
The success of Ship of Theseus and Tumbbad meant a great deal. As an artist, it’s like validation when the audience appreciates your work. These films gave me those moments where I felt seen, and people recognised the effort and passion behind my craft.
Did you expect these films to make such a big impact?
As an artist I try to not to judge a film or pre-empt its success or failure. I don’t overthink it. That’s the only way I can give it my all. That’s an actor’s responsibility to deliver the best performance and leave the rest in the hands of the audience. I did these films because I believed in their potential, and they excited the artist in me. I’m happy that they went on to make the impact they did.
Will you be producing more films, as you are clearly very good at it?
I forayed into production by chance. It was never part of my plans. At that point of time nobody was making Ship of Theseus and Tummbad, so I went ahead and produced them myself. Since it isn’t my main profession, I’m very selective about my choices as a producer. If I want to produce a film, the project must have something special about it.
What is the plan going forward?
The plan is to do everything I possibly can – do all kinds of roles and explore all genres. I’m a greedy and impatient actor and want to dabble in everything from romance, comedy, horror, thriller, action, and everything else, you name it.
But do you have a dream role?
I have many dream roles. Like I mentioned it’s hard for a greedy and hungry actor like me to
just have one.
Who would you love to work with?
I hope to have the opportunity to work with as many people as I possibly can, because there is always a new takeaway from every project. I would love to work with everyone from SS Rajamouli to Sanjay Leela Bhansali. I am also a huge Shah Rukh Khan fan, so would love to work with him in a film.
What do you enjoy watching as an audience?
Honestly there isn’t a particular genre but what really excites me is a great story – A gripping narrative, a film that has something to say, is a film I’d enjoy watching.
Tell us something about you that not many people know?
An interesting anecdote that not many people know and is testimony to my love for cinema, would be that there was a time in my life when I would travel 30-40 kms to catch a glimpse of Manoj Bajpayee shooting at Sri Ganganagar, my native place.
What inspires you?
Great performances, great personalities and great stories inspire me. If you look around, you’d find inspiration at every corner and I’m someone who is always looking.
Finally, why do you love being an actor?
I love being an actor because it allows me to have many lives, live different characters, look at things from different perspectives and allows me to enjoy who I am to the fullest. Every day is challenging, as it is exciting. And I love the exhilaration it brings.
After a last-minute cancelled theatrical release and a court order forcing a limited cinema screening weeks later, the Bollywood comedy Bhool Chuk Maaf is now finally available on streaming platform Amazon Prime.
The film follows a man desperate to marry the love of his life. In order to win over her father, he goes to great lengths to impress him. Everything goes according to plan – until the haldi ceremony, which takes place the day before the wedding. He suddenly finds himself stuck in a time loop, reliving that exact same day over and over again. No one believes him, and tensions begin to mount.
What could have been a wildly entertaining blend of comedy, emotion, introspection, and unexpected twists quickly runs out of steam. Time-loop comedies have worked well in global cinema, largely due to strong writing that brings new dimensions to a familiar concept. Unfortunately, writer-director Karan Sharma is unable to build on the promising premise, and the novelty wears off early. Instead of using the loop to explore characters or drive inventive storytelling, the film falls into a repetitive cycle – in soul, structure and spirit.
A talented cast, led by Rajkummar Rao, tries to breathe life into the film with spirited performances, but they soon devolve into irritating caricatures. Rising star Wamiqa Gabbi is as watchable as ever, but is ultimately underused. Even the music disappoints, with forgettable tracks that lack emotional weight or energy. The only mildly engaging song, Chor Bazari Phir Se, turns out to be a weaker cover version of a past hit.
Like its title, which means ‘forgive my mistakes’, Bhool Chuk Maaf is a cinematic error that is best forgotten. Instead of fulfilling its potential, this time-loop romantic comedy ends up going in circles – without landing anywhere meaningful or entertaining.
By clicking the 'Subscribe’, you agree to receive our newsletter, marketing communications and industry
partners/sponsors sharing promotional product information via email and print communication from Garavi Gujarat
Publications Ltd and subsidiaries. You have the right to withdraw your consent at any time by clicking the
unsubscribe link in our emails. We will use your email address to personalize our communications and send you
relevant offers. Your data will be stored up to 30 days after unsubscribing.
Contact us at data@amg.biz to see how we manage and store your data.
When Yung Sammy arrived in India from Nigeria as a 12-year-old, he would not have expected to redefine hip hop in the country, but that is exactly what has happened.
The son of a Nigerian priest went from being an outsider, who learned to speak Hindi, Punjabi, Haryanvi and Gujarati, to becoming a popular rapper. Having also absorbed the musical language of the streets, the Delhi-based artist, now in his late 20s, is adding new layers to commercial Indian music with a genre-bending sound that blends Nigerian Pidgin, desi dialects and sharp-edged lyricism.
By shaking up expectations and breaking down stereotypes, he is flipping the script on what it means to be an African artist in India. He recently added to his growing catalogue of high-energy hits with the bilingual anthem Mr Rambo, a track that showcases both his confidence and cultural versatility.
Eastern Eye caught up with the proud Indo-Nigerian talent to talk about his unique musical journey, latest release and future hopes.
Music just came naturally. At first, I was just a listener. I guess I was kind of built for it, but I did not know whether I would pursue it with passion. Then one day everything about music – even the language – became interesting to me.
What about Indian music specifically?
I came to India as a kid and grew up here. I learned the language and everything. Then I heard Yo Yo Honey Singh. As I said, I was initially just a listener, but rap really connected with me. I started digging deeper into the genre and thought, ‘okay, this is for me.’ That is when the ride really started.
What drew you to hip hop in particular?
Honestly, I did not know much about hip hop at first. I was just listening to rap. But then I kept exploring and began learning more, including about underground Indian artists. Of course, I also listened to Eminem, Tupac, Jay-Z and others. The more I learned, the more I realised that hip hop is a whole different world. I wanted to be a part of it.
How do you reflect on your rapid rise in music?
By God’s grace, it has been an amazing journey so far. But it has also taken a lot of hard work. With blessings, things have gone well, and there is still so much more to come. Sometimes I just sit and think about all the unreleased music I have and where I am now. It feels like all eyes are on me, and with God’s grace, there is still a long way to go.
What has been your most memorable moment?
There have been so many great moments that I cannot name just one. From appearing on Fire in the Booth (hip hop platform), to signing a record deal, to getting on the radar – it has all been surreal. I have done some epic stage performances and met idols like Karan Aujla, who I really look up to. One day I just woke up and saw Karan Aujla and Honey Singh following me. Those are big achievements for me. When moments like that happen, you know you are on the right path.
How would you describe your unique brand of hip hop?
I feel like my brand of hip hop is just Yung Sammy. I want people to know my name – even if it’s my real name. People said I shouldn’t do that and choose a different name, but I did not want that. I kept it real with Yung Sammy, and it has become a brand now. If you see that name anywhere, you can expect something fresh and unexpected. It is building, and it will go further.
Which of your songs is closest to your heart?
I am connected to all of my songs – even the ones that are not released yet. But yes, The Intro is one of my favourites. I have also been listening to Silence a lot lately. Bounce, from my EP In The Building, is special too. And Mudda, the track I did with Seedhe Maut, is just crazy.
What inspired your most recent song, Mr Rambo?
With Mr Rambo, I wanted to play a character. Something different. So I stepped into the role of a G, having fun and thought, okay, that is Mr Rambo. It became this charismatic, energetic song built around a larger-than-life persona.
What is your master plan moving forward?
Right now, I am sitting on a lot of unreleased tracks. The next one coming out is Top Boyz with BBB. After that, we have a remix of the same track with someone special – I will not name them just yet. Then there is another track with Seedhe Maut, and my EP will follow. I am already working on that. It is going to be something big for the whole hip-hop scene.
Who would you love to collaborate with?
My dream collaborations would be with Karan Aujla and Central Cee. These two are at the top of my list. The day I work with both of them will be the day I can say I have really made it. I admire the way they express themselves and speak real truths.
Tell us something not many people know about you.
There is a lot people do not know. One thing is that I am actually a very simple person, both as a person and an artist. I said it in Intro – I might seem calm and quiet, because I am a bit nonchalant by nature. But when I get on stage, it is different. That is where all my emotions come out. That is who I really am.
Keep ReadingShow less
The crown for the most expensive celebrity-owned home in India has now passed on
For decades, Shah Rukh Khan’s ocean-facing mansion, Mannat, stood as the pinnacle of Bollywood royalty. Located in Mumbai’s upscale Bandra area, the house wasn’t just a home—it was a symbol. Fans from around the world still gather outside its gates, hoping for a glimpse of the man often called the “King of Bollywood.”
But the crown for the most expensive celebrity-owned home in India has now passed on.
Kapoor-Bhatt mansion takes the lead
Ranbir Kapoor and Alia Bhatt, one of Bollywood’s most celebrated couples, have completed work on a sprawling new bungalow in Bandra, reportedly worth over ₹250 crore—approximately €27 million. This figure eclipses the estimated value of Mannat, which stands around ₹200 crore or €22 million.
This isn’t just a luxurious residence. It’s a bold statement of the couple’s rising status in the industry. Their new property signals that a new generation of Bollywood royalty has arrived.
Personal touches and prime location
The Kapoor-Bhatt bungalow blends cutting-edge architecture with personal design choices. Both actors were deeply involved in shaping the interiors and layout, working closely with architects to ensure the space reflected their tastes and lifestyle.
Ranbir Kapoor and Alia Bhatt outshine Shah Rukh Khan Getty Images
The home’s location adds further weight to its emotional and symbolic value. It is situated close to Krishna Raj Bungalow, the former home of Ranbir Kapoor’s late father Rishi Kapoor, preserving a connection to the actor’s heritage and childhood memories.
A shift in Bollywood’s property powerhouses
While Mannat remains an iconic destination undergoing renovation, it no longer holds the top spot in Mumbai’s ultra-premium celebrity housing market. Other high-profile residences, like Amitabh Bachchan’s Jalsa in Juhu, are estimated at around ₹125 crore (€13.5 million), making Ranbir and Alia’s mansion the clear front-runner in terms of value.
Mannat remains an iconic destination undergoing renovationGetty Images
This €27 million investment isn’t just about luxury—it marks a turning point in how star power is defined in modern Bollywood. Kapoor and Bhatt, both at the top of their careers, are not only dominating cinema but also influencing lifestyle trends and property benchmarks.
A family home for the future
The couple are reportedly planning to make the mansion their permanent residence, raising their daughter Raha in one of Mumbai’s most exclusive neighbourhoods. The property offers them privacy, security, and all the comforts needed for their growing family.
The design also reflects a desire for permanence—this isn’t a status symbol to flip or rent, but a long-term home meant to reflect their legacy.
A new chapter in Bollywood’s legacy
The purchase of this home is being seen as symbolic of the shifting tides in Bollywood. While Mannat and Shah Rukh Khan continue to command respect and fan devotion, there’s no denying that the torch is being passed.
Ranbir Kapoor and Alia Bhatt’s new home is not just Mumbai’s most expensive celebrity bungalow—it’s also a sign of the generational shift taking place in Indian cinema. The glamour, wealth, and global reach once associated with SRK are now being matched by the power couple of the new era.
This isn’t just a real estate story. It’s a reflection of changing icons, growing ambitions, and the evolution of stardom in Bollywood.
Keep ReadingShow less
Wilson built bridges between styles that rarely met
Brian Wilson, who died this week aged 82, is best remembered as the sonic architect of the Beach Boys and the laid-back "California sound" that swept the world in the 1960s. But to stop there would be to miss the scale of his ambition. Behind the striped shirts and sun-soaked harmonies was a composer and producer who transformed pop music, often by refusing to stay in one genre.
From symphonic pop to soul and psychedelia, Wilson built bridges between styles that rarely met. Here’s a look at six genres that define his legacy and show how much more there was to the man who gave us Good Vibrations.
1. Surf music – but deeper than it seemed
Wilson may have helped define surf rock, but his early work was far from novelty. Tracks like Surfer Girl and In My Room carried emotional weight and complex arrangements, showing Wilson’s desire to blend catchy hooks with rich harmonies. The Beach Boys' 1963–65 catalogue offered a polished, heartfelt counterpoint to the rawness of garage bands and early rock’n’roll.
2. Baroque pop – Pet Sounds and pop perfection
If one album changed the idea of what pop music could be, it was 1966’s Pet Sounds. Incorporating strings, woodwinds and intricate vocal layering, Wilson created a lush, introspective masterpiece that directly influenced The Beatles’ Sgt. Pepper. God Only Knows is still considered by many, including Paul McCartney, to be one of the greatest songs ever written.
3. Psychedelic experimentation – Smile and beyond
If one album changed the idea of what pop music could be, it was 1966’s Pet SoundsGetty Images
Wilson’s most ambitious project, Smile, was meant to be a “teenage symphony to God”. Though shelved for decades, its fragments (like Heroes and Villains and Surf’s Up) revealed a composer playing with modular recording, avant-garde techniques, and surreal lyrical structures. When Wilson finally completed it in 2004, it was hailed as a lost classic of psychedelic pop.
4. R&B and soul – stripped back and heartfelt
By the late 1960s, the Beach Boys had shed their surfboards. Albums like Wild Honey (1967) reflected Wilson’s love for rhythm and blues, with tracks like Darlin’ showing a rougher, more soulful edge. The stripped-down production was a deliberate pivot away from the excess of Pet Sounds, but still brimming with melody and feeling.
5. Americana – the spiritual core of Smile
Even as he experimented, Wilson remained fascinated by America’s musical past. Smile included references to spirituals, cowboy songs, and folk traditions, blending them into a surreal journey through the country’s cultural memory. Cabin Essence and Wonderful offer glimpses into a deeply introspective version of American identity, filtered through Wilson’s fragile genius.
6. Adult pop balladry – the gentle strength of Love and Mercy
As dementia affected his final years, it’s this kind of understated emotional honesty that enduresRolling stone
In later years, Wilson’s solo work embraced vulnerability. His 1988 single Love and Mercy has become his personal anthem—gentle, aching, and hopeful. As dementia affected his final years, it’s this kind of understated emotional honesty that endures. “There’s a lot of people out there hurting,” he once said. “And it really scares me.”
A final chord
Wilson’s music lives on—not just in sun-drenched nostalgia, but in the emotional complexity he brought to modern music. His impact stretches from the Beatles to Bowie, from punk to dream pop. His life was often marked by personal turmoil, but his compositions soared beyond it.
Brian Wilson didn’t just soundtrack the beach. He gave pop music a soul, a brain, and occasionally, a nervous breakdown. And through it all, he kept writing.
Keep ReadingShow less
Weinstein is currently serving a 16-year prison sentence in California
Disgraced Hollywood producer Harvey Weinstein has been found guilty of committing a criminal sexual act against one woman in his New York retrial. The 73-year-old was acquitted of another count of the same charge relating to a second woman.
The jury did not reach a verdict on a third charge of rape involving a third woman. Weinstein had pleaded not guilty to all three charges, maintaining that all sexual encounters were consensual and denying any assault.
Conviction follows overturned 2020 verdict
The retrial followed a decision by a New York appeals court to overturn Weinstein’s 2020 conviction last year. Prosecutors presented three charges during the retrial—two of which were from the original trial, and a third added last year, accusing him of forcing oral sex on a separate woman.
The charges related to incidents in 2013, including the alleged rape of aspiring actress Jessica Mann in a New York hotel room and sexual assaults against two other women.
Courtroom tension as jury deliberates
The partial verdict came after a tense day in court. The jury foreperson asked to speak to the judge privately about an unspecified “situation”. Earlier in the trial, the same juror had raised concerns about pressure within the jury room and discussions straying beyond the scope of the charges.
The 73-year-old was acquitted of another count of the same charge relating to a second womanGetty Images
Weinstein addressed the court directly before any verdict was announced, pleading: “My life is on the line and you know what? It's not fair... It's time to say this trial is over."
This week also saw calls for a mistrial from Weinstein’s legal team after a juror complained another was being treated unfairly. The judge denied the request.
Weinstein is already serving a California sentence
Weinstein is currently serving a 16-year prison sentence in California after being convicted of rape in 2022. He also denied those charges.
The former film producer became a central figure in the #MeToo movement after multiple women came forward with allegations of sexual misconduct nearly eight years ago. Some of these allegations led to criminal convictions on both US coasts.
Weinstein faces further sentencing in relation to the latest New York conviction.