SINGING STAR SONU NIGAM HEADS WEST WITH ENGLISH-LANGUAGE DEBUT SINGLE.
Having conquered Indian cinema and the live arena in a big way, it was inevitable that
singer Sonu Nigam was going to cross over into the western mainstream.
After several interesting collaborations in the past, including with Britney Spears, the versatile artist teamed up with a multi-award winning dream team for his steps onto the global stage with recently released solo single Hall Of Fame. The English-language number, featuring MC Yogi, appears on b2 Music’s second instalment in its genre-defining compilation album series, Billboard Presents Electric Asia.
Eastern Eye caught up with Nigam shortly after a sold-out arena concert to talk about what he describes as his best single, musical journey, inspirations, fearless approach and more.
How do you look at your remarkable journey in music so far?
I am perhaps the luckiest and happiest musician on this planet. My journey seems to be never ending, always opening up newer avenues, giving me different challenges and the opportunity to experience newer happiness. I’m perhaps the only musician of this generation who has seen the metamorphosis of music and the business in the past
three decades.
And you have seen a lot of changes…
Yes, the emergence and gradual decline of television; the emergence and then
aggrandizement of social media meant my journey took a myriad paths. It saw
me singing cover versions and songs in multiple regional languages, to singing for
films in India, hosting the biggest musical show Saregama on TV, initiating and judging
Indian Idol, X Factor, Lil Champs, Chhote Ustad; featuring in some of the most popular
music videos and coming out with the biggest selling albums in India; to revolutionising
show business in India with upping the scale of musicality to music production.
You have also done some amazing collaborations. Which ones come to mind?
Experimenting with symphony orchestras from UK and then India, collaborating with Britney Spears, Chaka Khan and Jermaine Jackson (on a tribute to Michael Jackson the year the latter died). Also, being the first and only collaboration with the late Aviici and
another single with KSHMR last year.
What other highlights do you recall?
Being nominated in the shortlist of the Academy Awards for the first film that my erstwhile partner and I composed music for in the beginning of 2015.
Acting in films and a short film, doing TV commercials, writing lyrics for songs that were
composed and produced by me. I think life has indeed given me a royal treatment. How does it get any better?
Throughout your career, you have have maintained a high standard and not slipped into a comfort zone. What keeps you so passionate about music?
It’s just the way I am coded, I guess. First of all, I am the kind of person who doesn’t take
anything for granted. I lead a life full of gratitude and appreciation towards the cosmos. Moreover, I also understand that if you have to lead a fruitful life, the only thing
that is in your own control is your own hard work and efforts. Everything else is God’s blessing, luck, fortune and karma. I try my best to be self motivated, and keep my eyes, ears, mind, soul open for everything I see around me, and all that I see and imbibe becomes my teacher and inspiration.
Does performing live keep you energised?
It serves more than one purpose in my life. First, it is not easy to perform live. Second, when people expect so much from you as a singer, it becomes your duty to live up to their expectations. That’s what inspires you to keep working hard on your music, voice and fitness levels. And if you are fit as a fiddle, you automatically are energised.
You have also remained very humble and grounded. What is the root of that?
Again, I say, maybe this is the way I am coded. Our family came from a very humble background. I am the second-generation singer in my family, who otherwise was known for its aptitude for academics and government services. Music became a profession
from my father and mother’s generation. We didn’t have any godfather or backing when we
came from Delhi to Mumbai to become singers.
I guess I still haven’t lost the appreciative and sensitive Sonu yet in the lunacy of celebrityhood.
Is it fair to say you are fearless when it comes to your musical choices?
Absolutely, bang on. Over the years, after having interacted with music lovers, musicians and connoisseurs from all over the world, I have concluded that people start developing a feeling of ownership for the genre they follow or listen to. And, in some cases, they hate anyone else barging into it, however good he or she could be. They look at it like a trespass into their zone.
And, as an artiste, initially you are discouraged from being courageous. Not every time, but a lot of times I have gone through such rejection. But that doesn’t pull me down from keeping on widening my horizons.
Today, what is your main musical motivation?
I am one of the directors of this wonderful company called ITW Playworx Music, where we are trying out a lot of new ways to enhance the experience of music and music consumption. Indeed, that’s one of the biggest motivations today for me.
You have become pickier with the project you choose to do. What does a song need to have for you to say yes?
I have been in this business for way too long to succumb to situations where people do not have the IQ and integrity to match mine. What is the point of reaching a destination if
the journey was cringe-worthy?
Genuine artists and genuine souls are what it takes for me to be a part of a project.
What did you like about Hall of Fame?
We were doing a couple of songs in Philadelphia for Jim Beanz. I then requested him to make a song that could explore my voice prowess and was also an inspiration to people. When he came up with the song in front of me I instantly fell in love with it. Then, as I sang the song, I realised this was the best I had ever sung.
Tell us more about the experience of making it?
I had just finished one of my biggest world tours called Klose To My Soul in America and Canada when my close friend, composer Shamir Tandon, facilitated through his team, a recording session with Jim Beanz in Philadelphia. Jim is a talented guy and I really enjoyed working with him, but there was this one song I wanted him to crack as I said, that would be out of the world. He did, and then came the role of my brother from another mother, Nick Rajsakha, who introduced me to (producer/engineer) Jason Goldstein who completely changed the song by bringing in the vibe that works in the current scenario. MC Yogi
added his elements into the song, which made the song even more happening and the result is for everyone to see.
Who are you hoping connects with the song?
My son Nevaan is an amazing singer and well-informed about the current English music scene. He only connected with the song after Jason changed its vibe. That’s when I knew
we are on the right path.
Does this mark the beginning of a new chapter for you?
Everyday unfolds into something beautiful for me. This gives me the kind of butterflies in my stomach that are exotic to me.
What is the plan going forward?
The next single immediately.
Who would you like to work with?
David Foster, because he is someone who gives class to an artist. Otherwise, in the current music scenario, DJ Khalid or Marsh Mellow.
What are your big passions away from music?
Staying fit, reading, driving, travelling and praying to my within.
What most inspires you today?
The realisation that I am alive and how.
What is your opinion of film music today?
Film music keeps changing from time to time. In India, it’s going through a phase where there’s very good production; once in a while we also have some extraordinary songs. So I’d say these are good times for new singers.
What is your opinion of the remix culture of taking classic Bollywood songs and redoing them?
I’m against nothing, except over doing it.
What advice would you give singers following in your giant footsteps?
I am still learning – it’s a statement and advice too.
Why should we pick up the new single Hall Of Fame and album it is on?
There has never been anything like that in the entire world ever.
Finally, give us a message for your fans.
Thank you family, for your love.
Hall of Fame and Billboard presents Electric Asia Volume Two are both out now,
In an exclusive interview with Eastern Eye, Kajol pulls back the curtain on her most daring role yet. Forget the dimples and that signature bindi for a moment. Kajol, the powerhouse we know for fiery roles and infectious energy, is stepping into chilling new territory. Her upcoming film, Maa, which hits screens on 27 June, isn’t built around cheap jump scares. It’s a raw look at the everyday fears that haunt parents, especially mothers. Chatting with her felt less like a fluff piece and more like an honest heart-to-heart.
Kajol wastes no time explaining what makes Maa stand out. “We’re tackling things mainstream cinema tiptoes around,” she says. “Child safety. The constant pressure of raising kids. The unspoken worries when you have a daughter. Even menstruation.” She lets each topic hang in the air before adding, “That’s exactly what drew me to it. It’s a gripping horror story, yes, but it’s also a chance to sneak in conversations most of us avoid.” Her hope however is simple: people might not dissect every theme consciously, but they’ll walk away questioning what we accept as “normal.”
Stills from the trailer of MaaInstagram/devgnfilms
A horror newcomer finds her groove
Fans know Kajol for her loud performances, energy and fiery roles. In Maa, though, her character radiates a quiet, simmering intensity. Did she have to unlearn her signature style? "Not unlearn," Kajol clarified, "but I was a total horror newbie!" She confessed she rarely watches the genre. "I walked in blind. I had no idea how emotionally and physically draining it would be." The biggest surprise? Finding the right pitch. "Horror has its own frequency. My director, Vishal Furia, kept gently nudging me, 'Ma’am, this is horror. You need to sync with the audience's fear, there are things happening behind."
Stills from the trailer of MaaInstagram/devgnfilms
Three decades in: Embracing freedom
With almost thirty years on screen and sky-high expectations, taking on something so different might sound daunting. Not to Kajol. “Daunting? Nah. I feel free. Freer than most, honestly." She dismissed the idea of proving anything. "I’ve never been in the rat race. I don’t have that 'chase, chase, chase' ambition. I’m perfectly happy chilling at home for a year or two, waiting for something that truly sparks my interest." Ironically, her 33rd year is her busiest in two decades. "But it’s because I want to work, not because I have to. Work is part of my life, not my whole life. That balance is very important to me."
Stills from the trailer of MaaInstagram/devgnfilms
Behind the scenes: Producer’s hat
Wearing a producer's hat this time, was there a hill she was willing to die on creatively? Kajol quickly deflected praise. "Honestly, huge credit goes to Ajay Devgn. He was the driving force ensuring 'Maa' looks and feels premium. Ajay made sure Maa looks and sounds top notch,” she admits. “In today’s world, a movie must hit a certain visual and technical bar just to get noticed.” From VFX and music to the film’s overall vibe and marketing push, they poured everything into creating a polished experience. “We can’t wait to see how audiences react on the 27th.”
Stills from the trailer of MaaInstagram/devgnfilms
The Real Takeaway? Just Enjoy Yourself
So, what big truth does Maa hold up for viewers? Kajol cut through expectations: “It’s not a preachy film. You won’t leave thinking, ‘Oh, that was the lesson!’” Instead, she insists, “You might have more fun than you expect. This one sneaks up on you.” For her and Ajay, that’s the point: “We make films to be felt and savoured, not overanalysed. So, relax and feel it and just have a lot of fun.”
Playing a mother pushed beyond reason in Maa. So, how did Kajol the real-life mom handle that? “Protecting your child is primal,” she says without hesitation. What shook her most was her character’s unyielding grit. “In reality, most of us would crumble under that kind of pressure. But she keeps going, even when all hope seems lost. That drive like that ‘I have to do something’ energy, that’s what I want everyone to take away.”
Kajol’s journey with Maa is all about confronting societal shadows and embracing genre challenges she never saw coming. This is a film that confronts real fears head on, guided by a performer unafraid to strip away artifice. Ready to see Kajol like never before? Maa arrives 27 June.
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Facing strong criticism on social media for questioning the survival story
Actor and singer Suchitra Krishnamoorthi has issued a public apology after facing strong criticism on social media for questioning the survival story of Vishwas Kumar Ramesh, the sole survivor of the recent Air India plane crash in Ahmedabad.
Deleted post sparks backlash
The controversy began when Krishnamoorthi, known for her role in Kabhi Haan Kabhi Naa, shared a now-deleted post on X (formerly Twitter) alleging that Vishwas Kumar Ramesh had fabricated his account of surviving the 12 June crash. In her post, she wrote: “So this #vishwaskumarramesh lied about being a passenger on the plane & the only survivor? This is seriously weird. Didn't his family in the UK corroborate his story? What about his brother's funeral that he was seen giving kandha to? Deserve not only some serious punishment but some mental asylum time if this is true uff.”
Krishnamoorthi deleted the post and issued a statement of apologyX/ suchitrak
Her comments appeared to have been influenced by unverified social media speculation claiming that Ramesh’s survival narrative was false. The post drew significant backlash from users who criticised her for spreading misinformation and making insensitive remarks without confirmation.
Public apology issued
In response to the mounting criticism, Krishnamoorthi deleted the post and issued a statement of apology, also on X. She wrote: “Took out my last tweet on the Air India crash survivor. Seems to be false news circulated for God knows what reason. My apologies.”
The apology was shared on 19 June 2025, but reactions have remained mixed, with some social media users accepting the clarification while others questioned the haste in making the original accusation.
Who is Vishwas Kumar Ramesh?
Vishwas Kumar Ramesh, a 40-year-old British national, is the only known survivor of the Air India crash that occurred in Ahmedabad on 12 June. The crash claimed the lives of at least 260 people.
Ramesh was reportedly seated in seat 11A, close to an emergency exit on the Boeing 787 Dreamliner, and managed to escape the burning aircraft. He was treated for injuries at Ahmedabad Civil Hospital and was later seen attending the funeral of his brother Ajay, who also boarded the same flight to London but did not survive.
Suchitra Krishnamoorthi’s comments on social media questioning the legitimacy of a plane crash survivor’s account have drawn widespread criticism. Following the backlash, she deleted the post and issued a public apology, admitting the claim was based on false information.
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Real life inspires me more than fiction: Jay Thakkar on acting, ambition and human truths
Starting his journey on stage at the tender age of four, Jay Thakkar has grown up in front of the camera, having transformed from a precocious child performer into a versatile actor known for compelling roles across television, web, and cinema.
Whether mimicking dance moves in competitions as a child or biting into dark, psychologically complex characters as an adult, Thakkar has always approached his craft with sincerity, resilience, and emotional depth. His latest project, Bhool Chuk Maaf, a time-loop Bollywood film, was recently released on Amazon Prime. It marks yet another bold turn in a career built on fearless choices. In this exclusive interview with Eastern Eye, he reflects on key roles, lessons learned, working with legends, what drives him as an artist, and his future. He also shares fond memories of working with the late actor Sushant Singh Rajput.
Jay Thakkar
How do you reflect on your journey as an actor?
As a child, I participated in various competitions and often found myself mimicking actors and dance performances. These early experiences instilled in me a love for performance and storytelling. Over the years, facing both opportunities and rejections, I’ve grown as an actor and individual. Each experience, whether triumphant or challenging, has shaped my perspective and deepened my commitment to the craft. Performing never felt like a task – it felt like expression. These collective experiences have given me an understanding of resilience, humility, and growth – lessons I still carry with me every day.
Which of the roles has been closest to your heart?
The role of Sethji in Colors TV’s Laagi Tujhse Lagan holds a special place in my heart. Produced by Paresh Rawal and Hemal Thakkar, this character took me on an emotional journey – from innocence to a young gangster, and finally to a heartbroken child dealing with his mother’s incarceration. Adopting the ‘tapori Bambaiyaa’ accent and portraying a lower-middle-class chawl boy added layers to the character. This role allowed me to explore a wide emotional spectrum, making it both challenging and rewarding. It taught me that even in a limited arc, if the emotions are real, they leave a lasting impact.
Which project challenged you the most as an actor?
Portraying psycho-terrorist Muzammil in Sony LIV’s Adrishyam was one of my most demanding roles. The character was sociopathic, merciless, and completely devoid of empathy. In one intense scene, he bites off his father’s ear and, during interrogation, chews on his own nails – highlighting how unhinged he is. Sharing the screen with Divyanka Tripathi, who played an Indian secret agent, added further intensity to the performance. It pushed me to dive deep into the psyche of someone emotionally detached from humanity. I had to access a kind of darkness I had never explored before – it changed me as an actor.
Does your approach change between film and television?
Yes and no. Technically, film allows more time for introspection and preparation, while television trains you to think on your feet. But emotionally, my commitment remains the same. Whether it is a 30-second scene or a three-minute monologue, I aim to serve the character with authenticity and heart. The medium may shift, but my mindset is always rooted in honesty and empathy. Television’s fast-paced nature demands quick adaptability, often with limited preparation time.
Jay Thakkar
And what about film?
In contrast, films allow for deeper exploration of character and more time to develop nuance. But regardless of the medium, my approach stays consistent: understand the character’s psyche fully and deliver a performance that resonates with the audience.
What was the experience of working on Bhool Chuk Maaf?
It was a transformative experience. I spent months preparing – working with a dialect coach and immersing myself in Banaras to learn the local slang and tone. That preparation was essential to bring authenticity to the role. Working alongside Rajkummar Rao, Wamiqa Gabbi, and legends like Sanjay Mishra ji and Seema Pahwa ji was enlightening.
Do any moments from the shoot stand out?
Yes, one in particular. During a dance sequence, Rajkummar and director Karan Sharma sir noticed my energy and insisted I join the song, even though I had not rehearsed. Their encouragement made me feel valued and reinforced the collaborative spirit on set. There was a deep respect for the craft throughout the team. When you are surrounded by such passion, it does not feel like work – it feels like purpose.
You also worked with Sushant Singh Rajput on Pavitra Rishta. What are your fondest memories of him?
Sushant bhaiya was pure magic on set. He stayed grounded, no matter how much fame came his way. He would joke with me, share his food, and talk to everyone like a playful, innocent child. He once told me, “Never stop being a student of life,” and that has stayed with me. He was not just an actor – he was a thinker, a dreamer, and a beacon of humility. I fondly remember him stealing theplas from my tiffin during shoots.
Jay Thakkar
Tell us more about your time working with him.
Even as his fame grew, he remained humble and generous with his time. He encouraged me and offered guidance. His dedication to acting and his authenticity left a lasting impression. One of my favourite memories is him telling me to stay curious and keep learning – advice I live by today.
What can audiences expect next from you?
I am looking forward to the release of my next film, Apna Amitabh. I am also part of a web series titled Pranksters. I have done several high-profile ads and am in talks for new film and series projects that will begin soon. Right now, I am focused on roles that challenge me and say something meaningful. I am not in a rush, but I am hungry for layered storytelling.
Do you have a dream role?
I am drawn to characters that challenge societal norms and explore deep emotional layers. I would love to play a morally grey protagonist – someone who is flawed, yet relatable. Such roles let you explore the full range of human behaviour and complexity. I would love to play a conflicted revolutionary – someone who walks the line between right and wrong and makes the audience think. Such characters allow you to show both strength and vulnerability.
Who is your acting hero?
Shah Rukh Khan has always inspired me. His journey from humble beginnings to global stardom shows what passion and dedication can achieve. His emotional range and authenticity on screen are remarkable. Internationally, I admire Denzel Washington – the intensity and depth he brings to every role is powerful. Both actors prove how cinema can transform and move people.
Jay Thakkar
If you could master something new, what would it be?
I would love to master calisthenics, martial arts, and classical Indian dance. These disciplines train not only the body but also the mind and spirit. As an actor, your body is your instrument. The more control and expression you develop, the more powerful your performance becomes – sometimes without saying a single word.
What inspires you as an actor?
Real life inspires me more than fiction ever could – the flaws, contradictions, and hopes people carry. I observe unspoken gestures – a tired smile, a long pause, a look of doubt. Every person is carrying a story, and as an actor, it is my job to honour that with honesty. The struggles and triumphs of everyday people drive my passion. Everyone has a unique narrative, and I want to bring those stories to life with empathy and truth. The human experience is endlessly rich – and it reminds me why cinema matters.
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Janhvi Kapoor and Shikhar Pahariya walk the streets of London together fans react to viral video
Actor Janhvi Kapoor was recently spotted in London, walking hand-in-hand with rumoured boyfriend Shikhar Pahariya in a video that has since gone viral. Captured by a passerby, the clip shows the duo casually strolling through the streets. Dressed in relaxed outfits, Janhvi in a black tube top and joggers, and Shikhar in a mint green tee with white trousers, the pair looked at ease in each other’s presence. Janhvi’s sister Khushi Kapoor was also seen walking nearby, playing third wheel.
While Janhvi and Shikhar have never publicly confirmed their relationship, moments like these continue to fuel speculation. From dinner outings to joint appearances at major events, the signs have long been there. Janhvi has also worn a necklace with Shikhar’s name in the past, and he frequently posts photos of her on social media.
This isn’t the first time the internet has buzzed with talk of the two. Their quiet presence together over the years, including a joint appearance at this year’s Cannes Film Festival for the premiere of Janhvi’s upcoming film Homebound, has kept fans guessing. The film, directed by Neeraj Ghaywan, also stars Ishaan Khatter and Vishal Jethwa.
Janhvi had briefly opened up about her dynamic with Shikhar on Koffee With Karan Season 8. When Karan Johar cheekily asked if she had gone back to dating Shikhar after a break, Janhvi smiled and said, “Have you heard that song Nadaan Parindey Ghar Aaja? Shikhar used to sing that to me a lot.”
Shikhar Pahariya's Instagram post on Diwali Instagram/shikharpahariya
Shikhar Pahariya, the grandson of former Home Minister Sushilkumar Shinde and son of producer-actor Smruti Shinde, has kept a relatively low profile despite the public curiosity. His brother, Veer Pahariya, recently debuted in Bollywood with Sky Force.
What’s next for Janhvi Kapoor
Janhvi, meanwhile, has a packed schedule. She stars in Param Sundari, a romantic comedy with Sidharth Malhotra set in Kerala, releasing on 25 July. She’s also reuniting with Varun Dhawan for Sunny Sanskari Ki Tulsi Kumari, a family entertainer slated for September. A sports-action film titled Peddi, co-starring Ram Charan and scored by AR Rahman, is also on the list for 2026.
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Kuberaa Twitter reviews call Dhanush’s performance his best and praise Sekhar Kammula’s storytelling
Sekhar Kammula’s Kuberaa, starring Dhanush, Nagarjuna, and Rashmika Mandanna, hit theatres on 20 June and has quickly made waves online. Reactions across social media, particularly Twitter, have described the film as a bold, emotionally rich crime drama with standout performances, especially from Dhanush. Audiences have called it a “rare gem” in today’s commercial landscape and one of the best Telugu-Tamil bilingual films of 2025 so far.
Dhanush’s career-best, Rashmika’s surprise, and Nagarjuna’s steady hand
The highlight of most audience reviews is Dhanush’s performance, hailed by many as his “career-best” and even “National Award-worthy.” His portrayal of Deva, a beggar caught in a complex web of crime and morality, has been described as transformative and deeply immersive. One viewer wrote that few actors could pull off such a layered character with the same mannerisms in multiple avatars. Fans have also praised Rashmika Mandanna, calling this her strongest performance yet. Her portrayal is described as subtle yet powerful, giving the character both vulnerability and resilience. Nagarjuna’s presence, though noted to be slightly underused, was still appreciated for its gravitas and emotional weight.
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Sekhar Kammula’s direction was lauded for steering clear of formulaic mass elements, there are no item numbers or excessive heroism and instead relying on a grounded narrative. Viewers appreciated the film’s quiet intensity, emotional pacing, and the director’s ability to build tension without gimmicks. Cinematographer Niketh Bommireddy received special praise for his frames and lighting, with many calling the visuals “painterly” and emotionally charged. Devi Sri Prasad’s background score was also credited for amplifying the film’s emotional beats.
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Long runtime, uneven pacing but still worth the ride
Despite widespread acclaim, some viewers felt Kuberaa’s three-hour-plus runtime could have been tighter. A few pointed out that the second half dragged slightly and the climax felt rushed compared to the strong build-up. Others mentioned that some of Kammula’s philosophical themes did not fully land in execution. Still, even the critics agreed the film is a worthwhile experience that deviates from standard commercial fare.
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In all, Kuberaa is being celebrated as a rare cinematic effort: emotionally grounded, superbly acted, and visually distinctive. Whether or not it’s a perfect film, audiences seem to agree that this is Dhanush’s show, and it’s one worth watching.