Actress Priyanka Chopra has paid tributes to her father Dr Ashok Chopra on his fourth death anniversary.
The Quantico star's father passed away on June 10, 2013 after a long battle with cancer at the age of 64.
Priyanka took to Instagram to post a series of photographs remembering him.
"Thinking of you always dad. #familytime #june10 #4years," she captioned a picture.
"Sing to me one more time. #daddyandI miss you dad," she wrote alongside another photo.
Johar said the sequel uses comedy to show how corporate control is replacing creativity in media
Writing on social media, Johar expressed how the original film stayed close to his heart.
He grew to love Meryl Streep's character Miranda Priestly even more after the first movie, despite her demanding nature and elite standards. Her drive for perfection resonated with him.
The director says the new film shows what's happening in media right now. He wrote about how serious journalism is becoming less important while digital platforms take over.
Print media is losing its beauty to what he calls "digital overdrive mania."
Johar liked how the sequel talks about serious issues through comedy. Big companies now control artistic people, he noticed. Business choices replace creative ideas in today's media world.
The characters have changed, Johar says. Miranda shows more weakness now. Andy has more hope. Nigel seems friendlier.
Emily is wonderful. Watching them took Johar back to when he was 33 years old and believed that creative vision matters more than business.
Before the film came out, Johar interviewed stars Meryl Streep and Anne Hathaway. Meeting them made him very nervous. His knees were shaking during their talk, he said.
The sequel brings back Streep as Miranda Priestly, who runs Runway magazine. She must deal with an industry where print journalism is failing. Staying relevant becomes her biggest problem.
Her old assistant, played by Emily Blunt, now works as a top executive at a big luxury company.
This creates tension because Blunt's character controls advertising money that Priestly desperately needs to keep her magazine running.
Critics loved the film and many people watched it. It made $326 million around the world. Cinemas started showing it from May 1.
