Eastern Eye caught up with the actor to discuss his journey so far, new film, friendship and future hopes
By Asjad NazirDec 22, 2023
CONSIDERING that it is now becoming increasingly impossible for outsiders to break into Bollywood, Siddhant Chaturvedi’s achievements are impressive.
The versatile actor leapt from web serials to cinema with a stunning supporting role in multi-award winning 2019 movie, Gully Boy, and has since worked hard to carve a space for himself. He has followed up that awardwinning debut with films from different genres and continues to cross those creative horizons with Kho Gaye Hum Kahan.
The coming-of-age drama, due to have a Netflix premiere next Tuesday (26, sees him star alongside Adarsh Gourav and Ananya Panday in the story of three young friends taking on life’s challenges. The movie, produced by Hindi cinema heavyweights Zoya Akhtar, Reema Kagti, Ritesh Sidwani and Farhan Akhtar, will add to the actor’s story of rising from humble beginnings to film stardom.
Eastern Eye caught up with him to discuss his journey so far, new film, friendship and future hopes.
How do you reflect on your action-packed start to Indian cinema?
It’s been a great journey so far. I have no complaints and feel really fortunate to be able to live my dream. It has been wonderful to work with so many great people, and I hope that continues.
What did you like about your new film, Kho Gaye Hum Kahan?
The writing in this film was so relatable. I like that it’s a film about friendship. It’s also about you and me. It’s about the digital age and how it impacts our personal choices. Also, it’s an overall fun, feel-good film. I know that everyone will resonate with it, be they from any age or background, including millen nials and Gen-Zs.
Tell us about the character you play?
(Smiles) For that, you will have to watch the movie when it premieres later this month.
What was the biggest challenge of playing this character?
Well, that it’s nowhere close to me – isn’t that the point? I like pushing myself out of my comfort zone – doing things that come easy to me are boring. So, when you see the film, you’ll know, I guess, what I mean. I really enjoyed the challenge of stepping out of my comfort zone.
Siddhant Chaturvedi
How does this compare to other films that you have been in?
One thing you will notice after looking at the projects I have done so far is that I never repeat myself. I don’t play it safe. I like trying different stuff – some might doubt my choices, but I’m playing a long game and don’t want to be stereotyped in a particular type of role.
I want to challenge the mould of a conventional Hindi film hero. I’m trying my hardest to do that with my roles. It might take time, but until then I’m just enjoying the journey.
Are you hoping Kho Gaye Hum Kahan appeals to a particular demographic?
This really is a film for everyone. It’s for anybody who’s close to their friends. Everyone who is on social media. (Smiles) Everyone who loves watching a light-hearted, fun film after a Sunday brunch.
What would you say is your own favourite moment in the movie?
There are many great moments in this film, and that makes it special. I don’t want to spoil it by going into specifics. But all the moments with the friends, including the banter, dancing, partying and songs, are great. So is my job, which is performing the stand-up sets.
What was it like working with Adarsh Gourav and Ananya Panday? I
t has been a dream working with them. I think we became good friends in the process. They are so much fun to hang out with on and off set. I think that chemistry has translated onscreen.
This film is about friendship. How much do your close friends mean to you?
A lot. All my friends from college, chartered accountant days and struggles have only ever been supportive and made me feel complete.
Whenever I used to feel low after a bad screen test or a rejection, they used to be there for me. From sharing notes in college to sharing memes, they have been so amazing and real. Most important, they keep me grounded. I feel blessed to have them in my life.
It is probably unfair to ask, but is there one friend that you can always rely on?
I can’t choose just one. Everyone’s got their own qualities and way of being. Some are blunt! Others are sensitive and always know when to be what – they will pick me up in low times and make fun of me on high days. They don’t care much about the stardom. They all treat me as they did before I made it. That’s special and something I really appreciate.
How do you feel about this film having a straight-to-streaming site premiere instead of a cinema release?
I can’t think of a better digital platform than Netflix for this movie to be shown. It’s my most-used app. I’m really glad that this particular film is premiering on it. As the film is about the digital age, there is nothing better than watching it on a platform like this.
I’ll save the next one for the silver screen though, as it’s a high-octane action spectacle. So, Kho Gaye Hum Kahan is just a perfect fit for Netflix. I hope everyone enjoys it.
Will you be making a new year resolution?
(Laughs) Yes, I will, just like everyone else does on the spur of the moment, and never ends up following it. I too shall try again this time. I believe in manifestation more than resolutions, to be honest, and there’s a lot to achieve yet, so fingers crossed.
With Adarsh Gourav (left) and Ananya Panday in Kho Gaye Hum Kahan
Your choices have been unpredictable so far. What is the master plan going forward?
You can work hard and do things with the best intentions, but nobody truly knows what is going to happen next. I believe in short-term goals and a long-term vision. The industry dynamics keep shifting every day, so right now I am just going with the flow. I am trying to make good content, while figuring it out along the way.
Do you have a dream role?
Yes, for sure. I want to do the (cricketer) Yuvraj Singh biopic. I’ve been manifesting it since I was a kid, and I hope this reaches him.
What inspires you as an actor?
To be able to live so many lives. Also, the empathy, love, my dad’s dream, where I come from, the blessings, the race to be the greatest, the uncertainty, exposure, expectations and challenges. They all inspire me. It’s not the limelight – it’s the brightest light at the end that I’m chasing.
Tell us something about you that not many people know?
That I love writing, playing the guitar and making music. Yes, I might drop a few singles in the coming year – not sure though, but let’s see.
Why should we all watch Kho Gaye Hum Kahan?
It’s a good film. It’s fresh and new. We haven’t had a film like this in a while, so if you’re done with all the gunfights and goons dropping face-first on screen this year, end it with a heart-warming, feel-good vibe. Also, it’s a long weekend when the film will start streaming, so the best time of the year. Gather your friends and make a plan. I promise there’ll be a group hug situation by the end of the film.
Lauren Sánchez didn’t need a red carpet to mark her pre-wedding celebration, just a close circle of friends and the charm of Paris. Days before tying the knot with Jeff Bezos, the former TV anchor turned aviation entrepreneur spent a laid-back but lavish weekend in the French capital with a dozen women she calls her pillars of strength.
The guest list was anything but ordinary. Kim Kardashian, Kris Jenner, Katy Perry, Eva Longoria, and a few other familiar faces from business, entertainment, and media joined Sánchez for what looked like a celebration of sisterhood rather than a spectacle. Over the course of two days, the group dined at chic spots like Lafayette’s and cruised through the city on a private boat, all while keeping things relatively low-key by celebrity standards.
From clinking espresso martinis to dancing to Earth, Wind & Fire, the vibe was expensive, chill, and relaxed. The celebration wrapped with a surprise vanilla meringue cake and laughter under the Paris sky.
Sánchez shared heartfelt moments on Instagram, calling her friends “the women who’ve lifted me up and shaped my heart.” The photos, mostly in black and white, showed candid rooftop laughs and cosy robe moments, far from the polished party shots one might expect.
Inside Lauren Sánchez’s Paris bachelorette Instagram/laurenwsanchez
Her outfit choices, too, while expensive, leaned into romantic minimalism. A short white Oscar de la Renta dress with 3D florals and a vintage pink Chanel bag added soft glamour to the weekend.
Heartfelt moments and low-key glam defined Sánchez’s pre-wedding celebration in Paris Instagram/laurenwsanchez
Sánchez and Bezos, who went public in 2019, got engaged in 2023 on board his yacht Koru, where he proposed with a rare 20-carat pink diamond worth approximately £15 million (₹160 crore). Their wedding is expected in June on the coast of Venice, Italy, although they’ve been tight-lipped about the specifics. Italian officials have already reassured locals that the ceremony will not disrupt the city.
A candid moment with Sánchez and her closest friendsInstagram/laurenwsanchez
Beyond the headlines and designer outfits, Sánchez’s celebration in Paris was about a woman pausing to honour the relationships that helped her grow, before stepping into a new chapter as Mrs. Bezos.
Ever walked into a cinema, popcorn in hand, all hyped for a big new Hindi release – only to realise, halfway through, that you have seen the exact same story before, just in another language? That weird sense of déjà vu has become all too familiar for Bollywood audiences in recent years, with one remake after another. Many are based on South Indian hits.
From Vikram Vedha to Shehzada, Bholaa to Selfiee, Bollywood seems to be treating South Indian blockbusters like a catalogue to borrow from. But here is the problem – most of them did not work. Not just with critics, but at the box office too. Which raises the obvious question: if the originals were such big hits, why can’t the Hindi versions strike gold?
The numbers do not lie Let us look at the figures.
The Tamil film Vikram Vedha (2017) was made on a budget of £103,695 (₹11 million) and earned £5.66 million (₹600 million). It had strong writing, originality, and standout performances. The 2022 Hindi remake starring Hrithik Roshan and Saif Ali Khan, despite slick production, was a costly misfire.
Bholaa, a remake of Kaithi, leaned too heavily on visual effects and forgot the raw, gritty storytelling that made the original shine. Made for £8.8 million (₹1 billion), it only grossed £9.7 million (₹1.1 billion) worldwide. Compare that with Kaithi, made for £2.2 million (₹250 million), which earned over £9.3 million (₹1.05 billion) – without big stars or CGI. This pattern keeps repeating itself.
Selfiee, based on Malayalam hit Driving Licence, flopped. Shehzada tried to replicate the success of Ala Vaikunthapurramuloo and failed miserably. Sarfira, based on Soorarai Pottru, came and went without impact. Even Baby John (a version of Theri) and Deva (inspired by Mumbai Police) could not turn strong originals into Hindi box office hits.
Ajay Devgn in Bholaa
Star power is not enough These numbers paint a clear picture: the remakes are not connecting. But what about star power? Salman Khan, Akshay Kumar, Shahid Kapoor, Hrithik Roshan, Kartik Aaryan – surely such big names should guarantee success? Unfortunately, it is not that simple anymore.
Audiences are smarter now. Thanks to streaming platforms, dubbed versions and social media buzz, many have already seen the originals – or at least know the storyline. So when the Hindi version arrives, it often feels stale.
Hrithik Roshan in Vikram Vedha
What is missing from the remakes? Successful films rely on many elements – chemistry between the leads, emotional tone, pacing – things you cannot script or transplant.
Take Vinnaithaandi Varuvaayaa. The chemistry between Silambarasan TR and Trisha felt electric, rooted in the film’s deeply emotional story of unrequited love. The Hindi remake Ekk Deewana Tha, with Prateik Babbar and Amy Jackson, lacked that connection.
Okkadu had raw energy, with Mahesh Babu anchoring the emotional weight. Ghilli, its Tamil counterpart, had similar intensity with Vijay’s charismatic presence and high-octane action. But the Hindi version Tevar lacked the same punch and raw emotion.
Similarly, Theri worked because of Vijay’s stardom, Atlee’s direction, and its emotionally driven story. Baby John has not captured that same feeling.
Mahesh Babu in Okkadu
Audiences want originality Here is the real kicker – audiences are not rejecting South Indian cinema. In fact, they are embracing it. Baahubali 2, the Pushpa and KGF franchises, RRR, Kantara – all became massive pan-India hits. The appetite for regional content is real.
What people are rejecting is lazy filmmaking – the idea that simply changing the language, inflating the budget, and casting a big Bollywood name is enough.
What works today is originality. Films like 12th Fail and Article 15 resonated because they told new stories. Even blockbusters like Pathaan and Jawan succeeded by playing to their own strengths – not copying someone else’s.
RRR
A call for change So what should Bollywood do? The answer is simple: focus on originality.
Stop leaning on South Indian remakes. Start backing fresh, innovative stories that speak to today’s diverse audience. The success of South Indian films lies in their ability to connect emotionally, to create real characters and tell untold stories. Bollywood needs to find that magic again.
In the end, remakes may seem like a safe bet – but they are not always the solution. Why settle for déjà vu when you can create something unforgettable?
The audience has evolved. Maybe now, it is time the industry asked itself: has it?X: @GeorgeViews
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Ananya Panday gets candid about body shaming on Lilly Singh’s podcast
Ananya Panday is no stranger to the spotlight, but she’s also tired of being stuck under a microscope. In a recent chat with Lilly Singh on her podcast Shame Less, the actor spoke honestly about the constant criticism of her body and the double standards women face in the film industry.
Ananya recalled the early days of her career when, at 18, she was mocked for being too thin. Terms like “chicken legs” and “matchstick” were thrown at her regularly. “They said I had no boobs, no butt, like a flat-screen,” she shared. Fast forward a few years, and as her body naturally changed, new rumours popped up, but this time accusing her of undergoing cosmetic surgery. “Now they say I’ve had my butt done. You can never win,” she said.
What hits harder for Ananya is that this scrutiny often comes from other women. “The harshest comments I get are from women. I rarely see this happening to male actors,” she said, pointing out the gender gap in how public figures are judged.
But Ananya doesn’t shy away from taking responsibility either. She admitted that Bollywood films, including some of her own, have pushed unrealistic beauty ideals. “We’ve shown women waking up with perfect hair and makeup. That’s not real life. I’ve been part of that narrative, and I’m trying to be more aware of it now,” she said. Off camera, she tries to keep things real, reminding her followers that what they see on screen isn’t always the truth.
This honesty is, in fact, a shift in Ananya’s journey, from someone who once felt pressured to fit in, to an actor willing to question the norms she’s grown up with. Her recent work also reflects that change. From light-hearted romances to more grounded roles like her turn as a lawyer in Kesari: Chapter 2, Ananya is clearly making deliberate choices.
Women in the public eye are constantly judged, but it’s time to break that cycle. “If I talk about it, maybe one other girl will feel less alone,” she said. That, perhaps, is the quiet power behind her loudest statement yet.
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Angelina Jolie stuns in a strapless nude gown on the Cannes 2025 red carpet
After a long break from the Cannes spotlight, Angelina Jolie stepped back onto the red carpet, quietly commanding attention without theatrics. It’s been nearly 14 years since she last appeared at the French film festival, but her recent appearance shows she never really left the scene, she just chose when to re-enter it.
At the premiere of Ari Aster’s Eddington during the 78th Cannes Film Festival, Jolie arrived in a strapless white and silver gown designed by Brunello Cucinelli, a label she often turns to for its classy, minimalist elegance. The look was elevated with diamond accessories from Chopard, adding just enough sparkle without overwhelming her understated style.
Jolie keeps it classic in Brunello Cucinelli with Chopard diamonds for Eddington premiereGetty Images
The nude-toned dress was detailed with subtle embroidery and featured a structured A-line silhouette. Its fitted bustier, square neckline, and flowing hem were all about clean lines and classic femininity: nothing flashy, just well-crafted. Her choice of accessories followed the same theme: a pear-shaped diamond pendant, teardrop earrings, and a striking ring.
Her hair was styled in soft waves, parted to the side, and her makeup was balanced with wine-toned nails, muted smoky eyes, a soft pink lip, and feathered brows that framed her face.
The actress makes a graceful return to Cannes after 14 years awayGetty Images
Jolie took on the role of Trophée Chopard godmother this year, an honour that involves presenting an award to two emerging talents in cinema: Marie Colomb and Finn Bennett. The award celebrates the future of film, and Jolie’s presence felt fitting. Over the years, stars like Julia Roberts, Cate Blanchett, and Charlize Theron have taken on this role, and Jolie now joins that distinguished list.
For the Trophée Chopard dinner, Jolie wore a simple one-sleeved gown with a slit, paired with ankle-strap heels and silver earrings. She kept her makeup light and her hair down, opting for ease over excess.
Angelina Jolie interacting with fans Getty Images
Though she’s been away from the Cannes red carpet, Jolie hasn’t been out of sight. Her recent film Maria, based on opera legend Maria Callas, kept her on the awards circuit earlier this year. She also made headlines as a producer of the Broadway musical The Outsiders, which went on to win big at the 2024 Tony Awards.
Jolie keeps her style effortless for Cannes 2025Getty Images
Angelina Jolie’s Cannes appearance was a glorious comeback. But more than that, it was a quiet reminder of who she is: a woman of style, substance, and selective presence.
The buzz around King, Shah Rukh Khan’s upcoming action-thriller, just got bigger. Rani Mukerji is officially part of the film, stepping in for a role that’s brief but deeply important. Shooting begins on 20 May in Mumbai, with an international schedule to follow.
King is being helmed by Siddharth Anand, the director behind Pathaan and War. This film will not only mark SRK’s return to a high-action role, where he plays an assassin, but also introduces his daughter, Suhana Khan, to the big screen. The cast includes Deepika Padukone, Abhishek Bachchan, Anil Kapoor, Jackie Shroff, Arshad Warsi, Jaideep Ahlawat, and Abhay Verma, making it one of the biggest star-studded projects in recent memory.
The iconic duo returns to the screen after more than a decadeGetty Images
Rani Mukerji joins the cast in a special cameo as Suhana Khan’s mother. While she’s expected to shoot for just five days, her role is far from minor. Insiders say her character is central to the story’s emotional arc and serves as a turning point in the larger action narrative.
This is also Rani and Shah Rukh’s reunion after more than a decade. The two have a long list of hits together, from the iconic Kuch Kuch Hota Hai to Kabhi Khushi Kabhie Gham, and their on-screen chemistry is considered the gold standard. Their scenes in King are expected to tap into that nostalgia while adding a fresh layer to the story.
Sources say it didn’t take long for Rani to say yes. The part, though short, left a strong impression on her. “She heard the story and agreed instantly. It’s a powerful role that holds the emotional thread of the film,” one source shared.
Rani Mukerji will join Shah Rukh Khan for the much-awaited KingGetty Images
Interestingly, earlier buzz suggested that Deepika Padukone might play Suhana’s mother in the film, but the final decision went to Rani. This change seems to have added an extra edge to the film’s casting.
Currently in pre-production, King is aiming for a release sometime between October and December 2026. With a cast this strong and a fresh mix of family, action, and suspense, the film is shaping up to be a major event not just for Shah Rukh fans, but for Bollywood itself.