Shez Raja: I aim to create a joyous, uplifting experience for live audiences
‘Inspiration is a big area of interest'
By ASJAD NAZIRFeb 22, 2023
HE HAS done cool musical collaborations and created stunning songs, but brilliant bass player Shez Raja is at his very best when performing high octane concerts and bouncing off the energy generated by audiences.
Having performed around the world, he has forged a formidable live reputation for entertaining shows. That is why his concert at the Capstone Theatre in Liverpool on Saturday (25) is a hot ticket.
Eastern Eye caught up with the British-Asian guitar hero ahead of the Liverpool International Jazz Festival concert to discuss his inspirations, close connection to music and love of performing live.
What first connected you to music?
When I was growing up, I remember my dad singing ragas [Indian classical music] around the house – he still does to this day. And I think these melodies permeated my subconscious from an early age and influence my sound today.
What drew you towards the bass guitar in particular?
I’ll never forget the first time I played the bass guitar. I instantly loved everything about it – the feel, sound, and vibrations. It just felt comfortable, and I knew this was an instrument with which I could freely express myself.
How much does performing live mean to you?
I love performing live on stage and sharing with the audience the exhilarating feeling of creating music in the here and now. I treasure that magical connection with listeners, and it often feels like we are creating a feedback loop of positive energy together.
What do you most love about being on stage?
Like I said, the privilege of being able to share my passion for music and create a joyous, uplifting experience.
Which would you say has been your most memorable show?
I’ve been very fortunate to have travelled to various places around the world playing music and there have been many memorable shows. One that springs to mind is headlining the Mission Bay Jazz Festival in Auckland, New Zealand. The stage was on the beach and to our right was a volcano jutting out of the ocean. It was quite a view. And it was reassuring to know that the volcano was dormant.
What can we expect from your Liverpool International Jazz Festival show?
I’ll be bringing some truly world-class musicians with me, and we’ll be giving it our all. Expect a vibrant and high-energy concert as we blend sounds and colours from east and west.
Is there a particular kind of audience your performances are aimed at?
I would like to think that everyone would enjoy our concerts, as we make music that is from the heart which hopefully moves and inspires people in some way.
According to you, what is the secret of a great live performance?
Authenticity, generosity, and fearlessness. Being true to yourself and sharing your emotions through the music, playing in an uninhibited way, fully self-expressed and with abandon.
Why do you love music?
Music has the power to evoke emotions and memories, inspire, heal, and unite. This is why I love it.
What inspires you?
Inspiration is a big area of interest for me. In fact, I’ve developed specific techniques to boost inspiration and become more creatively alive, and I share these at creativity and inspiration masterclasses that I run for music colleges and businesses. I’ve been studying astrophysics at the Royal Observatory in Greenwich, London, and have been inspired to write a lot of new music recently, while pondering the epic realisations and unfathomable mysteries of the universe.
Finally, why should we all come to the concert this week?
We will take you on an exciting musical journey to the Punjab via Liverpool. It will be a very special evening, energising and fun.
Shez Raja featuring Tony Kofi at the Capstone Theatre, Hope University, 17 Shaw Street, Liverpool L6 1HP is on Saturday (25). See www.thecapstonetheatre.com and milapfest.com for details.
Forum brings UK and Chinese film professionals together to explore collaborations.
Emerging British-Asian talent gain mentorship and international exposure.
Small-scale dramas, kids’ shows, and adapting popular formats were the projects everyone was talking about.
Telling stories that feel real to their culture, yet can connect with anyone, is what makes them work worldwide.
Meeting three times a year keeps the UK and China talking, creating opportunities that last beyond one event.
The theatre was packed for the Third Shanghai–London Screen Industry Forum. Between panels and workshops, filmmakers, producers and executives discussed ideas and business cards and it felt more than just a summit. British-Asian filmmakers were meeting and greeting the Chinese industry in an attempt to explore genuine possibilities of working in China’s film market.
UK China film collaborations take off as Third Shanghai London Forum connects British Asian filmmakers with Chinese studios Instagram/ukchinafilm
What makes the forum important for British-Asian filmmakers?
For filmmakers whose films explore identity and belonging, this is a chance to show their work on an international stage, meet Chinese directors, talk co-productions and break cultural walls that normally feel unscalable. “It’s invaluable,” Abid Khan said after a panel, “because you can’t create globally if you don’t talk globally.”
And it’s not just established names. Young filmmakers were all around, pitching ideas and learning on the go. The forum gave them a chance to get noticed with mentoring, workshops, and live pitch sessions.
Which projects are catching international attention?
Micro-dramas are trending. Roy Lu of Linmon International says vertical content for apps is “where it’s at.” They’ve done US, Canada, Australia and next stop, Europe. YouTube is back in focus too, thanks to Rosemary Reed of POW TV Studios. Short attention spans and three-minute hits, she’s ready.
Children’s and sports shows are another hotspot. Jiella Esmat of 8Lions is developing Touch Grass, a football-themed children’s show. The logic is simple: sports and kids content unite families, like global glue.
Then there’s format adaptation. Lu also talked about Nothing But 30, a Chinese series with 7 billion streams. The plan is for an english version in London. Not a straight translation, but a cultural transformation. “‘30’ in London isn’t just words,” Lu says. “It’s a new story.”
Jason Zhang of Stellar Pictures says international audiences respond when culture isn’t just a background prop. Lanterns, flowers, rituals, they’re part of the plot. Cedric Behrel from Trinity CineAsia adds: you need context. Western audiences don’t know Journey to the West, so co-production helps them understand without diluting the story.
Economic sense matters too. Roy Lu stresses: pick your market, make it financially viable. Esmat likens ideal co-productions to a marriage: “Multicultural teams naturally think about what works globally and what doesn’t.”
The UK-China Film Collab’s Future Talent Programme is taking on eight students or recent grads this year. They’re getting the backstage access to international filmmaking that few ever see, including mentorship, festival organising and hands-on experience. Alumni are landing real jobs: accredited festival journalists, Beijing producers, curators at The National Gallery.
Adrian Wootton OBE reminded everyone: “We exist through partnerships, networks, and collaboration.” Yin Xin from Shanghai Media Group noted that tri-annual gathering: London, Shanghai, Hong Kong create an “intensive concentration” of ideas.
Actor-director Zhang Luyi said it best: cultural exchange isn’t telling your story to someone, it’s creating stories together.
The Shanghai-London Screen Industry Forum is no longer just a talking shop. It’s a launchpad, a bridge. And for British-Asian filmmakers and emerging talent, it’s a chance to turn ideas into reality.
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