After the success of Padmaavat earlier this year, Shahid Kapoor is currently seen in filmmaker Shree Narayan Singh’s Batti Gul Meter Chalu, a social drama film about unjustified electricity bills and a host of problems they cause. Kapoor plays a fun-loving but extremely clever lawyer who extracts money from people in the name of out of court settlements. However, he chooses the right path when his childhood friend tries to commit suicide after receiving an exorbitant electricity bill of ₹ 54 lakhs months after setting up a printing press in town. The movie opened in cinemas on 21st September and has been receiving good response from audiences. In this interview, Shahid Kapoor talks to Mohnish Singh about the movie, his role and why he wants to take up only one project at a time.
You don’t say yes to every movie, what made you choose Batti Gul Meter Chalu?
I hope to believe that most actors are like that, otherwise, everybody would be doing 6 films at a time. I think the time has changed and now it doesn’t matter how many movies you are doing. What matters is how well the movie that you do does and is liked and loved. I think you need to give it all your attention. Today actors are quite aware of the fact that expectations always are high and criticism is also high, so you understand that you need to really do everything you can do for the movie. I do one film at a time.
What excited you about this film?
What excited me about this film fundamentally, obviously, was the issue that it was dealing with. But what was pleasantly surprising and more exciting was the fact that it was a very entertaining and fresh film. I felt the character of the film was fresh. The character that was offered to me is very different from what I have done to date.
Can you tell us something about the character that you play in the movie?
I don’t know if you guys will like him or not. You all might not like him. So, that’s my disclaimer. S. K. might not necessarily be a nice guy. He is a little full of himself. The way he talks is very raw. He is rough around the edges. In fact, you could say that he is the kind of guy that stands out in company with big localities like Bandra or even beyond Juhu. So, he is that type of a guy. I hope people like him, but I have just been honest to the role that was given to me and I felt like that’s the guy and that’s how he needs to be played.
What is the movie about?
The core issue of the film is not that the electricity is present or not, but since when electricity has been privatised, the bill for the consumption is increasing. Electricity is a fundamental human right. It’s a necessity. For that how much money are you ready to give and for how long will the electricity be affordable? And if tomorrow you receive a bill, due to faulty meters or something - and there are a lot of cases like this - there is nowhere for you to go and be heard. In the film, a character is driven to the point where he actually thinks of killing himself. So, that is something everyone can relate to.
How was it working with Shree Narayan Singh?
I had a great time working with him. He was very encouraging and a lot of what I have done in the film is because of him. A lot of whatever I could understand of the character also came from him, the world came from him. The kind of language he has chosen, it’s a bit sing-song. He created something unique and different. He has knowledge that there is something like this happening and I have learnt a lot from him.
The trailer of the film gives away the surprise element. Why do you think that is?
There are two types of approaches that filmmakers have towards putting the first trailer out and I have worked with both types. Both have worked and in the recent past, making your film accessible in terms of telling the people what this film is about has worked very well because today people don’t want to be fooled like you show something else and you get something else. So, when you are not very open about your content, sometimes that can work in your favour because it’s curiosity but sometimes people can be misled and can come with an assumption of what the film is and then they don’t get what they thought the film was.
How did you prepare for the courtroom scenes?
I was told not to prepare for that scene. I was told you should not look like a prepared lawyer because this is not your comfort zone. You should look like a sore thumb in that courtroom, making everyone think how did this guy come here and what is he doing? So that was a clear brief given to me. The more you look out of place in this courtroom, the more correct it is for the character because he is not a professional lawyer.
Was it difficult to shoot?
It’s very difficult because when you are doing courtroom dramas, there is a lot of dialogue, there are a lot of facts and figures which need to be remembered and it should sound candid and casual. Also, at the same time, you need to move fast with it and Shree sir shot big portions in one go so we had four cameras which shot large chunks together so we learned up 7-8 pages of lines every day but honestly, most of the portions I have done in court are funny and entertaining so I was enjoying myself.
Did you relate to your character at all?
No, not at all. Honestly.
Do you think there will a time in your career when you won’t take a risk with your choice?
There is a risk with everything. If you do the same thing again and again, there is a risk that the audience would be bored. My risk in my mind is to stay true to myself. I think that if I get bored then the creative energy inside me will dry up and then I won’t have anything new to give. So, I believe in life being a student is more important than being a teacher. I feel that personally, you need to keep learning. If you don’t learn, you don’t grow and if you don’t do different films and try different characters, you will not learn anything because you are not putting anything fresh in your system.
Do the opinions on your work affect you?
There are certain jobs that are very public in nature. People are passionate about certain things like cricket and cinema in this country and everyone will have an opinion about it. So, when you enter that profession, you know that’s going to come your way. Opinions are like massive attack of numerous arrows coming towards you, if you see each arrow then you are dead. You need to understand the nature of the job you are in and you have to understand how to deal with that scenario. If among the opinions you hear one loud sound collectively then it must be given importance but if there are 100 opinions and I am going to start debating how many to take seriously then I am basically not going to have any vision or point of view of my own and I lose my sense of identity. There is the only one you, and so if you represent yourself, whether you are right or wrong, you will always be original
Newly restored 4K version to debut at the festival on 16 October
Part of BFI National Archive’s ambitious Black and South Asian Workshop remasters project
Explores 1980s London housing crisis and South Asian migrant experience
Marks a cultural milestone for Retake Film and Video Collective, Britain’s first all-Asian film collective
The long-overlooked 1987 drama Hotel London is set for a fresh spotlight as its 4K remaster world premieres at the upcoming BFI London Film Festival. Spearheaded by the BFI National Archive, the restoration forms part of a major project honouring the groundbreaking Black and South Asian Workshop movement, which redefined British screen culture in the 1980s. The film, directed by Ahmed Alauddin Jamal, vividly portrays the harsh realities of London’s housing crisis while centring the South Asian immigrant experience.
A still from Hotel London showing the Bangladeshi family navigating life in a temporary hotel room www.easterneye.biz
What is the BFI National Archive Black and South Asian Workshop remasters project?
The BFI National Archive has launched an extensive initiative to digitally restore and preserve key works from the Black and South Asian Workshop era, which flourished in the 1980s and 1990s. These collectives, including Retake Film and Video Collective, Sankofa Film and Video Collective, Black Audio Film Collective, Ceddo Film and Video Workshop and Birmingham Film and Video Workshop, used drama, documentary and experimental forms to tell urgent stories about race, class and identity in Britain.
The workshops grew out of the 1982 ACTT Declaration and early backing from Channel 4, creating space for marginalised voices to make and distribute films collaboratively. So far, 14 titles have entered the BFI’s restoration pipeline, with Hotel London being the second to premiere at the festival, following the 4K revival of The Passion of Remembrance in 2022.
Hotel London was originally made in 1987 during the International Year of the Homeless. It follows a Bangladeshi family placed in temporary bed and breakfast accommodation by local authorities, exploring how they navigate bureaucratic neglect, racism and the emotional toll of housing insecurity.
Combining fictional storytelling with video activism, the film depicts the makeshift hotel as a microcosm of 1980s London, showing interactions between diverse communities in precarious situations. Actor Jonathan Pryce appears as an Irish rough sleeper drifting through the city, while dancer Alpana Sengupta and actor Aftab Sachak round out the ensemble cast. The production was shot inside an actual bed and breakfast after extensive research with homeless residents.
‘Hotel London’ 4K remaster premieres at BFI London Film Festival spotlighting Black and South Asian Workshop legacy
Why is Hotel London’s restoration significant?
The 4K remaster of Hotel London is a major step in reclaiming and preserving Britain’s Black and South Asian film heritage. The original 16mm negatives were scanned and restored by Silver Salt Restoration, with sound remastered by the BFI National Archive. This revival not only protects the film’s legacy but also reintroduces contemporary audiences to the ethos of the Retake collective, which was Britain’s first all-Asian film group. Retake championed democratic collaboration, training emerging filmmakers and challenging the invisibility of South Asians on British screens. Their efforts earned them the Arthur Young BFI Award for Independent Film and Television in 1988.
‘Hotel London’ resurfaces in 4K after decades to confront Britain’s housing injustice and lost South Asian screen history
How did the Black and South Asian Workshops change British film?
The Workshops emerged amid 1980s social unrest, when media representation of Black and Asian communities was minimal and often stereotypical. Their issue-driven films disrupted this narrative, inspiring a generation of creatives including John Akomfrah, Maureen Blackwood, Isaac Julien, Menelik Shabazz and D. Elmina Davis.
By offering paid training roles, access to equipment and editorial control, the Workshops opened doors for diverse talent to tell authentic stories. Their influence continues to shape British screen culture, making the BFI’s remastering effort both a cultural and archival milestone.
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Priyanka Chopra Jonas commands NYFW 2025 front row with Mindy Kaling as Nick Jonas looks on proudly
Power couple attend Ralph Lauren’s showcase at Madison Avenue
Priyanka dazzles in sheer skirt and structured blazer ensemble
Nick opts for earthy brown tailored look with relaxed flair
The duo join a star-studded front row including Oprah Winfrey and Jessica Chastain
Priyanka Chopra Jonas and Nick Jonas commanded attention as they attended Ralph Lauren’s New York Fashion Week 2025 show on 10 September. Arriving hand-in-hand on Madison Avenue, the pair stopped for photographers before entering the designer’s headquarters. Their appearance at the high-profile event was one of the evening’s most talked-about moments, with Priyanka’s daring outfit and Nick’s understated elegance sparking admiration from fans and onlookers.
Priyanka Chopra Jonas commands NYFW 2025 front row with Mindy Kaling as Nick Jonas looks on proudly Getty Images
What did Priyanka Chopra Jonas wear at New York Fashion Week 2025?
Priyanka opted for a bold yet refined take on power dressing. She paired a sharply tailored grey blazer with a sheer flowing maxi skirt, creating a balance of structure and softness. Instead of a buttoned shirt, she chose to cinch her waist with a wide statement belt, giving her look an edge that stood out on the monochrome-heavy runway backdrop.
Her accessories were deliberately minimal. Delicate hoop earrings and a few rings, while bronzed makeup tones and voluminous, softly waved hair framed her face perfectly. This merge of minimal styling with a high-fashion silhouette reflected her style perfectly, making her one of the evening’s best-dressed attendees.
Nick went for earthy sophistication, donning a relaxed brown suit layered over a crisp white shirt. He added subtle detailing with a patterned tie, matched it with polished brown shoes, and finished off with rimmed sunglasses for a cool, composed vibe.
His tousled curls gave the look a casual softness that contrasted nicely with the tailored suit, making him appear effortlessly stylish beside Priyanka. Their complementary colour palettes, her muted grey tones and his warm browns, created a coordinated yet individualistic statement look.
Nick opts for an earthy brown suit for the event Getty Images
Which celebrities were seen at the Ralph Lauren NYFW show?
The event gathered an impressive front row of fashion and entertainment heavyweights. The couple were seated beside Usher and his wife Jennifer Goicoechea, with industry icons including Oprah Winfrey, Anna Wintour, Jessica Chastain, Naomi Watts, Laura Dern and Gayle King also present.
Also in attendance was Mindy Kaling, who sat in the front row at Ralph Lauren’s intimate Spring 2026 presentation on Madison Avenue. Speaking to AP News, Kaling said the brand symbolised the “American dream” for her immigrant parents, adding that the polo logo felt like “the sign of making it.” Photographers singled her out in roundups of the best front-row style, where she was pictured alongside Oprah Winfrey, Usher and the Jonas couple.
Ralph Lauren unveiled their Spring 2026 collection at the showcase, which featured minimalist silhouettes, oversized jackets, fitted dresses and monochrome palettes. Priyanka’s presence was especially fitting, as she has a long-standing association with the brand, notably wearing a custom Ralph Lauren gown for her wedding to Nick Jonas in 2018.
Mindy Kaling attends the Ralph Lauren show Getty Images
Why does Priyanka Chopra Jonas remain a front-row favourite?
Priyanka’s journey from Bollywood star to Hollywood regular has a lot to do with her consistently strong style choices and a willingness to take risks. Her high-profile international projects, from leading Quantico to starring in Citadel and producing The White Tiger, have cemented her as a global figure, making her an obvious pick for designers looking to spotlight influential personalities on their front rows.
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JK Rowling sparks outrage with AI-generated video called transphobic by critics
Author slammed for posting anti-trans message with bizarre AI-generated gibberish
Social media users mockingly suggest black mould exposure is behind her behaviour
Rowling continues to face criticism from Harry Potter stars Daniel Radcliffe and Emma Watson
Online debate intensifies over her use of AI to push anti-trans views
JK Rowling is facing renewed online heat after sharing a transphobic post filled with Artificial Intelligence-generated gibberish, sparking ridicule across social media. Alongside slamming her views, many netizens bizarrely linked her behaviour to black mould exposure, a theory that resurfaced after earlier online jokes about her home environment. The Harry Potter author’s use of AI in this context has added a new layer to the controversy.
JK Rowling sparks outrage with AI-generated video called transphobic by critics Getty Images
What did JK Rowling post with AI?
On 8 September, Rowling uploaded a six-second clip on X, claiming that “gender identity ideology is homophobic.” The video began with a tweet from Dr Helen Webberley of GenderGP, followed by distorted AI-generated images resembling a comment section but filled with jumbled letters and gibberish. The visuals with a typing sound effect left many confused.
She captioned the post: “Tell me again how gender identity ideology isn’t homophobic. Would you trust this UK doctor… to be sympathetic to a young girl who’s attracted to other girls?”
The video quickly spread online, with users mocking the author for relying on artificial intelligence to back her arguments. One post read: “Kinda pathetic having to use AI to make up reasons to be hateful towards others.”
— (@)
Why are people blaming black mould?
The backlash also revived a long-running social media joke about black mould in Rowling’s house. In 2024, eagle-eyed users noticed what appeared to be mould on her wall in a profile picture, sparking widespread memes linking her anti-trans stance to potential neurological effects of mould exposure.
This theory resurfaced after her AI post, with comments such as: “How much mould do I need to understand this?” and “Did the mould tell you this was real, or do you think AI fakes are real?” While clearly satirical, the “mould theory” has become a shorthand way for critics to ridicule the writer’s increasingly controversial online presence.
— (@)
How have fans and Harry Potter stars responded?
Rowling’s anti-trans views have long divided fans of the Harry Potter franchise. Many of the actors who rose to fame through the films have publicly disagreed with her stance. Daniel Radcliffe, Emma Watson, and Rupert Grint have all expressed support for the trans community, distancing themselves from Rowling’s repeated comments.
This latest episode only deepened the rift between Rowling and sections of her fanbase, many of whom see her use of AI as an escalation in her campaign against trans rights.
Daniel Radcliffe and Emma Watson distance themselves from Rowling’s commentsGetty Images
Has JK Rowling faced this kind of backlash before?
Yes. Since 2020, Rowling has made multiple posts criticising gender identity, each triggering major backlash. She has defended her stance as protecting women’s rights, but critics say her rhetoric fuels transphobia.
Her frequent use of social media for these debates has meant that Rowling, once best known as a children’s book author, now trends more often for her views on gender than for her literary work. The latest AI clip only adds to this trend, shifting focus from her books to her online persona.
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Tamannaah Bhatia opens up about her unique mental trick to tackle sexism in Indian cinema
Tamannaah Bhatia reveals her unique mental trick to handle sexism in the film industry
The Baahubali star opens up on her two-decade journey across South Indian and Bollywood films
She now headlines Amazon Prime Video’s Do You Wanna Partner opposite Diana Penty
Bhatia stresses that women must bring ideas forward rather than worry about pleasing others
Tamannaah Bhatia has shared an unusual but powerful way of dealing with sexism in the entertainment industry. Speaking about her rise in South Indian and Bollywood films, the Baahubali actor said she would often use a mental trick, imagining men in sarees or glamorous outfits, whenever someone tried to undermine her. This candid revelation about navigating gender bias comes as she fronts Amazon Prime Video’s new series Do You Wanna Partner, co-starring Diana Penty.
Tamannaah Bhatia opens up about her unique mental trick to tackle sexism in Indian cinema Getty Images
What did Tamannaah Bhatia say about her mental trick?
In her conversation with The Hollywood Reporter India, Bhatia recalled how early in her career she would encounter situations where men tried to make her feel insignificant.
“Whenever a man tried to make me feel like he had the final say in things and I had nothing to contribute, I’d always imagined him in a saree or a really glamorous outfit,” she said. “And then I’d think he’d look really bad in it. That’s when I realised what I can do, he can’t. So, they will need me.”
The actor explained that this quirky strategy gave her confidence to continue making bold choices on screen. She credited this self-belief with sustaining her through 85 films and maintaining her position as one of the highest-paid actors in Indian cinema.
Tamannaah Bhatia says imagining men in sarees gave her courage to thrive in a male-dominated industryGetty Images
How does Tamannaah Bhatia view her career after Baahubali ?
Bhatia’s career is often divided into two phases: before and after Baahubali. The blockbuster’s global success in 2015 gave her a visibility that few female actors in South Indian cinema had enjoyed before. “Nobody gives you work because you’re a nice person,” she noted, stressing that success comes only when performers bring concrete ideas and value to the table.
She emphasised that actors who speak up and contribute to scripts or scenes are often remembered more than those who stay quiet. For her, the turning point was recognising that assertiveness and creativity win respect in the long run.
Tamannaah Bhatia reflects on her journey across Bollywood and South Indian cinema after Baahubali successGetty Images
What is Do You Wanna Partner about?
In her latest outing on Amazon Prime Video, Bhatia plays Shikha Roy Chowdhury, a marketing professional who loses her job and decides to rebuild her career with the help of her best friend, played by Diana Penty. Together, the two women take on the alcohol-beverage industry, traditionally dominated by men, in a story that mirrors Bhatia’s own journey of breaking stereotypes.
The series talks about female entrepreneurship and friendship, with Bhatia’s character proving that resilience and wit can challenge established power structures.
Tamannaah Bhatia stars in Amazon Prime Video’s new series Do You Wanna Partner alongside Diana PentyGetty Images
Why does Tamannaah Bhatia’s story matter today?
Bhatia’s honesty about handling sexism offers a refreshing perspective in an industry where women are often sidelined. By openly sharing her unusual coping mechanism, she has in fact sparked discussion about how female actors build inner strength to thrive in challenging environments.
Tamannaah Bhatia stresses the importance of women voicing their ideas in an industry that often sidelines themGetty Images
Her latest project arrives at a time when representation and gender equality are under the spotlight in Indian cinema as well as on global streaming platforms. As one of the few actors to successfully straddle multiple film industries and now digital space, Bhatia continues to carve a path that reflects both resilience and reinvention.
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Rick and Morty face their most dangerous hunt yet in Oni Press finale
Oni Press announces Rick and Morty: The End six-part miniseries starting 3 December 2025
The comic marks a dramatic conclusion after more than 100 issues of the hit franchise
Writer Daniel Kibblesmith and artist Jarrett Williams lead the final saga following Rick and Morty vs. the Universe
Rick Sanchez becomes the multiverse’s most wanted as Morty and Space Beth hunt him down
Adult Swim’s cult animated hit Rick and Morty is set to close a major chapter with Oni Press confirming the launch of Rick and Morty: The End this December. The new comic book miniseries will spin directly out of Rick and Morty vs. the Universe and promises a high-stakes finale unlike anything the duo has faced before. Fans searching for details on Rick and Morty The End will now have confirmation that this marks the start of a six-issue showdown.
Rick and Morty face their most dangerous hunt yet in Oni Press finale Instagram/rickandmorty
What is Rick and Morty The End about?
According to Oni Press, Rick and Morty: The End throws Rick Sanchez into his most desperate battle yet. Wanted across every reality, Rick’s bounty has attracted governments, militaries, pirates, mobsters, bounty hunters, and even circus clowns.
The only ones with a real chance of catching him are Morty and Space Beth, but they’re not on the same side. The story sets up a deadly family clash where Morty and Beth must decide whether Rick comes back alive.
The six-part series reunites the creative team from Rick and Morty vs. the Universe. Writer Daniel Kibblesmith, known for Marvel’s Loki, and artist Jarrett Williams, who worked on Speed Force, will continue steering the franchise towards its explosive finale. Oni Press confirmed the first issue launches on 3 December 2025, featuring covers by Dave Bardin, Troy Little, Tom Fowler, and others.
How does it connect to Rick and Morty vs. the Universe ?
The storyline spins directly out of the events of Rick and Morty vs. the Universe, Oni Press’s crossover saga that concluded in October. That series followed Rick and Morty as they battled every universe they had ever crossed, leaving Rick with few allies and no escape routes. The End picks up after that chaos, positioning the finale as a natural continuation of the franchise’s long-running comic arc.
The teaser sparked debate when Oni Press first hinted at “The End.” While Rick and Morty: The End signals the conclusion of Oni Press’s decade-long run of tie-in comics, the animated series on Adult Swim is continuing. The Emmy-winning show, featuring voices from Ian Cardoni, Harry Belden, Sarah Chalke, Chris Parnell, and Spencer Grammer, remains a central part of Warner Bros. Discovery’s programming. For fans, this comic miniseries is the definitive closing act for Oni Press’s part of the multiverse.