Savita Singh: ‘Blending eastern melodies with western rhythms is an ongoing project’
By blending classic Bollywood with contemporary Caribbean rhythms, Singh has connected with audiences across generations and built cultural bridges.
Savita Singh
By Asjad NazirSep 27, 2024
CHUTNEY music has beautifully blended Indian and Caribbean cultures to create vibrant songs powered by pulsating beats.
One of the finest female exponents in this male-dominated genre is popular singer Savita Singh. With her soulful voice and superb stage presence, she has entertained audiences with hit songs like Sona Re.
By blending classic Bollywood with contemporary Caribbean rhythms, she has connected with audiences across generations and built cultural bridges.
Eastern Eye caught up with the Trinidad and Tobago-based star to discuss her unique journey, chutney music and ambition to take it global.
She also spoke about her inspirations, love for live performance, connections to India and Bollywood’s influence.
How do you reflect on your journey so far?
It has been a blessed, yet tumultuous journey filled with ups and downs. I am honoured to have met so many wonderful people in my career, which spans over two decades. My global fan base has been a source of enduring love and support. The journey has had its rough patches, but these challenges have also lifted my music and life. My path is always evolving.
Tell us more about that.
It is dynamic and some times unpredictable. I still feel like I have a long way to go and much to accomplish in terms of musical fusion, integrating cultural strains, and uniting people across continents. I take pride in ap - pealing to tradition while bringing a modern touch to our culture.
What’s your most memorable moment?
I have many memorable moments. Winning the Emerging Voices season two song competition in Guyana in 2017 was a stand out. Another was when my flagship hit, Sona Re, crossed 15 million views earlier this year. Reaching so many fans globally was both humbling and incredibly satisfying.
Who has been your biggest influence?
My biggest influence was my father, who gave me an innate love for singing and Hindi songs. My teachers in East Trinidad also inspired me and guided my early stage performances.
Has Bollywood music inspired you?
Bollywood music, from the 1950s to today, has been a tremendous source of inspiration. I grew up listening to legends like Lata Mangeshkar, Mohammed Rafi, and Asha Bhosle. The soulful music and powerful lyrics deeply connected with me and anchored my early love for the classics. Bolly - wood has anchored my love for music. Its influence on my career is immeasurable.
Which of your songs is the closest to your heart?
Sona Re is closest to my heart, but all my songs carry different meanings and experiences. Each is a part of my journey, so I feel attached to them all.
What do you love most about chutney music?
Chutney music is the soul and rhythm of the indentured East Indian community in the Caribbean. It blends with the West Indian vibes of calypso and soca. Unique to our region, it is our musical gift to the world. I love its ability to transcend age, ethnicity, caste, gender, and class. It is a unifying musical form in times of uncertainty and conflict.
How important is live performance to you?
My career was born on stage. The thrill of stepping onto the stage, the nervous energy of a live performance, and the excitement of interacting with the audience are invaluable to me. People pay their hard-earned money to be captivated, and when they leave happy and fulfilled, it means the world to me. Live performance brings joy and contentment to people, and that is my nirvana.
What is your musical master plan?
There is a lot in the works. I am excited to collaborate with illustrious artists and musicians. Blending eastern melodies with western rhythms is an ongoing project. I want to contribute more to positive musical offerings that inspire the youth. While I will continue recording cover songs, I am focusing on my evolving repertoire of original music and groundbreaking lyrics. I also have a growing interest in songwriting and design, which are finding new expression in my work.
How much would you love to take your music across India?
India is not just a country; it is my musical mecca and a source of pride and inspiration. I would love for my music to find deeper roots in Indian soil. I am, both musically and literally, a product of India. Having my songs resonate with the people of India would be a lifelong achievement, like returning love from the Caribbean to the Indian subcontinent.
Who would you love to collaborate with?
I would love to collaborate with Shreya Ghoshal. She a remarkable singers, known for her versatility and vocal expressions. She truly is the ‘queen of dynamics’.
What music dominates your playlist?
I enjoy classic Hindi songs, modern film tracks, and upbeat tunes that lift my spirits. My playlist also includes vibrant Caribbean genres like soca and reggae.
What inspires you as a singer?
God is my inspiration. My devotion to Lord Shiva has carried me along my path. My parents, family and dear friends have encouraged my success. And my fans are my oxygen; they give me life in music.
If you could master something new in music, what would it be?
Good question. I wish I could play a variety of musical instruments that would complement my music. The violin and steel pan come to mind.
Why do you love music?
Music is love, and love is life. It is the creative expression of the heart and has the power to unite people and nations. I see myself as just one artist among many who bring love to the heart and stage.
Forum brings UK and Chinese film professionals together to explore collaborations.
Emerging British-Asian talent gain mentorship and international exposure.
Small-scale dramas, kids’ shows, and adapting popular formats were the projects everyone was talking about.
Telling stories that feel real to their culture, yet can connect with anyone, is what makes them work worldwide.
Meeting three times a year keeps the UK and China talking, creating opportunities that last beyond one event.
The theatre was packed for the Third Shanghai–London Screen Industry Forum. Between panels and workshops, filmmakers, producers and executives discussed ideas and business cards and it felt more than just a summit. British-Asian filmmakers were meeting and greeting the Chinese industry in an attempt to explore genuine possibilities of working in China’s film market.
UK China film collaborations take off as Third Shanghai London Forum connects British Asian filmmakers with Chinese studios Instagram/ukchinafilm
What makes the forum important for British-Asian filmmakers?
For filmmakers whose films explore identity and belonging, this is a chance to show their work on an international stage, meet Chinese directors, talk co-productions and break cultural walls that normally feel unscalable. “It’s invaluable,” Abid Khan said after a panel, “because you can’t create globally if you don’t talk globally.”
And it’s not just established names. Young filmmakers were all around, pitching ideas and learning on the go. The forum gave them a chance to get noticed with mentoring, workshops, and live pitch sessions.
Which projects are catching international attention?
Micro-dramas are trending. Roy Lu of Linmon International says vertical content for apps is “where it’s at.” They’ve done US, Canada, Australia and next stop, Europe. YouTube is back in focus too, thanks to Rosemary Reed of POW TV Studios. Short attention spans and three-minute hits, she’s ready.
Children’s and sports shows are another hotspot. Jiella Esmat of 8Lions is developing Touch Grass, a football-themed children’s show. The logic is simple: sports and kids content unite families, like global glue.
Then there’s format adaptation. Lu also talked about Nothing But 30, a Chinese series with 7 billion streams. The plan is for an english version in London. Not a straight translation, but a cultural transformation. “‘30’ in London isn’t just words,” Lu says. “It’s a new story.”
Jason Zhang of Stellar Pictures says international audiences respond when culture isn’t just a background prop. Lanterns, flowers, rituals, they’re part of the plot. Cedric Behrel from Trinity CineAsia adds: you need context. Western audiences don’t know Journey to the West, so co-production helps them understand without diluting the story.
Economic sense matters too. Roy Lu stresses: pick your market, make it financially viable. Esmat likens ideal co-productions to a marriage: “Multicultural teams naturally think about what works globally and what doesn’t.”
The UK-China Film Collab’s Future Talent Programme is taking on eight students or recent grads this year. They’re getting the backstage access to international filmmaking that few ever see, including mentorship, festival organising and hands-on experience. Alumni are landing real jobs: accredited festival journalists, Beijing producers, curators at The National Gallery.
Adrian Wootton OBE reminded everyone: “We exist through partnerships, networks, and collaboration.” Yin Xin from Shanghai Media Group noted that tri-annual gathering: London, Shanghai, Hong Kong create an “intensive concentration” of ideas.
Actor-director Zhang Luyi said it best: cultural exchange isn’t telling your story to someone, it’s creating stories together.
The Shanghai-London Screen Industry Forum is no longer just a talking shop. It’s a launchpad, a bridge. And for British-Asian filmmakers and emerging talent, it’s a chance to turn ideas into reality.
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