Pramod Thomas is a senior correspondent with Asian Media Group since 2020, bringing 19 years of journalism experience across business, politics, sports, communities, and international relations. His career spans both traditional and digital media platforms, with eight years specifically focused on digital journalism. This blend of experience positions him well to navigate the evolving media landscape and deliver content across various formats. He has worked with national and international media organisations, giving him a broad perspective on global news trends and reporting standards.
SARA SHARIF's father on Tuesday (5) denied killing his 10-year-old daughter and asserted that he had never physically abused her.
Breaking down in tears during the trial, 42-year-old taxi driver Urfan Sharif also denied claims of biting, burning, or beating Sara, specifically rejecting allegations of using a cricket bat or pole on her.
Urfan, Sara's step-mother Beinash Batool, 30, and uncle Faisal Malik, 29, are charged with murder, accused of what the prosecution describes as a campaign of abuse that culminated in the child’s death. They all deny the charges.
The trial at the Old Bailey is examining the circumstances surrounding Sara’s injuries, which prosecutors say included multiple fractures, bruising, and burns.
The case has drawn attention to allegations of domestic abuse and child custody conflicts between Urfan and his former wife, Olga Sharif, who is Sara’s biological mother.
Sharif told the court he had previously sought full custody of Sara, citing alleged abuse by Olga. He claimed that he had enrolled in parenting and domestic violence courses as part of his commitment to raising his daughter. A family court ultimately awarded him custody in 2019, following Sharif’s accusations of abusive behaviour on Olga’s part.
Sara Sharif (Photo: Surrey Police)
In his testimony, Urfan denied being violent, both toward his daughter and his ex-wife. He explained that he had occasionally disciplined Sara with a “slap”, but refuted claims that he used a bat or other object to strike her.
During the trial, he described a turbulent relationship with Olga, explaining that they had met online in 2009 and separated in 2014. He alleged that she had once bitten another child and subjected Sara to verbal abuse. He also claimed that he had been a victim of abuse by Olga during their relationship.
When questioned by his defence barrister, Naeem Mian KC, Urfan was asked if he was responsible for Sara’s death. Sharif responded, “No,” and also denied that he had bitten, burned, or assaulted Sara.
According to Urfan, he was working when Sara collapsed at home. His wife, Batool, called him and asked him to return home. Upon arrival, he found Sara unresponsive in her bed, with Batool present.
Sharif said he tried to perform CPR and urged Batool to call for an ambulance. He claimed that Batool told him, “Leave it, she’s dead,” and discouraged him from seeking emergency help.
The defence has pointed to Batool’s refusal to provide dental impressions for comparison with bite marks found on Sara’s body as grounds for suspicion. The court also heard that Batool had sent WhatsApp messages to her sisters, allegedly saying that Urfan had been violent towards Sara.
According to the defence, this communication further implicates Batool and casts doubt on Urfan's involvement in Sara’s injuries.
He testified that he had been arrested on at least one occasion after Olga accused him of domestic violence, though he denied these claims and said that he had shown police evidence of injuries he said were inflicted by her.
Mian KC acknowledged that his client was not “an angel”, but argued that Urfan had been falsely characterised as the primary aggressor. Sharif had reportedly told police he would take responsibility for Sara’s death if that would bring peace, but he now denies the charges.
Sara was found dead in her bunk bed in August 2023 at her home in Woking, Surrey. Her body was covered with extensive injuries, including fractures to her spine, collarbone, arms, hands, ribs, and neck.
The discovery sparked an international manhunt for the relatives accused of the killing, after they had fled to Pakistan the previous day along with five of Sara's siblings.
The three accused returned to the UK the following month and have been on trial since mid-October.
Post-mortem examinations revealed evidence of blunt force trauma, burns, and what the prosecution describes as signs of restraint, possibly tied to a hot pipe or scalded with hot water. There were also bite marks, abrasions, and puncture wounds.
According to medical reports presented in court, she had been subjected to severe physical trauma over time.
The Old Bailey has heard how Sara had 25 fractures, including the hyoid bone in the neck.
Pathologist and bone specialist Anthony Freemont told the jury he had concluded that was the result of "neck compression" most commonly caused by "manual strangulation".
The youngster had dozens of bruises, including bite marks, while her DNA as well as that of her father and uncle were detected on a cricket bat and both ends of a belt.
Sara's blood was found inside a carrier bag believed to have been put over her head, while blood and hairs were detected on a piece of brown tape.
The court had previously learned of WhatsApp messages she had sent her sister over several years in which she reported that Sharif had hit Sara for being "rude and rebellious".
"She's covered in bruises, literally beaten black," one message stated.
"She's got a jinn in her," Batool had added, referring to genie-like supernatural beings from mythology.
Prosecutor William Emlyn Jones revealed last Friday (1) that four months before her death, Sharif had told Sara's school that she would be homeschooled "with immediate effect".
Around the same time the family relocated the short distance from the town of West Byfleet to Woking.
By then, teachers had noted bruising on her body, in June 2022 and March 2023.
Asked about the injuries, Sara had not wanted to answer and hid her head in her arms, the court has heard.
Giving evidence earlier in the trial, teacher Helen Simmons described her as a "happy child", who at times would be "sassy".
Simmons recounted how she twice saw bruises on her face, and when the girl had not given a consistent account of her injuries the school had made a referral to watchdog services.
That had prompted Batool to confront her at the school two weeks later and claim the marks had been made by a pen, jurors have heard.
Both Batool and Malik, who also face charges, have denied any involvement in Sara’s death. They, along with Sharif, deny charges of murder and causing or allowing the death of a child.
According to reports, jurors will assess evidence from multiple witnesses, including medical experts, police officers, and social services.
CARLOS ALCARAZ will begin his attempt to win a third straight Wimbledon title against Italian Fabio Fognini, while women’s top seed Aryna Sabalenka opens her campaign against Canadian qualifier Carson Branstine.
The draw, held on Friday at the All England Club, featured several notable first-round matchups.
Sinner, Djokovic face Italian, French opponents
Top men’s seed Jannik Sinner, who lost to Alcaraz in the French Open final, has been drawn to face fellow Italian Luca Nardi. Sixth seed Novak Djokovic, who is aiming to match Roger Federer’s record of eight Wimbledon singles titles, will begin against Alexandre Muller of France, ranked 40th in the world.
In the women’s draw, defending champion Barbora Krejcikova, seeded 17th and recently withdrawn from the Eastbourne tournament due to a thigh strain, will face Alexandra Eala of the Philippines.
Second seed Coco Gauff starts her campaign against Ukraine’s Dayana Yastremska. Third seed Jessica Pegula, a potential semi-final opponent for Gauff, plays Italian qualifier Elisabetta Cocciaretto. Fourth seed Jasmine Paolini, last year’s runner-up, will meet Latvia’s Anastasija Sevastova. Sabalenka is seeded to face Paolini in the semi-finals.
Big home presence for Britain
Britain has 23 players in the singles draws, its largest representation since 1984. Fourth seed Jack Draper leads the men’s challenge after a rapid rise in form. Draper begins against Argentina’s Sebastian Baez, ranked 38th. If he progresses, he could face 2017 runner-up Marin Cilic in the second round, and Kazakhstan’s Alexander Bublik in the third round – a player he lost to at the French Open.
Draper’s projected path to the title may include matches against Djokovic in the quarter-finals, Sinner in the semi-finals, and Alcaraz in the final.
Raducanu faces Xu in British clash
Emma Raducanu, Britain’s top-ranked woman, will take on fellow Briton Mingge (Mimi) Xu in the first round. Xu is one of three British teenage wildcards in the women’s draw. If Raducanu wins, she may face 2023 champion Marketa Vondrousova or 32nd seed McCartney Kessler next.
Branstine, Sabalenka’s first-round opponent, advanced through qualifying by defeating former U.S. Open champion Bianca Andreescu. In the third round, Sabalenka could face either Raducanu or Vondrousova.
Key early matchups and returns
A possible second-round highlight could be Olympic champion Zheng Qinwen, seeded five, taking on Japan’s Naomi Osaka, a four-time Grand Slam winner.
Alcaraz, who won Queen’s Club in preparation for Wimbledon, opens against Fognini. The 38-year-old Italian was once ranked as high as ninth but has not replicated that form in recent years. If Alcaraz advances, he could face British qualifier Oliver Tarvet in the next round. Tarvet, ranked 719, will meet Swiss qualifier Leandro Riedi in the first round.
Alcaraz could face third seed Alexander Zverev in the semi-finals. Zverev begins his campaign against France’s Arthur Rinderknech.
Centre Court schedule
As the defending men’s champion, Alcaraz will play the opening Centre Court match on Monday. That day will feature matches from the bottom half of the men’s draw and the top half of the women’s draw. Krejcikova will begin Centre Court action on Tuesday.
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Sir Sajid Javid (Photo by Tom Nicholson-WPA Pool/Getty Images)
A cross-party group has been formed to tackle the deep divisions that sparked last summer's riots across England. The new commission will be led by former Tory minister Sir Sajid Javid and ex-Labour MP Jon Cruddas.
The Independent Commission on Community and Cohesion has backing from both prime minister Sir Keir Starmer and Tory leader Kemi Badenoch. It brings together 19 experts from different political parties and walks of life.
It was set up following the violent unrest that broke out in 27 towns and cities after three young girls were killed in Southport last July. False claims about the attacker's identity spread rapidly on social media, helping to fuel the disorder.
Sir Sajid warned that Britain has become a "tinderbox of division" due to years of neglect. He said governments have only acted when tensions boil over, rather than dealing with the root problems. "We are more disconnected as a country than at any point in our modern history," he told reporters. "There is a pandemic of loneliness that has spread across the country."
According to Javid, who served as communities secretary, home secretary and chancellor in the cabinets of David Cameron, Theresa May and Boris Johnson, social cohesion had been treated as a “second tier” issue by successive governments.
“Communal life in Britain is under threat like never before and intervention is urgently needed," he told the Telegraph. "There have been long-term, chronic issues undermining connections within our communities for several decades now, such as the degradation of local infrastructure from the local pub to churches, the weakening of family units, growing inequality, declining trust in institutions and persistent neglect from policy-makers."
He pointed to several factors making the situation worse, including high levels of immigration that haven't been properly managed, rising cost of living pressures, social media spreading extremist views, declining trust in public institutions, and the breakdown of local community spaces like pubs and churches.
Cruddas, who represented Dagenham for over 20 years, said the commission would listen directly to people across Britain rather than impose solutions from Westminster.
Over the next 12 months, the panel will examine what's driving people apart and develop practical recommendations for government. The group includes former West Midlands mayor Sir Andy Street, ex-Green Party leader Caroline Lucas, and counter-extremism expert Dame Sara Khan.
The commission is being supported by the Together Coalition, which was founded by Brendan Cox after his wife, MP Jo Cox, was murdered by a far-right extremist in 2016.
Sir Sajid remains optimistic about Britain's future, saying the country has "phenomenal attributes" to overcome its challenges. The commission aims to create "a vision for communities that all British citizens can buy into."
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Kalki 2898 AD showcased Prabhas in a genre-blending sci-fi mythological role
It’s been a year since Kalki 2898 AD hit theatres, and whether you loved it, questioned it, or are still figuring out what you watched, one thing’s clear: it cemented Prabhas’ place at the top. A unique experiment packed with mythology, sci-fi, and big-screen ambition, Kalki didn’t just push boundaries—it made sure everyone was paying attention.
Here’s how Kalki quietly reinforced what audiences across India (and beyond) already suspected: Prabhas isn’t going anywhere.
From Andhra to Ahmedabad — he still pulls crowds across the board
There are many stars who rule regions, but very few cut across states and languages the way Prabhas does. Whether it’s a traditional action flick or an experimental epic, people show up.
Prabhas in a still from Kalki 2898 AD which completed one yeargetty images
£94 million+ (₹1000 crore) globally — and not for the first time
With Kalki joining the £94 million+ (₹1000 crore) club, Prabhas added yet another big-budget success to his list. He’s one of the few actors in India whose films regularly cross that mark, without it feeling like a fluke or a one-off.
Kalki 2898 AD became one of the top three biggest openers in Indian cinemagetty images
A top three opener in Indian cinema — again
Kalki had one of the biggest opening days in Indian box office history. No gimmicks. Just the kind of theatre rush most films today struggle to pull off. Say what you want about the film, but its opening confirmed Prabhas’ continued draw for the big-screen crowd.
Kalki 2898 AD brought together sci-fi and mythology in a first-of-its-kind Indian filmgetty images
Fans flew in from Japan — yes, really
It’s not just India. International fans have long backed Prabhas, and Kalki saw that play out in real time, with Japanese fans travelling to Hyderabad just to catch it in cinemas. Not a premiere or event, just a regular screening. That kind of quiet loyalty is rare.
Prabhas plays the futuristic warrior Bhairava in Kalki 2898 AD getty images
He’s still choosing the harder road
A dystopian mytho-sci-fi mash-up isn’t exactly a guaranteed hit. Most stars would’ve played it safe, but Kalki was a risk, and Prabhas took it head-on. It’s part of what keeps his filmography interesting. He’s not here to repeat formulas, and that makes every new release worth watching, even if you don’t love every film.
Prabhas in action during a high-intensity sequence from Kalki 2898 ADgetty images
The calm at the centre of the chaos
One year later, Kalki 2898 AD may still be divisive as a film, but as a career move, it only strengthened what Prabhas has built over the years: a fanbase that shows up, a screen presence that works across regions, and a habit of picking stories that don’t play it safe.
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Masum was seen on CCTV trying to steer the pram away and, when she refused to go with him, stabbed her multiple times before walking away and boarding a bus. (Photo: West Yorkshire Police)
A MAN who stabbed his estranged wife to death in Bradford in front of their baby has been convicted of murder.
Habibur Masum, 26, attacked 27-year-old Kulsuma Akter in broad daylight on April 6, 2024, stabbing her more than 25 times while she pushed their seven-month-old son in a pram. The baby was not harmed.
Bradford Crown Court heard that Akter had been living in a refuge since January after Masum threatened her with a knife at their home in Oldham. Masum tracked her using her phone location and confronted her after she left the refuge to meet a friend, believing he was in Spain.
Masum was seen on CCTV trying to steer the pram away and, when she refused to go with him, stabbed her multiple times before walking away and boarding a bus. He was arrested three days later in Aylesbury, Buckinghamshire.
Kulsuma Aktergetty images
Masum, of Leamington Avenue, Burnley, had admitted manslaughter and possession of a knife but denied murder. He was found guilty of murder, stalking, making threats to kill, and assault by beating.
The Crown Prosecution Service said the attack was “planned and premeditated”. West Yorkshire Police described it as a “brutal” daylight attack. Det Ch Insp Stacey Atkinson said Ms Akter “should have been safe”.
The Independent Office for Police Conduct found no breach of standards by officers involved prior to her death. Masum is due to be sentenced on 22 July.
In her own words, the London-based artist shares 10 defining moments that turned glitter into grit, pain into power and creativity into connection.
Shreena Patel has built a vibrant, shimmering world with her signature metallic-sparkle acrylics, one canvas at a time. A graduate of the prestigious University of the Arts London, the London-based abstract artist has earned acclaim both in the UK and internationally, creating bespoke pieces for celebrities, private collectors and public institutions.
But behind the glittering finishes and spiritual symbolism lies a deeper story – one of passion, purpose and personal resilience.
From a childhood curiosity about the minds behind masterpieces to becoming a multi-award-winning artist herself, Shreena’s journey is marked by colour, courage and community. Whether speaking on stage at Diwali on the Square, raising funds through her work, or spotlighting invisible illnesses like ulcerative colitis, her art has always been more than decorative. It is deeply personal and powerfully connective.
Now, for the first time, Shreena shares 10 of her most memorable artistic milestones. Each moment reveals not only her growth as a creator but also her unwavering belief in art as a force for joy, healing and change.
Shreena Patel
Artwork displayed at Hyde Park Corner station
Seeing my Ganesh artwork displayed at Hyde Park Corner station during South Asian Heritage Month was a pinch-me moment. To have commuters and tourists pause in a busy London station to take in my art, rooted in identity, culture and colour, made me feel truly seen. It was public, powerful and proof that South Asian stories belong in mainstream spaces.
Being featured in British Vogue was an unexpected yet unforgettable milestone. Just a few years after Art By Shree was born, seeing my work and story in one of the world’s most iconic fashion publications validated my creativity in a whole new light. It bridged the gap between contemporary style and ancient symbolism and reminded me that tradition and trend can coexist beautifully.
Shreena Patel's work
Painting for celebrities I have had the honour of creating bespoke paintings for celebrities, including Bollywood actors, music artists and famous cricketers, who connected with the spirituality and vibrancy of my work. Each commission has been personal and meaningful, not just because of who they are, but because of the shared energy and intention behind the art. It is surreal knowing my pieces live in the homes of people I once only watched on screen.
Shreena Patel's work
Winning awards and artistic recognition
Winning awards and being recognised as an artist, particularly in Parliament and at the Eastern Eye ACTAs, gave me the confidence to own my creative journey. These acknowledgements are not just about trophies. They are reminders that the risks I took, the pain I turned into paint and the stories I chose to tell matter. Every accolade reflects years of growth, grit and heart.
Raising money for charities and temples
Art with purpose has always been my North Star. Whether raising money for temples close to my heart or supporting charities doing life-changing work, I have been blessed to use my creativity to give back. Each canvas sold for a cause reminds me that art can be a force for good – a way to serve, uplift and unite communities.
Being invited by Neasden Mandir’s head swami for Diwali and PSM10 Being personally invited by Yogvivekdas Swami at Neasden Mandir to take part in the Diwali and 100 Years of Pramukh Swami Maharaj celebrations was an emotional high. To be recognised in such a sacred and historic space was beyond humbling. It felt like a spiritual homecoming, where my art and my faith met in perfect harmony during a once-in-a-lifetime celebration.
Speaking on the centre stage at Diwali on the Square, in front of the Mayor of London, was a surreal and proud moment. I spoke about art, culture and the power of community spirit. To then gift my large Ganesh canvas to the winner of the rangoli competition was the perfect way to honour creativity and celebrate our shared cultural pride in a truly public way.
Shreena Patel's work
Collaborating with Nitin Ganatra OBE
Collaborating with the incredible Nitin Ganatra OBE for a charity auction was a joyful and meaningful experience. Aligning our talents for a cause greater than ourselves reminded me why I started painting in the first place. It is always special when creative worlds come together, especially when it helps raise funds and awareness for those in need.
Uplifting the next generation
Helping the next generation find their creative voice means everything to me. Whether through workshops, mentoring or simply showing them that success can look different, I aim to be the representation I did not see growing up. Especially for young South Asians, I want to say: your stories, your art and your dreams are valid – and so needed.
Shreena Patel's work
Raising ulcerative colitis awareness through art
Living with ulcerative colitis has not been easy, but it has shaped my art and mission. Through creativity, I have turned pain into power and raised awareness about invisible illnesses in ways words never could. Painting became therapy, advocacy and storytelling. If my journey inspires even one person with UC to keep going, then every brushstroke has been worth it.