Pramod Thomas is a senior correspondent with Asian Media Group since 2020, bringing 19 years of journalism experience across business, politics, sports, communities, and international relations. His career spans both traditional and digital media platforms, with eight years specifically focused on digital journalism. This blend of experience positions him well to navigate the evolving media landscape and deliver content across various formats. He has worked with national and international media organisations, giving him a broad perspective on global news trends and reporting standards.
THE stepmother of Sara Sharif has been accused of subjecting her 10-year-old stepdaughter to horrific and systematic torture before ultimately killing her.
Giving evidence at the Old Bailey, Sara's father Urfan Sharif revealed that Beinash Batool had tied the child's hands behind her back with tape for being "naughty."
He recounted an incident where he returned home unexpectedly to find a "terrified" Sara with her hands tied. Batool allegedly told Urfan that she had done this because Sara had been "naughty."
Sharif told the court that he was angered by the sight and helped free Sara, who was "terrified" and "scared." He further alleged that Batool apologised and promised not to do it again, describing her as "very manipulative."
The British Pakistani taxi driver also testified that Batool would frequently blame Sara for everything that went wrong in the household, calling her a "psycho" and "evil."
He claimed that Batool had even slapped Sara after accusing her of injuring other children in the family. The court heard that Sara's extended family was aware of Batool's disturbing behaviour.
Urfan told jurors that Batool's family had informed him that she was "possessed" and that "someone has done black magic on her." They had advised him not to leave Sara alone with Batool, as she would become "very, very crazy" and "not care about anything at all."
Sara's body was found with dozens of injuries at the family's home in Woking, Surrey, last year. Urfan, 42, Batool, 30, and Sara's uncle, Faisal Malik, 29, have all been charged with Sara's murder, which they have denied.
A post-mortem examination revealed that the 10-year-old had suffered dozens of injuries, including "probable human bite marks," an iron burn, and scalding from hot water.
Urfan's defence counsel, Naeem Mian KC, argued that Batool was the "true villain" and that his confessions, made over the phone from Pakistan and in a note left by Sara's body, were attempts to protect his wife.
The court also heard that the family had travelled to Islamabad, Pakistan, just a day after Sara's death, with Urfan reportedly calling the police from there and admitting to killing his daughter.
However, he has maintained his innocence, telling the court that he was "cursing" himself for leaving Sara "like an orphan" and that he only made the confessions to protect his family.
During the trial, the court was shown two video clips that Urfan claimed were evidence of Batool physically abusing him in 2016 and 2019. He became emotional as he described the tumultuous relationship between him and his wife.
Urfan told the jurors that their relationship "has never been good" and that they "always had issues" with each other, only living together "because of the family."
In the first video, recorded on 28 February 2016, he said Batool had accused him of flirting with a hospital nurse and then "physically abused" him. "She kicked me. I ran to the other room, she is standing in front of the door so I cannot leave," he told the court.
The second video, dated 26 June 2019, showed Urfan repeatedly asking Batool to "let me go" before he jumped out of a window. He explained that Batool had "slapped" him and locked the front door, leaving him no choice but to escape through the kitchen window.
When asked why he recorded these incidents, he said it was so that Batool "leave me alone" and "stop what she was doing."
Urfan also revealed that he had to sit in the car with Sara when Batool visited her own family, due to his daughter's mixed heritage.
So, Kajol and Twinkle Khanna’s show, Two Much, is already near its fourth episode. And people keep asking: why do we love watching stars sit on sofas so much? It’s not the gossip. Not really. We’re not paying for the gossip. We’re paying for the glimpse. For the little wobble in a voice, a tiny apology, a family story you recognise. It’s why Simi’s white sofa mattered once, why Karan’s sofa rattled the tabloids, and why Kapil’s stage made everyone feel at home. The chat show isn’t dead. It just keeps changing clothes.
Why Indian audiences can’t stop watching chat shows from Simi Garewal to Karan Johar Instagram/karanjohar/primevideoin/ Youtube Screengrab
Remember the woman in white?
Simi Garewal brought quiet and intimacy. Her Rendezvous with Simi Garewal was all white sets and soft lights, and it felt almost like a church for confessions. She never went full interrogation mode with her guests. Instead, she’d just slowly unravel them, almost like magic. Amitabh Bachchan and Rekha, they all sat on that legendary white sofa, dropping their guard and letting something real slip out, something you’d never stumble across anywhere else. The whole thing was gentle, personal, and almost revolutionary.
Simi Garewal and her iconic white sofa changed the face of Indian talk showsYoutube Screengrab/SimiGarewalOfficial
Then along came Karan Johar
Let’s be honest, Karan Johar changed the game completely. Koffee with Karan was the polar opposite. Where Simi was a whisper, Karan was a roar. His rapid-fire round was a headline machine. Suddenly, it stopped being about struggles or emotions but opinions, little rivalries, and that full-on, shiny Bollywood chaos. He almost spun the film industry into a full-blown high school drama, and honestly? We loved it up.
Kapil Sharma rewired the format again and took the chat show, threw it in a blender with a comedy sketch, and created a monster hit. His genius was in creating a world or what we call his crazy “Shantivan Society” and making the celebrities enter his universe. Suddenly, Shah Rukh Khan was being teased by a fictional, grumpy neighbour and Ranbir Kapoor was taunted by a fictional disappointed ex-girlfriend. Stars were suddenly part of the spectacle, all halos tossed aside. It was chaotic, yes, but delightfully so. The sort of chaos that still passed the family-TV test. For once, these impossibly glamorous faces felt like old friends lounging in your living room.
Kajol and Twinkle’s Amazon show Two Much feels like friends talking to people in their circle, and that matters. What’s wild is, these folks aren’t the stiff, traditional hosts, they’re insiders. The fun ones. The ones who know every secret because, let’s be honest, they were there when the drama started. On a platform like Amazon, they don’t have to play for TRPs or stick to a strict clock. They can just… talk.
People want to peep behind the curtain. Even with Instagram and Reels, there’s value in a longer, live-feeling exchange. It’s maybe the nuance, like an awkward pause, a memory that makes a star human, or a silly joke that lands. OTT gives space for that. Celebs turned hosts, like Twinkle and Kajol in Two Much or peers like Rana Daggubati in Telugu with The Rana Daggubati Show, can ask differently; they make room for stories that feel earned, not engineered.
How have streaming and regional shows changed the game?
Streaming freed chat shows from TRP pressure and ad breaks. You get episodes that breathe. Even regional versions likeThe Rana Daggubati Show, or long-running local weekend programmes, prove this isn’t a Mumbai-only appetite. Viewers want local language and local memories, the same star-curiosity in Kannada, Telugu, or Tamil. That widens the talent pool and the tone.
From White Sofas to OTT Screens How Indian Talk Shows Keep Capturing HeartsiStock
Are shock moments over?
Not really. But people are getting sick of obvious bait. Recent launches lean into warmth and inside jokes rather than feeding headlines. White set, gold couch, or a stage full of noise, it doesn’t matter. You just want to sit there, listen, get pulled into their stories, like a campfire you can’t leave. We watch, just curious, hoping maybe these stars are a little like us. Or maybe we’re hoping we can borrow a bit of their sparkle.
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