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Sajid Khan replaces Anurag Basu on Sony TV's Super Dancer 2

Shilpa Shetty, Geeta Kapoor and Anurag Basu have been the perfect judges on the extremely popular dance reality show, Super Dance Chapter 2, which airs on Sony Entertainment Television. However, latest reports claim that Anurag Basu will no longer be a part of the show.

The Jagga Jasoss helmer has been replaced by none other than filmmaker Sajid Khan, who has previously judged many talent-search shows, including India's Best Dramebaaz and The Great Indian Laughter Challenge. Interestingly, her sister Farah Khan appeared in the last to last episode of the show.


Confirming the development, Sajid Khan said, "I think the Khan family is completely ready to take over Super Dancer Chapter 2. Last week my elder sister Farah Khan, who I jokingly call my elder brother was here and today, I’m honoured enough to be on the show amongst my dear friends Shilpa Shetty Kundra and Geeta Kapur. Sitting on the Judge’s chair which belongs to Anurag Basu feels great! He is such a good human being and a good filmmaker. I genuinely want to keep coming on this show not because I’ve replaced Anurag Basu but because I am a fan of this show. The kids possess some outstanding talent and I am excited to be here."

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5 mythological picks now streaming in the UK — must-watch

Why UK audiences are turning to Indian mythology — and the OTT releases driving the trend this year

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5 mythological picks now streaming in the UK — and why they’re worth watching

Highlights:

  • Indian mythological titles are landing on global OTT services with better quality and reach.
  • Netflix leads the push with Kurukshetra and Mahavatar Narsimha.
  • UK viewers can access some titles now, though licensing varies.
  • Regional stories and folklore films are expanding the genre.
  • 2025 marks the start of long-form mythological world-building on OTT.

There’s a quiet shift happening on streaming platforms this year. Indian mythological stories, once treated as children’s animation or festival reruns, have started landing on global services with serious ambition. These titles are travelling further than they ever have, including into the UK’s busy OTT space.

It’s about scale, quality, and the strange comfort of old stories in a digital world that changes too fast. And in a UK market dealing with subscription fatigue, anything fresh, strong, and rooted in clear storytelling gets noticed.

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