Richie Mehta, who had created the International Emmy-winning Netflix series Delhi Crime, is all set to write and direct a web series based on the 1984 Bhopal gas tragedy.
The series will be produced by Ronnie Screwvala under his banner RSVP Movies and Ramesh Krishnamoorthy’s Global One Studios. It will be based on Dominique Lapierre and Javier Moro’s 1997 book, Five Past Midnight in Bhopal: The Epic Story of the World’s Deadliest Industrial Disaster.
RSVP Movies took to Twitter to make an announcement about it. They tweeted, “As we continue to tell stories that need to be told. Hundred points symbol We are delighted to have @RichieMehta onboard our screen-adaption of #DominiqueLapierre & @javiermoro123 's book 'Five Past Midnight in Bhopal'!”
— (@)
While talking to Variety, Mehta stated, “The authors have done such a precise and fascinating job of mapping out the human story which creates a thread all through this disaster and is told in an impartial manner, which is very important to me as a storyteller to step back and allow the viewer to fill in that judgment, and in the case of something like this very harsh judgment, of course.”
“I think the fact that it happened in the 1980s, it is starting to evaporate from the collective consciousness of young people. Many people don’t even know about it or they hear rumors of it in India and certainly internationally. And so I feel like it’s really important to get it out there in an impartial and extremely well-researched manner, which the authors have done,” he added.
Screwvala told Variety, “We’ve been looking at storytelling in very many different ways. I believe this for global audiences and not just Indian audiences overall more and more, especially because of OTT platforms, the mixture and the combination of great storytelling with a sense of realism and moving towards more inspired by true events based on a true story actually has a lot more gravitas.”
It is not yet decided on which streaming platform the series will premiere. Screwvala said, “We want to be doing the development on our own because I think if you get into too much consensus view right in the beginning, then it becomes a bit of a challenge. We’re quite happy that we want to develop this completely on our own, go with our own conviction and go to somebody who buys in into our vision rather than being a bit of a mishmash of everyone. Because the minute you get into development funding then it becomes just too many people in the room.”
BBC Asian Network is starting a new show called Asian Network Trending.
The show runs for two hours every week and is made for young British Asians.
It covers the topics that matter most to them like what’s trending online, questions of identity, mental health etc.
Amber Haque and the other hosts will share the show in turns, each talking about the issues they know and care about.
The network is moving to Birmingham as part of bigger changes behind the scenes.
Speaking up isn’t always easy. This show gives young people a space where their voices can be heard. Music on the radio, sure. Bhangra, Bollywood hits, endless remixes. But real conversations about identity, family pressure, mental health? Rarely. Until now.
From 27 October, Asian Network Trending goes live every Wednesday night for two hours of speech instead of beats. The first hour dives into trending news; the second hour goes deeper into family expectations, workplace racism, LGBTQ+ issues, and mental health stigma. And it’s not just one voice. Amber Haque and other rotating presenters keep it fresh.
Young British Asians finally hearing voices that reflect their experiences and challenges Gemini AI
What exactly is Asian Network Trending?
Two shows in one, really.
First hour: The hot takes. Social media buzzing? Celebrity drama? Immigration news? Covered while it’s relevant.
Second hour: The deep dive. One topic per week, unpacked with guests and people who know what they are talking about. Mental health, dating outside culture, career pressures, unspoken hierarchies, all of it finally getting the airtime it deserves.
Head of Asian Network Ahmed Hussain said the new show was designed to give space for thoughtful and relevant conversation. “It’s a bold new space for speech, discussion and current affairs that reflects the voices, concerns and passions of British Asians today,” he said.
Why go for a rotating hosts format?
It is because you can’t sum up the “British Asian experience” with just one voice. A kid in Leicester whose family speaks Gujarati has a very different life from a Punjabi speaker in Southall and a Muslim teen’s day-to-day reality isn’t the same as a Hindu’s or Sikh’s. Then there’s money, family pressures, school, work, and everyone is navigating their own different path.
Why now? Why speech radio?
British Asians are visible, sure. Big festivals, business power, cultural moments. Yet mainstream media often treats the community like a footnote.
Music connects to heritage, yes. But it can’t talk about why your mum nags about you becoming a doctor when you want to study film. Radio forces that engagement, intimacy, and honesty.
Surveys back it up. 57% of British South Asians feel they constantly have to prove they are English. 96% say accent and name affect perception. This show is a platform for those contradictions to exist out loud.
Who’s on air and why does it matter?
Amber Haque is first up, but the rotating system means different voices each week. BBC Three and Channel 4 experience under her belt helps navigate sensitive topics without preaching.
Representation isn’t just faces. It’s who decides what stories get told, who gets to question, who sets the tone. Asian Network Trending is designed to widen that lens, not narrow it.
What topics will the show cover?
Identity and belonging: balancing Britishness and South Asian heritage.
Mental health: breaking taboos in families.
Careers: that awkward "but why?" when you mention graphic design and the side hustle your parents call a hobby.
Relationships: the 'who's their family?' interrogation and the quiet terror before saying you're gay.
Community: the aunty and her "fairness cream" comments or the gap between your life and your grandparents' world.
Challenges and stakes
British South Asians aren’t all the same. Differences in religion, language, region, and class make their experiences varied and complex. Cover one slice and you alienate the rest. Go too safe and the younger audience won’t listen. Go too risky and conservative backlash is real.
Another big challenge: resources are tight.
Speech radio costs money: producers, researchers, fact checks.
Can it sustain deep conversations without cutting corners? That is the test.
What could success look like?
Not just ratings. Real impact: young people hear themselves articulated, families spark conversations, new voices get a platform and ultimately policymakers listen. Even a single clip prompting debate online counts. The proof is in that engagement, in messy human response, not charts.
A mic, not a manifesto
This launch isn’t a cure-all. It’s a step, a loud, messy one. It hands the mic to people who mostly spoke filtered, cautious words. Let it stumble, argue, and surprise. Let it be uncomfortable. If it does that even sometimes, it has already done its job. Because for the first time, British Asian youth get to hear themselves, not through music, not as a statistic, but as real, living voices.
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