Ramil Ganjoo: ‘The music I make is very personal to me’
The singer/songwriter has been attracting a growing fanbase with top tracks such as his recent single Fursat
Ramil Ganjoo
By Asjad NazirNov 07, 2024
MUMBAI-BASED artist Ramil Ganjoo has made a name for himself with melodious music releases that include his EPs Phir Kabhi and Gulmohar, along with acclaimed album Khaak.
The singer/songwriter has been attracting a growing fanbase with top tracks such as his recent single Fursat, which has been described as an intimate journey of the search for a place to call home. The reflective track aims to offer moments of stillness amid the chaos of city life. This week, he releases the song Sandook, a heartfelt ode to his childhood home and the memories it holds.
Eastern Eye caught up with an artist who listeners will be hearing a lot more about, to reflect on his music journey so far, recent song releases and future hopes.
What first connected you to music?
I used to consume a lot of music in my early days, and as I grew up, I took a few guitar lessons. I used to play for hours and became inseparable from the instrument. I think that was the point where I felt connected to music.
Which of your songs has been closest to your heart?
It’s always the song that is being released. Once it is out, I tend to move on to the next one and feel that this has to be my best work. But for now, it’s Fursat.
His new single Fursat
What inspired Fursat?
The struggles and perks of living in a densely populated city is what inspired me to write Fursat.
Who are you hoping connects with this track?
I guess, the best part about making music is that you can’t really tell who will connect to your music until it is released. There can be a lot of different interpretations of the same song. And anyone and everyone can connect to a different meaning that the song generates.
What has the response to Fursat been like?
It’s been really good. I wasn’t expecting it, to be honest, because I’ve experimented a lot with the production this time. It feels really good that people relate to your music.
How many of your songs are based on personal experiences?
Most of them, actually. I feel a song should be personal. That’s how people will relate to it and preserve the song as something special.
How do you feel when one of your songs is released?
I’m always really anxious around releases. It’s like putting a part of your soul out there in the world for everyone to see.
What inspired your song Sandook?
They say home is made of people, not walls. Maybe that’s true, but when I think back, I feel like a part of me stayed in that house.
This song is my way of making those walls proud.
Ganjoo performing on stage
How would you describe your music?
It’s fairly minimal, in my opinion. I believe the main essence of making something which resonates with people involves a lot of deep diving into your own experiences. I feel if the art you create isn’t personal then it might not have the capability to move people in general. So, I guess the music I make is very personal to me.
Who have been your greatest influences?
I’ve been a literature student, and writers in general have shaped a lot of the music that I write today. I’m a huge [Charles] Dickens fan. Apart from him, a lot of existential writers as well as filmmakers have shaped my style of making music.
How much does performing your music live mean to you?
Live performances do mean a lot to me. Lately I’ve started enjoying them as well because I get to connect with my audience in a better way.
What would you say is the music master plan going forward?
It’s fairly simple – to write more and more music. But for that to happen, I’ll have to experience a lot more things. So that’s the master plan for now.
Who would you love to collaborate with?
I’m doing a few collaborations with the artists that I like. But apart from them, I would really love to collaborate with this artist called Bharg. I absolutely love his style.
If you could master something new in music, what would it be?
Well, I’m a very greedy musician in general. I’d want to learn everything there is to learn about this form of art.
What kind of music dominates your own personal playlist?
There’s a lot of acoustic/folk music which you will find there.
Apart from that, you will find jazz, ambient electronic music, a lot of classical music and background scores.
What inspires you as an artist?
The fact that I can make someone feel belonged in this world by rhyming a few lines and then singing them.
Finally, why do you love music?
It’s simple. A person from any age, sect, class, or sex can enjoy it. It is a universal language, and it does help people bond. What more can you ask for?
Forum brings UK and Chinese film professionals together to explore collaborations.
Emerging British-Asian talent gain mentorship and international exposure.
Small-scale dramas, kids’ shows, and adapting popular formats were the projects everyone was talking about.
Telling stories that feel real to their culture, yet can connect with anyone, is what makes them work worldwide.
Meeting three times a year keeps the UK and China talking, creating opportunities that last beyond one event.
The theatre was packed for the Third Shanghai–London Screen Industry Forum. Between panels and workshops, filmmakers, producers and executives discussed ideas and business cards and it felt more than just a summit. British-Asian filmmakers were meeting and greeting the Chinese industry in an attempt to explore genuine possibilities of working in China’s film market.
UK China film collaborations take off as Third Shanghai London Forum connects British Asian filmmakers with Chinese studios Instagram/ukchinafilm
What makes the forum important for British-Asian filmmakers?
For filmmakers whose films explore identity and belonging, this is a chance to show their work on an international stage, meet Chinese directors, talk co-productions and break cultural walls that normally feel unscalable. “It’s invaluable,” Abid Khan said after a panel, “because you can’t create globally if you don’t talk globally.”
And it’s not just established names. Young filmmakers were all around, pitching ideas and learning on the go. The forum gave them a chance to get noticed with mentoring, workshops, and live pitch sessions.
Which projects are catching international attention?
Micro-dramas are trending. Roy Lu of Linmon International says vertical content for apps is “where it’s at.” They’ve done US, Canada, Australia and next stop, Europe. YouTube is back in focus too, thanks to Rosemary Reed of POW TV Studios. Short attention spans and three-minute hits, she’s ready.
Children’s and sports shows are another hotspot. Jiella Esmat of 8Lions is developing Touch Grass, a football-themed children’s show. The logic is simple: sports and kids content unite families, like global glue.
Then there’s format adaptation. Lu also talked about Nothing But 30, a Chinese series with 7 billion streams. The plan is for an english version in London. Not a straight translation, but a cultural transformation. “‘30’ in London isn’t just words,” Lu says. “It’s a new story.”
Jason Zhang of Stellar Pictures says international audiences respond when culture isn’t just a background prop. Lanterns, flowers, rituals, they’re part of the plot. Cedric Behrel from Trinity CineAsia adds: you need context. Western audiences don’t know Journey to the West, so co-production helps them understand without diluting the story.
Economic sense matters too. Roy Lu stresses: pick your market, make it financially viable. Esmat likens ideal co-productions to a marriage: “Multicultural teams naturally think about what works globally and what doesn’t.”
The UK-China Film Collab’s Future Talent Programme is taking on eight students or recent grads this year. They’re getting the backstage access to international filmmaking that few ever see, including mentorship, festival organising and hands-on experience. Alumni are landing real jobs: accredited festival journalists, Beijing producers, curators at The National Gallery.
Adrian Wootton OBE reminded everyone: “We exist through partnerships, networks, and collaboration.” Yin Xin from Shanghai Media Group noted that tri-annual gathering: London, Shanghai, Hong Kong create an “intensive concentration” of ideas.
Actor-director Zhang Luyi said it best: cultural exchange isn’t telling your story to someone, it’s creating stories together.
The Shanghai-London Screen Industry Forum is no longer just a talking shop. It’s a launchpad, a bridge. And for British-Asian filmmakers and emerging talent, it’s a chance to turn ideas into reality.
By clicking the 'Subscribe’, you agree to receive our newsletter, marketing communications and industry
partners/sponsors sharing promotional product information via email and print communication from Garavi Gujarat
Publications Ltd and subsidiaries. You have the right to withdraw your consent at any time by clicking the
unsubscribe link in our emails. We will use your email address to personalize our communications and send you
relevant offers. Your data will be stored up to 30 days after unsubscribing.
Contact us at data@amg.biz to see how we manage and store your data.