ON JUNE 14, music producer Pritam Chakraborty celebrates his 47th birthday.
The man behind some of the greatest Bollywood hits of the modern era has gifted fans of film music fabulous songs that have gone global.
To celebrate the musical maestro turning a year older, Eastern Eye went through his discography to compile an ultimate playlist of 10 tracks, choosing a maximum of one per soundtrack.
Dhoom Machale (Dhoom): The 2004 title track of the turbo-charged drama signalled the arrival of the music director, and adaptations of it would later appear in sequels of the action franchise. The dance number remains an anthem and will likely reappear if a fourth Dhoom film is made.
Tum Se Hi (Jab We Met): The award-winning soundtrack was loaded with back-to-back hits which helped turn the romantic road movie into a blockbuster. This timeless love song is perhaps the pick of the songs and one that still invokes emotion a decade later.
Teri Ore (Singh Is Kinng): The near-perfect sparkling love duet featured the mesmerising vocals of Shreya Ghoshal and Rahat Fateh Ali Khan. The award-winning number oozed romance and is one that still melts the hearts of those who hear it a decade later.
Pehli Nazar Mein (Race): The song from the 2008 action movie may have been embroiled in controversy with accusations of plagiarism, but that didn’t stop it from being a blockbuster hit. The number also helped turn Pakistani star Atif Aslam into a global sensation.
Tera Hone Laga Hoon (Ajab Prem Ki Ghazab Kahani): The multi-layered song was a romantic and dance number rolled into one. Like many of Pritams’ songs, this too was a standout moment in the movie and then got a life of its own later.
Pee Loon (Once Upon a Time in Mumbaai): It may have been an acclaimed gangster movie that clocked up huge numbers at the box office, but one of the great moments in the 2010 smash hit was the beautifully-crafted love song. There were various versions of the song and all of them were good.
Dilliwaali Girlfriend (Yeh Jawaani Hai Deewani): There are five other songs that could have made it into the list from this incredible soundtrack, but this was perhaps the most fun. Arijit Singh and Sunidhi Chauhan inject an incredible energy into a track that continues to rock dance floors globally.
Malang (Dhoom 3): The dynamite duet from the record-breaking film exudes raw power. The seriously-good song quickly got under the skin of all Bollywood music fans back in 2013 and has remained there ever since. What added to its magic is the way it was brilliantly pictured on Katrina Kaif and Aamir Khan.
Gerua (Dilwale): The awful 2015 film had this sparkling treasure hidden within it. The beautiful song has since become an anthem for lovers, and many have gone to Iceland where it was filmed to recapture its magic.
Channa Mereya (Ae Dil Hai Mushkil): The biggest hero of the star studded romantic drama was the superb songs, and not surprisingly Pritam won all the major accolades at the various Bollywood award ceremonies. This soulful number makes the list because it connects with whoever has had their heart broken.
Forum brings UK and Chinese film professionals together to explore collaborations.
Emerging British-Asian talent gain mentorship and international exposure.
Small-scale dramas, kids’ shows, and adapting popular formats were the projects everyone was talking about.
Telling stories that feel real to their culture, yet can connect with anyone, is what makes them work worldwide.
Meeting three times a year keeps the UK and China talking, creating opportunities that last beyond one event.
The theatre was packed for the Third Shanghai–London Screen Industry Forum. Between panels and workshops, filmmakers, producers and executives discussed ideas and business cards and it felt more than just a summit. British-Asian filmmakers were meeting and greeting the Chinese industry in an attempt to explore genuine possibilities of working in China’s film market.
UK China film collaborations take off as Third Shanghai London Forum connects British Asian filmmakers with Chinese studios Instagram/ukchinafilm
What makes the forum important for British-Asian filmmakers?
For filmmakers whose films explore identity and belonging, this is a chance to show their work on an international stage, meet Chinese directors, talk co-productions and break cultural walls that normally feel unscalable. “It’s invaluable,” Abid Khan said after a panel, “because you can’t create globally if you don’t talk globally.”
And it’s not just established names. Young filmmakers were all around, pitching ideas and learning on the go. The forum gave them a chance to get noticed with mentoring, workshops, and live pitch sessions.
Which projects are catching international attention?
Micro-dramas are trending. Roy Lu of Linmon International says vertical content for apps is “where it’s at.” They’ve done US, Canada, Australia and next stop, Europe. YouTube is back in focus too, thanks to Rosemary Reed of POW TV Studios. Short attention spans and three-minute hits, she’s ready.
Children’s and sports shows are another hotspot. Jiella Esmat of 8Lions is developing Touch Grass, a football-themed children’s show. The logic is simple: sports and kids content unite families, like global glue.
Then there’s format adaptation. Lu also talked about Nothing But 30, a Chinese series with 7 billion streams. The plan is for an english version in London. Not a straight translation, but a cultural transformation. “‘30’ in London isn’t just words,” Lu says. “It’s a new story.”
Jason Zhang of Stellar Pictures says international audiences respond when culture isn’t just a background prop. Lanterns, flowers, rituals, they’re part of the plot. Cedric Behrel from Trinity CineAsia adds: you need context. Western audiences don’t know Journey to the West, so co-production helps them understand without diluting the story.
Economic sense matters too. Roy Lu stresses: pick your market, make it financially viable. Esmat likens ideal co-productions to a marriage: “Multicultural teams naturally think about what works globally and what doesn’t.”
The UK-China Film Collab’s Future Talent Programme is taking on eight students or recent grads this year. They’re getting the backstage access to international filmmaking that few ever see, including mentorship, festival organising and hands-on experience. Alumni are landing real jobs: accredited festival journalists, Beijing producers, curators at The National Gallery.
Adrian Wootton OBE reminded everyone: “We exist through partnerships, networks, and collaboration.” Yin Xin from Shanghai Media Group noted that tri-annual gathering: London, Shanghai, Hong Kong create an “intensive concentration” of ideas.
Actor-director Zhang Luyi said it best: cultural exchange isn’t telling your story to someone, it’s creating stories together.
The Shanghai-London Screen Industry Forum is no longer just a talking shop. It’s a launchpad, a bridge. And for British-Asian filmmakers and emerging talent, it’s a chance to turn ideas into reality.
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