TALENTED radio host Shabnam Sahi regularly entertains listeners on her popular Sunrise Radio show, weekdays 9am-12pm. She plays the biggest hits and not surprisingly has a huge music collection. Eastern Eye got Shabnam to select 10 songs she loves.
Romeo & Juliet by Dire Straits: I played a Dire Straits number as my first song on my debut show as a 21-year-old on All India Radio in Delhi. It was where my broadcasting career began so they will always remain extra special. I’m a sucker for good lyrics and Mark Knopfler is boss.
Please Forgive Me by Bryan Adams: The soundtrack to my adolescence when Bryan Adams was all the rage in India! A guilty pleasure, I’ve been a fan of his raspy voice for as long as I can remember. Loved this song, long before I knew how frequently requested this song would be on my shows.
We’ve Got Tonight by Bob Seger: A song I truly adored from my then-boyfriend and now husband Manish’s collection. He presented a rock show on radio in Delhi with a cult following, and though I didn’t care much for his other favourites this one sealed the deal for me.
Someone Like You by Adele: Is there anyone in the world who doesn’t like this track? Its beauty lies in its utter simplicity. Any girl who’s ever loved and lost will find shades of her own story in Adele’s haunting rendition and heart-wrenching lyrics. It shows us why she’s a global superstar. Tears guaranteed.
Thandi Hawa Ye Chandni Suhani from Jhumroo: It’s hard to pick just one Kishore Kumar song. My mum had an amazing array of mix-tapes and many of her favourites ended up as mine too, owing mainly to the timelessness of Kishore’s charming voice, beautiful melodies and lyrics.
Kuch Kuch Hota Hai title track: This signalled a fresh, new, glossy chapter in Bollywood and Karan Johar, the voice of my generation, and gave us much to aspire to. The love triangle between SRK, Kajol and Rani was a departure from the Bollywood norm at the time. It worked. Loved it then, love it now.
Laal Ishq from Goliyon Ki Raasleela Ram-Leela: From all of Arijit Singh’s chartbusting hits, this is my absolute favourite. I’m partial to sad songs and Sanjay Leela Bhansali’s films are mired in tragedy and heartbreak. I love the poetic lyrics and sense of drama that engulfs you from the first note.
Chand Nikla by Adnan Sami: My favourite Adnan song oozes love and longing. I adore the orchestration, lyrics and melody. Adnan is untouchable in this. I don’t know why it never got its due from fans, who mostly gravitate towards his better known Bollywood repertoire.
Kudi GujratKi by Jasbir Jassi: My weakness for poignant lyrics and haunting melodies go out of the window when I’m at a wedding or party and in the mood to dance! Being a Delhi girl, this song was a massive dance anthem.
Tham Sa Gaya from Mumbai Delhi Mumbai: My sister Sawan Dutta is a sought-after singer, songwriter, composer, musician and producer in Mumbai. She’s a one-woman industry! She composed this romantic number for a film that sank without a trace, sadly. But the song remains a hot favourite.
Forum brings UK and Chinese film professionals together to explore collaborations.
Emerging British-Asian talent gain mentorship and international exposure.
Small-scale dramas, kids’ shows, and adapting popular formats were the projects everyone was talking about.
Telling stories that feel real to their culture, yet can connect with anyone, is what makes them work worldwide.
Meeting three times a year keeps the UK and China talking, creating opportunities that last beyond one event.
The theatre was packed for the Third Shanghai–London Screen Industry Forum. Between panels and workshops, filmmakers, producers and executives discussed ideas and business cards and it felt more than just a summit. British-Asian filmmakers were meeting and greeting the Chinese industry in an attempt to explore genuine possibilities of working in China’s film market.
UK China film collaborations take off as Third Shanghai London Forum connects British Asian filmmakers with Chinese studios Instagram/ukchinafilm
What makes the forum important for British-Asian filmmakers?
For filmmakers whose films explore identity and belonging, this is a chance to show their work on an international stage, meet Chinese directors, talk co-productions and break cultural walls that normally feel unscalable. “It’s invaluable,” Abid Khan said after a panel, “because you can’t create globally if you don’t talk globally.”
And it’s not just established names. Young filmmakers were all around, pitching ideas and learning on the go. The forum gave them a chance to get noticed with mentoring, workshops, and live pitch sessions.
Which projects are catching international attention?
Micro-dramas are trending. Roy Lu of Linmon International says vertical content for apps is “where it’s at.” They’ve done US, Canada, Australia and next stop, Europe. YouTube is back in focus too, thanks to Rosemary Reed of POW TV Studios. Short attention spans and three-minute hits, she’s ready.
Children’s and sports shows are another hotspot. Jiella Esmat of 8Lions is developing Touch Grass, a football-themed children’s show. The logic is simple: sports and kids content unite families, like global glue.
Then there’s format adaptation. Lu also talked about Nothing But 30, a Chinese series with 7 billion streams. The plan is for an english version in London. Not a straight translation, but a cultural transformation. “‘30’ in London isn’t just words,” Lu says. “It’s a new story.”
Jason Zhang of Stellar Pictures says international audiences respond when culture isn’t just a background prop. Lanterns, flowers, rituals, they’re part of the plot. Cedric Behrel from Trinity CineAsia adds: you need context. Western audiences don’t know Journey to the West, so co-production helps them understand without diluting the story.
Economic sense matters too. Roy Lu stresses: pick your market, make it financially viable. Esmat likens ideal co-productions to a marriage: “Multicultural teams naturally think about what works globally and what doesn’t.”
The UK-China Film Collab’s Future Talent Programme is taking on eight students or recent grads this year. They’re getting the backstage access to international filmmaking that few ever see, including mentorship, festival organising and hands-on experience. Alumni are landing real jobs: accredited festival journalists, Beijing producers, curators at The National Gallery.
Adrian Wootton OBE reminded everyone: “We exist through partnerships, networks, and collaboration.” Yin Xin from Shanghai Media Group noted that tri-annual gathering: London, Shanghai, Hong Kong create an “intensive concentration” of ideas.
Actor-director Zhang Luyi said it best: cultural exchange isn’t telling your story to someone, it’s creating stories together.
The Shanghai-London Screen Industry Forum is no longer just a talking shop. It’s a launchpad, a bridge. And for British-Asian filmmakers and emerging talent, it’s a chance to turn ideas into reality.
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