People were more sensible earlier: Honey Singh on 'Besharam Rang' controversy
“Pathaan” has been receiving backlash for showing lead star Deepika Padukone in a saffron bikini alongside Khan in “Besharam Rang”. Protests have been staged in various parts of the country alleging a community had been offended by the song’s content.
Singer-rapper Yo Yo Honey Singh believes the controversy around the song "Besharam Rang" from upcoming Shah Rukh Khan-starrer "Pathaan" shows that audiences have become way too "sensitive".
"Pathaan" has been receiving backlash for showing lead star Deepika Padukone in a saffron bikini alongside Khan in "Besharam Rang". Protests have been staged in various parts of the country alleging a community had been offended by the song's content.
Those who have demanded a ban on the film include Madhya Pradesh minister Narrottam Mishra and Vishva Hindu Parishad spokesperson Vinod Bansal. The Madhya Pradesh Ulema Board has also sought a ban on the film for "misrepresenting Islam".
Singh, who has worked with Khan on popular song "Lungi Dance" from 2013 film "Chennai Express", said artists had much more creative freedom in the past.
“Freedom was much more earlier. People may have been less educated but they were far more sensible. They were intellectually wiser and would take things as entertainment. They wouldn't take anything to heart,” the rapper told PTI here.
Citing example of music maestro AR Rahman's song "Rukmani Rukmani" from the 1992 feature "Roja", Singh said if the track had released in current times there could have been a huge controversy.
“Rahman sir had a song, 'Rukmani Rukmani shaadi ke baad kya kya hua'... People accepted it. I grew up listening to it, but when I made such lyrics, people started protesting. Now it's even worse, people have become way too sensitive. I can't fathom why. It's just entertainment," the rapper said.
"Pathaan" is directed by Siddharth Aanand and produced by Yash Raj Films. Billed as “a high-octane spy thriller”, the film also features John Abraham. It will hit the theatres on January 25.
Singh believes people in the past had a better understanding of shayari and poetry.
"People were so intelligent at that time. They understood shayari and never saw it as something dirty. Nowadays, if someone makes songs like 'Choli ke peeche kya hai', people will sit on their head and ask, 'What's happening?'” On the work front, Singh recently released a recreation of Rahman's song "Yai Re". Produced by Tips Music, the new track features Iulia Vantur as the female voice.
Forum brings UK and Chinese film professionals together to explore collaborations.
Emerging British-Asian talent gain mentorship and international exposure.
Small-scale dramas, kids’ shows, and adapting popular formats were the projects everyone was talking about.
Telling stories that feel real to their culture, yet can connect with anyone, is what makes them work worldwide.
Meeting three times a year keeps the UK and China talking, creating opportunities that last beyond one event.
The theatre was packed for the Third Shanghai–London Screen Industry Forum. Between panels and workshops, filmmakers, producers and executives discussed ideas and business cards and it felt more than just a summit. British-Asian filmmakers were meeting and greeting the Chinese industry in an attempt to explore genuine possibilities of working in China’s film market.
UK China film collaborations take off as Third Shanghai London Forum connects British Asian filmmakers with Chinese studios Instagram/ukchinafilm
What makes the forum important for British-Asian filmmakers?
For filmmakers whose films explore identity and belonging, this is a chance to show their work on an international stage, meet Chinese directors, talk co-productions and break cultural walls that normally feel unscalable. “It’s invaluable,” Abid Khan said after a panel, “because you can’t create globally if you don’t talk globally.”
And it’s not just established names. Young filmmakers were all around, pitching ideas and learning on the go. The forum gave them a chance to get noticed with mentoring, workshops, and live pitch sessions.
Which projects are catching international attention?
Micro-dramas are trending. Roy Lu of Linmon International says vertical content for apps is “where it’s at.” They’ve done US, Canada, Australia and next stop, Europe. YouTube is back in focus too, thanks to Rosemary Reed of POW TV Studios. Short attention spans and three-minute hits, she’s ready.
Children’s and sports shows are another hotspot. Jiella Esmat of 8Lions is developing Touch Grass, a football-themed children’s show. The logic is simple: sports and kids content unite families, like global glue.
Then there’s format adaptation. Lu also talked about Nothing But 30, a Chinese series with 7 billion streams. The plan is for an english version in London. Not a straight translation, but a cultural transformation. “‘30’ in London isn’t just words,” Lu says. “It’s a new story.”
Jason Zhang of Stellar Pictures says international audiences respond when culture isn’t just a background prop. Lanterns, flowers, rituals, they’re part of the plot. Cedric Behrel from Trinity CineAsia adds: you need context. Western audiences don’t know Journey to the West, so co-production helps them understand without diluting the story.
Economic sense matters too. Roy Lu stresses: pick your market, make it financially viable. Esmat likens ideal co-productions to a marriage: “Multicultural teams naturally think about what works globally and what doesn’t.”
The UK-China Film Collab’s Future Talent Programme is taking on eight students or recent grads this year. They’re getting the backstage access to international filmmaking that few ever see, including mentorship, festival organising and hands-on experience. Alumni are landing real jobs: accredited festival journalists, Beijing producers, curators at The National Gallery.
Adrian Wootton OBE reminded everyone: “We exist through partnerships, networks, and collaboration.” Yin Xin from Shanghai Media Group noted that tri-annual gathering: London, Shanghai, Hong Kong create an “intensive concentration” of ideas.
Actor-director Zhang Luyi said it best: cultural exchange isn’t telling your story to someone, it’s creating stories together.
The Shanghai-London Screen Industry Forum is no longer just a talking shop. It’s a launchpad, a bridge. And for British-Asian filmmakers and emerging talent, it’s a chance to turn ideas into reality.
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