Actor and film director Prakash Rajattended the closing ceremony of the 28th edition of the International Film Festival of Kerala (IFFK) where he spoke on the different narratives in the country that influence the thinking of people and asked them to be careful about them.
Prakash Raj, who was the chief guest at the event said, "It is always a joy to be here, for your warmth, for the love, for the beliefs you have and especially, being God’s own country, you keep God away from politics."
He added, "For me, this festival means a lot in the context of what we are going through in our country, in the country where people are divided between narratives...I am so proud of you all, your government, great thinkers, and writers to continue to have a festival like this."
He continued, "We need to be careful of these narratives because we know what kind of narratives. For example, the attack on the parliament the other day. We are seeing narratives around the 6 people who wanted to protest. We have a bunch of journalists fighting like jokers. We have an opposition party blaming the ruling party. We have the ruling party saying that there is a photograph of the accused with the opposition party. The other narrative is on what is the security of the parliament. Will also there be a narrative that will discuss and have a dialogue on what made these youngsters to do this. Will we also have a narrative as to how desperate it is to be unemployed, how desperate and frustrated it is not to get answers on Manipur?"
The event was formally inaugurated by Kerala Chief Minister Pinarayi Vijayan via a pre-recorded message
"The IFFK stands tall with the biggest festivals across the country in its unwavering political content. The package of films expressing solidarity with Palestine is an example of that. Only a few festivals have expressed such solidarity," he said.
Actor Nana Patekar also attended the festival. During the inaugural ceremony, he said, "I feel honoured to be here. I express gratitude to the organisers for inviting me to IFFK. I came to Kerala for the first time 32 years ago for a film shooting. Nothing has changed in the socio-political scenario since then. People think more with their heart. So, it is easier to communicate even if the languages are different. It has to be like this. "
He also spoke about his desire to work in the Malayalam industry and shared how he never got a chance to work in Malayalam films in his career spanning five decades.
"Not even a single director from here (Kerala) has ever approached me in the last 50 years... that means I have to improve as an actor. I will try my best and will not let you down," he quipped.
A total of 175 films from 81 countries were showcased during the week-long event.
Hailey Bieber is riding high after her skincare label Rhode was bought for $1 billion (₹84,00,00,00,000) by e.l.f. Beauty, a big leap for the 28-year-old who launched the brand in 2022. The deal includes £480 million (₹50,40,00,00,000) in cash, e.l.f. stock worth £160 million (₹16,80,00,00,000), and a potential £160 million (₹16,80,00,00,000) more depending on how well the brand performs over the next three years.
Hailey isn’t just cashing out now; she’s stepping up. She’ll now serve as Chief Creative Officer and Head of Innovation at Rhode, while also becoming a strategic advisor at e.l.f. Beauty. In her announcement, she said the deal felt like the beginning of a new chapter and credited her team and customers for their role in Rhode’s growth.
While Hailey’s career hits new heights, her husband Justin Bieber is making headlines for less celebratory reasons. Reports have surfaced claiming he’s been facing serious financial setbacks, including an $8 million (₹67,20,00,000) debt from his cancelled 2022 Justice tour. Insiders suggest the pop star’s spending habits and questionable financial management may have led to these issues.
Despite selling his music catalogue for $200 million (₹16,80,00,00,000) in 2022, sources say Justin’s fortune has taken a hit, and he was reportedly lent money by former manager Scooter Braun to cover the tour fallout. There were even murmurs last year that Justin considered suing his financial advisors for mishandling funds, though his team denied all claims of money trouble.
Justin Bieber breaks his silence on marriage rumours and health concerns following viral Coachella video Getty Images
Meanwhile, fans have been closely watching the couple’s dynamic. Hailey’s billion-dollar win sparked online chatter suggesting she should “take the money and run,” with several social media users urging her to leave Justin, citing past moments where he appeared dismissive or distant. His quiet reaction to her business success, posting a photo with no caption, fuelled further speculation.
Still, the couple publicly appear united. Justin recently posted photos of himself embracing Hailey, though fans debated whether it felt supportive or staged. With Hailey now officially the top earner in the Bieber household, many are wondering how this shift will impact their relationship.
For now, Hailey’s focus remains on building Rhode into a global name, proving she’s more than just a celebrity wife, she’s a top player in the beauty business.
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It’s been nearly two years since Ms. Marvel made its debut on Disney+, and while fans have been waiting for news about a second season, actor Aramis Knight has shared a fairly grim update. Knight, who played the character Red Dagger (Kareem) in the series, revealed that he hasn’t heard anything about a return and doesn’t think it’s happening anytime soon.
Speaking at the Karate Kid: Legends premiere in New York, Knight admitted that the chances of Season 2 seem slim. “I don’t think so,” he said when asked if he’ll be back. “It’s been a while now. I’d love to return, but things didn’t line up, COVID, scheduling, and maybe even some creative shifts. I’m still waiting on a call, but I haven’t heard anything.”
Knight mentioned that he was initially supposed to appear in more Marvel projects, but none of those plans materialised. While he joked that Kamala Khan might have him on speed dial for a Young Avengers team-up, his tone made it clear that there's been no movement behind the scenes.
Ms. Marvel, which premiered in June 2022, introduced audiences to Kamala Khan, a Muslim teen from New Jersey who discovers her superpowers and identity. The show received praise for its fresh perspective, young energy, and cultural representation. Kamala then made the leap to the big screen with The Marvels in 2023, where she appeared alongside other MCU heroes.
Red Dagger actor Aramis Knight says he hasn’t heard from Marvel and doubts the show’s returnGetty Images
Talks about Season 2 had been floating around since the series ended, but nothing official has come out. In a podcast interview in 2023, co-director Adil El Arbi mentioned that any plans for a follow-up were on pause until after The Marvels released. Unfortunately, that film didn’t perform well at the box office which may have added to the uncertainty.
Marvel Studios hasn’t officially cancelled Ms. Marvel, but they’re in the middle of reorganising their television content. Several shows are being restructured or delayed, and Ms. Marvel may simply be caught in the middle of this shift.
Deepika Padukone’s exit from Spirit, directed by Sandeep Reddy Vanga, triggered an online storm, mainly due to her reported condition of limiting workdays to eight hours. While speculation ran wild, with unnamed sources labelling her “unprofessional,” Ajay Devgn has spoken up, backing the actor’s right to set boundaries.
At a recent press event for Maa, a horror film featuring his wife Kajol, Ajay addressed the topic head-on. When asked if filmmakers are okay with actors, especially new mothers, asking for shorter shifts, he said, “It’s not like people are against it. Most decent filmmakers understand. Eight or nine-hour shifts are common now.”
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He made it clear that expectations in the industry are changing. “It depends on the individual, but I think a large part of the industry is already adapting.”
Kajol, who was standing beside him, chimed in with a smile, “I love the idea of working less,” offering her own nod of approval to a more balanced work culture.
Deepika’s role in Spirit, opposite Prabhas, was meant to be her second big Telugu project after Kalki 2898 AD. But things reportedly soured after she requested an eight-hour workday and a fee of £1.9 million [approx. ₹20 crore] along with a profit share. Rumours also suggest she wasn’t keen on delivering dialogues in Telugu. Eventually, Triptii Dimri was confirmed as her replacement.
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In response to all this, Vanga posted a cryptic message on Twitter, hinting at betrayal and “dirty PR games,” accusing an unnamed actor of breaching an unwritten trust. While he didn’t name anyone, most believed the post was aimed at Deepika. His mention of “Is this what your feminism stands for?” added fuel to the fire.
Through it all, Deepika has stayed silent, except for a calm remark at a recent event: “When faced with tough choices, I listen to my inner voice. Peace matters more.”
With Ajay and Kajol now speaking out, the conversation seems to be shifting. The film world may not be the same as it once was, and perhaps that’s for the better.
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Karan Johar, Janhvi Kapoor, Neeraj Ghaywan, Vishal Jethwa and Ishaan Khatter at Cannes for Homebound last Wednesday (21)
On paper, Neeraj Ghaywan’s Homebound, which was premiered last Wednesday (21) at the Cannes Film Festival, may seem like a typical Bollywood tearjerker.
It follows two best friends who grow up together in a poor village and set out to take on the world, with their friendship and mettle tested at every turn.
But this is no average buddy movie. Set in northern India during the pandemic lockdowns, the moving epic goes far beyond a simple tale of friendship – one boy is Muslim, the other a low-caste Hindu.
Their unbreakable bond, forged in adversity, is the beating heart of the film, which so moved Hollywood legend Martin Scorsese that he got on board to help bring it to the world.
There are millions of such friendships which cross religious and caste divides in India, its director said, “but it has never been shown” before on the big screen.
“Only a handful of films have ever featured dalit (lower caste) stories and most of those were made by people from the privileged castes,” Ghaywan said.
Ghaywan is a dalit director from the lowest rung in the Hindu caste system and a rarity in the Hindi industry.
He believes he is the “first acknowledged dalit behind a camera in the history of Hindi cinema. That’s a stunning disparity,” he said.
And one that means the stories of the quarter of India’s 1.4 billion people who are tribals or come from castes once disparagingly known as “untouchables”, are not being seen.
“India and the world really needs to see their stories,” said Ghaywan, adding that with such a vast population “it is understandable that they are often talked of as just statistics.”
“I myself come from a marginalised background. I am a dalit. So there’s a lot of me in the movie,” said Ghaywan, who lives near Mumbai but grew up in the south of the country. It is also loosely inspired by a heartbreaking real-life tale of poor workers who set out on foot on an epic journey back to their village from the city during the Covid lockdowns.
Ghaywan brought his two leading actors, Ishaan Khatter and rising star Vishal Jethwa, out to the villages to see the lives of India’s poor from the inside
. “We did a long immersive exercise,” Ghaywan said. “We got to know people and ate in their homes. It was genuinely such a humbling experience.”
There was a nine-minute standing ovation following the screening in the Un Certain Regard segment at the Debussy Theatre last week. The cast was joined by producer Karan Johar.
Khatter said he had loved and admired Ghaywan for many years, while Jethwa said Homebound feels like a step forward for “all of us”.
Knowing he has to get past India’s censors, Ghaywan insisted he tried to avoid politics or inflaming tensions.
Sandhya Suri’s movie Santosh, which premiered at Cannes last year, still hasn’t been screened in India despite winning a heap of international awards.
Santosh shone a light on sexism, religious discrimination and corruption in the Indian police as well as the treatment of lower caste people.
“I like to keep politics underneath the narrative, because if your politics supersedes the story it’s just propaganda. Even good propaganda is propaganda. It’s not cinema,” Ghaywan added.
Emotion, however, holds no fear for Ghaywan. “I embrace it. I make no apologies for it. We Indians are an emotional people and this is a story that brings up a lot of them,” he explained.
Industry insiders have “bawled and bawled” at private screenings of the film, he said, with Scorsese saying that “Neeraj has made a beautiful film that’s a significant contribution to Indian cinema.”
The noted filmmaker said he wasn’t surprised that Cannes snapped it up for its secondary “Un Certain Regard” selection after Ghaywan won two prizes there in 2015 with his debut film, Masaan. Flattered as he is, Ghaywan said that “I did not make the movie for festivals” or arthouse audiences.
“The most important thing is that it is seen in India,” he said.
Ghaywan stressed that Homebound is “attacking no one”, with its story even set “in a fictional state”.
Ace producer Abhigyan Jha has written films like Krishna Cottage and created popular TV shows including Movers & Shakers, Jay Hind!, Qubool Hai 2.0, Qayamat Se Qayamat Tak, and Janani – AI Ki Kahani.
He currently hosts the popular podcast Fsex: The Free Speech Experiment, a conversational and humorous live show that explores a range of topics.
Away from creativity and conversations, he is also a passionate cricket enthusiast and played the sport up to college level. He looked across all formats to select his top 10 favourite cricketers.
Abhigyan Jha getty images
Sunil Gavaskar: The greatest. He scored the most runs against the most lethal bowling attack in cricket history – the West Indies. Today’s generation does not understand how fast those bowlers were. There are no such fast bowlers now. He made 34 Test centuries, and when he reached 10,000 runs, no one had even crossed 9,000. And he never wore a helmet. No batsman ever faced that kind of pace without one – it was incredibly courageous. He was also a phenomenal captain.
Virender Sehwag: The first Indian to score 300 in a Test match – and then he did it again. You would expect someone with his style to belong only in T20 or one-day formats, but he played that way in Tests too, and against top-class bowling. Scoring 300 in Pakistan against their pacers is why he’s on this list. He had raw talent and was thrilling to watch. He played with complete freedom, wherever he was.
Virat Kohli: He has fans screaming for him constantly. Ten thousand people turn up just to watch him practise – and you can see why. In the modern era, nobody comes close. Many players today might have struggled against the great bowlers of the past, but I believe Virat would have held his own. He changed the game in India. A fantastic player and an amazing captain, with insane talent. He’s also the fittest player globally.
Virat Kohligetty images
Gary Sobers: One of the greatest captains and a brilliant all-rounder. At one point, he was the only cricketer with 26 centuries and 200 wickets. I think he was the first to reach that milestone in history. He transformed the West Indies into a world-beating side. A genius, a phenomenal fielder, and a record-breaker.
Adam Gilchrist: The greatest wicketkeeper-batsman of all time. He was brilliant against both pace and spin. The speed at which he scored runs was incredible. He holds the record for the most sixes in ODIs and also the fastest Test century by a wicketkeeper-batsman. Just an insanely good cricketer.
Ian Botham: One of the finest all-rounders ever. There was a 1981 Ashes Test between England and Australia that became known as ‘The Botham Test’. He took all the wickets and won the match almost single-handedly. A fantastic batsman with a great strike rate – he could walk in and change the game with bat or ball.
Viv Richardsgetty images
Imran Khan: One of the greatest captains in cricket history. He single-handedly led Pakistan to new heights and groomed talents like Wasim Akram and Waqar Younis. A great fast bowler and solid batsman, he also won the 1992 World Cup for Pakistan. In his prime, he was arguably the second most difficult bowler to face after Malcolm Marshall. A strong all-rounder and top leader.
Richard Hadlee: Jasprit Bumrah is getting closer to him, but he has not played as many matches. Hadlee had exceptional wicket-taking ability and an incredible strike rate. He was a phenomenal swing bowler with superb control and became the first to cross 400 wickets in Test cricket.
Viv Richards: One of the most gifted players of all time – he could destroy bowling like no one else. He was just insane! No bowler wanted to see him at the crease. He and Gavaskar were pretty much the only greats who never wore a helmet. At the time, his strike rate was the highest. Absolute legend.
Malcolm Marshall: The greatest fast bowler of all time did not play as many matches as others, but still crossed 300 wickets. He was the bowler most feared by everyone. He once bowled so fast that Sunil Gavaskar’s bat literally flew out of his hands. If the greatest batsman’s bat could be knocked loose like that, it tells you everything about Malcolm Marshall’s brilliance.
Justin Bieber faces backlash for ‘I love you’ comment on 17-year-old star Ariana Greenblatt’s post