'Pathaan' continues blockbuster run at BO, total worldwide collection crosses £20 million mark
According to production house Yash Raj Films (YRF), the SRK-Deepika Padukone starrer raised Rs 113.6 crore (£11 million approx) in worldwide gross on day two of its release.
Superstar Shah Rukh Khan's "Pathaan" continued to rake in big numbers at the global box office as the film's worldwide collection on day two reached Rs 219.6 crore (£20 million approx) the makers announced on Thursday.
According to production house Yash Raj Films (YRF), the SRK-Deepika Padukone starrer raised Rs 113.6 crore (£11 million approx) in worldwide gross on day two of its release. The film's opening day figure was Rs 106 (£10.5 million approx).
In the domestic market, the film's nett day two collection stood at Rs 70.5 crore (£7 million approx). The film's Hindi version amassed Rs 68 (£6.8 million approx) crore in net earnings, with its dubbed formats bringing in the remiander moolah. "Pathaan" was also released in Tamil and Telugu on Wednesday.
With its day two haul, the movie created another record - first Hindi film to breach the Rs 70 crore nett (£7 million approx) collection on a single day.
Internationally, the film earned Rs 30.70 crore (£3.7 million approx) gross.
The Siddharth Anand directorial, which faced boycott calls over the song "Besharam Rang", marks Shah Rukh's return to movies after a gap of over four years. His previous film was 2018's "Zero".
"As an industry, we are rejoicing today. This is the most important sentiment emerging out of Pathaan’s success. All of us at Yash Raj Films are grateful for the incredibly humbling support from media, audiences and the industry towards 'Pathaan'.
"It is this unanimous love for the film that has resulted in Pathaan shattering all existing records and creating new ones. We are happy that the film has entertained everyone in such an immersive manner," Akshaye Widhani, CEO of Yash Raj Films, said in a statement.
With its record haul in the first two days of its release, "Pathaan" has exceeded the expectations of the industry experts who were banking on the action spectacle to bring some cheer in the industry after a series of box office duds.
"Pathaan" is the fourth film in producer Aditya Chopra’s ambitious spy universe, following Salman Khan's "Ek Tha Tiger" (2012) and "Tiger Zinda Hai" (2017), and "War", featuring Hrithik Roshan (2019).
The movie follows the titular spy Pathaan (Shah Rukh) who comes out of exile to stop the terrorist group Outfit X, led by Jim (John Abraham), from launching a debilitating attack on India. "Pathaan", which according to YRF has broken some 21 box office records, also has a guest appearance by Salman as fellow spy Tiger.
So, Kajol and Twinkle Khanna’s show, Two Much, is already near its fourth episode. And people keep asking: why do we love watching stars sit on sofas so much? It’s not the gossip. Not really. We’re not paying for the gossip. We’re paying for the glimpse. For the little wobble in a voice, a tiny apology, a family story you recognise. It’s why Simi’s white sofa mattered once, why Karan’s sofa rattled the tabloids, and why Kapil’s stage made everyone feel at home. The chat show isn’t dead. It just keeps changing clothes.
Why Indian audiences can’t stop watching chat shows from Simi Garewal to Karan Johar Instagram/karanjohar/primevideoin/ Youtube Screengrab
Remember the woman in white?
Simi Garewal brought quiet and intimacy. Her Rendezvous with Simi Garewal was all white sets and soft lights, and it felt almost like a church for confessions. She never went full interrogation mode with her guests. Instead, she’d just slowly unravel them, almost like magic. Amitabh Bachchan and Rekha, they all sat on that legendary white sofa, dropping their guard and letting something real slip out, something you’d never stumble across anywhere else. The whole thing was gentle, personal, and almost revolutionary.
Simi Garewal and her iconic white sofa changed the face of Indian talk showsYoutube Screengrab/SimiGarewalOfficial
Then along came Karan Johar
Let’s be honest, Karan Johar changed the game completely. Koffee with Karan was the polar opposite. Where Simi was a whisper, Karan was a roar. His rapid-fire round was a headline machine. Suddenly, it stopped being about struggles or emotions but opinions, little rivalries, and that full-on, shiny Bollywood chaos. He almost spun the film industry into a full-blown high school drama, and honestly? We loved it up.
Kapil Sharma rewired the format again and took the chat show, threw it in a blender with a comedy sketch, and created a monster hit. His genius was in creating a world or what we call his crazy “Shantivan Society” and making the celebrities enter his universe. Suddenly, Shah Rukh Khan was being teased by a fictional, grumpy neighbour and Ranbir Kapoor was taunted by a fictional disappointed ex-girlfriend. Stars were suddenly part of the spectacle, all halos tossed aside. It was chaotic, yes, but delightfully so. The sort of chaos that still passed the family-TV test. For once, these impossibly glamorous faces felt like old friends lounging in your living room.
Kajol and Twinkle’s Amazon show Two Much feels like friends talking to people in their circle, and that matters. What’s wild is, these folks aren’t the stiff, traditional hosts, they’re insiders. The fun ones. The ones who know every secret because, let’s be honest, they were there when the drama started. On a platform like Amazon, they don’t have to play for TRPs or stick to a strict clock. They can just… talk.
People want to peep behind the curtain. Even with Instagram and Reels, there’s value in a longer, live-feeling exchange. It’s maybe the nuance, like an awkward pause, a memory that makes a star human, or a silly joke that lands. OTT gives space for that. Celebs turned hosts, like Twinkle and Kajol in Two Much or peers like Rana Daggubati in Telugu with The Rana Daggubati Show, can ask differently; they make room for stories that feel earned, not engineered.
How have streaming and regional shows changed the game?
Streaming freed chat shows from TRP pressure and ad breaks. You get episodes that breathe. Even regional versions likeThe Rana Daggubati Show, or long-running local weekend programmes, prove this isn’t a Mumbai-only appetite. Viewers want local language and local memories, the same star-curiosity in Kannada, Telugu, or Tamil. That widens the talent pool and the tone.
From White Sofas to OTT Screens How Indian Talk Shows Keep Capturing HeartsiStock
Are shock moments over?
Not really. But people are getting sick of obvious bait. Recent launches lean into warmth and inside jokes rather than feeding headlines. White set, gold couch, or a stage full of noise, it doesn’t matter. You just want to sit there, listen, get pulled into their stories, like a campfire you can’t leave. We watch, just curious, hoping maybe these stars are a little like us. Or maybe we’re hoping we can borrow a bit of their sparkle.
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