PAKISTAN re-opened its airspace to civil aviation on Tuesday (16) following months of restrictions imposed after clashes with India, which forced lengthy detours that cost airlines millions of dollars.
"Pakistan airspace is open for all types of civil traffic on published ATS (Air Traffic Service) routes," according to a so-called Notice to Airmen (NOTAM) published on the Pakistan Civil Aviation Authority's website shortly after midnight.
The decision by Pakistan, which lies along an important aviation corridor, offers a welcome break for international airlines.
The restrictions, imposed in February, affected hundreds of commercial and cargo flights each day, adding to flight time for passengers and fuel costs for airlines.
India's ministry of civil aviation said that after the lifting of the NOTAMS, there were no further restrictions on airspace in either country.
"Flights have started using the closed air routes, bringing a significant relief for airlines," it said.
Pakistan closed its airspace after an attack by a Pakistan-based militant group in Kashmir led to an armed standoff between the nuclear-armed powers.
Both countries carried out aerial attacks over the other's territory and warplanes fought a brief dogfight over the skies of the Kashmir region during which an Indian fighter jet was shot down.
Partial operations at Pakistani airports resumed once the immediate crisis passed but restrictions continued to affect many international carriers using Pakistani airspace.
Flights between Europe and Southeast Asia were forced further south, adding as much as 450 kilometres (280 miles) to some journeys and forcing the cancellation of some routes.
"Pakistan being open again makes the traditional and preferred Europe-Asia route through Afghanistan, Pakistan and onwards to India available again, and means that city pairs abandoned after the February shutdown will likely be restarted," OPSGROUP, which provides guidance to operators, said in a note.
Indian operators were badly affected by the shutdown. An Air India spokesman said the company would take about a week to rework its schedule and come up with a plan to operate its flights over Pakistan.
Air India suffered losses of Rs 4.91 billion ($71.6m), India's aviation minister Hardeep Singh Puri told lawmakers this month.
Interglobe Aviation Ltd controlled Indigo Airlines, India's largest by market share, incurred a loss of Rs 251m due to the closure of the Pakistani airspace, while Spicejet Ltd incurred losses of Rs 307.3m, Puri said.
Pakistan's announcement came hours after United Airlines Holdings Inc said it was extending the suspension of its flights from the US to Delhi and Mumbai in India until October 26, citing continued the Pakistani restriction.
The dropping of the restriction will allow Pakistan, which this month agreed to a $6bn bailout with the International Monetary Fund, to collect overflight fees from airlines.
AN ASIAN writer has explained how his new book makes Britain’s imperial past “accessible, engaging and thought-provoking” for a younger audience.
Award-winning author and journalist Sathnam Sanghera’s new book, Journeys of Empire, explores empire through 10 journeys he described as being “extraordinary”. Sanghera said his book, published last month by Puffin UK, is “a way of helping children understand how Britain’s biggest story still shapes the world today.”
“We’re not taught this history very well,” he told Eastern Eye.
“The empire is morally complex – sometimes we were good, sometimes bad – so, how do you even begin talking about it? It’s also contentious. There are millions of us whose families were colonised, and millions whose families were the colonisers.”
Teachers cannot teach what they themselves were never taught, Sanghera pointed out.
“There are multiple layers to why British people are so bad at talking about this history. It touches on race, misogyny and geopolitics. It’s easier just not to talk about it.”
And , the cover of his book
Following the success of his bestselling children’s title Stolen History, Sanghera’s this latest work continues Sanghera’s mission to write for readers aged nine and above. With a focus on human experiences, Sanghera said he wanted show that history is not just a list of dates or conquests – it’s a tapestry of stories that connect people.
Born in Wolverhampton to Punjabi immigrant parents, he began school unable to speak English. Later he graduated with first-class honours in English language and literature from Christ’s College, Cambridge.
He has since built a career as a writer and journalist.
His memoir, The Boy with the Topknot, and his novel, Marriage Material, were both shortlisted for the Costa Book Awards. Empireland, Sanghera’s exploration of Britain’s colonial legacy, was longlisted for the Baillie Gifford Prize for Non- Fiction, named a Book of the Year at the 2022 National Book Awards, and inspired the Channel 4 documentary series Empire State of Mind.
His first children’s book, Stolen History, introduced young readers to the complex and often overlooked realities of empire. With Journeys of Empire, Sanghera aims to go further. “When I finally learned about the British empire, it changed how I saw myself, how I saw Britain, and how I saw India,” he said.
“It seemed obvious that you’d want to give this gift to young people – because your 40s is a bit late to be learning all this.”
Sanghera said the 10 journeys in the book take readers across continents and centuries, revealing both the ambition and the brutality of empire.
“The British empire covered a quarter of the world’s surface and a large portion of its population. It was seven times the size of the Roman empire,” he said.
Aiming to ensure diversity in both perspective and geography, Sanghera said he chose stories from various countries and different phases of the 400-year history.
Alongside India and Mahatma Gandhi, readers will learn about Guyana’s indentured labour system, Gertrude Bell’s adventures in Iraq, and the British invasion of Tibet led by Francis Younghusband.
“I wanted to highlight areas often left out of mainstream narratives,” the writer said. The stories are written with an accessible and honest tone, and with humour.
“Violence is a tricky area,” Sanghera said. “You can’t go into graphic detail, but you also shouldn’t whitewash it. The violence and racism of colonialism were intrinsic. “I tried to strike a balance - acknowledging the brutality without overwhelming young readers.”
Writing for children isn’t much different from writing for adults, Sanghera said.
“You still need engaging stories and to hold attention. The main thing is to avoid big words that might put them off.”
He pointed out how storytelling can counter the allure of digital screens.
“Kids are addicted to screens, and reading rates are falling globally. That’s disastrous for mental health, intellectual development, and politics,” he said.
“When you get news from screens, you’re in an echo chamber – you’re not being challenged or taught to think in a nuanced way.”
Sanghera’s hope is that stories of Journeys of Empire – from pirates to princes and explorers to rebels – will draw in young readers to a world of curiosity and reflection. He said, “The British empire is a complex story. Even the ‘good guys’ had flaws. That’s what makes it worth understanding.”
At the heart of his book is a message about complexity and contradiction. “The empire involved slavery and the abolition of slavery. It caused environmental destruction and inspired environmentalism. We live in a world that struggles with nuance, but that’s what makes us human,” Sanghera said.
“My hope is that readers – kids and adults – learn that opposite things can be true at the same time.”
After six years of writing about empire, Sanghera said he’s ready for a change. His next book will focus on the late pop star George Michael, due out in June next year.
“I thought George Michael would be a nice break from empire. But then I learned that his father came from Cyprus - which was under British rule. The reason he left Cyprus was because of the British. So, even George Michael’s story connects back to empire. You can’t escape it, wherever you go.”
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