PAKISTAN'S president ordered parliament dissolved on late Wednesday, opening the door to a caretaker government that will usher in elections in which the country's most popular politician, Imran Khan, has been sidelined.
The country has been in political turmoil since the former international cricket star was booted from power in April last year, culminating in his being jailed for graft at the weekend following a months-long crackdown on his party.
A statement from the office of president Arif Alvi said he disbanded parliament on the advice of prime minister Shehbaz Sharif, who earlier in the day warned: "This country can't progress until we have national unity."
The new interim prime minister must be announced within three days of the parliament's dissolution, and elections held within 90 days - but the outgoing government has already warned they are likely to be delayed until next year.
The unlikely coalition between Pakistan's usually feuding dynastic parties - which came together to kick out Khan - has won little popular support while at the helm of the world's fifth-most populous country.
The economy is still in the doldrums despite a new International Monetary Fund bailout, with crippling foreign debt, soaring inflation and widespread unemployment from factories idled because they lack foreign currency to buy raw materials.
"Economic decisions are invariably tough and often unpopular, requiring a government with a longer tenure to effectively implement them," said Ahmed Bilal Mehboob, president of the Pakistan Institute of Legislative Development and Transparency think tank.
"This election holds significance as it will result in a five-year term for a new government, which ideally should be empowered to make essential decisions vital for economic recovery."
Election date question mark
There has been speculation for months that there could be a delay to elections as the establishment grapples to stabilise the country, which is facing overlapping security, economic and political crises.
Data from the latest census carried out in May was finally published at the weekend and the government says the election commission needs time to redraw constituency boundaries - a sore point for several political parties.
Michael Kugelman, director of the South Asia Institute at the Wilson Center, said any delay could give time to the main coalition partners, the Pakistan Muslim League-Nawaz (PML-N) and Pakistan Peoples Party (PPP), to figure out how to address the challenge of Khan's Pakistan Tehreek-e-Insaf (PTI) party.
"But in reality, delaying the election could simply anger the public more and galvanise an opposition that has already suffered through months of crackdowns," he said.
The United States said on Wednesday (9) it was watching with concern the prospect of election violence.
"We're obviously concerned about any actions - particularly violent actions - that can contribute to instability in Pakistan or, frankly, any other country with whom we share a set of common interests when it comes to counterterrorism," said John Kirby, spokesman for the White House National Security Council.
Behind any election in Pakistan lurks the military, which has staged at least three successful coups since the country was forged from the partition of India in 1947.
Khan enjoyed genuine widespread support when he came to power in 2018 but analysts say it was only with the blessing of Pakistan's powerful generals - with whom he reportedly fell out in the months before his ousting.
He later waged a risky campaign of defiance, accusing the military of meddling in politics and even naming an intelligence officer as being behind a November assassination attempt in which Khan was shot in the leg.
He heaped pressure on the government to hold early elections by staging mass rallies and pulling his MPs from parliament but his gambit ultimately failed.
Khan crackdown
Khan, who has been hit with more than 200 legal cases in recent months, has said the charges against him are politically motivated and designed to prevent him from contesting elections.
His first arrest and brief detention in May sparked days of sometimes violent protests, with unprecedented anger directed towards the military.
It was met with a fierce crackdown that crushed his street power.
An interim government, expected to be made up largely of technocrats, will face a tough task.
"Ultimately, the biggest challenge will be for the caretaker administration to stay above the partisan fray and not be dragged into the political battles being waged between the politicians and the military," Kugelman said.
"It is after all a hyperpartisan and hyperpolarised moment - not an easy environment for an apolitical caretaker to navigate."
UK music industry continue to face systemic barriers that hinder progress, visibility, and career growth – despite decades of contribution and cultural influence, a new report has revealed.
The study, South Asian Soundcheck, published last Tuesday (7), surveyed 349 artists and professionals and found that while many are skilled and ambitious, structural obstacles are still holding them back.
Prepared by Lila, a charity focused on empowering south Asian artists and music professionals, the survey showed that nearly three-quarters of respondents earn some income from music, but only 28 per cent rely on it full time.
More than half struggle to access opportunities or funding, and many said they lack industry networks or knowledge about contracts and rights.
Beyond structural issues, almost half said they face stereotypes about the kind of music they should make; two in five encounter family doubts about music as a career, and one in three has experienced racial discrimination.
Although 69 per cent said there was progress in visibility, but 68 per cent still feel invisible within the industry.
Respondents sought urgent action, including mentorship and networking opportunities, stronger south Asian representation in key industry roles and fairer access to funding.
Veteran musician and composer Viram Jasani, who chaired the Asian Music Circuit and led a national enquiry into south Asian music in 1985, told Eastern Eye the findings were “disheartening”.
“I read the report and my heart sank – it feels as though nothing has changed,” he said.
“Back in 1985, we had already identified the same problems and made clear recommendations for better representation, employment and long-term support. Four decades later, we are still talking about the same issues.”
Jasani, a sitar, tabla and tambura expert, said the report focused mainly on modern genres and overlooked traditional south Asian music, which he believes is central to cultural identity.
“Since colonial times, British attitudes have not changed much,” he said. “If they can erase Indian traditional culture and create a community that lives entirely within an English cultural bubble, then they will have succeeded.”
He added that young south Asian artists were often drawn to Western contemporary music, while neglecting their own heritage.
“We are brilliant in Western genres, but that should come after we are grounded in our traditional shashtriya sangeet (classical music),” he said. “Without that foundation, we lose our sense of identity.”
Jasani also warned a lack of unity within the south Asian community continues to weaken its cultural progress.
He said, “People compete with each other while the world watches. For too long, massaging egos has taken priority over producing the best of our culture.”
According to the survey, one in three has experienced direct racial discrimination. One respondent said, “There are virtually no visible and successful south Asian artists in the mainstream – people simply do not know where to place us.”
Another added: “I want south Asian artists to be part of the collective mainstream industry, not just put on south Asian-specific stages or events.”
While the visibility of south Asian artists has improved, with more names appearing on festival line-ups and in the media, the study revealed this progress remains “surface level”.
Lila’s founder, Vikram Gudi, said the findings show progress has not yet been translated into structural inclusion.
“The data exposes what we call the progress paradox. Seventy-three per cent of the people we surveyed earn some money from music, but only 27 per cent earn enough to rely on it as a sustainable career,” he said.
“The Soundcheck gives us the evidence to enact real change and identifies three essential needs – mentorship, representation, and investment.”
Three-quarters of participants said mentorship from experienced professionals would make the biggest difference to their careers. Many stressed the importance of being guided by people who “understand how the industry works and can connect them to decision-makers”.
Nearly the same proportion called for greater south Asian representation across the music industry – not just on stage, but within executive, programming and production roles at festivals, venues, record labels and streaming services.
Dedicated funding also emerged as a priority, with many describing the current grant systems as inaccessible or ill-suited to the diverse and cross-genre work that defines south Asian creativity today.
Two in five respondents reported that family or community resistance remains a challenge, often due to the perceived instability of a music career. The report argued this scepticism is “economically logical”, when there are so few visible south Asian success stories in the mainstream.
Responding to the report, Indy Vidyalankara, member of the UK Music Diversity Taskforce and BPI Equity & Justice Advisory Group, said: “South Asian music is rich, vibrant, and hugely influential. We need south Asian representation at every level of the ecosystem, plus support and investment to match that influence.”
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