Dhanush’s latest directorial venture, Nilavukku En Mel Ennadi Kobam (NEEK), has sparked a range of reactions from audiences and critics alike. The romantic comedy, which explores love, breakups, and second chances with a modern sensibility, has left some charmed while others remain unconvinced.
For many, NEEK’s biggest strength lies in its light-hearted approach. “It’s refreshing to see a rom-com that doesn’t take itself too seriously,” some viewers feel. “The humour feels natural, and the Goa setting adds a vibrant touch. It’s the kind of film that’s enjoyable on a relaxed weekend.”
Others, however, feel that the very breeziness works against it. “The emotional depth is lacking, making it hard to truly connect with the characters,” some critics argue. “It’s all fun and games, but the film never fully invests in its core emotions.”
Opinions on the cast’s performances are equally divided. Pavish Narayan, in his lead role as Prabhu, has drawn comparisons to his uncle, Dhanush. “He has the charm but lacks the depth needed to make the character truly compelling,” some believe. “There are glimpses of promise, but the role required more nuance.”
Anikha Surendran, playing the titular Nila, has also been a topic of debate. “She’s youthful and energetic, but something about the casting doesn’t quite click,” some suggest. On the other hand, Priya Prakash Varrier, despite limited screen time, has been widely appreciated. “She makes an impact in a short span, which is commendable.”
One unanimous highlight of the film? Mathew Thomas. “His comic timing stands out, and every scene featuring him brings laughter,” many have noted.
Cinematography by Leon Brotto has been praised for its dreamy and candid visuals. “The frames capture the essence of the film’s easy-going nature beautifully,” according to general consensus.
Editing by GK Prasanna ensures a smooth flow, though some feel the narrative could have lingered longer on emotional beats. “The pace is brisk, but some moments needed more breathing room.”
Music composer GV Prakash has struck gold once again, with Golden Sparrow emerging as a fan favourite. “It’s the kind of song that lingers in your mind long after the film ends.”
While NEEK has its share of engaging moments, it falls short of leaving a lasting impact. “It’s a good one-time watch, but not something that stays with you,” many conclude. “The humour works, the music is enjoyable, but the emotional weight is missing.”
For fans of easy-going rom-coms, Nilavukku En Mel Ennadi Kobam delivers exactly that. For those seeking a more profound romantic drama, it might just miss the mark. Either way, the film has certainly got people talking and that’s always a win in its own way.
Rahul’s casual dismissal of that controversy has added fuel to the fire
Rahul Bhatt sparks controversy over 'insensitive' remarks about sisters Alia and Pooja Bhatt
Rahul Bhatt, fitness trainer and son of veteran filmmaker Mahesh Bhatt, has found himself at the centre of a social media storm following controversial remarks about his half-sister, Alia Bhatt. In a recent interview, Rahul drew comparisons between Alia and their older sister Pooja Bhatt, calling the latter more talented, attractive, and principled.
The comments, which many have labelled inappropriate and insensitive, have sparked widespread criticism online. During the interview, Rahul stated, “In my opinion, she (Alia) is not even half of what my real sister Pooja is. Not in talent, not in looks, not in terms of being sexy. In front of my sister, she is ‘paani kam chai’ (watery tea). Amongst the siblings, the most talented and the most moralistic is Pooja.”
Social media users reacted strongly, questioning why Rahul would compare his sisters in such personal terms. Several users were particularly disturbed by his reference to their appearance and sex appeal, pointing out that such comparisons within a family cross boundaries of propriety. One comment read, “This is disturbing. Why talk about your sisters like that? It’s not just weird, it’s wrong.” Another post said, “There’s nothing respectful about comparing your siblings’ attractiveness in public.”
The backlash also reignited conversation around a decades-old controversy involving Mahesh Bhatt and Pooja Bhatt. Rahul was asked about the infamous 1990s magazine cover where the father-daughter duo shared a kiss, which had stirred public outrage at the time. Dismissing the criticism, Rahul said, “It doesn’t make any difference. It’s like water off a duck’s back. We know the truth, and we’ve seen everything since childhood.”
Rahul’s casual dismissal of that controversy has added fuel to the fire, with critics saying it reflects a broader issue of the Bhatt family being insensitive to public perception and boundaries. Many users questioned the need for bringing up old incidents in a bid to defend new and equally questionable statements.
As of now, neither Alia Bhatt nor Pooja Bhatt has issued any public response to Rahul’s remarks. Both actors, known for their significant contributions to Indian cinema, have typically kept family matters private despite living in the public eye.
This episode has also sparked debate over the role of public figures in maintaining respect when discussing family matters in the media. Observers say such comments, especially when involving women’s appearance and personal qualities, reinforce problematic attitudes and fuel unnecessary controversies.
While Rahul Bhatt is not as prominent in the entertainment industry as his father or sisters, his comments have made headlines and placed the Bhatt family in the spotlight for reasons beyond their creative work. For many, this serves as a reminder that public platforms come with responsibility, and that family ties should not be trivialised or dissected for attention or comparison.
The backlash is unlikely to subside soon, especially as fans and followers of Alia and Pooja continue to express disappointment over the way the situation has unfolded. Whether or not Rahul chooses to clarify or apologise remains to be seen.