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Neeraj Pandey announces his next, an official remake of Thai thriller, Bad Genius

Moving on from the disappointment of his last release Aiyaary (2018), which sank at the ticket-window without a trace, popular filmmaker Neeraj Pandey has announced his next directorial venture.

His next will be a remake of the 2017 Thai film Bad Genius. Anil D. Ambani led Reliance Entertainment and its partner Friday Filmworks’ company Plan C Studios has joined forces with Azure Entertainment to adapt the film for the Indian audience.


Talking about the film, Neeraj Pandey says, “We keep looking for exciting stories and content all the time and Bad Genius is an amazing film. We are looking forward to the re-imagination of the film as per Indian sensibilities and hope our audiences like it.”

Bad Genius is one of the hottest remake properties globally. We thank GDH 559 for entrusting us with this title for the Indian remake. It is a moment of pride for us to be partnering with Neeraj Pandey and Reliance Entertainment on the Hindi adaptation for this title,” says Sunir Kheterpal, CEO of Azure Entertainment.

Shibasish Sarkar of Reliance Entertainment adds, “We are delighted to partner with Azure Entertainment and hope Bad Genius is as loved in its Hindi avatar”.

Bad Genius is inspired by real-life incidents of students cheating on the exam to make it to Foreign Universities. Besides tackling the issue of cheating on the SAT, the movie also explores themes of class inequality as well as teen social issues.

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5 mythological picks now streaming in the UK — and why they’re worth watching

Highlights:

  • Indian mythological titles are landing on global OTT services with better quality and reach.
  • Netflix leads the push with Kurukshetra and Mahavatar Narsimha.
  • UK viewers can access some titles now, though licensing varies.
  • Regional stories and folklore films are expanding the genre.
  • 2025 marks the start of long-form mythological world-building on OTT.

There’s a quiet shift happening on streaming platforms this year. Indian mythological stories, once treated as children’s animation or festival reruns, have started landing on global services with serious ambition. These titles are travelling further than they ever have, including into the UK’s busy OTT space.

It’s about scale, quality, and the strange comfort of old stories in a digital world that changes too fast. And in a UK market dealing with subscription fatigue, anything fresh, strong, and rooted in clear storytelling gets noticed.

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