INDIAN comedian Aditi Mittal has said that her Edinburgh Fringe debut this summer was a “comedy bootcamp” that changed her approach to the craft.
Mittal, 31, who is among the few successful Indian female comedians, was among performers at the renowned festival in August.
“It was like being at comedy boot camp. Wake up, watch comedy, do comedy, go to sleep. “Eighty per cent of the time I felt like I’d stumbled into the best situation in the world,” Mittal recalled.
“[The experience] changed the way I see comedy. Seven years [into my career] and I feel like I’m still in a phase when I’m still processing the world around me through my comedy.
“To see people, do such unique things, whether it is standup or improv or the street performances… I’ve never seen anything like it on the scale like that.”
Mittal is currently in London where she is halfway through the run of her show Global Village Idiot at the Soho Theatre. She has been working in standup for seven years.
One of her first big breaks came in 2009 when she was the only Indian female comic to be featured in an Indians only standup show called Local Heroes in Mumbai.
Since then, her international career has gone from strength to strength – her first Netflix special, Things They Wouldn’t Let Me Say, was released in July and is one of her “proudest” moments thus far.
Working between two continents can be a challenge, the comic found.
She learned to adapt her humour to different audiences, having realised that material that one audience may love could flop with another.
“Now I have an hour in India and an hour in London and it’s two different shows,” she told Eastern Eye in an exclusive interview. “I do a show in India that gets applause and I do the same material in the UK and they’re like ‘…and then?’”
Mittal also found that the more personal and emotive her material is, the more universal it becomes.
“If you zoom in on something, not your nationality or your context, you zoom in on the human experience,” she explained. “I do a bit about my sister when she passed away and I realised that it is an emotion that anyone can identify with, anyone who has ever lost a loved one knows what that feels like.”
Mittal’s love for her job is clear but she has experienced a backlash.
One male audience member tried to spit in her face (an attempt that failed as the spit failed to project, covering the perpetrator instead) and threats of acid attacks, one of which was so serious that her show had to be cancelled.
“I have a terrible reputation. I am known as a man-hating, boob and bra-talking comedian,” she laughed. “But you know, well-behaved women seldom make history.”
Her material is stark and honest; she covers everything from sanitary napkin anecdotes to her first experience using a bidet. Nothing, it seems, is too personal for the blue-haired comic.
She wants to talk about these things and normalise them. Talking about taboo topics in India can be shocking to some, but it won’t stop her, Mittal said.
“I’m not going to act like these things don’t exist. I’m not telling lies. If it isn’t for you, it isn’t for you.”
The past year was a “weird” one, Mittal said. Two days before her Netflix special was released, her sister died. Mittal also lost her father, one of her biggest supporters and “a big influence” on her humour, this year.
“When my dad came to watch me for the first time in 2012, he had tears in his eyes after the show. He was just very proud,” Mittal reminisced. The day her parents saw her perform was one of her proudest and it was then that she stopped caring what anyone else thought of her.
“The day I got their approval, I thought the rest of the world can go **** itself,” she explained. “The people I care most about approve of what I’m doing, so I’m set.”
Whatever tragedy she has gone through, Mittal knows that eventually it will distil into something funny. Her inspiration comes from everyday life – even the moments that hurt – and she explained anything that “cuts down deep” will eventually become a source of comedy.
“Comedy is tragedy plus time – the more it hurts, the funnier it will be when it comes out,” she said. “Pain and death is the source of my material. While you’re living through s**t, it just takes a while to process it.”
In her Soho show, Mittal performed a skit about the time she was propositioned for a threesome after a show. It’s a funny yarn, the audience roared with laughter at the story as she told it, but Mittal admitted that at the time, it was “terrifying”.
It was a story she refused to tell her mother in fear of her worrying about the career path she had chosen.
“It is one of those things, it needs to brew for a bit, but that’s why older women are always funny,” she laughed. “This job, it doesn’t depend on looks and as you get older, you get more stories and give less s**ts.
“I’m really looking forward to ageing. I can’t wait. I want to live long and be on stage and tell more jokes and more truths and that’s something I’m so excited about.”
The conversation turns to her experiences of being a woman in the industry; it doesn’t sound like it has been a particularly easy ride, but Mittal is eager to encourage more women to take it up.
“There is a lot of drama; the producers, how you get slots, the way you get announced on stage, you know ‘the best tits in the business’, whatever,” she said. “Even if someone is talking over you or abusing you, my advice to any aspiring comedians would be just stand right there and stick with it.”
The hashtag that has been making news in the past week, #MeToo – a symbol of support and acknowledgement of sexual harassment directed at women since the Harvey Weinstein sex scandal has come to light – sparked strong emotions in Mittal.
She said women face discrimination and harassment in any field, no matter where they are in the world.
“I think now EVERY interview with any powerful male should have the question ‘have you seen sexual harassment and discrimination in your field and what do you think should be done about it?’” she said. “That should get the attention of the men in power and maybe something can change.”
Mittal is from Mahim, a “really old” neighbourhood in Mumbai. She lives with her mother in a building that was originally home to her grandparents in 1937, when they moved from Pakistan to India.
She described the archaic structure as having high ceilings, thick walls and old tiles that are chipping away.
“I love it,” she said. Some of the many YouTube videos posted on her channel are filmed at her home – a place she and her friends love to hang out in.
Mittal hopes to keep touring and venture into television. A US tour is in the pipeline and she is in talks to continue her shows in the UK on a wider scale. However, she insisted that she would not leave India to live abroad. “My home is my mum,” she smiled. “I’ve become all very much about my mum."
Warner Bros. unveils final trailer for The Conjuring: Last Rites, set to release in theatres on 5 September
Patrick Wilson and Vera Farmiga return as Ed and Lorraine Warren in their final on-screen case
Film is based on the real-life Smurl haunting, the couple’s earliest and most personal encounter with demonic activity
The infamous Annabelle doll makes a brief yet chilling return, tying back to the broader Conjuring universe
The final chapter in the Conjuring series is gearing up for a chilling send-off. Warner Bros. has dropped the official trailer for The Conjuring: Last Rites, giving horror fans a deeper glimpse into what’s being billed as Ed and Lorraine Warren’s most personal and terrifying case. Set in 1986, the film revisits the real-life Smurl haunting in Pennsylvania but with a twist. This isn’t just any demonic presence. It’s the very first entity the Warrens ever encountered and were once too afraid to face.
Annabelle resurfaces as The Conjuring Last Rites trailer reveals the demon that terrified the Warrens first Instagram/theconjuring
What is the Smurl haunting and why is it central to Last Rites?
The Conjuring: Last Rites story draws from the infamous Smurl case, involving a family plagued by unexplained paranormal activity over 15 years. Ed and Lorraine Warren initially investigated the case in the 1970s, but in this final instalment, it’s revealed that the haunting entity was one they encountered even earlier in their careers.
In the trailer, Lorraine warns, “This thing in your house is a demon. It’s the first one we ever encountered.” This return to their earliest trauma adds a layer of unfinished business, making the stakes far more personal.
Does Annabelle appear in The Conjuring: Last Rites?
Yes, though only briefly. The new trailer features a blink-and-you’ll-miss-it shot of the Annabelle doll, the malevolent spirit that launched the franchise over a decade ago. Her appearance has sparked speculation among fans about how connected Last Rites is to the larger Conjuring universe, especially considering the doll’s history in both the mainline series and her own spin-offs.
The callback to Annabelle, coupled with Lorraine being chased by a possessed figure, signals that the film is bringing everything full circle.
Vera Farmiga and Patrick Wilson return to lead the film as the Warrens. They are joined by Mia Tomlinson as their daughter Judy Warren, who now plays a larger role. Judy’s relationship with Tony Spera, played by Ben Hardy, adds a family dynamic that grounds the supernatural chaos.
Supporting actors include Steve Coulter, Elliot Cowan, Rebecca Calder, Shannon Kook, Beau Gadsdon, and Kíla Lord Cassidy.
Michael Chaves, who previously directed The Conjuring: The Devil Made Me Do It, is back at the helm. The screenplay is written by Ian Goldberg, Richard Naing, and David Leslie Johnson-McGoldrick. Producers James Wan and Peter Safran, long-time stewards of the franchise, also return.
When will The Conjuring: Last Rites release in cinemas?
The Conjuring: Last Rites is scheduled to hit theatres worldwide on 5 September 2025.
Touted as the final film in the main Conjuring timeline, the movie promises to deliver an emotionally loaded and terrifying conclusion to the decade-long saga that began in 2013. While spin-offs like Annabelle and The Nun may still continue, this instalment is meant to close the book on Ed and Lorraine Warren’s ghost-hunting legacy.
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7 South Asian Netflix releases you’ll actually want to watch in 2025
• Aryan Khan’s debut series The BA**DS of Bollywood* stirs buzz with its unfiltered take on Bollywood • Dark comedy Toaster becomes a surprise breakout hit • Strong female-led thrillers and queer narratives gain ground • South Asian creators push boundaries with raw, genre-defying storytelling • Streaming trends show growing global appetite for authentic desi content
The world feels like it’s running faster than ever, and the only thing keeping many of us sane is a good story at the end of the day, one that doesn’t just entertain but reminds you where you came from or where you could go. In 2025, Netflix’s South Asian slate isn’t just more content, it’s a lifeline of messy, brave narratives that scream “press play''.
7 South Asian Netflix releases you’ll actually want to watch in 2025 Netflix
Big names, fresh stories and moments you’ll want to mark on your calendar. So here’s the list:
The BA**DS of Bollywood*
This one’s got fire, not the Diwali firecracker kind, but the “light-the-whole-damn-industry-up” kind. Aryan Khan makes his directorial debut (yes, SRK’s son), and it’s not cute or safe. It’s a razor-sharp, chaotic love-hate letter to Bollywood itself. The hustle, the heartbreak, the ego, the madness, it’s all in there. Think ambition, back-stabbing, maybe some dark laughs and killer cameos. Gauri Khan is producing. It’s going to be loud.
A miser. A toaster. A wedding. And then a murder. It’s ridiculous in the best way. Toaster is one of those rare black comedies that makes you laugh, wince and then question your own taste for laughing. Rajkummar Rao is at his unpredictable best, and Sanya Malhotra’s dry chaos matches him beat for beat. It’s weird and addictive, exactly why it might work.
We’re back in Punjab, but it’s not the fields-and-folk-songs version. It’s the haunted, grief-soaked, cigarette-and-guilt version. Season 1 was brutal. Season 2? Deeper cuts. Barun Sobti’s back, and Mona Singh joins the cast to investigate another murder, but the show never really cares about the crime. It’s about what it does to the people left behind.
Not another jingoistic bore, this one’s different. It’s the 1970s, India and Pakistan, nuclear secrets and two spies playing a brutal mental chess game. Pratik Gandhi and Tillotama Shome don’t play heroes; they play people trapped in patriotism, survival and secrets. It’s the kind of show where your breath catches more than once.
Subbu just wanted a job. What he got was teaching sex education to a village that would rather pretend sex doesn’t exist. This Telugu-language series is sweet, but not in a sugary way. It’s chaotic, funny and surprisingly moving. Think of it as Sex Education with sambhar and way more heart.
This one’s going to hit home, not because it’s flashy but because it’s familiar. The Kapoor family, yes, that Kapoor family sits at a table, shares food, shares memories and cracks open decades of fame, loss, love and legacy. It’s nostalgic without being cheesy. Kareena, Ranbir and Karisma, all in the same room, not playing roles but just being themselves.
Say what you want, but Kapil Sharma has figured out the one thing most Indian content avoids: simple joy. Season 3 brings more celebrity guests, more bizarre characters and more jokes that your dadi laughs at and your Gen Z cousin secretly enjoys. It’s silly, and it works.
We talk a lot about representation, about diversity, about “stories that reflect who we are.” But real talk—that only matters if the stories hit something deeper than a checkbox.
This isn’t about what’s trending. It’s about what might actually make you feel something again. That alone makes it way more interesting than the usual hype.
Mark your calendars now, these releases will be the must-watch events of 2025.
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Shahid Kapoor 'plays' cricket at Lord’s, wins hearts on and off the field
Shahid Kapoor plays a friendly cricket match at London’s Lord’s Cricket Ground.
The actor is seen in cricket whites, showcasing his sporty side.
Wife Mira Kapoor and friends cheer him on from the stands.
Bollywood star Shahid Kapoor traded the film set for the cricket pitch this week, making a stylish appearance at the iconic Lord’s Cricket Ground in London. Dressed in crisp whites, the actor joined a friendly match at the historic venue, delighting fans with his sporty side.
Shahid, known for his versatility on screen, showed impressive form with the bat, hitting elegant shots and sharing light-hearted moments with teammates. His energy on the field and genuine enthusiasm for the game reflected a deep-rooted love for cricket, a passion many fans might not often see.
Shahid Kapoor enjoys match day at Lord’s Cricket Ground
Cheered on by his wife Mira Kapoor and close friends, the Kabir Singh star looked completely at home at Lord’s, soaking in the legacy of the stadium and the camaraderie of the sport. Photos and videos from the match have gone viral, with fans calling it a “perfect crossover” of cinema and cricket.
The actor’s appearance at the Mecca of cricket is a reminder of how cricket continues to unite Indians across the world, whether they’re fans or stars. For Shahid, the experience clearly meant more than just a game. It was about reliving a childhood dream, and it showed.
Shahid Kapoor swaps camera for cricket bat at Lord’s
From the pitch to the pavilion, Kapoor’s visit to Lord’s has struck a chord with both film buffs and cricket lovers. A rare, wholesome moment where Bollywood glamour met sporting legacy.
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The 10 must see performances at Edinburgh Fringe 2025
Joe Kent-Walters returns with a devilish cabaret hosted by his undead alter ego, Frankie Monroe
Desiree Burch tackles menopause, rage and rebirth in a fierce solo comeback
Rosie O’Donnell brings raw political fire and personal truths to her Fringe debut
Chat Sht, Get Hit* unleashes feminist fury through football chants and punk poetry
Musicals like Club NVRLND and Hot Mess mix nostalgia with emotional gut punches
Right. Edinburgh in August. It hits you like a wall of damp flyers, cheap lager, and pure, unhinged possibility. Some people come to the Fringe looking to laugh. Others want to cry, escape, question everything, or maybe just get weird for 60 minutes. But this year? This year feels different.
Edinburgh Fringe 2025 is not playing it safe. It’s messier. Angrier. Sharper. Funnier. Queerer. Louder. Softer. All of it, all at once. It's a festival that seems to be screaming: "Pay attention. Feel something. And for god's sake, stop scrolling."
Cutting through the 3,900-show chaos? Brutal. So forget the algorithm, ditch the polite curator voice. This is your raw, slightly sweaty, absolutely essential hit list.
Joe Kent-Walters: Is Frankie Monroe DEAD!!!
Monkey Barrel at Cabaret Voltaire, 28 July–24 Aug (not 11, 12), 13:10
Frankie Monroe is back from the underworld, still in a sequin jacket, still chain-smoking, and still dragging you into his haunted little nightclub of broken dreams. Joe Kent-Walters, last year's Best Newcomer winner, is pure chaos incarnate. Expect Frankie Monroe to grab you, embarrass you, and leave you shrieking. This show is loud, grubby, slightly cursed, and completely brilliant.
Football chants, poetry, and fists full of female rage. Why are angry women so scary? This isn’t a polite show, it’s a riot in verse. It’s what happens when women stop apologising and start screaming. This debut play tears into misogyny with the energy of a punk protest and the heart of something like Fleabag. If you’ve ever felt silenced or sidelined, this one will set something on fire inside you. Absolutely necessary viewing. Go feel the rage.
Rosie O’Donnell at the Fringe! Let that sink in. The Emmy-winner makes her debut, scorching earth on her 20-year Trump feud, parenthood, and fleeing the US. A comedy legend, live, unfiltered, and ready to roast power structures. Rosie isn’t here to be liked. She’s here to say the things she’s been biting her tongue on for years. This is history happening. Get a ticket!
This is what stand-up looks like when a woman walks through fire and comes out spitting glitter and truth. Perimenopause, midlife fury, and raw, funny-as-hell honesty. Sharp as a razor, relatable as hell, and explosively funny. Raw, political stand-up that feels like therapy with a punchline. Desiree doesn’t care if you’re comfortable, she cares if you’re listening.
Millennials! Remember Neverland? Now imagine Peter Pan met Britney Spears in a nightclub, and they talked about millennial burnout and housing crises until 3AM. That’s this show. It’s pop nostalgia, glitter, heartbreak, and economic despair, all set to a beat you can dance to. This one hurts in the best way.
Yes, the title grabs you. But this isn’t trauma porn. It’s dark, yes, and absurd, and funny in the way only horror-comedy can be. It’s daring, uncomfortable, and probably brilliant. Doherty manages to poke at fear, fatigue, and queer rage with real tenderness. Not for the faint-hearted, but essential for those craving something truly different. Expect gasps and guffaws.
Brian Cox. Post-Succession. Playing the ghost of economist Adam Smith. Haunting the ghost of the disgraced RBS CEO Fred Goodwin. About the 2008 financial crash. James Graham wrote it. Cox’s first Scottish stage role in ages? Yeah, this is going to be intense. It’s capitalism’s A Christmas Carol. Creepy, sharp and peak Fringe energy.
Jordan Gray: Is That a C*ck in Your Pocket, or Are You Just Here to Kill Me?
Assembly George Square Gardens, 30 July–24 Aug (not 6, 12, 19), 15:10
Channel 4’s trans powerhouse Jordan Gray is back, swinging hard at the backlash. This is a cowboy-musical-comedy-satire-anthem-slinging revenge gig, and it’s glorious. She’s taking every pearl-clutching headline from last year and turning it into a mic drop moment. You’ll laugh, you’ll cheer, you might cry, but mostly, you’ll witness what it looks like when someone turns hate into glitter-fuelled defiance. Expect big laughs, bigger tunes, and a whole lot of heart.
You’re not ready for Mr. Chonkers. No one is. John Norris’s floppy clown alter ego is the kind of show you stumble into hungover and walk out changed. It's physical comedy on acid, complete with Gregorian chants, inflatable nonsense, and audience participation that feels like a fever dream. If absurdity had a mascot, it’d be this guy. It’s weird. It’s wild. It’s absolute Fringe magic.
A closeted Victorian aristocrat sets fire to his inheritance to stage terrible musicals in a self-made theatre, and we love him for it. This Fringe legend is camp as tits, hilarious, and somehow genuinely touching. The songs slap. The wigs are tragic. The message? History belongs to the weirdos. If you miss this, you’re doing Fringe wrong.
The Fringe isn’t just about theatre. Or comedy. Or cabaret. It’s about connection. In a world built on distraction and performance, these shows ask you to actually feel something. But isn’t that kind of the point? That’s why you go. That’s what this list is about.
If you’re heading to Edinburgh this August, don’t just scroll the star ratings. Listen to your gut, see something that scares you a little, talk to strangers in queues, and soak it all in. And maybe, just maybe, let yourself get a little lost.
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Son of Sardaar 2 faces dialogue cuts ahead of release
• Indian film board has asked the makers to remove the name of China’s President Xi Jinping from the film
• Three additional dialogue changes were recommended, including replacing "item" with "madam"
• The film has received a U/A 13+ certificate with no visual cuts
• Son of Sardaar 2, starring Ajay Devgn and Mrunal Thakur, will release on 1 August 2025
Ajay Devgn’s upcoming film Son of Sardaar 2 has landed in the news just days ahead of its theatrical release, not for its content or storyline, but due to interventions by the Indian film board. While the film has been cleared with a U/A 13+ rating, the board has asked the makers to modify four specific dialogues, including the removal of a direct reference to Chinese President Xi Jinping.
Indian film board censors Xi Jinping reference in Ajay Devgn’s 'Son of Sardaar 2', suggests three more dialogue changes www.easterneye.biz
Why was Xi Jinping's name removed from Son of Sardaar 2 ?
According to reports, the Indian film board objected to a scene that mentioned Xi Jinping by name. Given the diplomatic sensitivities and past tensions between India and China, the board recommended that the line either be muted or the name be replaced.
The move is similar to earlier instances where real political references, especially involving foreign leaders, are often avoided to prevent controversy or backlash.
This is not the first time a film has faced censorship over political content. In recent years, filmmakers have had to navigate a fine line between satire, social commentary and censorship, especially when it comes to international relations.
What other changes did the Indian film board recommend?
Besides the removal of the Xi Jinping reference, the Indian film board suggested three more dialogue changes to make the film more family-friendly. The word "item" used in a particular context was replaced with "madam", as the former is often deemed derogatory or objectifying in mainstream cinema.
Another phrase, "Kutte ki tarah" (like a dog), was also changed to a softer expression, "Bahut buri tarah" (very badly), likely to tone down aggressive language. Additionally, a line beginning with "Bhagwan..." was flagged and replaced with a more neutral alternative to avoid any religious insensitivity.
These changes were made without altering the visuals. The action sequences and comic set pieces have been retained as is, and the final runtime of the film clocks in at 147 minutes and 32 seconds.
When is Son of Sardaar 2 releasing and what’s the screen count issue?
Son of Sardaar 2 is set to hit cinemas on 1 August 2025, after being postponed from its original 25 July release date. The delay was a strategic move to avoid clashing with Saiyaara, an Ahaan Panday–Aneet Padda starrer that has emerged as a box office hit.
However, the Ajay Devgn film is now facing challenges in securing enough show slots in theatres. Distributors are pushing for 60 per cent of total screens, but several exhibitors are reportedly offering only 35 per cent, prioritising ongoing hits like Saiyaara and upcoming releases like Dhadak 2.
While some single-screen theatres have agreed to two shows per day, major multiplex chains remain hesitant, which could impact the film’s opening numbers unless a mid-week momentum builds.
Who stars in Son of Sardaar 2 and who is behind it?
Directed by Vijay Kumar Arora and produced by Devgn Films in association with Jio Studios, Son of Sardaar 2 features a large ensemble cast. Apart from Devgn and Mrunal Thakur, the film includes performances by Neeru Bajwa, Deepak Dobriyal, Chunky Panday, Kubbra Sait, Ravi Kishan, Sharat Saxena, Vindu Dara Singh, Sanjay Mishra and Ashwini Kalsekar. It also marks the posthumous appearance of actor Mukul Dev.
A spiritual sequel to Devgn’s 2012 hit Son of Sardaar, this film is being promoted as an action comedy drama with a modern twist. The original clashed with Shah Rukh Khan’s Jab Tak Hai Jaan back in the day, and interestingly, SOS 2 will now release alongside another romantic drama, Dhadak 2.