YORKSHIRE could possibly come under political pressure to release the findings of an independent report into allegations of institutional racism at the county.
The inquiry was put in place after former Yorkshire captain Azeem Rafiq made accusations of racism in August last year.
The report of the findings were received by the club two weeks ago and have apologised to Rafiq after several of the claims were upheld. But Yorkshire refused to disclose further details.
The MPs from both sides of the political divide feel the findings of the report will never be published. The Times has learnt that they intend to write to Yorkshire and the England and Wales Cricket Board (ECB) to push for publication of a summary of the findings.
Ian Watmore, the ECB chairman, announced last week that he had asked Yorkshire for a copy of the report.
It has also been learnt by the newspaper that several MPs are calling for the report to be made public, be it a redacted version. Moreover, they also want to see recommendations for what action the county will take.
Rafiq has called on the club to release the full report of the findings or else he has threatened to reveal the "car crash' evidence.
In an earlier statement, Yorkshire had apologised Rafiq for the “inappropriate behaviour”, but the 30-year-old said it was merely a fudge and an attempt to downplay his suffering by not even mentioning racism.
Yorkshire are not obligated to publish the report, however, political intervention could prompt a further inquiry with the support of judicial or parliamentary powers.
MPs hope their call for transparency will prompt Yorkshire to make the report public, an if it did not happen there will be an option for the culture, media and sport select committee to have an open hearing.
Yorkshire are not obligated to publish the report and there is a feeling that progress is stalling. Political intervention, however, could prompt a further inquiry with the support of judicial or parliamentary powers.
MPs hope that their call for transparency will prompt Yorkshire to make the report public. If this does not happen, there will be an option for the culture, media and sport select committee to have an open hearing.
Forum brings UK and Chinese film professionals together to explore collaborations.
Emerging British-Asian talent gain mentorship and international exposure.
Small-scale dramas, kids’ shows, and adapting popular formats were the projects everyone was talking about.
Telling stories that feel real to their culture, yet can connect with anyone, is what makes them work worldwide.
Meeting three times a year keeps the UK and China talking, creating opportunities that last beyond one event.
The theatre was packed for the Third Shanghai–London Screen Industry Forum. Between panels and workshops, filmmakers, producers and executives discussed ideas and business cards and it felt more than just a summit. British-Asian filmmakers were meeting and greeting the Chinese industry in an attempt to explore genuine possibilities of working in China’s film market.
UK China film collaborations take off as Third Shanghai London Forum connects British Asian filmmakers with Chinese studios Instagram/ukchinafilm
What makes the forum important for British-Asian filmmakers?
For filmmakers whose films explore identity and belonging, this is a chance to show their work on an international stage, meet Chinese directors, talk co-productions and break cultural walls that normally feel unscalable. “It’s invaluable,” Abid Khan said after a panel, “because you can’t create globally if you don’t talk globally.”
And it’s not just established names. Young filmmakers were all around, pitching ideas and learning on the go. The forum gave them a chance to get noticed with mentoring, workshops, and live pitch sessions.
Which projects are catching international attention?
Micro-dramas are trending. Roy Lu of Linmon International says vertical content for apps is “where it’s at.” They’ve done US, Canada, Australia and next stop, Europe. YouTube is back in focus too, thanks to Rosemary Reed of POW TV Studios. Short attention spans and three-minute hits, she’s ready.
Children’s and sports shows are another hotspot. Jiella Esmat of 8Lions is developing Touch Grass, a football-themed children’s show. The logic is simple: sports and kids content unite families, like global glue.
Then there’s format adaptation. Lu also talked about Nothing But 30, a Chinese series with 7 billion streams. The plan is for an english version in London. Not a straight translation, but a cultural transformation. “‘30’ in London isn’t just words,” Lu says. “It’s a new story.”
Jason Zhang of Stellar Pictures says international audiences respond when culture isn’t just a background prop. Lanterns, flowers, rituals, they’re part of the plot. Cedric Behrel from Trinity CineAsia adds: you need context. Western audiences don’t know Journey to the West, so co-production helps them understand without diluting the story.
Economic sense matters too. Roy Lu stresses: pick your market, make it financially viable. Esmat likens ideal co-productions to a marriage: “Multicultural teams naturally think about what works globally and what doesn’t.”
The UK-China Film Collab’s Future Talent Programme is taking on eight students or recent grads this year. They’re getting the backstage access to international filmmaking that few ever see, including mentorship, festival organising and hands-on experience. Alumni are landing real jobs: accredited festival journalists, Beijing producers, curators at The National Gallery.
Adrian Wootton OBE reminded everyone: “We exist through partnerships, networks, and collaboration.” Yin Xin from Shanghai Media Group noted that tri-annual gathering: London, Shanghai, Hong Kong create an “intensive concentration” of ideas.
Actor-director Zhang Luyi said it best: cultural exchange isn’t telling your story to someone, it’s creating stories together.
The Shanghai-London Screen Industry Forum is no longer just a talking shop. It’s a launchpad, a bridge. And for British-Asian filmmakers and emerging talent, it’s a chance to turn ideas into reality.
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