Mathi Alagan, an Indian-origin Singaporean actor, says it was an "incredible opportunity" to feature in Dev Patel's directorial debut Monkey Man.
Inspired by the legend of Lord Hanuman, Monkey Man is set in Mumbai and features Patel as Kid, who is out to avenge a past wrong.
Alagan expressed gratitude towards Patel, the star of multiple Oscar-winning movie Slumdog Millionaire as well as films like Hotel Mumbai, The Personal History of David Copperfield, and The Green Knight.
"Grateful beyond words for the incredible opportunity to be a part of Monkey Man, helmed by a true legend in the industry. Working alongside Dev Patel has been an absolute honour and a masterclass in itself," the 59-year-old actor wrote on Instagram on Sunday.
Alagan, who has a small role as an arms dealer in Monkey Man, also shared a clip of his scene from the movie, which was released in Singapore last week.
"His and his team's vision, dedication and passion for storytelling have left an indelible mark on me. It's been a journey of learning, growth, and sheer joy. Thank you for trusting me with a role in your creation. Thankful that the world is witnesses the magic we've crafted as a team," he added in the post.
In Singapore, the actor has starred in the local television series Tanglin (2015 to 2018) and the legal drama Code Of Law (2012 to 2020).
Popular actor Shivam Khajuria has showcased his impressive talent in top TV serials such as Molkki, Mann Sundar and Yeh Rishta Kya Kehlata Hai.
He is currently displaying that range in the hugely popular drama Anupamaa, earning wide acclaim. Away from the small screen, the television star is also a passionate cinema lover. He shared his all-time favourite films with Eastern Eye.
Rockstar: This musical struck a chord with me like few others ever have. Ranbir Kapoor’s portrayal of Jordan was raw, flawed and deeply human. The emotional intensity, combined with AR Rahman’s soul-stirring music, made the film unforgettable. It was not just a love story – it was a journey through pain, passion and transformation. Despite its imperfections, it revealed a side of Bollywood I had never seen – bold, poetic and heartbreakingly real.
Rockstar
A Few Good Men: This acclaimed courtroom drama was a game-changer for me. The performances by Tom Cruise, Jack Nicholson and Demi Moore were outstanding. The moral complexity and intensity of the trial – and the way justice was questioned – left a deep impact. It even made me briefly consider a career in law. A classic example of storytelling done right.
James Bond movies: The James Bond series was a big part of my childhood. I was fascinated by Bond’s style, intelligence and smooth confidence. From sleek cars and high-tech gadgets to exotic locations, each film was an escape into a thrilling world of espionage. That iconic introduction – “Bond, James Bond” – never got old. These films made me fall in love with cinematic flair and unforgettable characters.
Final Destination movies: This is one of the few horror franchises that genuinely creeped me out while keeping me hooked. The way fate played out in twisted, unpredictable ways was both terrifying and clever. Each death scene was creatively executed, and I constantly wondered what bizarre turn would come next. These were not just horror films – they were suspenseful, imaginative, and a chilling reminder that we cannot always outrun destiny.
Se7en: This haunting crime thriller is one of those films that stays with you long after the credits roll. The gritty visuals and slow-building tension led to a shocking climax that left me speechless. Brad Pitt and Morgan Freeman delivered exceptional performances. It explored the darkest sides of human nature in a way that was disturbing, powerful and unforgettable.
A still from a James Bond film
Gangs of Wasseypur: This film redefined Indian cinema for me. It was gritty, raw and unapologetically honest. A crime saga set against the backdrop of coal mafia rivalries, it felt more real than fictional. Anurag Kashyap’s bold direction and layered storytelling, combined with stellar performances, made it unforgettable. It was not just a film – it was an experience.
Border: This iconic army drama was my first real dive into war cinema, and it moved me deeply. It depicted not only the battlefield action but also the emotional struggles of soldiers and their families. The music, camaraderie and heartbreaking losses captured the true essence of patriotism and sacrifice. It made me appreciate the strength of those who serve the country.
The Sixth Sense: This psychological thriller completely blew my mind. The storytelling, the atmosphere and that unforgettable twist at the end were pure cinematic brilliance. I still remember the chill I felt during the final reveal. It was not just a thriller – it was a psychological deep dive that changed the way I watch films. A masterclass in suspense and detail.
Interstellar
3 Idiots: Every Indian student relates to this film in some way. It was humorous, emotional and thought-provoking. It challenged the rigid education system and encouraged viewers to pursue passion over pressure. Aamir Khan’s performance stood out, but the entire cast brought warmth and relatability to the story. It made me laugh, cry and reflect – more than just entertainment, it was a life lesson.
Interstellar: This is more than a science fiction film – it is an emotional journey through time, space and human connection. The way it combines complex scientific concepts with deeply personal storytelling is extraordinary. The visuals are breath-taking, the soundtrack is unforgettable, and the exploration of time as a dimension is mind-bending. It made me think, dream and feel. For me, it comes close to being a perfect film.
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Jungkook under fire for wearing Make Tokyo Great Again cap at BTS concert rehearsal
BTS star Jungkook has issued a public apology after sparking backlash for wearing a cap with the phrase “Make Tokyo Great Again” during a rehearsal for J-Hope’s concert. The phrase, seen as politically loaded, upset many fans in South Korea, with some calling it offensive and thoughtless.
The singer, who recently completed his mandatory military service, said he was unaware of the slogan’s sensitive background and admitted that he should have been more cautious.
Jungkook of K-pop supergroup BTS at an outdoor sporting facility in Yeoncheon Getty Images
Slogan draws backlash over political and cultural sensitivity
Jungkook was seen in an all-black outfit and the now-controversial cap during rehearsals for the Hope on the Stage concert on Friday in Goyang. The slogan on the cap, “Make Tokyo Great Again,” echoed political phrases linked to Japanese nationalism and was previously used by Tokyo Governor Koike Yuriko. Some South Korean fans were quick to point out that the phrase has been associated with anti-Korean sentiments and accused the singer of being “careless.”
The similarity to Donald Trump’s “Make America Great Again” also added fuel to the fire, as netizens debated the political undertones and the potential implications of a global star wearing such a phrase publicly. Social media lit up with disappointment, with many questioning how Jungkook could overlook such a sensitive issue, especially given the historical tensions between South Korea and Japan.
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Jungkook responds: “No excuse for my carelessness”
The 27-year-old singer responded quickly to the criticism through a heartfelt message on Weverse. “I sincerely apologise for the disappointment and inconvenience caused by the hat I wore during rehearsals. I didn’t realise the historical and political context behind the phrase,” he wrote. “There’s no excuse. I was careless. I’ll make sure to be more thoughtful from now on.”
He also confirmed that the cap was discarded immediately and acknowledged that he had hurt many of his fans unintentionally. The apology was met with mixed reactions. While some appreciated his honesty, others felt the damage had already been done.
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This incident comes just days after Jungkook completed his 18-month military service alongside Jimin. The Hope on the Stage concert marked his return to the spotlight, with all seven BTS members reuniting on stage, drawing cheers from fans. Jungkook had recently released Never Let Go, a song dedicated to fans during BTS’s 11th anniversary.
With a voice that echoes both the glamour and grit of a bygone era, British singer Aisha Khan is set to take centre stage at London’s legendary Ronnie Scott’s Jazz Club on June 29.
Performing with her acclaimed band The Rajahs, Khan will present a rich cocktail of 1940s and 1950s American roots music, jazz and rhythm and blues – blending timeless classics with her own original songs. Known for her evocative vocals, magnetic stage presence and deep reverence for the great female vocalists of the past, Khan promises a night filled with toe-tapping rhythm and heartfelt emotion.
Ahead of the show, she spoke to Eastern Eye about her lifelong love affair with vintage sounds, the power of live performance, and her inspirations and musical heroes.
What first connected you to music?
There was not just one thing. As a little girl, I was always singing and had no idea why – I just could not help it. I did not come from a musical family. My mum had a couple of Bollywood LPs with Mohammed Rafi and Lata Mangeshkar, and my dad listened to Andy Williams and The Carpenters in the car. Apart from that, there was not much music at home. I watched Top of the Pops as a teenager, but I fell in love with Elvis Presley when I was 13 – that is where my passion for vintage music began.
How would you describe your brand of music? Mostly, I perform authentic 1940s and 1950s American music – blues, rhythm and blues, and rock and roll. I sing cover versions, but I also write a lot of original songs in the same style. I have also been developing a new Americana/country project, so the music keeps coming.
What does live performance mean to you? At its best, it means pure connection with the audience – almost a transcendental experience. It does not always happen like that, but subconsciously, I think that is what I am always striving for. I go on stage with songs I love and musicians who are great and always have my back. With that secure foundation, I try to see where the music can take me, and I bring the audience along with me. I love being close to the audience and drawing them into the live experience. It can bring so much energy and joy.
How much are you looking forward to performing at the iconic Ronnie Scott’s Jazz Club? We performed our first sell-out show upstairs there last year, but this is our first gig in the main room downstairs. I cannot express what an honour and privilege it is to appear at such a legendary venue. To think we will be on the same stage as so many iconic performers – from Ella Fitzgerald to Miles Davis – is mind-blowing.
What can we expect from the show? We will perform some of our most loved original songs, as well as several from our latest album Seven Shades of Blue, released this spring. We also have the honour of introducing Haylen, an incredible artist from Paris, as our special guest. There will be a lot of toe-tapping and happy vibes.
What do you hope people will take away from your performance – musically or emotionally? I hope they leave with a range of emotions. I want them to feel moved, but also to walk out feeling joyous and uplifted.
What do you most love about the jazz and rhythm and blues of the 1940s and 1950s? There are so many things I love about the music of that era. The musicianship, the danceability – how you just cannot help but move to it. I love the lyrics, the humour and the storytelling. When I was younger, I learned a lot of jazz standards and loved them. But it was only after living life – experiencing love, loss and heartbreak, having children, going through disappointment and great happiness – that I truly connected with those songs. Many of them now bring tears to my eyes, or even ecstasy when I sing or hear them. These are songs that truly stand the test of time.
Do you remember the first time you heard a song from that era that truly moved you? It was when I began listening to jazz in my teens. I idolised Sarah Vaughan and her craft. Then, as I discovered more popular music from the 1940s and 1950s and started dancing, I began to feel it not only emotionally but physically too.
Aisha Khan
Who is your own music hero from that bygone era? Sarah Vaughan, definitely. I also loved Billie Holiday.
If you could duet with any artist from the 1940s or 1950s, who would it be? It would have to be one of the great rhythm and blues vocalists – Wynonie Harris, Louis Jordan or Joe Turner. That would be so much fun.
Which classic songs do you most enjoy performing live? I love rhythm and blues by the many powerful female vocalists of that era – songs like Voodoo Voodoo by LaVern Baker, They Call Me Big Mama by Big Mama Thornton, or Pretty Good Love by Big Maybelle.
What inspires you as an artist? A life lived. Everything I have experienced – from having children to feminism. People, places, books – you never know where inspiration will come from. I also love collaborating with other musicians and singers; you never know what kind of magic might be created.
Why do you love music? The same reason I breathe. It is part of all of us – from the rhythms in nature to the cadence of the languages we learn as children. It can tell great stories and express deep emotions. It has the power to change lives – to comfort those in pain and bring joy to those open to it. I believe it is one of the purest art forms and forms of self-expression. I feel incredibly fortunate to have done this for so many years, and I hope to continue for the rest of my life.
Aisha Khan and The Rajahs at Ronnie Scott’s, 47 Frith Street, London W1D 4HT on Sunday, June 29. www.ronniescotts.co.uk
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Lewis Hamilton served as co-producer and advisor for F1, guiding everything from story to technical racing details
Brad Pitt’s upcoming Formula One film, titled F1, owes much of its realism and racing soul to none other than seven-time world champion Lewis Hamilton. According to director Joseph Kosinski, the film wouldn’t exist in its current form without Hamilton’s hands-on involvement, from the first pitch to the final details.
Kosinski, best known for Top Gun: Maverick, shared that Hamilton was the first person he contacted when the project was just an idea. An email led to a partnership, and Hamilton came on board not only as an executive producer but as a consultant whose lived experience shaped everything from the screenplay to on-track movements.
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Every detail came from someone who’s lived it
Set for global release on 25 June (27 June in North America), F1 was filmed across real Grand Prix weekends with full support from Formula One’s organisers. Pitt plays Sonny Hayes, a seasoned driver making a surprise return to the circuit, while Damson Idris stars as his rookie teammate.
Hamilton’s role, however, extended far beyond a name on the credits. He worked closely with the filmmakers to ensure the racing looked and felt accurate, including giving track-specific advice. For instance, he told Kosinski that if Pitt’s character were to pull aside under a blue flag, turn six in Hungary would be the most realistic spot to do so. That level of detail could only come from someone who knows the sport inside out.
Brad Pitt stars as a veteran driver, with scenes shot during actual race weekends for authenticityGetty Images
Producer Jerry Bruckheimer added that Hamilton even corrected gear shifts in the audio during a Silverstone scene, pointing out the sound didn’t match the gear a driver would realistically use in that corner. His obsession with accuracy gave the film its edge.
Beyond the racetrack, Hamilton’s spirit fuels the story
The racing scenes are just one part of the film’s core. Hamilton’s insights also inspired character development. One pivotal moment, where Pitt’s character reflects on the deeper meaning behind his love for racing, was drawn from a real-life conversation with Hamilton about the emotional and spiritual connection drivers have with the sport.
Brad Pitt, Director Joseph Kosinski, Damson Idris, Kerry Condon and Producer Jeremy Kleiner at the fan event for "F1: The Movie" Getty Images
As Formula One looks to expand its global fanbase, especially in the US, F1 aims to build on the success of Netflix’s Drive to Survive. But unlike the docuseries, this film brings together Hollywood storytelling with Hamilton-approved authenticity. And without him, the filmmakers say, this story simply couldn’t be told.
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SRH’s Kavya Maran and Anirudh Ravichander spark fresh buzz
A new rumour is doing the rounds in celebrity and cricket circles. Sunrisers Hyderabad CEO Kavya Maran is reportedly set to marry top music composer and singer Anirudh Ravichander. Though there’s been no official word from either camp, talk of the duo planning a wedding has picked up serious steam online.
Anirudh Ravichander performing live Getty Images
A Reddit rumour, a Las Vegas spotting, and a Rajinikanth connection
Whispers of a romance between Kavya and Anirudh first surfaced in early 2024, with a Reddit post claiming the two were dating. The same post claimed that superstar Rajinikanth, who is Anirudh’s uncle by marriage, had spoken to Kavya’s father, media tycoon Kalanithi Maran, about the match. A few netizens also claimed to have seen the two holidaying together in Las Vegas. Despite public denials from Anirudh’s team back then, the buzz never quite died down.
Now, fresh reports claim the couple may have been quietly preparing for a wedding. Online users have once again begun speculating, especially after noticing the two being spotted together more frequently. With Anirudh’s packed music schedule and Kavya’s strong presence during this year’s IPL season, the timing seems curious and perfect for a soft launch into public acceptance.
Who they are: power, legacy, and a lot of fan following
Anirudh Ravichander shot to fame with Why This Kolaveri Di in 2012 and has since become one of Indian cinema’s most bankable composers. From Jawan to Vikram, his music dominates charts across languages. He comes from a family with strong roots in the arts. His father is actor Ravi Raghavendra, his mother a classical dancer, and his aunt is married to Rajinikanth. His great-grandfather was filmmaker K. Subramanyam.
Kavya Maran is the CEO of Sunrisers Hyderabad and daughter of Kalanithi Maran, the powerful head of Sun Group. Over the last few years, she has become a fan favourite for her viral expressions during SRH matches. She also handles key parts of Sun Network’s broadcast and music divisions.
Kavya Maran caught on camera smiling in the SRH standsNortheast News
Whether the wedding actually happens remains to be seen. But if true, this high-profile alliance would bring together cricket, cinema, and a whole lot of corporate power, and fans seem more than ready to celebrate.