ACE PRODUCER ZAHEER DISCUSSES HIS NEW SONGS AND MENTAL HEALTH
by ASJAD NAZIR
BRITISH music talent Zaheer has made a name for himself by bringing something dynamically different to tracks he produces.
This has enabled him to build an impressive body of work that finds the hallowed middle ground between commercial, artistic and meaningful music.
He continues that unique musical path with his newly released tracks So Lost and Just One Kiss, which both feature widely acclaimed British singer Jamie Stimpson. The songs balance entertainment value with messages Zaheer hopes connects with listeners in lockdown on a deeper level.
Eastern Eye caught up with Zaheer to discuss his musical journey, latest song, campaign for better mental health and future plans.
How do you look back on your musical journey?
Up until recently, regret. At first, I was content with what I achieved and as life moved along, so did I. Then looking back, I wish I had stuck with it and wondered where I’d be if I was more level-headed at the time. These were negative and unhealthy thoughts. I've done a lot of self-reflection and soul searching, and it all moulded me into the person I am today. It's not a case of starting again from scratch, it's rebuilding with experience. My musical journey will always begin, yet never end, and that's what makes it beautiful.
What has the music industry taught you?
The music industry works how it works and will always change with the times. There are a lot of discussions about major labels having a strong hold on the market and it’s harder to break in without pay-to-play schemes such as Spotify playlisting, or advertising on Facebook. I amassed 10,000 likes on Facebook, but now they only show my posts to a fraction of this and entice engagement by putting money into their platform. No thanks! With challenge, though, comes opportunity. Now, more than ever, you can have complete freedom and control in every element.
Tell us more…
I self-release and self-publish everything and get to work with whoever, all over the world without restriction. It's taught me you don't have to go with the flow and it’s easier to break the mould now, more than ever.
Did lockdown affect you creatively?
It’s been my safe haven. I try to only focus on what I can control, otherwise the ‘thoughts’ can consume you. Being creative in my own world is my happy place. While performing and connecting in person with artists is impossible it’s given me opportunities to work with people remotely. I also recently shared my creative process on Instagram, making one beat a day for 30 days, while documenting the process. I imagine this wouldn’t have happened had I not been looking for things to keep me occupied!
Zaheer with Jamie Stimpson
Tell us about your recent release So Lost?
This is a track with Jamie Stimpson, a British r’n’b and pop artist. Jamie previously has had four iTunes r’n’b top 20s and supported Bars & Melody across their O2 Academy tours twice. Despite us both being supportive of each other’s music, our paths never crossed creatively until last year. The Covid pandemic has been an eye-opener for people in so many ways. This song covers the feeling of being helpless and uncertain about our future during unprecedented times. I love how this song transcends cultures; both myself and Jamie have very different backgrounds and life journeys, but connected through our passion for creating timeless music.
You also released new song Just One Kiss. What made you do back-to-back releases?
The days of long three-six months schedules to release music have gone. Now, with the popularity of Instagram/Tik Tok culture, people have short attention spans. The industry is very different to how it was when I was last actively releasing music, and this approach is something that we chose to do instead of having to follow any formula. It’s releasing our music, on our terms.
What was it like working with Jamie Stimpson?
(Laughs) An absolute nightmare! Honestly, it’s been a great experience. We’re very different people, who compliment each other creatively and professionally. I’m very particular about how things sound and feel and am known to have artists retake the smallest parts of songs to make sure they sound as best they possibly can. Jamie also has the same vision, so we just work through things objectively, doing the right things for the benefit of the end result, without ego or thin skin. We share the same sentiment for what we want our music to be, and I think these songs are just the beginning.
Who are you hoping connects with the releases?
The key is us, as artists, first and foremost. It’s an accurate reflection of our thoughts and emotions in the form of music. We hope that comes across in our art and anyone that can click with what we create is a blessing. I feel these songs resonate with everyone. So, Lost covers the uncertainty of the future and with everything happening in the world at present.
What is the plan going forward?
Keep creating for myself, first and foremost. I have a single with renowned UK urban artists Genesis Elijah releasing at the end of March. I have an upcoming single with the fantastic Rita Morar, which I cannot wait for people to hear, and it is something I’ve never produced before.
What does music mean to you today?
Music is my therapy and creative release. It’s something I make for myself. I am just more strategic with how I put it out into the world, compared to how I was before.
You have spoken a lot about mental health and your own struggles, what led towards that?
There is always a stigma with mental health, regardless of how ‘forward thinking’ people say it is. Fear of judgement is real. I’ve always been known to be hard working and positive, and sometimes, it’s a lot to think you are vulnerable. When I struggle, I tend to shut out and deal with things myself, which never helps. It’s not healthy. It’s also still very taboo in the British Asian community. I think about how in those times I wish I could have been open and told everything would be okay. I’ve learnt a lot about how to cope and improve, and I feel it would be a shame not to share that with others. It may just be what they need.
What are key messages you want to convey?
Anything is possible, trust in yourself and your values above everything. Never settle for anything less than what you are truly capable of. Be positive and patient.
Why should we pick up the new singles?
Because I left a corporate job that was destroying my soul; however, I need money to keep a roof over my head and continue doing what I really love! Before I thought it was all about music and the end product, but that’s not the case. The music is a byproduct of my life’s journey. If you support by purchasing a copy of our songs, you’re investing in me as a person. There is nothing more humbling than that.
Scarlett Johansson has once again voiced her frustration over the Oscars overlooking Avengers: Endgame for the Best Picture category. The actress, known for portraying Black Widow in the Marvel Cinematic Universe, expressed her disbelief during an interview. She questioned how a film as groundbreaking and successful as Endgame managed to receive only one nomination, for visual effects, at the 2020 Academy Awards.
“It was an impossible movie that shouldn’t have worked, yet it did, both as a film and as a cultural moment,” Johansson remarked. She pointed out that the film not only pushed creative boundaries but also became one of the highest-grossing movies of all time. Despite its global impact and critical acclaim, Endgame remained absent from major Oscar categories, including Best Picture.
Scarlett Johansson questions why Avengers Endgame was overlooked by the Academy despite its record breaking successGetty Images
This snub particularly stings because Endgame marked the end of an era for Johansson’s character, Natasha Romanoff, who sacrificed herself to save the universe. Following this emotional farewell, Johansson reprised the role one last time in the 2021 prequel, Black Widow. However, when asked about returning to the Marvel universe again, she remained firm, stating that Natasha’s story had reached a meaningful conclusion.
While Johansson clearly misses working with her Marvel co-stars, she feels that bringing back the character would undermine the impact of her farewell. “It wouldn’t make sense,” she said, emphasising the importance of leaving Natasha’s legacy intact.
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Besides her frustration over the Oscars snub, Johansson also took a jab at the length of recent award ceremonies, particularly the 2025 Oscars. She found the James Bond tribute segment overly long, describing it as feeling like an advertisement rather than a celebration of cinema.
Despite the setbacks, Johansson is staying busy. She’s set to star in Jurassic World: Rebirth and is making her directorial debut with Eleanor the Great, which will premiere at the Cannes Film Festival. Her passion for storytelling continues, whether or not the Oscars recognise her past projects.
Scarlett Johansson defends Avengers Endgame and criticises lengthy Oscars ceremoniesGetty Images
In the end, Johansson’s disappointment highlights a recurring issue: the Academy’s reluctance to honour blockbuster superhero films, even when they make a significant cultural impact.
James Gunn’s Superman is shaping up to be more than just another cape-and-costume affair. The latest trailer doesn’t just show off epic battles or a parade of DC heroes; instead, it throws us straight into a tense one-on-one between the Man of Steel and the woman who refuses to let him off the hook.
In this new version, Clark Kent, played by David Corenswet, is already known to Lois Lane as Superman. There’s no awkward glasses game here, just straight talk! And Lois isn’t starstruck. She’s sharp, sceptical, and not afraid to press him on the ethics of playing global policeman. Her questions about his involvement in a foreign conflict cut through the usual superhero fanfare. Was he saving lives, or stepping over a line?
Superman insists he was acting on his own, not as an agent of any government. But Lois reminds him that intent doesn’t erase consequences. That tension between good intentions and real-world impact seems to be at the heart of Gunn’s take on the iconic character. It’s not about whether Superman can save the world; it’s about whether he should do it on his own terms.
The trailer also introduces Nicholas Hoult as Lex Luthor, who sees Superman not as a saviour, but as an alien outsider dominating a global narrative. “He’s not a man. He’s an it,” Luthor declares, breaking into the Fortress of Solitude with the mysterious Engineer. This isn’t a villain twirling his moustache; it’s someone deeply uncomfortable with Superman’s place in the world.
The film skips past origin stories and dives right into an established world, complete with supporting heroes like Green Lantern, Hawkgirl, Mr. Terrific, and Metamorpho, though the latter may be in chains rather than on the team.
We still get a glimpse of Superman’s Kansas roots, with Ma and Pa Kent reminding him that being a hero isn’t just about strength but about character.
Superman, directed and written by James Gunn, flies into cinemas on 11 July in the U.S., with international releases beginning on 9 July. Expect a film that raises questions as much as it throws punches.
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Shah Rukh Khan visits the cast of Come Fall in Love The DDLJ Musical during rehearsals in London
Thirty years after Dilwale Dulhania Le Jayenge changed the face of Hindi cinema, the story is stepping onto the UK stage, and Shah Rukh Khan himself dropped by to witness it in the making.
The actor, who became a household name playing Raj in the original 1995 film, surprised the cast of Come Fall in Love – The DDLJ Musical at their rehearsal space in London. With its UK premiere scheduled at Manchester Opera House from 29 May to 21 June, the stage show is a reimagined take on the beloved romance, directed once again by Aditya Chopra.
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This musical version is set between India and the UK and stars Jena Pandya as Simran and West End actor Ashley Day as Rog, giving a fresh take on Raj. For Pandya, the experience was surreal. “Showing him scenes he once performed was unforgettable,” she said. “He gave his time so kindly. It meant a lot.”
Day, clearly moved, added that the energy shifted the moment Khan walked in. “We all felt it. He didn’t have to say much; his presence said enough,” he reflected. “It was just one of those moments you never forget.”
The musical brings a new twist to the original, with 18 English tracks composed by Vishal Dadlani and Sheykhar Ravjiani. The duo were thrilled by Khan’s visit. “He loved the vibe, the energy, the music,” Vishal said. “It felt like Raj was passing the torch to Rog.” Sheykhar added, “For everyone involved, it was a special afternoon. He connected with the cast on a deeper level; theatre is where he began, after all.”
This production isn’t just about nostalgia. It’s an attempt to present a timeless story to a new audience, with Broadway-style storytelling and Indian emotion. The script and lyrics have been adapted by Nell Benjamin, known for Legally Blonde and Mean Girls, while the choreography is led by Tony Award winner Rob Ashford, with Indian dance sequences by Shruti Merchant.
With immersive events also planned at railway stations in London and Manchester, nodding to the film’s famous train scenes, Come Fall in Love aims to bridge the old with the new. And if Khan’s glowing reaction is any sign, this musical might just become a classic in its own right.
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Indian standup comedian Shamik Chakrabarti at Soho Theatre, London
In his debut UK show – and first international performance – Indian stand-up comedian Shamik Chakrabarti took to the stage at Soho Theatre, London, with a deceptively low-key presence that quickly revealed a sharp wit beneath his ‘sensible nerd’ exterior.
The aptly titled Despite Appearances saw the bespectacled comic defy expectations. His softly spoken, academic demeanour gave way to punchlines filled with sly irony, sarcasm and culturally specific references that regularly caught the audience off guard.
The promising newcomer joins a growing list of Indian comedians making their first international strides through the iconic venue. Performing in English, Chakrabarti opened with locally tailored jabs at British quirks before shifting to idiosyncratic tales from life in India.
What followed was a string of wry observations on topics ranging from his (notably tall) height and online sex bots, to an unforgettable visit to what seemed like a knock-off safari park – complete with deer and what appeared to be a man in a tiger costume.
Rather than delivering rapid-fire gags, the slow-burn set leaned into long, ironic setups and unexpected, sideways punchlines – building a world that felt both absurd and relatable.
The show’s centrepiece was an extended story about losing his laptop in a rickshaw and the surreal events that followed – including trying to explain the situation to bewildered police officers. While this was clearly a crowd favourite and delivered several strong moments, it slightly overstayed its welcome and dragged the pace in the second half.
That said, Chakrabarti’s delivery remains distinctly his own – dry, deadpan and unapologetically niche. It resonated with sections of the audience, though others, perhaps expecting more energy, were less engaged.
With over 25 million Instagram views and more than 8 million on YouTube, Chakrabarti already commands a sizeable fan base – one that is now set to grow. If he can sharpen the storytelling and tighten the structure, he could soon become a regular name on the global stand-up circuit, with the upcoming Edinburgh Fringe as his next big step.
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Fans cheer as Tom Cruise walks the Cannes red carpet for The Final Reckoning premiere
Tom Cruise had a heartfelt moment at the 2025 Cannes Film Festival when his latest film, Mission: Impossible – The Final Reckoning, received a five-minute standing ovation at its world premiere. The 62-year-old actor was visibly moved as the crowd at the Grand Théâtre Lumière cheered him on, acknowledging his 30-year run as Ethan Hunt in the blockbuster franchise.
Cruise walked the aisle surrounded by applause, joined by director Christopher McQuarrie and co-stars including Hayley Atwell, Simon Pegg, Angela Bassett, Pom Klementieff, and Esai Morales. Moments later, he took the mic to thank the audience, calling the experience a dream come true. “I’ve been lucky to entertain you with this series for three decades,” he said, adding a heartfelt tribute to McQuarrie, who has directed the last four films in the series.
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The Cannes premiere was a grand affair. A 40-piece orchestra played the iconic Mission: Impossible theme as the cast walked the red carpet. Fans held up posters from Cruise’s earlier films, and some paid tribute to his Top Gun co-star Val Kilmer. Cruise, known for his genuine connection with fans, took time to sign autographs and pose for photos.
Greg Tarzan Davis, Angela Bassett, Tom Cruise, Tramell Tillman, Hannah Waddingham, Simon Pegg, Pom Klementieff, Esai Morales and Erik Jendresen at Cannes 2025Getty Images
This premiere is, in fact, Cruise’s return to Cannes after Top Gun: Maverick in 2022, which received a six-minute ovation and a jet flyover. While this time lacked such theatrics, the emotional impact was no less powerful. The actor was seen clasping his heart, overwhelmed by the audience’s love.
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The film, which picks up from 2023’s Dead Reckoning Part One, is being touted as the final chapter in the Ethan Hunt saga. Though Cruise hinted it’s a culmination of 30 years of work, he stopped short of calling it his last. “Let people watch it and decide,” he said.
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The Final Reckoning opens in India on 17 May, six days ahead of its global release, and will be available in English, Hindi, Tamil, and Telugu. Given the high production costs and moderate performance of the previous film, the stakes are high. But with Cruise’s relentless promotion across countries and a warm Cannes reception, the franchise may be gearing up for one last big win.