• Wednesday, September 22, 2021
India Corona Update 
Total Fatalities 445,768
Total Cases 33,531,498
Today's Fatalities 383
Today's Cases 26,964
Pakistan Corona Update 
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Total Cases 31,216,337
Today's Fatalities 3,998
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Sri Lanka Corona Update 
Total Fatalities 418,480
Total Cases 31,216,337
Today's Fatalities 3,998
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Bangladesh Corona Update 
Total Fatalities 418,480
Total Cases 31,216,337
Today's Fatalities 3,998
Today's Cases 42,015
UK Corona Update 
Total Fatalities 418,480
Total Cases 31,216,337
Today's Fatalities 3,998
Today's Cases 42,015
India corona update 
Total Fatalities 445,768
Total Cases 33,531,498
Today's Fatalities 383
Today's Cases 26,964

Comment

Memories of Ray and the Apu trilogy

Satyajit Ray (Photo: Faget/AFP via Getty Images)

By: Radhakrishna N S

By Amit Roy

LAST Sunday (2) marked Satyajit Ray’s 100th birth anniversary.

His films, more than anyone else’s, represented the Bengali way of life. But, of course, like all great works of art, they tran­scended the culture in which they were set.

I was late to his trilogy. When I did get round to seeing Apur Sansar, the third in the series, I was in my first year at university. It was a bright, sunny afternoon when I came out. A very young Sharmila Tagore played Aparna, the young wife who dies in child­birth. I don’t think I cried, but I could not speak for half an hour after the film. I had lost my moth­er only a few months previously.

One of my favourite bits of music, composed by Pandit Ravi Shankar, accompanies the cred­its to Apur Sansar.

Apu was played by Soumitra Chatterjee, who died on Novem­ber 15 last year, aged 85. Ray cast him in 14 of his movies.

I commend the trilogy to eve­ryone as a way of understanding not just Bengal, but India.

I hold Ray to be cinema’s greatest director.

Eastern Eye

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