Skip to content 
Search

Latest Stories

Mehtab Malhotra: ‘Poetry has had a profound effect on my understanding and approach to life’

Mehtab Malhotra: ‘Poetry has had a profound effect on my understanding and approach to life’

THIS year’s Women In The Arts festival opens with a show headlined by acclaimed poet and ghazal singer Mehtab Malhotra at the Tara Theatre in London next Saturday (12).

The performance will include works by old and new poets, and popular ghazals originally delivered by greats like Iqbal Bano, Farida Khanum and Noor Jehan. Accompanied by talented musicians, she will also deliver rare original ghazals composed by her father Raghubir Malhotra and her teacher Ustad Iqbal Ahmed Khan, the last living exponent of the Delhi gharana. In addition, she will pay homage to her current teacher, Ustad Salamat Ali Khan of the Kirana Gharana.


This is the latest musical chapter for a versatile performer who has received blessings from late great music legends like Noor Jehan and Naushad, and  performed on the last album of Ustad Nusrat Fateh Ali Khan.

Eastern Eye caught up with the artist, who is also a barrister, to discuss her close connection to ghazal, poetry and performance.

What would you say first connected you to poetry?

My father, Raghubir Malhotra, was an Urdu poet and a barrister. Our home also had the strong influence of my mother, Uma Malhotra, who was teaching English literature at university as a professor, and English poetry was a big part of her engagement with the family.

We were also surrounded by family friends who were heavily into writing and reciting poetry. This environment strongly influenced my interest in poetry.

How do you feel being part of Women In The Arts festival?

I’m delighted to be part of this festival. It is heartening that a whole festival is dedicated to women and performing arts. The unique forum is bringing forward talent and providing a platform for accomplished female artists.

What has the experience of combining poetry with music been like?

Music, if correctly composed for the particular poem, can be the most beautiful form of expression for the poetry. It is not just the beauty of the ragas I enjoy singing, but the way in which the raga is able to express the meaning and sentiment of the poem. The combination is a powerful and heady mixture.

Who is your favourite poet?

I am a fan of many poets, and particularly enjoy singing the words of Faiz Ahmed Faiz, who writes about the pain of the common man and about justice and social equality.

Why do you think those iconic Urdu poets were so great?

Perhaps because the depth of thought and content was particularly meaningful. It was also a sign of the times when this poetry emerged. They were times of hardship, formation of new nations, hope, unrequited love, greater constraints on male-female association and struggle.

What is your opinion about modern Urdu poetry and do you think it is a dying art form?

I believe poetry will always remain an art form; however, the manner and form of it may change with time. Urdu or any language for that matter is not static, and its pure form is also dynamic. So, it is inevitable that as times change, forms of expression also change and evolve.

I believe it is therefore vital to keep alive the old form of poetry, as those times are no more, and neither are the poets or the issues they wrote about.

How has poetry helped you?

Poetry has had a profound effect on my understanding and approach to life. The poetry I enjoy resonates very much with my area of practice as a barrister in human rights and family law. I have imbibed and absorbed a lot of the ethos and sentiment of the poetry I sing. I believe it has shaped my approach to people, to life, to sensitivities about the pain of others and my general sense of justice and love.

What inspires you?

Beautiful thoughts, people and physical manifestations of thoughts, art and music continue to inspire me. I continue to seek beauty in the simplest things, people and beautiful expressions through my practice as a barrister, and in my work and art as a singer.

Finally, why should we attend your show at Tara Theatre?

My event promises to embody all I believe in – beautiful music, beautiful instruments, beautiful poetry and beautiful people. I have performed over 600 solo concerts and am experienced in producing a unique sound and type of music set. It has an emphasis on poetry, a lot of which is original, and in unison with London’s top instrumentalists who, with me, will create a special sound that I am certain you will thoroughly enjoy.

www.taratheatre.com and www.sama.co.uk 

More For You

Raynor Winn

The controversy, now widely referred to as The Salt Path scandal

Getty Images

Raynor Winn calls Salt Path scandal claims 'highly misleading' amid backlash

Highlights

  • The Salt Path author Raynor Winn calls media claims “highly misleading”
  • Allegations published in The Observer raise doubts about key memoir details
  • PSPA charity ends relationship with Winn and her husband Moth
  • Winn pulls out of Saltlines tour but is still scheduled for literary events

Author rejects claims as legal advice sought

Raynor Winn, the author of the best-selling memoir The Salt Path, has strongly denied accusations that parts of her book are fabricated, describing recent media coverage as “highly misleading” and confirming that she and her husband are taking legal advice.

The controversy, now widely referred to as The Salt Path scandal, follows an Observer report that disputes aspects of the memoir’s central narrative, including the timeline and medical diagnosis that prompted the journey at the heart of the book.

Keep ReadingShow less
Rachel Zegler’s ‘Evita’ Performance Sparks Broadway Buzz

Rachel Zegler stuns in Jamie Lloyd’s Evita as Palladium crowds grow nightly

Instagram/officialevita

Rachel Zegler shines in Jamie Lloyd’s ‘Evita’ as West End hit eyes Broadway transfer

Quick highlights:

 
     
  • Rachel Zegler plays Eva Perón in Jamie Lloyd’s radical Evita revival at the London Palladium.
  •  
  • A viral moment features Zegler singing live from the theatre’s balcony to crowds on the street.
  •  
  • Lloyd’s stripped-down staging amps up visuals and sound but sacrifices storytelling depth.
  •  
  • Talks are on for a Broadway transfer as early as 2026 with Zegler confirmed to reprise her role.
  •  
 

Rachel Zegler commands the London stage as Eva Perón in Jamie Lloyd’s daring reimagining of Evita, a production that trades subtlety for spectacle and could soon be heading to Broadway.

Following the success of Sunset Boulevard, Lloyd’s signature stripped-down style meets rock concert intensity in this revived version of the Andrew Lloyd Webber and Tim Rice musical. Zegler, in only her second major stage role, dazzles with commanding vocals and presence, even as critics debate the show’s dramatic clarity.

Keep ReadingShow less
K Anis Ahmed

K Anis Ahmed’s new novel Carnivore is as imaginative as it is provocative

AMG

K Anis Ahmed’s 'Carnivore' serves up satire, class war and moral rot

From the blood-soaked backstreets of Dhaka to the polished kitchens of Manhattan’s elite, K Anis Ahmed’s new novel Carnivore is as imaginative as it is provocative. A satirical thriller steeped in class tension, culinary obsession and primal survival, Carnivore follows Kash, a Bangladeshi immigrant-turned-chef who launches a high-end restaurant serving exotic meats – only to become embroiled in a sinister world of appetite and ambition.

But this is no simple tale of knives and recipes. Ahmed – a seasoned journalist, publisher, and president of PEN Bangladesh – brings a sharp eye to the grotesqueries of power and privilege. In this exclusive interview with Eastern Eye, he speaks about his passion for food, the moral murkiness of his characters, and why even the most ordinary people can spiral into extraordinary darkness.

Keep ReadingShow less
Artists respond to a world shaped
by division at Summer Exhibition

Visitors view works in the main gallery

Artists respond to a world shaped by division at Summer Exhibition

THE theme of the Royal Academy’s Summer Exhibition 2025 is “dialogues”, prompting the question: can art help bring together the people of India and Pakistan? Or, indeed, Israel and Iran – or Israel and Palestine?

It so happens that the coordinator of this year’s Summer Exhibition is the internationally celebrated artist and Royal Academician Farshid Moussavi, who is of Iranian origin.

Keep ReadingShow less
Kanpur 1857 play

This summer, Niall Moorjani returns to the Edinburgh Festival Fringe with 'Kanpur: 1857'

Pleasance

Niall Moorjani brings colonial history to life with powerful new play 'Kanpur: 1857'

This summer, Niall Moorjani returns to the Edinburgh Festival Fringe with Kanpur: 1857, an explosive new play that fuses biting satire, history and heartfelt storytelling. Written, co-directed and performed by Moorjani, alongside fellow actor and collaborator Jonathan Oldfield, the show dives into the bloody uprising against British colonial rule in 1857 India, focusing on the brutal events in Kanpur.

At its centre is an Indian rebel, played by Moorjani, strapped to a cannon and forced to recount a version of events under the watchful eye of a British officer.

Keep ReadingShow less