After receiving great response for her latest release Haseen Dillruba (2021), Taapsee Pannu is looking forward to the release of her next Looop Lapeta. The film, which is the official Hindi remake of Tom Tykwer’s German film, Run Lola Run (1998), wrapped up its shoot in February.
The latest update on Looop Lapeta is that the makers are considering a direct-to-digital release for the film. Talking to a digital publication, producer Atul Kasbekar confirmed the development.
“Given the circumstances that we are in, it is likely that we will look for an OTT premiere. It is not locked in stone yet, but if there are huge films like Toofaan, Haseen Dillruba, and so on releasing on OTT, then now it is cool to be one or the other,” informed Kasbekar.
He further added, “Technically, our film will probably rewrite a lot of chapters, which is something I am really proud of. Especially when it comes to the camera work done by an absolute genius called Yash Khanna. So just like the original Run Lola Run, which set a whole technical benchmark, I think we are going to do the same. I have told my DOP that ‘if you do not get nominated for award functions, then there is a travesty of justice’."
Kasbekar further said that it is important that everybody working on a project is enthusiastic about what they are making. “As creative people, it is not like ‘give money, we will work’ kind of scenario. Everybody needs to be enthusiastic about the project, and you need to keep the energy going. There are three people with whom I would not hesitate to continuously work on as many projects as I can in my lifetime. They are Vidya Balan, Taapsee Pannu and Shreya Dhanwanthary. They bring lovely energy to the set, are always on time, always smiling and hard working. It is an absolute joy to collaborate with them,” concludes Kasbekar.
Produced by Sony Pictures Films India and Ellipsis Entertainment, Looop Lapeta has been directed by Aakash Bhatia. The film also stars Tahir Raj Bhasin in an important role.
Mukerji parts ways with YRF’s Dhoom 4 after reported creative disagreements.
Decision said to be amicable, with Aditya Chopra and Ranbir Kapoor supportive.
Director shifts focus to Brahmastra: Part Two – Dev, expected to begin filming in 2026.
Filmmaker steps away from YRF’s action franchise
Filmmaker Ayan Mukerji has stepped away from Yash Raj Films’ (YRF) highly anticipated action project Dhoom 4, reportedly due to creative differences. According to Bollywood Hungama, Mukerji’s vision for the film did not align with the studio’s direction, prompting him to withdraw from the project.
Mukerji, who was in discussions to direct the next instalment of the hit franchise—expected to star Ranbir Kapoor—was said to have limited control over the script, which was reportedly written by Shridhar Raghavan. The director, best known for Yeh Jawaani Hai Deewani and Brahmastra, was keen on shaping the film creatively rather than simply executing an existing plan.
A source quoted in the report said, “Ayan didn’t have much say in the screenplay and didn’t want to embark on another journey of just execution.”
Amicable parting after discussions with Aditya Chopra
Before stepping away, Mukerji is believed to have held several discussions with YRF head Aditya Chopra and actor Ranbir Kapoor. Both reportedly supported his decision, with insiders describing the split as “completely amicable.”
The director’s departure does not mark the end of Dhoom 4, as YRF plans to continue with the project under a new director. The studio may also reconsider casting options, despite earlier reports that Ranbir Kapoor had set aside dates for the film.
Focus returns to the Brahmastra universe
Following his exit from Dhoom 4, Mukerji has shifted attention back to his passion project—the Brahmastra series. The filmmaker is currently developing Brahmastra: Part Two – Dev, the sequel to the 2022 fantasy epic.
The film, initially expected to begin production earlier, is now likely to go on floors in 2026. Sources suggest Mukerji intends to expand the Astraverse with more depth in storytelling, combining elements of mythology, drama, and spectacle.
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