Skip to content
Search

Latest Stories

'Magical' version of Life of Pi

'Magical' version of Life of Pi

Strong cast and technical wizardy make complex story about faith shine on stage

ONE can only fervently hope that Omicron doesn’t put paid to Life of Pi, Lolita Chakrabarti’s “magical” adaptation of Canadian author Yann Martel’s Booker Prize-winning novel from 2002, at Wyndham’s Theatre in the West End.


This is theatre at its best, but it goes deeper than entertainment, for it poses a fundamental question – is there a God?

My sense after watching the two-hour play is that the audience is encouraged to believe there is; although, to be sure, people are left to make up their own minds.

“Which is the better story?” asks Pi Patel at the end.

The character of Pi, who is on stage for the entirety of the production, is played by Hiran Abeysekera, who sustains the show with an amazing performance.

Pi is a 16-year-old boy who survives a 227-day journey across the stormy Pacific Ocean in a small boat after a ship wreck. He has for company a ferocious Royal Bengal tiger, Richard Parker, so named because of a clerical error.

The boat’s previous occupant had been a hyena which had been killed by the tiger. But this seemed like natural justice because the hyena had devoured a zebra, Black & White, and a much-loved orangutan, Orange Juice.

INSET 1 Life Of Pi the Company 2021 by Johan Persson A scene from the play. (Photo: Johan Persson)

Pi tells his story in flashback from a hospital bed after he and Richard Parker wash up in Mexico at journey’s end.

However, his account of “cohabitation” with a tiger is just not believed by Mr Okamoto (David KS Tse), who has come from Japan to debrief the boy, the only survivor after the sinking of the Tsimtsum.

This was the Japanese ship that was ferrying the Patel family zoo from Pondicherry in south India to a new life in Canada.

But the alternative account is horrific, which is that the hyena, zebra and orangutan had represented the ship’s chef, a sailor and Pi’s mother, Amma.

The chef had killed and eaten the sailor and Amma; and Pi, in turn, had killed their killer. Whether he, too, had engaged in cannibalism is left unsaid.

“Which is the better story?” Pi asks again.

His question is directed at Mr Okamoto and also at Lulu Chen (Kirsten Foster), the more sympathetic immigration official who has come to prepare his entry papers for Canada.

Both finally admit they prefer the “animal” story – and indeed the audience is encouraged to think the same. And for that to happen there must surely be a

God. People of faith who come to see Life of Pi will surely nod knowingly in their seats.

In his report to the owners of the shipping company, Mr Okamoto prudently skips mention of the tiger and merely states the cause of the sinking of the ship cannot be established.

To me, the exchanges between young Pi and an initially incredulous Mr Okamoto are almost at the heart of the play.

Along the way we see breathtaking puppetry. Even though we can spot scurrying feet and moving hands beneath the puppets, the hyena comes across as a particularly nasty piece of work, as it rips apart first the zebra and then

the orangutan.

The huge tiger is clearly a creature to be feared – and this makes its transformation as an object of friendship and love for Pi all the more impressive. The tiger had, at first, viewed Pi as suitable prey, but comes to depend on him after the boy provides him with a steady supply of fish.

The way the boat emerges on stage, surrounded by water and luminescent fish and starry skies above, is a triumph of technical wizardry. Others will find God in the beauty of nature – as Pi does.

All the members of the cast, from Mina Anwar as Amma to Raj Ghatak as Mamaji and Panditji, Tom Espiner as Father Martin and Commander Grant-Jones, and Nicholas Khan as Pi’s father, blend in perfectly so a complex tale is simply told.

A big part of the credit for that must go to Chakrabarti’s writing skills. People who have not read Martel’s novel or seen Ang Lee’s 2012 film version are not at a disadvantage.

Incidentally, Hahib Nasib Nader deserves a special commendation for his voice as Richard Parker.

What lifts the play are the snatches of humour. When Richard Parker is finally given a voice, Pi is puzzled: “Why do you have a French accent when you were born in Bangladesh?”

When Richard Parker asks Pi, a vegetarian, to list his favourite food, he reels off a string of spicy south Indian dishes, including “rasam”.

But when he goes days without water, Pi is forced to stab and drink the blood of a gentle turtle, which he loathes doing: “How can you be a Hindu if you eat meat? I’m Hindu – I’ve never eaten meat in my life.”

Perhaps it is worth giving Jasminder Singh a mention. He figured recently in Eastern Eye’s Asian Rich List (ranked 10th with £1.5 billion).

His group, “the Edwardian Hotels London is proud to be the official hotel partner of Life of Pi in the West End”. Presumably those coming from out of town or from abroad to see Life of Pi can stay at his nearby super-boutique hotel, The Londoner.

INSET 2 Hiran Abeysekera and Company of LifeOfPi2021 by Johan Persson Another scene from the play. (Photo: Johan Persson)

God and the pandemic willing, Life of Pi looks set for a long run – and justly so. For Asian audiences, it is probably the best thing since Andrew Lloyd Webber’s Bombay Dreams in 2002.

On the night I went, Martel and Chakrabarti came on stage afterwards for a Q&A with the play’s director, Max Webster.

Martel used the word “magical” to describe the stage adaptation. He took four and-a-half years to write the book, after spending two years on research. The author, who lives in Saskatchewan, where people lead an isolated existence

even without a pandemic, described Canada as essentially a “secular” society.

His view of religion changed after a backpacking trip to India, which also planted the idea of a book: “In India you see religion everywhere. People take it seriously – sometimes too seriously. You cannot prove God, yet millions

believe in God.”

This view was, in essence, the debate in hospital between Pi and Mr Okamoto.

Chakrabarti said she had loved the novel since first reading it in 2002. In her adaptation, she had tried to examine how “faith” affected people’s lives.

She revealed she had assumed that in Pi’s alternative story, the one in which people had engaged in cannibalism was “the true version”.

But when she turned to Martel for guidance, the author assured her this was absolutely not the case.

Life of Pi is now playing at Wyndham’s Theatre in London.

More For You

Nitin Ganatra art exhibition

Through abstract forms, bold colour, and layered compositions

thelax.art

Nitin Ganatra debuts first solo art exhibition in London’s Soho

Highlights:

  • Fragments of Belonging is Nitin Ganatra’s first solo exhibition
  • Opens Saturday, September 27, at London Art Exchange in Soho Square
  • Show explores themes of memory, displacement, identity, and reinvention
  • Runs from 3:30 PM to 9:00 PM, doors open at 3:15 PM

From screen to canvas

Actor Nitin Ganatra, known for his roles in EastEnders, Bride & Prejudice, and Charlie and the Chocolate Factory, is embarking on a new artistic chapter with his debut solo exhibition.

Titled Fragments of Belonging, the show marks his transition from performance to painting, presenting a deeply personal series of works at the London Art Exchange in Soho Square on September 27.

Keep ReadingShow less
Baiju Bhatt

At 40, Bhatt is the only person of Indian origin in this group, which includes figures such as Meta’s Mark Zuckerberg. (Photo: Getty Images)

Baiju Bhatt named among youngest billionaires in US by Forbes

INDIAN-AMERICAN entrepreneur Baiju Bhatt, co-founder of the commission-free trading platform Robinhood, has been named among the 10 youngest billionaires in the United States in the 2025 Forbes 400 list.

At 40, Bhatt is the only person of Indian origin in this group, which includes figures such as Meta’s Mark Zuckerberg. Forbes estimates his net worth at around USD 6–7 billion (£4.4–5.1 billion), primarily from his roughly 6 per cent ownership in Robinhood.

Keep ReadingShow less
Mandelson-Getty

Starmer dismissed Mandelson on Thursday after reading emails published by Bloomberg in which Mandelson defended Jeffrey Epstein following his 2008 conviction. (Photo: Getty Images)

Getty Images

Minister says Mandelson should never have been appointed

A CABINET minister has said Peter Mandelson should not have been made UK ambassador to the US, as criticism mounted over prime minister Keir Starmer’s judgment in appointing him.

Douglas Alexander, the Scotland secretary, told the BBC that Mandelson’s appointment was seen as “high-risk, high-reward” but that newly revealed emails changed the situation.

Keep ReadingShow less
​Dilemmas of dating in a digital world

We are living faster than ever before

AMG

​Dilemmas of dating in a digital world

Shiveena Haque

Finding romance today feels like trying to align stars in a night sky that refuses to stay still

When was the last time you stumbled into a conversation that made your heart skip? Or exchanged a sweet beginning to a love story - organically, without the buffer of screens, swipes, or curated profiles? In 2025, those moments feel rarer, swallowed up by the quickening pace of life.

Keep ReadingShow less
Comment: Mahmood’s rise exposes Britain’s diversity paradox

Shabana Mahmood, US homeland security secretary Kristi Noem, Canada’s public safety minister Gary Anandasangaree, Australia’s home affairs minister Tony Burke and New Zealand’s attorney general Judith Collins at the Five Eyes security alliance summit on Monday (8)

Comment: Mahmood’s rise exposes Britain’s diversity paradox

PRIME MINISTER Keir Starmer’s government is not working. That is the public verdict, one year in. So, he used his deputy Angela Rayner’s resignation to hit the reset button.

It signals a shift in his own theory of change. Starmer wanted his mission-led government to avoid frequent shuffles of his pack, so that ministers knew their briefs. Such a dramatic reshuffle shows that the prime minister has had enough of subject expertise for now, gambling instead that fresh eyes may bring bold new energy to intractable challenges on welfare and asylum.

Keep ReadingShow less