Laapataa Ladies, directed by Kiran Rao, and Thank You For Coming, featuring Bhumi Pednekar, are the two Indian films that will have their world premiere at the 48th Toronto International Film Festival 2023, to be held from September 7 to 17.
While Laapataa Ladies will be screened under the Centrepiece Programme (formerly known as Contemporary World Cinema), Thank You For Coming will premiere under the Gala section.
The festival organisers made the announcement on its official website on Thursday.
Rao is set to return to TIFF after her directorial debut "Dhobi Ghat" had its world premiere in 2010 at the film extravaganza.
Laapataa Ladies (Lost Ladies) follows "two young brides hilariously entwined in a riot of mistaken identities", read the synopsis of the movie issued by the gala. Set in 2001 in rural India, the film stars Pratibha Ranta and Nitanshi Goel.
"I am so delighted that the world premiere of our film, Laapataa Ladies is going to be at the Toronto International Film Festival. I have very fond memories of TIFF.
"It's such a wonderful audience-driven festival, and I will always remember the warmth and love that we got from them. I feel very fortunate that my second film, once again produced by Aamir Khan Productions and this time with Jio Studios on board, will also begin its journey there," the filmmaker said in a statement.
Aamir Khan, who serves as a producer on Laapataa Ladies, said he is looking forward to the film.
"Kiran has made a gem of a film which I hope is going to connect strongly with audiences all across. Can't wait for the premiere of our film Laapataa Ladies at TIFF," Khan added.
Coming-of-age comedy Thank You For Coming, directed by Karan Boolani, follows the story of Kanika Kapoor (Pednekar), a single girl in her 30s, and her quest for true love and pleasure. It is written by Radhika Anand and Prashasti Singh.
The film, produced by Ektaa R Kapoor and Rhea Kapoor, will premiere at TIFF on September 15. It is set for a worldwide release on October 6.
Rhea Kapoor termed Thank You For Coming an "unconventional, bold and entertaining" movie.
"It is a film for this generation and we feel extremely honoured to have the world premiere of our film at TIFF 2023. Even with its unconventional storyline and bold point of view, this movie is an out-and-out Bollywood entertainer, full of masti and music so it makes this selection that much sweeter!" the producer said in a statement.
Ektaa R Kapoor said this project holds a special place in her heart.
“... I am eagerly anticipating the moment when I can present it to a discerning global audience. The opportunity to be part of such a prestigious festival is an absolute honor, and I am awaiting the feedback and reception it garners," she added.
The film also stars Shehnaaz Gill, Dolly Singh, Kusha Kapila, Shibani Bedi, Pradhuman Singh Mall, Natasha Rastogi, Gautmik, Sushant Divgikar, Saloni Daini, Dolly Ahluwalia, and Karan Kundrra with Anil Kapoor in a special appearance.
Other Indian films to premiere at TIFF 2023 are Honey Trehan's Punjab '95, which is part of the Official Selection, Nikhil Nagesh Bhat's Kill (Midnight Madness segment), and Jayant Digambar Somalkar's Marathi feature film debut Sthal (A Match) under the Discovery Programme.
Forum brings UK and Chinese film professionals together to explore collaborations.
Emerging British-Asian talent gain mentorship and international exposure.
Small-scale dramas, kids’ shows, and adapting popular formats were the projects everyone was talking about.
Telling stories that feel real to their culture, yet can connect with anyone, is what makes them work worldwide.
Meeting three times a year keeps the UK and China talking, creating opportunities that last beyond one event.
The theatre was packed for the Third Shanghai–London Screen Industry Forum. Between panels and workshops, filmmakers, producers and executives discussed ideas and business cards and it felt more than just a summit. British-Asian filmmakers were meeting and greeting the Chinese industry in an attempt to explore genuine possibilities of working in China’s film market.
UK China film collaborations take off as Third Shanghai London Forum connects British Asian filmmakers with Chinese studios Instagram/ukchinafilm
What makes the forum important for British-Asian filmmakers?
For filmmakers whose films explore identity and belonging, this is a chance to show their work on an international stage, meet Chinese directors, talk co-productions and break cultural walls that normally feel unscalable. “It’s invaluable,” Abid Khan said after a panel, “because you can’t create globally if you don’t talk globally.”
And it’s not just established names. Young filmmakers were all around, pitching ideas and learning on the go. The forum gave them a chance to get noticed with mentoring, workshops, and live pitch sessions.
Which projects are catching international attention?
Micro-dramas are trending. Roy Lu of Linmon International says vertical content for apps is “where it’s at.” They’ve done US, Canada, Australia and next stop, Europe. YouTube is back in focus too, thanks to Rosemary Reed of POW TV Studios. Short attention spans and three-minute hits, she’s ready.
Children’s and sports shows are another hotspot. Jiella Esmat of 8Lions is developing Touch Grass, a football-themed children’s show. The logic is simple: sports and kids content unite families, like global glue.
Then there’s format adaptation. Lu also talked about Nothing But 30, a Chinese series with 7 billion streams. The plan is for an english version in London. Not a straight translation, but a cultural transformation. “‘30’ in London isn’t just words,” Lu says. “It’s a new story.”
Jason Zhang of Stellar Pictures says international audiences respond when culture isn’t just a background prop. Lanterns, flowers, rituals, they’re part of the plot. Cedric Behrel from Trinity CineAsia adds: you need context. Western audiences don’t know Journey to the West, so co-production helps them understand without diluting the story.
Economic sense matters too. Roy Lu stresses: pick your market, make it financially viable. Esmat likens ideal co-productions to a marriage: “Multicultural teams naturally think about what works globally and what doesn’t.”
The UK-China Film Collab’s Future Talent Programme is taking on eight students or recent grads this year. They’re getting the backstage access to international filmmaking that few ever see, including mentorship, festival organising and hands-on experience. Alumni are landing real jobs: accredited festival journalists, Beijing producers, curators at The National Gallery.
Adrian Wootton OBE reminded everyone: “We exist through partnerships, networks, and collaboration.” Yin Xin from Shanghai Media Group noted that tri-annual gathering: London, Shanghai, Hong Kong create an “intensive concentration” of ideas.
Actor-director Zhang Luyi said it best: cultural exchange isn’t telling your story to someone, it’s creating stories together.
The Shanghai-London Screen Industry Forum is no longer just a talking shop. It’s a launchpad, a bridge. And for British-Asian filmmakers and emerging talent, it’s a chance to turn ideas into reality.
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