Bollywood actress Kalki Koechlin, who comes from a humble background with no showbiz connection, has carved her own niche in Bollywood. She has to her credit a number of notable films including critically and commercially successful blockbusters Dev D (2009), Zindagi Na Milegi Dobara (2011), and Yeh Jawaani Hai Deewani (2013.
However, Koechlin, born in Pondicherry to French parents, believes that it is not nepotism but the skin colour that dictates the kind of role an actor is offered in Bollywood. She shared how she is often offered the roles of a rich woman only, adding that it is primarily because of her skin colour.
Talking to an Indian daily, she said, “I have had a director say to me, ‘I think you will completely ace this role because you play a psychotic in it’. That’s the kind of perception people have of me, and I feel quite frustrated. Obviously, because of the colour of my skin, I can only play these upper-class characters.”
She went on to add that she is not the only actress who has to face this type of discrimination. She claimed that she knows several other actors who go through the same. “I know of an actor with a dusky complexion who is always given the role of a maid. That frustrates her. Everyone has been put into boxes. I am waiting for the right role to come my way so that I can challenge myself,” Koechlin added. “My skin is white, but my heart is brown.”
The actress is presently awaiting the release of her next movie Goldfish where she plays the role of veteran actor Deepti Naval’s daughter, suffering from dementia. Revealing what attracted her to the film, she told a newswire, “For my character, one of the things I guess that made the director choose me was the cultural complication that I have while growing up with double culture, French and Indian, and not knowing where I belong.”
Keep visiting this space over and again for more updates and reveals from the world of entertainment.
Dabangg director Abhinav Kashyap has reignited his feud with Salman Khan
He accused the actor of being “not interested in acting for 25 years”
Kashyap also labelled the Khan family “vindictive” and controlling in Bollywood
His remarks come days before Dabangg’s 15th anniversary
Filmmaker Abhinav Kashyap has once again targeted Bollywood star Salman Khan, this time using strong words ahead of the 15th anniversary of Dabangg. The director alleged that Salman, despite his superstardom, has shown little interest in acting for decades and only “does a favour by turning up to work.” He further claimed the Khan family operates vindictively in the industry, echoing past allegations that they derailed his career.
‘Dabangg’ director Abhinav Kashyap says Salman Khan stopped caring about acting 25 years ago and calls him a goon Getty Images/ IMDB
What did Abhinav Kashyap say about Salman Khan?
In a new interview, Abhinav Kashyap did not hold back when describing his former leading man. He called Salman Khan a “gunda, badtameez, ganda insaan” (a goon, ill-mannered and bad person). The director alleged that the actor has not been involved in his craft for the past 25 years.
“Salman is never interested in acting. He does a favour by turning up. He is more into the power of being a celebrity than the art of cinema,” Kashyap said. He added that he only realised the extent of this behaviour during the making of Dabangg in 2010.
Abhinav Kashyap alleges Salman Khan has lost interest in acting for more than two decadesIMDB
Why did Abhinav Kashyap clash with the Khan family?
Kashyap also spoke about his fraught relationship with the Khan family, claiming they use their influence to control Bollywood. “He (Salman) is the father of the star system. The family has been in the industry for 50 years. They are vindictive people. If you don’t agree with them, they come after you,” he said.
The filmmaker walked away from Dabangg 2 and has long maintained that the Khans tried to block his opportunities afterwards. In 2020, he posted on social media accusing Salman, Arbaaz, Sohail, and veteran writer Salim Khan of sabotaging his career.
Salman Khan, mother Salma, father Salim Khan, sister Arpita and Arbaaz Khan stand on the balcony on arrival at his house in Galaxy Apartment Getty Images
What role did Anurag Kashyap play in the fallout?
Abhinav Kashyap recalled how his brother, acclaimed director Anurag Kashyap, had faced a similar situation years earlier. Anurag was initially attached to Tere Naam (2003), written by him and starring Salman Khan. He eventually left the project after clashes with producer Boney Kapoor, and his contribution allegedly went uncredited.
“Anurag told me before Dabangg that I wouldn’t be able to make a film with Salman. He thought I’d get easily bullied. The same thing happened with him on Tere Naam. They misbehaved, and he had to leave,” Abhinav said.
Abhinav Kashyap says Anurag warned him never to work with the Salman Khan Getty Images
Where does Salman Khan stand now?
While Abhinav Kashyap continues to criticise him, Salman Khan has remained publicly silent on the matter. His father, Salim Khan, previously dismissed the director as “a frustrated person” and said the industry knows the truth about his family’s work.
Salman Khan silent as Abhinav Kashyap calls him a goon during a recent interviewGetty Images
Professionally, Salman was last seen in AR Murugadoss’ Sikandar, opposite Rashmika Mandanna. He is now preparing for Apoorva Lakhia’s Battle of Galwan, in which he plays an Indian Army soldier. He also continues his long-running stint as host of Bigg Boss 19.
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Anuparna Roy becomes first Indian to win Best Director at Venice Film Festival 2025
Indian filmmaker Anuparna Roy creates history at 82nd Venice Film Festival
Wins Orizzonti Award for Best Director, the first Indian to do so
Songs of Forgotten Trees stars Naaz Shaikh and Sumi Baghel
Presented by Anurag Kashyap, the film highlights migrant women’s lives in Mumbai
Indian filmmaker Anuparna Roy has made history by winning the Best Director award at the Venice Film Festival in the prestigious Orizzonti section. Her debut feature, Songs of Forgotten Trees, became the only Indian film selected in this category in 2025, bringing home a milestone moment for Indian cinema. The Venice recognition comes especially at a time when global attention is increasingly turning towards diverse voices and independent storytelling.
Anuparna Roy becomes first Indian to win Best Director at Venice Film Festival 2025 Getty Images
What is the Venice Film Festival Best Director award?
The Best Director award at Venice Film Festival is one of the highest honours in international cinema. Within the Orizzonti section, it is presented to filmmakers pushing the boundaries of style and narrative. This year’s jury was led by French director Julia Ducournau, who announced Roy’s name to a standing ovation. Roy walked up in a white sari, visibly emotional, and thanked her cast, crew, and supporters for believing in a film that resisted mainstream formula.
The Orizzonti competition is known for spotlighting new cinematic trends. Previous Indian films recognised in this section include Chaitanya Tamhane’s Court and Karan Tejpal’s Stolen, but Roy is the first Indian director to win in this category.
Songs of Forgotten Trees follows the lives of two migrant women in Mumbai, Thooya, played by Naaz Shaikh, and Swetha, played by Sumi Baghel. Their unlikely connection unfolds in the bustling city, exploring themes of survival, selfhood, and solidarity. The narrative, inspired by Roy’s own observations, centres on how women find strength and empathy in urban struggles.
The film is produced by Bibhanshu Rai, Romil Modi, and Ranjan Singh, with Anurag Kashyap presenting it. Kashyap has often supported experimental and independent cinema, and his backing helped Songs of Forgotten Trees reach international audiences.
In her acceptance speech, Anuparna Roy dedicated the Best Director award to women worldwide, saying, “This film is a tribute to every woman who’s ever been silenced, overlooked, or underestimated. May this win inspire more voices, more stories, and more power for women in cinema and beyond.”
She also used the stage to speak about the Palestinian crisis, declaring, “Every child deserves peace, freedom, and liberation, and Palestine is no exception.” Her words were met with applause, clearly showing how filmmakers are using international platforms to amplify global concerns beyond cinema.
Anuparna Roy dedicates her Venice win to women worldwide while speaking about Palestine on stageGetty Images
Why is Anuparna Roy’s win significant for Indian cinema?
Roy’s award marks a breakthrough for Indian filmmakers on the international stage. While Indian cinema has long been recognised at global festivals, Best Director wins at Venice remain rare. Her achievement, in fact, shows the growing acceptance of independent Indian storytelling, away from the stereotypes often associated with Bollywood.
This recognition also signals greater visibility for women directors from India, many of whom struggle for space in a male-dominated industry. Producers behind the film emphasised that backing Roy was “not just a choice, but a responsibility,” pointing to the honesty and strength of stories told by women.
Anuparna Roy accepts her award in a white saree, thanking her cast and crew for believing in her storyGetty Images
Who were the other winners at Venice 2025?
The Golden Lion for Best Film went to Jim Jarmusch’s Father Mother Sister Brother, while Kaouther Ben Hania’s The Voice of Hind Rajab earned the Grand Jury Prize. Benny Safdie won the Silver Lion for Best Director in the main competition for The Smashing Machine.
Rick Davies, co-founder of Supertramp, has died at 81 after a long battle with cancer
The British musician wrote and sang classics including Goodbye Stranger and Bloody Well Right
Davies kept the band alive after Roger Hodgson’s departure in 1983 and toured until 2022
His music, especially Breakfast in America, continues to inspire generations worldwide
Rick Davies' death has left a profound mark on the music world, as fans remember the Supertramp co-founder who turned a progressive rock outfit into one of the most successful British bands of the late 1970s. Alongside partner Roger Hodgson, he penned songs that defined an era, while his unique keyboard style helped shape rock history. Beyond his artistry, Davies’ determination kept Supertramp going long after internal disputes and creative differences split the group.
Rick Davies, British rock legend of Supertramp, dies at 81 Getty Images
Who was Rick Davies in Supertramp?
Born in Swindon, England in 1944, Rick Davies developed an early fascination with jazz and blues before moving into rock. In 1969, he placed an advert to form a new band, eventually bringing in Roger Hodgson. Together, they rebranded as Supertramp in January 1970.
While Hodgson’s higher-pitched vocals carried The Logical Song and Give a Little Bit, Davies’ deeper tones became the backbone of tracks like Bloody Well Right, Rudy and Goodbye Stranger. His mastery of the Wurlitzer electric piano gave Supertramp its signature sound, combining pop hooks with progressive structures.
John Helliwell, Rick Davies, Roger Hodgson, Bob Siebenberg and Dougie ThomsonGetty Images
What were Supertramp’s biggest hits?
Supertramp first tasted commercial success with the 1974 album Crime of the Century, which featured Davies’ single Bloody Well Right. The band’s true breakthrough, however, came in 1979 with Breakfast in America.
The record sold more than 30 million copies worldwide, topping charts across the US and Europe. Its singles The Logical Song, Take the Long Way Home, and Goodbye Stranger remain radio staples. The album earned the group two Grammy Awards, strengthening their place in rock history. Davies’ role as songwriter, singer and pianist was central to this success, his songs carrying a soulful, world-weary edge that contrasted with Hodgson’s more whimsical lyrics.
By the early 1980s, tensions between Davies and Hodgson intensified over songwriting royalties and creative direction. Following the release of Famous Last Words in 1982, Hodgson quit the band.
While many assumed this would end Supertramp, Davies chose to carry on. He released four more albums under the band’s name, including 2002’s Slow Motion. Though the band never again reached the commercial heights of Breakfast in America, they maintained a devoted fan base. Davies’ leadership ensured the group’s legacy endured, with tours continuing into the 2000s.
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How did Rick Davies spend his later years?
In 2015, Davies was diagnosed with multiple myeloma, a cancer affecting bone marrow. This forced him to cancel a planned reunion tour. Despite his illness, he continued performing with local musicians in the US under the name Ricky and the Rockets, entertaining fans with blues and rock classics.
Davies died on 5 September at his home in Long Island, aged 81. A statement from the band said: “His soulful vocals and unmistakable touch on the Wurlitzer became the heartbeat of the band’s sound… Rick’s music and legacy continue to inspire many and bears testament to the fact that great songs never die, they live on.”
Rick Davies, Supertramp’s guiding force, dies at 81Getty Images
He is survived by his wife Sue, who had been Supertramp’s manager since 1984.
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Onam 2025: 5 celebrity fits that nailed the Onam mood
Mohanlal kept it timeless in a crisp mundu and shirt
Prithviraj & Supriya Menon looked like the perfect festive album shot
Malavika Mohanan brought in a twist with her kasavu saree with traditional jewellery
Malaika Arora embraced Kerala’s spirit with a kasavu saree, temple jewellery, and a warm Sadhya
R. Madhavan & Sarita Birje showed coordinated elegance in mundu and saree
Festivals tell their own stories. Sometimes it’s not in the captions, not even in the feasts, but in the clothes, the smiles, and the way people carry tradition without trying too hard. Onam this year gave us just that: celebrities, often dripping in designer labels, strip it back to something pure, elegant, and powerfully rooted.
Here’s who absolutely nailed the Onam vibe.
Mohanlal: The godfather in white
The man does not need to try. In a simple, crisp white mundu. Simple shirt. A straight camera greeting. That is it. No frills, no staged glamour. Just the veteran looking like the festival itself: timeless.
Prithviraj in a mundu with a printed shirt. Supriya in a kasavu saree with a gold border, her jewellery adding the final shine. The picture looked less like a posed post, more like a family album moment you would want to keep.
While others went classic, Malavika played. She wore a cream-white kasavu saree with a golden border, the drape beautifully, turning the attire into almost a contemporary painted canvas. Paired with ethnic gold jewellery, parted loose hair, her styling was classy, traditional and on point.
Bollywood meets Kerala elegance. Malaika in a kasavu saree, gold border flowing, finished with temple jewellery. Add to that a banana leaf sadhya moment with her mother Joyce also in kasavu. Warm, rooted, real. She got the spirit, not just the outfit.
R. Madhavan & Sarita Birje: The coordinated class act
The couple matched steps in traditional wear, smiling in sync. Madhavan in mundu, Sarita in saree, it felt celebratory without being curated. Just a family, a festival, and a frame that spoke togetherness.
Onam does not need long stories. A mundu tucked neatly, a kasavu saree draped with care, a smile that feels familiar, that is enough. That simple, handwoven kasavu cloth does something interesting. It momentarily strips away the movie star, the influencer, the Bollywood diva. For a second, they all just look… Malayali. Connected. Because no matter how famous you get, some looks just feel like coming home.
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Giorgio Armani’s journey from window dresser to fashion emperor
Armani began as a window dresser in Milan before sketching suits for Nino Cerruti.
In 1975, he launched his own label by selling his car, sparking a quiet fashion revolution.
His unstructured suits redefined power dressing for men and women in the 1980s.
From American Gigolo to the Oscars, Armani became Hollywood’s style signature.
He built a global empire yet stayed hands-on, shaping fashion until his final days at 91.
It’s strange to think Armani once stood behind a shop window, fixing mannequins instead of red carpets. He wasn’t born into Milan’s glittering salons or stitched into privilege. His journey started with burns from a war shell, with a mother who made scraps look elegant, with a young man who quit medical school because he couldn’t quite see his future in blood and bandages.
From there, he picked up fabrics, cuts, and the quiet dream of building something lasting. And against all odds, he did. You know his clothes. You’ve seen that look, the effortless drape of a jacket, the quiet confidence of a suit that doesn’t scream but whispers luxury. Giorgio Armani, who left us last year at 91, wasn’t just a designer, he rewrote how the world dresses. These ten chapters show how he carved that throne.
Giorgio Armani’s journey from window dresser to fashion emperor Getty Images
1. Milan shop windows to Nino Cerruti
After leaving the army, Armani took a sales job at La Rinascente, Milan’s posh department store. He was a clerk, then a window dresser, learning which fabrics customers touched twice and which ones they ignored. By the mid-60s, he was sketching suits for Nino Cerruti. Those years taught him discipline, proportion, and that style was more about how clothes moved than how much they glittered.
How Giorgio Armani redefined elegance in ten chaptersGetty Images
2. Founding Giorgio Armani
In 1975, with his partner Sergio Galeotti urging him forward, Armani sold his car to raise money and launched his own label. It was a risk. He wasn’t a household name yet. But those first collections, sharp but fluid, men and women both, hit Milan like a quiet revolution. Armani had arrived, and he carried his own name on the masthead.
The life and legacy of Giorgio Armani in ten actsGetty Images
3. The unstructured suit
He ripped the stuffing out of the traditional jacket, peeled off the padding, and let fabric drape. Men’s shoulders softened. Women walked into boardrooms in suits that carried authority without pretending to be men’s uniforms. It was tailoring that breathed. Armani gave the world a whole new vocabulary: power without stiffness, elegance without excess.
Giorgio Armani’s quiet revolution that changed fashion foreverGetty Images
4. American Gigolo and Hollywood
Richard Gere opening that closet full of Armani shirts was pure cinema, a cultural turning point. Overnight, Armani became shorthand for sleek modernity. From American Gigolo to Julia Roberts in a men’s suit at the Golden Globes, it’s safe to say Armani rewired Hollywood’s image of glamour. That’s why critics joked the Oscars red carpet could have been renamed the “Armani Awards.”
Ten defining moments in the life of Giorgio ArmaniGetty Images
5. The empire expands
Perfumes, jeans, children’s clothes, Armani Exchange. He turned his minimalist philosophy into a whole lifestyle. While rivals chased conglomerates, Armani kept control and built his own ladder, one rung for luxury, one for youth, one for home, even one for hotels. By the late ’90s, his eagle logo was everywhere from sunglasses to sofas.
The timeless legacy of Giorgio Armani in ten chaptersGetty Images
6. Sports and spectacle
He dressed Chelsea footballers and Olympic athletes. He opened a hotel in Dubai, restaurants in Milan, Armani Casa for homes. Armani understood something crucial: his vision wasn’t just clothes. It was a way of living. Walking into an Armani space felt the same as wearing his jacket: quiet, precise, disciplined and elegant.
How Giorgio Armani built a global style empireGetty Images
7. Ethics before trend
Long before wellness talk filled magazines, Armani banned dangerously underweight models from his shows. The same year, he livestreamed a couture collection, back when fashion still thought the internet was beneath it. Armani was old-school in silhouette but sharp-eyed about culture.
Remembering Giorgio Armani through his most iconic momentsGetty Images
8. Grief and resilience
The loss of Sergio Galeotti to AIDS could have shattered him. Instead, Armani carried their dream forward, with family by his side. His empire became not just a company but a shield, one he built in memory of the man who first believed in him.
Armani’s empire: fashion, lifestyle, and legacy in ten stepsGetty Images
9. Awards, honours, billions
Armani wasn’t just respected; he was decorated. From the Legion of Honour to Italy’s highest civilian award, the world recognised his contribution. Forbes estimated his net worth at £9.2 billion (₹978 billion). Yet ask anyone in Milan: he still turned up at the office daily, fussing over lapels and fabrics like an apprentice.
He died on 4 September 2025, in Milan, aged 91, still at work, still in control. Italy’s prime minister called him “the best of Italy.” Critics called him a giant. The truth is simpler: Armani changed how people move through the world. His clothes taught us that confidence whispers, it doesn’t shout.
Giorgio Armani’s timeless influence on global styleGetty Images
Not an ending, but a silhouette
We often say legends “fade away.” Armani doesn’t get that cliché. He didn’t fade. The light just changed, and what’s left is his silhouette. You can’t talk about modern style without tripping over his influence. He’s in the DNA of every brand that prizes minimalist elegance. He’s in the posture of a woman walking into a meeting, feeling powerful in a soft-shouldered blazer. He’s in the ease of a man in a suit that finally feels like his own skin.
When we say “there will be an Armani after Armani,” it’s not just in the company he built, but in everyone who has ever worn his clothes and discovered the quiet power of looking like their truest, most confident self.