Pooja was born in Kochi and raised on a mix of newspapers, pop culture, and too many questions. She studied Communicative English and Journalism before earning her Master’s in Journalism from Amrita Vishwa Vidyapeetham, and began her career interning at The Times of India and Channel I'M — where she later became a news anchor, scripting and presenting her own stories. Between deadlines, she’s worked across digital media platforms, covering politics, gender, pop culture, cinema, and everything in between. She has interviewed actors, creators, and changemakers, and occasionally edits her own video content — thanks to being certified in Photoshop and InDesign. In 2025, she joined the Asian Media Group in her first “official” newsroom gig, where she now covers entertainment, lifestyle, and the layered realities of South Asian identity. She believes storytelling should feel personal — even when it’s public — and likes to write not to please, but to provoke, question, and occasionally stir the pot.
Jennifer Lopez’s skirt slipped off mid-performance in Warsaw during her Up All Night tour on 25 July.
The 56-year-old laughed off the mishap and joked, “I’m here in my underwear,” before tossing the skirt into the crowd.
The moment went viral, with fans split between calling it empowering and speculating whether it was staged.
The concert coincided with Lopez’s 56th birthday, celebrated with a surprise Happy Birthday from her crew and audience.
Jennifer Lopez turned an unexpected wardrobe slip into a moment of humour and poise during her concert in Warsaw, Poland, on 25 July. The pop icon, currently touring Europe with her Up All Night tour, was caught off guard when her glittery skirt fell to the floor mid-show. Instead of panicking, the 56-year-old singer addressed the crowd with a cheeky grin, declaring, “I’m here in my underwear!”
Jennifer Lopez continues performance confidently after skirt falls offInstagram Screengrab/jlosgolden
What happened at Jennifer Lopez’s Warsaw concert?
During the performance at the PGE Narodowy Stadium, Lopez was sporting a green bralette and rhinestone fringe skirt. Just as she emerged on stage following a quick costume change, the skirt slipped off unexpectedly, exposing her high-waisted underwear and sheer tights.
Rather than letting the incident interrupt the show, Lopez stayed in character, laughing it off. “I’m glad they reinforced that costume,” she joked. “And I’m glad I had underwear on. I don’t usually wear underwear.”
A backup dancer rushed in to try and reattach the skirt but couldn’t manage it. That’s when Lopez decided to own the moment. She picked up the skirt and tossed it into the audience. “You can keep it,” she told a lucky fan. “I don’t want it back.”
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Was the wardrobe malfunction staged?
The viral moment has sparked mixed reactions online. While many praised Lopez for her confidence, others questioned the authenticity of the mishap. On X, one user wrote, “Staged but well done,” while another commented, “Her look said it wasn’t by accident.” Regardless of the intent, fans agreed Lopez handled it with composure.
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Jennifer Lopez celebrates her 56th birthday on stage
The concert wasn’t just another tour stop; it also doubled as Lopez’s birthday celebration. The singer turned 56 the day before, and her dancers and the audience surprised her by singing Happy Birthday just moments before the mishap occurred.
Lopez later shared a video of the moment on her official YouTube channel, expressing her gratitude. “To be here in beautiful Warsaw on my birthday, surrounded by my crew, my dancers, my fans, this is freedom, this is love,” she said on stage. She also used the opportunity to share advice with her fans: “Do what you love, with the people you love. That’s the secret. That’s what I’ve learned.”
The Up All Night tour continues across Europe, with Lopez performing a mix of her biggest hits like Let’s Get Loud, On the Floor, and Love Don’t Cost a Thing, along with new releases including Wreckage of You and Up All Night.
Some fans have speculated that the lyrics in these new songs allude to her recent divorce from Ben Affleck. The couple, who married in 2022 after rekindling their 2000s romance, quietly parted ways earlier this year.
Zayn Malik attended BLACKPINK’s Deadline Tour concert in New York on 27 July with his daughter Khai.
He shared a rare father-daughter photo on Instagram, thanking the K-pop group for the experience.
This marks one of the very few public appearances Zayn has made with Khai since her birth in 2020.
The post has sparked fan buzz online, with many hoping for a BLACKPINK-Zayn collaboration.
Zayn Malik surprised fans by attending BLACKPINK’s sold-out Deadline Tour concert at Citi Field in New York on 27 July with his daughter Khai. The former One Direction singer, known for his low-profile lifestyle, posted a rare photo from the concert on his Instagram Story, thanking the K-pop supergroup for the evening.
The snapshot featured Zayn holding Khai close while enjoying the high-energy show led by Jisoo, Jennie, Rosé, and Lisa. The concert marked the latest stop on BLACKPINK’s ongoing world tour, which has seen enthusiastic turnouts across the United States.
Zayn Malik shares rare glimpse of Khai in an Instagram postInstagram/zayn
Why was Zayn Malik at BLACKPINK’s concert in New York?
Fans were pleasantly surprised when Zayn Malik joined the sea of BLINKs at BLACKPINK’s Deadline show in New York. Although he typically avoids public events, the singer made an exception to enjoy a musical night out with his four-year-old daughter.
On his Instagram Story, Zayn shared: “@blackpinkofficial thank you :) me and Khai loved it.” The post instantly went viral, with screenshots circulating widely across fan pages and pop culture accounts. Many praised the singer for spending quality time with Khai and speculated about a potential musical collaboration between Zayn and BLACKPINK in the future.
Instagram Screengrab/zayn
How often does Zayn Malik share moments with daughter Khai?
Zayn Malik and Gigi Hadid welcomed Khai in September 2020. Since their separation, both parents have taken great care to shield their daughter from public attention. Hadid had previously requested paparazzi and fan pages to avoid sharing unblurred photos of Khai.
Zayn has largely followed this approach, rarely sharing images of his daughter online. However, in 2023, he did post a heartfelt tribute to her on her birthday, calling Khai “the most important person” in his life. On the Happy Place podcast in 2024, Zayn spoke openly about how fatherhood changed him, making him more patient and giving him new depth as a songwriter.
Zayn recently wrapped up his solo tour across the US and UK and is reportedly gearing up to release a new track titled Fuchsia Sea later this year. While no official release date has been confirmed, fans are hopeful it will mark a return to the moody, genre-blending style Zayn is known for.
Outside music, the singer has also ventured into lifestyle branding with Scoville Season, a line of kitchen essentials inspired by his love for cooking. In an interview, Zayn said, “It gives me a chance to share my kitchen habits with fans, from aprons to tea towels.”
Zayn performs at O2 Academy Leeds on November 23, 2024Getty Images
Why is Zayn Malik’s BLACKPINK appearance trending?
The sight of Zayn Malik, a global pop star with Pakistani-British roots, at a BLACKPINK concert, accompanied by his rarely seen daughter, created a perfect storm for fan frenzy. It follows Priyanka Chopra and Nick Jonas also showing up at the same concert weekend and expressing their admiration for the K-pop group.
Priyanka called Lisa a “queen,” while Nick shared clips of the couple enjoying BLACKPINK’s biggest hits. With multiple international celebrities now seen supporting the group’s world tour, BLACKPINK’s global influence continues to grow, and Zayn’s unexpected outing has only amplified the buzz.
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The controversial American Eagle ad featuring Sydney Sweeney in head-to-toe denim
American Eagle’s Fall 2025 campaign starring Euphoria actress Sydney Sweeney draws criticism.
The slogan “Sydney Sweeney has great jeans” called out for racial and genetic implications.
Social media users and commentators accuse the brand of tone-deaf marketing.
American Eagle’s stock price jumped 16% despite controversy.
American Eagle’s new campaign for its Fall 2025 denim collection, fronted by Euphoria star Sydney Sweeney, is facing online backlash over its central tagline: “Sydney Sweeney has great jeans.” While intended as a denim pun, many critics say the slogan plays too closely with “great genes,” a phrase historically tied to racial purity and eugenics rhetoric.
Sydney Sweeney’s American Eagle look for the Fall 2025 collection rolloutInstagram/americaneagle
Why is Sydney Sweeney’s American Eagle ad controversial?
The controversy erupted soon after American Eagle unveiled billboards in Times Square and Las Vegas, presenting Sydney Sweeney modelling denim looks beside the now-debated slogan. In one ad, Sweeney is seen painting over the word “genes” and rewriting it as “jeans” as a cheeky nod to the pun, but one that critics argue failed to consider deeper social implications.
Online reactions were swift. Social media users noted that the phrase “great genes” has historically been used to uphold narrow beauty standards like white, thin, and able-bodied, and that choosing Sweeney, a blonde, blue-eyed actress, as the face of this message sends the wrong signal.
“This is what happens when there are no people of colour in the room,” one user commented on American Eagle’s Instagram post. Another called it “a clever pun built on decades of exclusionary ideals.”
Does the phrase ‘great genes’ have a problematic history?
Yes, and that’s why the campaign is drawing so much criticism. The phrase “great genes” has long been linked to eugenicist language, which in the early 20th century promoted the reproduction of certain groups, mainly white and able-bodied, while discouraging or even forcibly preventing others from reproducing.
Several publications, including Salon and B&T Australia, pointed out that the ad’s wordplay inadvertently evokes these associations. Critics also highlighted that even if unintentional, such messaging reinforces outdated and exclusionary ideals.
A viral post summarised the sentiment: “It’s not about how she looks in jeans. It’s about what this campaign is subtly saying about who gets to be seen as genetically superior.”
As of now, neither American Eagle nor Sydney Sweeney has issued a statement addressing the backlash.
In official materials, the brand positioned the campaign as a celebration of self-expression and denim culture. The “Sydney Jean,” a custom style co-created by Sweeney, is part of the rollout and features a butterfly motif representing domestic violence awareness. American Eagle announced that 100% of the net proceeds from the jean will go to Crisis Text Line, a non-profit providing free mental health support via text.
Despite the backlash, the campaign is still live across multiple platforms and locations. It includes interactive AR filters, virtual try-on tools, and 3D billboards showcasing Sweeney.
The campaign sparked a wave of online debate, but the financial response has been surprisingly positive for American Eagle. According to market watchers, the brand’s stock surged by up to 16% following the campaign’s launch. Analysts attributed this to “meme stock” behaviour, where retail investors jump on trending brands based on viral attention, much like the GameStop phenomenon of 2021.
However, experts warn that such surges are often short-lived and may not reflect long-term brand strength or consumer trust.
Sydney Sweeney’s limited-edition Sydney Jean is part of a charity collaborationInstagram/americaneagle
Final takeaway: clever marketing or cultural misstep?
Sydney Sweeney’s campaign is a reminder of how language, even when playful, can carry unintended meanings. What may seem like harmless wordplay to some can alienate others, especially in a media landscape where consumers expect more accountability and awareness from brands.
While the controversy may boost short-term visibility and stock value, American Eagle now faces a larger question: Can a brand reclaim pop culture relevance without alienating the diverse audience it hopes to attract?
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Deepika Padukone named the only Indian in The Shift’s 90 Women Shaping Culture list
Deepika Padukone named in The Shift's list of ‘90+ Women Shaping Culture’ for her mental health advocacy
The global list honours changemakers like Zoya Akhtar, Angelina Jolie, Selena Gomez, Billie Eilish, Amal Clooney, and Zoya Akhtar
Deepika’s Live Love Laugh Foundation recognised for raising awareness around mental health in India
The actress is also set to receive a star on the Hollywood Walk of Fame in 2026
Bollywood star Deepika Padukone has been honoured by The Shift as one of the ‘90+ Women Shaping Culture’, joining a powerful group of global influencers including Zoya Akhtar, Angelina Jolie, Selena Gomez, and Billie Eilish. The list, unveiled in celebration of Gloria Steinem’s 91st birthday, spotlights women who are redefining leadership, creativity, and activism across the globe.
The 39-year-old actress, known for her blockbuster films and public advocacy, was recognised for her efforts in mental health awareness and women’s empowerment, especially through her Live Love Laugh Foundation, which has played a key role in normalising conversations around depression and emotional well-being in India.
What is The Shift’s ‘90+ Women Shaping Culture’ list about?
The '90+ Women Shaping Culture' list is a special editorial initiative by global publication The Shift that celebrates women making significant impact across sectors. The 2025 edition pays tribute to feminist pioneer Gloria Steinem by highlighting 90-plus voices from around the world that are actively challenging norms and shaping a better future.
Names on the list include Hollywood A-listers like Angelina Jolie and Emily Blunt, singer-activists like Billie Eilish and Olivia Rodrigo, and legal icons like Amal Clooney.
Deepika’s inclusion on the list is tied to her consistent mental health advocacy, which began after she went public with her own experience battling depression in 2015. Since then, through the Live Love Laugh Foundation, she has launched campaigns to raise awareness, fight stigma, and expand access to support services, especially in rural India.
In a quote featured by The Shift, Deepika explained:
“To me, success isn’t just about professional achievements, but about well-being, where mental health and self-care matter as much as discipline and determination. I hope to inspire a generation that values patience, balance, consistency, and authenticity.”
Deepika shares the honour with global icons like Angelina Jolie, Selena Gomez and Billie EilishGetty Images
What else is Deepika Padukone working on?
Beyond her philanthropic work, Deepika continues to dominate headlines for her international milestones. She will become the first Indian actress to receive a star on the Hollywood Walk of Fame in 2026, joining the likes of Timothée Chalamet, Demi Moore, and Rami Malek in the Class of 2026.
On the film front, she recently starred in Singham Again and is now preparing for her next major release, a sci-fi action film with Allu Arjun, directed by Atlee and produced by Sun Pictures. Tentatively titled AA22xA6, the project marks Deepika’s second collaboration with Atlee after Jawan.
She is also set to return in the sequel to Kalki 2898 AD, where she plays the mother of the lead character. Production for the sequel begins in December 2025, with over 30% of the shoot reportedly already completed.
Deepika Padukone joins Allu Arjun in Atlee pan India epic AA22xA6 Youtube Screengrab/ Sun TV
How Deepika’s influence extends beyond Bollywood
Deepika Padukone’s selection as a cultural shaper reinforces her position as one of India’s most globally relevant voices. She is not only representing Indian cinema on the world stage but also using her platform to spark vital conversations about emotional resilience, gender equity, and the modern definition of success.
Her feature in The Shift cements her legacy as an actress, activist, and cultural force who continues to impact both art and society.
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Aanand L Rai criticises Eros for altering Raanjhanaa’s ending using AI without his consent
Aanand L Rai has been testing AI-driven tools in editing, dubbing, colour grading, and alternate storytelling.
A re-edited Tamil version of Raanjhanaa (Ambikapathy) features an AI-generated “happy” ending, without the director’s consent.
Rai calls the unauthorised edit a violation of creative trust, sparking a wider debate about AI’s role in Indian cinema.
He proposes contract reforms to ensure mandatory consent for AI-assisted modifications in films.
As artificial intelligence accelerates its entry into global filmmaking, Bollywood director Aanand L Rai finds himself both a pioneer and a protester. In recent months, the Tanu Weds Manu and Raanjhanaa director has been quietly experimenting with AI tools, from storyboarding and colour grading to dialogue enhancement and alternate endings. But when one of those experiments was co-opted and released without his consent, the results became a flashpoint for the Indian film industry.
Rai is now at the centre of a national debate after Eros International announced the 1 August release of Ambikapathy, a Tamil-dubbed, AI-modified version of Raanjhanaa (2013). The new cut, which features a radically different ending in which protagonist Kundan survives, was created using generative AI tools but released without input or approval from Rai or his team.
Aanand L Rai calls for mandatory consent clauses in film contracts to protect creative rightsANI News
Rewriting Raanjhanaa: Innovation or interference?
Originally, Raanjhanaa ended with Kundan, played by Dhanush, dying in Varanasi after a life marked by unrequited love and spiritual redemption. The AI-generated Ambikapathy, however, flips the tone, preserving Kundan’s life and offering what Eros calls a “respectful reinterpretation.”
For Rai, the change is anything but respectful. “Machines can’t create films. The tragedy was part of Raanjhanaa’s DNA. You can’t just rewrite its soul,” he said in an interview.
While Eros CEO Pradeep Dwivedi defended the move as a legal and creative right, part of the company’s strategy to revisit its catalogue through AI-driven narrative experiments, Rai views the release as a breach of artistic trust. “Even if I’ve waived certain rights contractually, there must be a moral line,” he said. He has asked to have his name removed from the new version and is preparing a formal complaint to industry bodies.
Rai’s controlled AI trials: From colour grading to alternate endings
Ironically, Rai’s criticism of the AI-altered Raanjhanaa comes even as he explores AI’s possibilities in his own projects, on his own terms.
Behind closed doors, Rai has been running structured experiments with AI-assisted filmmaking. One such test involved generating a happier alternate ending for Raanjhanaa to study how audiences respond to different narrative resolutions. “It was never meant for release. It was an academic what-if,” says a close aide.
He has also been testing machine-learning tools for automated colour grading, emotional tone-mapping in dialogue delivery, and even generative storyboarding for his upcoming film Tere Ishq Mein. In post-production on that film, Rai is said to be using neural network software to optimise mood lighting and scene pacing.
Next on his roadmap: experimenting with AI-driven dubbing across regional Indian languages and holding creative workshops for crew and cast to discuss the ethics and potentials of AI filmmaking.
While Rai acknowledges that AI can aid the filmmaking process, speeding up workflows and assisting in visualisation, he draws a sharp line at creative autonomy. “AI should be a tool, not a storyteller. The final voice must always be human,” he insists.
He is now working with lawyers and fellow filmmakers to develop contract templates that include explicit consent clauses for AI-based changes. These would protect directors and writers from having their work altered posthumously, or commercially without their approval.
The initiative mirrors similar conversations in Hollywood, where recent WGA and SAG-AFTRA strikes demanded protections against AI use in writing, acting, and editing. “We’re at the same crossroads here in India. If we don’t set boundaries now, filmmakers may lose authority over their own stories,” Rai warned.
Eros maintains that the original Raanjhanaa remains untouched and accessible to viewers, while the new Tamil version is simply a parallel “narrative experiment.” But for Rai, it’s not a question of access, but one of agency.
His fear is that AI, left unchecked, could replace artistic complexity with algorithmic storytelling designed for broader, safer appeal. “Art isn’t about pleasing everyone. It’s about saying something specific, something risky,” Rai says. “AI doesn’t take risks. It calculates.”
Still, he remains cautiously optimistic. “If used ethically and collaboratively, AI can elevate cinema. But without safeguards, it could flatten it.”
As Ambikapathy heads toward release, Rai’s call for artistic consent is gaining traction in industry circles. Filmmakers, screenwriters, and even some studio executives are reportedly discussing guidelines for AI use in creative workflows.
Rai’s next move will likely involve lobbying film guilds and copyright authorities to formally recognise AI-altered works as distinct creative entities, ones that must credit, consult, or exclude original creators based on their will. In the meantime, his own AI experiments will continue, under the same principle that guides his films: emotion over efficiency.
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Logos of ULLU ALTT and Desiflix banned after government crackdown
• 25 OTT platforms including ULLU, ALTT, and Desiflix blocked by Indian government. • Action taken under IT Act and Indecent Representation of Women Act. • Content flagged for sexually explicit scenes with no storyline or social relevance. • Shiv Sena’s Priyanka Chaturvedi and NCW welcomed the crackdown.
In a major digital crackdown, the Indian government has blocked 25 OTT platforms, including ULLU, ALTT, and Desiflix, for allegedly streaming obscene and pornographic content under the guise of erotic web shows. The action follows repeated warnings and violations of Indian laws such as the Information Technology Act, 2000, and the Indecent Representation of Women (Prohibition) Act, 1986.
The ban affects 26 websites and 14 mobile apps, which were found to be in serious violation of the IT Rules, 2021. Platforms were accused of publishing sexually explicit content with little to no narrative or artistic value, raising concerns about their accessibility to minors and the portrayal of women in objectionable contexts.
India blocks OTT apps over complaints of obscene content and law violationsScreengrab
What prompted the OTT platform ban?
The Ministry of Electronics and Information Technology (MeitY) acted following multiple complaints and reports from civil society organisations and government bodies, including the Ministry of Home Affairs (MHA), the Ministry of Women and Child Development (MWCD), and the National Commission for Women (NCW). These platforms were flagged for releasing soft porn disguised as adult drama series with no regulation or viewer restrictions.
The government said that content often included prolonged nudity and scenes of a sexual nature, sometimes within inappropriate or sensitive contexts like familial relationships. Authorities stated that such material lacked narrative structure, character development, or any underlying message, making it a direct violation of digital content guidelines.
Government order leads to blackout of 25 OTT platforms streaming adult contentScreengrab
Which OTT apps were banned and why?
Among the blocked platforms are some of India’s well-known names in the erotic entertainment space, such as: • ULLU • ALTT (a subsidiary of Balaji Telefilms) • Desiflix • Big Shots App • Boomex • NeonX VIP • MoodX • Triflicks • Feneo • Mojflix
These platforms were accused of repeatedly circumventing guidelines by re-uploading edited or previously flagged content. Reports also highlighted that some of these platforms operated multiple mirror domains to escape regulatory scrutiny.
The apps violated provisions under Section 67 of the IT Act (publishing or transmitting obscene material in electronic form), Section 67A (sexually explicit content), and Section 292 of the Indian Penal Code. Several also breached the 1986 Act meant to prevent indecent representation of women.
What did leaders and organisations say about the move?
Shiv Sena (UBT) MP Priyanka Chaturvedi, who had raised concerns about explicit content on apps like ULLU and ALTT, welcomed the ban. "Had been talking about these two apps in particular... glad the government finally paid heed," she posted on X.
Earlier, the National Commission for Women took suo motu cognisance of ULLU's House Arrest web series, starring Ajaz Khan, after a controversial clip went viral in May. The commission slammed the platform’s depiction of women and called for regulatory intervention.
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Has this happened before?
This is not the first action taken against OTT apps in India. In March 2024, the government blocked 18 OTT platforms and associated domains for similar violations. Platforms such as Prime Play, Hunters, and Voovi were among those banned at the time. Despite warnings, several resumed operations using new domain names or hosting sites outside India.
In response, the government has now ordered Internet Service Providers to permanently block access to these platforms in India.